Dorothy Dixon Wins Her Wings - the first Dorothy Dixon Air Mystery Story

It was time to start a new (well, technically it's vintage, but it's "new" to me, since I've never read it before!) series, and this time around it's the Dorothy Dixon Air Mystery Series by "Dorothy Wayne."  And, yes, I put the author's name in quotes, because that name is nothing more than a pseudonym.  As it turns out, "Dorothy Wayne" was actually Noel Sainsbury, Jr., who wrote a number of children's adventure and mystery stories during the 1920s and '30s.  A former naval aviator during the first World War, it would only make sense that his stories tend to involve aviation.  Sainsbury authored the Billy Smith series, as well as the Bill Bolton series, both of which had pilots as their protagonists.  The inside front flap of the dust jacket for this book advertises the series as a "new series of mystery books for girls - the stories are told by Dorothy Wayne, wife of Lieut. Noel Sainsbury, Jr., author of the famous Bill Bolton books."  It seems Sainsbury used his first wife's name when authoring the books, likely because it would have appeared odd to have a girls' series written by a male author.  All four books in this series were published by Goldsmith in 1933, and no more appeared after that.

 

Dorothy Dixon Wins Her Wings reads like a spin-off of Sainsbury's Bill Bolton Naval Aviation Series, which also ran for four books, and were all published in 1933.  On the first two pages, readers are not only introduced to sixteen-year old Dorothy Dixon, but the "famous" Bill Bolton as well!  Dorothy meets him while preparing to head out into the waters in her skiff, and when she realizes who he is, she exclaims, "I've read about you in the papers - and I know all about the wonderful things you've done!" (p. 16).  So, it's clear from the start that the young man had already made a name for himself as an accomplished aviator by the time this story begins.  Dorothy, on the other hand, knows nothing about aviation and quickly proves herself not so capable in the water either when her boat capsizes in the middle of a horrific storm by the end of the first chapter.  It's Bill Bolton who saves the day, however, when he pulls her out of the raging waters with his Loening amphibian (p. 33).

 

Sainsbury clearly knows his stuff, as the Loening amphibian was a real seaplane that could land on ground or water, designed by Grover Loening and first taking flight in 1923 (Loening Amphibian).  And the author definitely shared his knowledge of aviation and planes throughout the entirety of this first book, as Dorothy immediately wants to learn how to fly, and Bill graciously agrees to teach her (with both of their fathers' permission).  Sainsbury, through Bill's lessons, goes into painstaking detail at times about the various parts of the plane, the instruments and their different purposes, and pretty much everything one would need to know before taking a plane up into the air.  I have a feeling the author fudges with the timing a it, as Dorothy learns to fly in just a matter of days, while in the real world, as quick search online reveals it can take a month or two of regular, consistent training for someone to learn how to fly sufficiently to gain their private pilot's license.  I suppose, however, in a fictional tale such as this, learning to fly in a just a few days is relatively easy - especially for someone like Dorothy Dixon, who also is skilled in jiu jitsu (George Fayne, eat your heart out!) and was trained by her father in "running, boxing, fencing, swimming..." (p. 192).  Why, it seems there is nothing Dorothy Dixon can't do once she sets her mind to it!  (Gee, sound like another female teen detective?)

 

And speaking of similarities, I did find it interesting that Dorothy is the daughter of a one-parent home, yet her relationship with her father was not an affectionate one.  The author indicates that although the bond between father and daughter was strong, "especially since the mother's death some years earlier, neither was particularly demonstrative" (p. 103).  It made me stop and think that a number of these girl sleuths had only their father to raise them, although some had live-in housekeepers.  Perhaps this is why the young detectives are so strong-willed and, more often than not, well-versed in any number of physical and mental capabilities - because they were brought up with a male perspective and strong, masculine influence, which made them more capable and independent than most girls their age.

 

While a large portion of the story focuses on Dorothy's education in aviation, there is a mystery involving a robbery at the bank of which Mr. Dixon is the president.  Honestly, it's pretty obvious from the get-go who aided the thieves, but no one (including Bill and Dorothy!) seems to catch on.  The mystery takes a back-burner to the flight lessons, but once Dorothy starts to get the hang of flying, Bill suddenly reveals a hunch about there whereabouts of the thieves (in an isolated house on a hill, some miles away from town).  Rather than tell the police, the daring duo make their own way to the house and end up captives of the criminals.  It's actually a fairly exciting climax to the story, as Dorothy reveals her jiu jitsu skills, and she proves just how much she has been paying attention to her flying lessons as she takes the amphibian from the water and flies it right up to the front porch of the house where the criminals are hiding!  (Oh, and one of those criminals is not exactly who he appears to be, which made for a good twist in the story.)

