The fourth and final Dana Girls Mystery Story ghost-written by Hardy Boys author Leslie McFarlane was a bit better than the third book, thankfully. It has been somewhat interesting to read all four of McFarlane's books in this series, especially comparing them with the outlines for the books provided by the Stratemeyer Syndicate - finding the commonalities among the books, seeing what aspects were provided by McFarlane and what was required by the outline, and reading how the stories varied in tone and style based upon his circumstances at the time he was writing the books. There is a consistent timeline for the books (from autumn to Thanksgiving to Christmas, and now to springtime with this fourth mystery), which is rare to see in series books where the protagonists never age - it's almost a shame the Syndicate did not keep with that timeline as the series went on under different ghostwriters.
A Three Cornered Mystery bears a very unusual name, leaving the reader to wonder exactly what it means. I have to give them credit for the creativity, as even I was curious as to the meaning. By the final chapters of the story, the reason for the title becomes clear, and it is extremely clever (you don't really think I'm going to give it away and ruin the surprise, do you?). But let's start at the beginning, shall we? The story starts off innocently enough - Jean and Louise are out riding horses when they chance to meet a real estate man from Oak Falls by the name of Taylor Lott (and if you know anything about real estate, you'll get that pun right off the bat!). It turns out Mr. Lott is quite upset, as a gentleman who was working for him turned out to be a crook - stole quite a large sum of rental income from various properties Mr. Lott manages, as well as other important documents (p. 4). The Dana Girls immediately smell a mystery! Well, as it turns out, this mystery has so many coincidences in it, there was simply no way the sisters could not solve it!
Here there girls are told that Mr. Lotts is looking for Edward Carrillo, and coincidentally enough, as soon as Mr. Lotts and his assistant leave the tea room, who should show up but Mr. Carrillo (p. 9)! They ply him with innocent questions to learn where he is headed, so they can pass the information along to Mr. Lotts. Upon returning to Starhurst, they read a letter from their Aunt Harriet who informs them her old school chum, Elizabeth Flower, is staying at the Danas' home because a man named Carrillo stole her money (p. 16)! As if that coincidence were not surprising enough, when a reporter by the name of Edith Darrow shows up at Starhurst and invites the Danas to spend the weekend at her farm, the girls are shocked to discover that Carrillo was a former border at the farm (p. 29)! In the barn where Carrillo spent his time, the girls discover some hidden papers, which include a lottery ticket (p. 30), which plays an important part in helping the girls track down Mr. Carrillo later on.
Well, the coincidences keep coming - when the girls find the Darrows have disappeared from their own farm, a policeman shows up looking for the victim of a car accident who was hit near the farm - not only does that police officer turn out to be a distant relative of Aunt Harriet's friend, Elizabeth Flower (p. 50), but the mysterious man who showed up after the Darrows went missing is the car accident victim! Later in the story, when the girls are staying with Mrs. Flower to assist her while she is allegedly ill, they make the connection that the accident victim is actually Mrs. Flower's nephew, James (p. 80). And when Mrs. Flower's housekeeper quits, the Dana Girls just happen to be at the Darrow farm when Mrs. Carrillo arrives looking for her son - and she just happens to be a housekeeper who is looking for work (pp. 111-12).
Oh, but wait! That's not all! A detective hired by Mrs. Flower to locate Mr. Carrillo reveals to the Dana Girls that he has bigger fish to fry, as he is on the trail of an international spy by the name of Kurt Hassell (p. 148). Well, when Uncle Ned takes the girls with him to New York City for their spring break, they stop at a hotel in New Jersey along the way where Uncle Ned accidentally enters the wrong room. As fate would have it, the woman in that room has a photo of a man she says is Raymond Del Mort, but who the girls immediately recognize as the criminal, Kurt Hassell (pp. 158-59)! "Odd coincidence, isn't it?" the woman in the room comments (p. 160). Yes, I'd certainly say so! Then, of course, when tracking down Carrillo in New York City, they are super-surprised to learn the address they find for Carrillo is the same address as the one given them by the woman for Kurt Hassell (p. 164)! I mean, I know coincidences always play a large part in any mystery - let's face it, without them, it is unlikely these teenage sleuths in series books would ever be able to solve a mystery! But this book is filled with so many, perhaps the title should have been "A Multi-Coincidence Mystery"!