 

Sainsbury is not shy about his female detective using guns (something Harriett Adams would NEVER allow for Nancy Drew!).  When Bill offers Dorothy a Colt .32 to protect herself and asks if she knows how to use it, her response is, "Certainly.  What do you expect me to do - release the safety catch and pull the trigger to see if it works?" (p. 159).  Near the end, when she flies the amphibian up to the front of the house, she does not hesitate to turn "the Browning [machine gun] into action and [send] half a belt of bullets whipping through the door," careful to "aim high [as she] had no desire to play the part of executioner" (p. 245).  Definitely not a Stratemeyer sleuth! 

 

I found the constant banter between Dorothy and Bill rather humorous, and loved that Bill playfully referred to her as "Miss Sherlock" (p. 85).  He even goes so far as to refer to himself as "Doctor Watson" (p. 89) to her Sherlock!  And I was surprised at the blatant use of brand names such as "Silvertowns" and "Goodyears" when Dorothy and Bill are discussing the kinds of tires the getaway car had (p. 90).  It's not often you see specific brand names used in a series book.

 

Finally, Sainsbury had a bit of fun at his own expense in the story.  When Bill asks Dorothy to go see a movie, she declines, informing him she has a writing club meeting that night.  She invites him to join her, but he quickly turns her down - until he learns the advisor for the group is none of than ... "Noel Sainsbury, the writer ... He was a naval aviator during the war ..." (p. 143).   How many authors have the fun of immortalizing themselves in their own stories?!

 

All four books in this series feature the same cover art, which is a scene taken right out of the second chapter, where Bill shows up to rescue Dorothy after her boat overturns.  There's no signature on the art, and like most series books of that time, no cover artist is identified on the title or copyright pages.  There are also no internal illustrations, which is typical of a lot of the Goldmith books.  The paper is also considerably cheaper, as this nearly 100 year old book has pages that are very brittle, meaning it had to be extra careful when I was reading it to make sure the pages did not crack or fall apart under my fingers.

 

While I did find the abundance of technical instructions about flying to be a bit tedious at times, the characters' banter and the mystery did more than make for it.  I found that I really enjoyed the story, and I'm looking forward to reading the next three books.

RATING:   10 pairs of yellow beach pajamas out of 10 for giving readers a spunky, new aviatrtix who is daring, adventurous, courageous, fearless, and loves to solve mysteries!

A Zebra Mystery Puzzler #25 - You'll Be The Death of Me

It's been ten books since the first of Miriam Lynch's entries into this series, and now I've reached the second (and final) offering by Lynch.  This book was a far cry better than her first Zebra mystery, so either she honed her mystery-writing skills between the time she wrote Time to Kill and this one, or that first book was merely a fluke (since online reviewers all seem to have nothing but praise to sing for Lynch's writing).  Either way, I found this book to be much more engaging, with a well-plotted mystery and plenty of misdirect and red herrings!

 

You'll Be The Death of Me takes small-town reporter Nell Willard  to the Belltown High School twenty-year class reunion, where long-time teacher Sarah Plunkett is being honored as she retires after years of service and Nell is there to cover the story.  Love her or hate her, everyone agrees that Mrs. Plunkett was strict, but she loved her students and only wanted to see them succeed.  But as the retiree prepares to give her speech, she suddenly collapses over the front table, dead!  Needless to say, Nell has an eyewitness account of the tragic event, and when it comes out the teacher was poisoned, Nell knows it's a mystery she must solve.  Police lieutenant Gerold Holbrow, Nell's somewhat boyfriend, is on the case, and although he warns her to stay out of the investigation, she cannot help herself.  After all, the woman had once been her teacher, and for the life of her, Nell cannot understand who would have reason to kill her.

 

Lynch gives readers a number of suspects, all with secrets and possible motives.  First, there is the chairperson of the reunion, Marion Hallison.  The woman is a mystery herself, with no known background, no photographs, and no friends.  Who is she, and how did she land the position of planning such an important event?  As Nell digs into her past, she learns that Marion may be holding a very fierce grudge against the teacher - but is it one that would give her cause to kill her?  Second, there are Stuart and Samuel Corbett, twins who served as co-presidents their senior year of high school, and who married the Bisbee twins (Grace and Gertrude).  The two couples became recluses after their marriages, and moreso after Samuel's wife died.  What secret did Sarah Plunkett uncover about the twins, and was it worth killing her?  Third, there is Suzanne Dixon, the beautiful young wife, married to the richest man in town (a man who could not bother to show up at the reunion, perhaps because he was too drunk!).  Why has she been making early morning visits to a local doctor, and what secret would make her want to leave her husband?  Finally, there is Dr. Harmon Gregory, one of the more successful members of the class, whose sole concern seems to be to care for his sickly wife, who also acts as his nurse at his office.  Is he having an affair with Suzanne Dixon, and if so, how would that justify killing a retiring teacher?

 

The mystery is definitely a puzzling one, and I admit, it had me stumped up until the very final chapter.  All of the suspects had dark secrets, but only one of them had a real motive for murder.  It is when an attempt to commit a second murder takes place (and the big clue is in that final internal illustration) that the killer's identity is finally revealed - and the motive is not all what you suspect.  It certainly took me by surprise, but it definitely made sense looking back at everything else Nell learns throughout the book. 

 

The cover art is provided by Mel Greifinger, who has provided the art on three prior Zebra Mystery Puzzlers. I love his work, as his visuals are stunning.  Sadly, I could not find any real clue on the cover (unless it is simply supposed to be the glass in front of her, which was poisoned.  The internal illustrations are drawn by Sanford Hoffman, marking his fifth book in the series.  As with all of his prior illustrations, he always outlines his scene, and he often has one part of the scene break through that outline (such as in the one to the right, where the gun is raised, breaking through the line).  This scene strikes me as odd, though, as the story indicates the person comes up behind Nell and strikes her on the head.  The object that strikes her is not mentioned, and it is not until later in the story we find out it was a gun - so to have it displayed so vividly here sort of gives away something (unless this picture on page 75 is meant to connect to the illustration on page 159; yet, the guns in each drawing appear different!).  I also find the gun and hand to be very out of proportion to the scene, since, if the person is behind Nell, wouldn't the perspective mean the hand and gun should be smaller?  Yet, in the drawing, they are considerably larger! Oh, well, I suppose that's just me being nit-picky!

 

This is definitely on my list of the top Zebra Mystery Puzzlers.  Loved the mystery, loved the characters, and loved the resolution.  It's just a shame this was the last offering by Miriam Lynch, meaning no more reporter Nell Willard solving murder mysteries...

 

RATING:  9 bottles of Silver Mist hair coloring out of 10 for a crafty, puzzling mystery that really does keep you guessing up until the end! 

The Desparate Game - a Guinevere Jones novel (Book 1)

The advertising for this series says, "If you like Moonlighting ... If Remington Steele turns you on,you'll love ... THE GUINEVERE JONES NOVELS."  Growing up in the '80s, I watched both of those shows and loved them.  Thus, it was pretty much a no-brainer that I was going to pick up these books.  Now, I honestly cannot recall where I first saw them - maybe it was on Amazon, or perhaps eBay.  All I do remember is that I loved the cover art and cover design, and when I read the description, I was immediately hooked.  The author, Jayne Castle, I was completely unfamiliar with; however, I have since learned that Castle is actually Jayne Ann Krentz, who has written a number of bestsellers under various pseudonyms, including Jayne Castle, Jayne Taylor, Stephanie James, Amanda Quick, and others.  This four-book series was originally published back in 1986, which explains the Moonlighting and Remington Steele references - clearly, she was cashing in on the success of those two shows and their format!

 

The Desperate Game is the first Guinevere Jones novel, introducing readers to the thirty-something business woman with coffee-brown hair that runs a pretty successful temp agency. Unfortunately for her (or fortunately, depending on your point-of-view), while temping herself as a cocktail waitress, she happens to meet Zachariah Justis, a "frog that never metamorphosed into a prince" (p. 7). She is determined to ignore his not-so playful passes until he says the magic word - "StarrTech" (p. 10).  And with that begins the hate/love relationship of Guinevere and Zac.  What starts as a matter of blackmail in order for Zac to get Guinevere to work for him turns into a heated and passionate one-night stand that leads to a deadly partnership to uncover the truth behind missing shipments of technology.  Both have secrets and both have attitudes, but in the end, they find they must put aside any feelings of distrust if they are going to stop not only a thief, but also a murderer!

 

Castle (Krentz) writes a wonderfully engaging murder mystery (even if the murder does not actually get discovered until nearly half-way through the book), and the banter between Guinevere and Zac reads so smooth and natural, it brought a smile to my face on more than one occasion.  I love Guinevere's quick wit and snarky remarks, and Zac's no-nonsense, do whatever it takes to get the job done attitude compliments her nicely.  The pair make a great team, and I could easily picture this as an '80s television hit.  And, as silly as it sounds, I like the fact that Castle did not make the two characters perfect specimens - neither are described as overly beautiful or handsome, and they both have their flaws.  It makes them considerably more real than most crime-solving duos (who, on television at least, are always portrayed as gorgeous and the ideal model-type women and men).