Aside from the way-too-many coincidences, there is a fairly decent underlying mystery. Two women (mother and daughter) go mysteriously missing from their house, while the Dana Girls are staying out in the barn (hoping to catch themselves a criminal), and Jean and Louise have no explanation. Jean sneaking into the empty house in the middle of a storm, the unexplained disappearance of the women, and the unexpected appearance of the police, together with the mysterious stranger who showed up in the barn and then disappeared when the girls take the cops out to him all add up to a laudable attempt at integrating some gothic elements into the mystery. Adult readers will likely figure out what happened to the women, but I can imagine young readers will be spooked by the entire scene - after all, a stormy night always adds that terrifying element to any story.
I did find several aspects of the story humorous, particularly the disguises the girls don in order to trick Edward Carrillo. While in New York, the girls buy "two cheap dresses, which were extra long and undeniably dowdy" as well as "two paid of cheap spectacles" (p. 171). Simply by donning unflattering dresses and glasses, the girls are able to visit Carrillo without him recognizing them as the Dana Girls. What was so funny is that when Carrillo leaves, and the girls confront Mrs. Darrow and her daughter, Louise "removed the spectacles and tossed her hat onto the divan. Jean did likewise" (p. 177). They second they remove those glasses, Edith Darrow cries out, "The Dana girls!" (p. 177). This is especially amusing to any comic book fan, as Superman has hidden his identity for 90 years behind a pair of glasses as Clark Kent, with no one recognizing him - so why shouldn't the Dana Girls use the same trick?
Ferdinand Warren once again provides the art for the internal illustrations; however, the four illustrations in this story have a distinctly different feel to them when compared with the prior books. The black and white illustrations are much heavier on shadows, and the lines are not nearly as succinct as previous books in the series. Not sure what caused the difference, but if I hadn't seen Warren's name listed on the title page, I would have assumed it was a different artist.
A few other tidbits I noticed in the story - one being the name of the lawyer that Mrs. Flower calls upon to draw up her will. His name is Josiah Jarvis (p. 77), which struck me as odd - for those who are Nancy Drew fans, you may recall that Nancy Drew's first case involved a missing will of a man named Josiah Crowley! To have two stories only five years apart use the same name for a character connected with a will is a bit of a coincidence (hmmmm.....). Another name that caught my eye is the last name of the reporter and her mother - "Darrow." Fans of Mildred Wirt Benson will easily recognize that name, as Benson wrote a four book series (published in 1930 and 1931) whose title character was named Ruth "Darrow." The name appears in the outline, so it was not created by McFarlane; rather, it was used by the Stratemeyers (leading one to wonder if perhaps it was a way of poking at Benson, who was writing the Nancy Drew series at the time this fourth Dana Girls book was published). Outside of names, the book reveals that the Danas used to collect cigar bands for a brief period of time, and as such, they happened to have a book on the various bands (another coincidence!) that they use to disprove Lettie's attempt to make the other girls at the school think she is receiving letters from an important Count (p. 63). I suppose it was good fortune they used to have that hobby, and that they happened to have that book at the school with them in order to reveal Lettie's lies!
Finally, the second cover art for this book is less than stellar - it merely shows a close-up of Louise and Jean against a dark green background, with Louise holding an oil lamp. I'm not really sure what the scene is supposed to represent (unless it is from when the girls are exploring the empty Darrow house, looking for their hosts). It is probably the most lackluster cover of the entire series! While the collage covers of the original editions are not my favorite art style, I have to admit, those scenes depicted for this book are a far cry more exciting than the art used for the wrap-spine dust jacket! Not sure who the artist was, or who gave the artist the instructions for the scene, but if it were me, I definitely would not be claiming it as my work!
While not the best of the series, I will say this book was certainly a better (and a bit more believable) story than the last one! And with this book, we reach the end of Leslie McFarlane's writing of the Dana Girls Mystery Stories, for with the fifth book, Mildred Wirt (Benson) took over the writing chores. It will certainly be interesting to see how her writing of the sisters compares with version established by McFarlane in the first four books.
RATING: 7 beds of rattlesnakes sunning themselves on a rock out of 10 for an interesting tale, if for no other reason than the variety of unique characters thrown together for one story!