 

The mystery itself seems simple enough - Zac engages Guinevere to return to StarrTech where she had previously temped and try to uncover some clues as to who has been diverting shipments of expensive technology.  A number of shipments have gone missing, and no one seems to know how.  Guinevere has no desire to return to StarrTech (her previous dealings with the company were, let's just say, less than amicable), but she has no choice, as Zac knows something that could send her to jail.  So, she goes along with his plan.  She gets back in with some of the people she used to work alongside when she was there before, and learn that one of the computer programmers has not shown up for work in more than a week.  No one has heard from him, and a fellow programmer with whom he had been developing a video game is beginning to worry.  A quick trip to the missing programmer's house leads Guinevere to take a disk containing the game in development - a game that has been drastically changed, with changes that could potentially hold the key to the missing shipments!

 

While I was a bit underwhelmed with the opening chapters, feeling they moved a bit slow, I soon realized that the slow build-up made for a much better payoff at the end, as Guinevere finds herself not only getting deeper into the undercover work, but she also finds herself falling for her new "boss."  As with any couplings, the two go from hot to cold and back to hot again, as they learn to trust one another and gradually open up about their respective pasts.  The final confrontation with the thief/murderer in the company warehouse is fairly exciting - although the cover is misleading, as Guinevere does not carry a gun at any time in the story.  Also, I'm not really sure what the spider and the web in the background of the cover are all about, unless it is simply to imply the "web of lies" surrounding the investigation.  And all of the talk about computers and video games, I had to keep reminding myself that this was written in the mid-1980s, when home computers and computers in the everyday workplace were just starting to become a thing.  Reading this book was almost like stepping back in time.

 

I would say this was a solid read and a great introduction to the main characters.  We even get a couple of supporting cast members introduced that I hope will pop up in at least one or more of the other books.

 

RATING:   9 glasses of straight tequila out of 10 for a terrific tale of murder, corporate larceny, and technological intrigue that introduces a great new team of detectives!

Harlequin Gothic Romance Series No. 32017 - Shadow Over Bright Star

"The threats were ominous and none too subtle.  Jessica feared most the man she loved ..." (cover blurb)

 

This penultimate book in the Harlequin Gothic Romance line is the second, and final, entry in the series by author Irene M. Pascoe.  Her earlier book in this series, Lord of High Cliff Manor, was a great read, and like that earlier book, this one is a period piece that also features more romance that the other Harlequin Gothic novels.  While the prior book was dedicated to Pascoe's parents, this book has a dedication to her "sister, Nancy Daniels. And for Brett David, welcome to the world, little one."  This dedication, naming her sister as Nancy, confirms my suspicions from my previous blog post about the identity of Irene M. Pascoe and the fact she is one of the few authors who actually used her real name for the books.

 

Shadow Over Bright Star takes place in 1862 in the Nevada Territory, two years before Nevada actually became a state.  Our heroine, Jessica Winsor, has traveled there after receiving a returned letter informing her that her father has "died in an accident."  Upon arriving in Virginia City, she discovers that her father has a majority ownership in a silver mine that is part of the "Comstock Lode."  The problem lies in the fact that her father never told her about any partners in the mine, and she quickly learns that they knew nothing of her!  Two cousins - Derek and Brett Bonner - are now faced with the fact that a Winsor has come to claim their inheritance from the extremely successful and lucrative mine, and that this woman wants to not only claim the inheritance, but she wants to take an active role in the business!  There are plenty of shocks on both sides, but Jessica has the hardest hurdle to overcome - exactly how did her father die?  Everyone keeps telling her it was an accident, but when she finally is told that his body was found with a gun to his head and plenty of empty liquor bottles around, Jessica knows it was no accident.

 

Pascoe definitely did her research regarding the time period and the history of Virginia City. In the real world, Virginia City became a booming mining town after the 1859 Comstock Lode transformed the small town into a booming city and tourist destination.  While the book references "McGuire's Opera House" (p. 129), the real city actually boasts "Piper's Opera House."  The city today still boasts some of the original, preserved 19th century architecture and wooden sidewalks, allowing visitors to feel like they have stepped back in time to when Jessica would have walked those streets.  And like Jessica's father did in the backstory from the book, many of those early miners in the real world dug out holes in the side of the mountain, in which they lived while trying to strike it rich.  I love it when an author integrates real world history and locations into the story, as it breathes a bit more life and realism into the tale.

 

Jessica's fight to not only assert her right to her father's inheritance as the 60% owner of the silver mine, but also to take part in running the business, is the main focus of the story, but there is also the mystery of what happened to her father, who would have done such a thing, and is there someone now coming after Jessica?  Upon arrival, the hotel where Jessica is staying catches fire (starting just outside Jessica's room, nearly killing her and burning up all of her belongings, including personal photos of her father and brother!), and she barely escapes with her life.  Then, after moving in with the Bonners (at the invitation of Brett's parents, who own a small stake in the mine), a wheel comes off a carriage Jessica is driving, causing it to tip over the edge of a cliff, once again nearly killing her.  Thankfully for Jessica, third time is NOT a charm when it comes to attempts on her life, as a falling bottle of acid misses her by only inches while in the chemical laboratory at the business offices for the mining company.  It's clear someone is out to get rid of her, just as they did her father.  Is it Derek, for whom she feels a strong attraction, yet cannot make sense of his harsh attitude towards her?  Is it his cousin Brett, who has been so cordial to her, yet seems jealous of her attention to Derek?  Is it Brett's father, Seth, who is trying everything to coerce Jessica to deposit all of her newfound wealth into his bank for investing?  Is it Brett's mother, Amanda, who is super-sweet on the outside, but is clearly after only more money and power?  Or, are all of these things truly only accidents, and Jessica is making more out of them than what they are?

 

Pascoe does a great job of building the suspense, and she manages to step outside the normal Gothic tropes when it comes to the good guy/bad guy scenario.  The ultimate revelation as to who is determined to get Jessica out of the picture is not at all who I was expecting, which made it all the better to read.  Another aspect of the story I enjoyed was Pascoe's insertion of several supporting characters who added to the world created within the book, fleshing it out and making it much more believable.  First, there is the kindly Mrs. Crawford, who takes Jessica in after she is nearly killed in the fire.  Jessica visits her several times throughout the story - her visits and conversations have no ultimate bearing on the mystery, but they do give the reader a stronger sense of Jessica's character and personality.  Then, there is Julia Bulette, a woman of ... questionable ... profession who is actually a highly respected part of the community, even serving on the fire brigade (she helped put out the fire the night Jessica was nearly killed) - one again, a character that has no connection to the mystery, but she builds up the diversity of the community and the attitudes of various characters when talking about her.  There is also Sophie Tyler, the wealthiest woman in the town who provides Jessica with the truth (or, at least, what the town believes to be the truth) about how her father died.  Pascoe manages to write some very strong, powerful women into the story, which is a pleasant surprise, considering that in the 1880s, most men would have viewed women as Derek, Brett, and Seth do within the story - as the weaker sex, with no mind of their own, and no business being involved in ... well, business.

 

Not sure who provided the cover art for this book, as there is no signature and no credit given.  I do, however, absolutely love the scene, as it steps a bit away from the Gothic norm.  There is no dark mansion in the background; instead, we get a cemetery, with Jessica running through it, tightly gripping the papers (which I can only assume are the documents she brought with her to prove her identity and her right to her father's share of the mine).  The dress she is wearing, lavender with the frill, is described as one she wears in the book, having been given the dress by Julia Bulette after all of her things are burned up in the fire. I love the color and the design of the dress, and I think it blends perfectly with the stormy background.  This scene, however, never actually occurs in the story.  When Jessica does eventually visit the cemetery to see her father's grave, there is no dramatic scene that takes place there.

 

Another Harlequin Gothic that is well worth the read.  

 

RATING:  10 framed maps of the silver mines out of 10 for keeping the danger and threat-level high from beginning to end, making the book a true page-turner! 

Secret Passage - a Mystery Story for Girls

Most fans of series book will recognize the name of Betty Cavanna as the author of the 12-book Connie Blair series, written under the pen name of "Betsy Allen."  Some fans, however, know that Ms. Cavanna also wrote a number of books for children under her own name.  This particular book I chanced upon at an antique book store in Atlanta a few years back, and it has sat unread on my bookshelf alongside the Connie Blair series and a few other Betty Cavanna-authored books that I own.  Since I have read a couple of the Connie Blair mysteries (enjoying one, but not so much the other), I was curious to see whether I would enjoy a non-series book by this author.  What I found on the pages inside was not at all what I was expecting!

 

Secret Passage is more than just a mystery story for girls.  As the biographical blurb on the dust jacket back cover says, this book "has in it more fact than fiction."  Even the synopsis of the story on the inside front flap of the dust jacket does not truly prepare the reader for the story he or she is about to read.  The title and the synopsis merely gives the reader the idea that this is a historical mystery (set in 1859, just two years before the start of the Civil War) that involves a 12-year old girl, Sally, and her trip to a Virginia plantation, then her return home where she becomes enthralled with the idea of secret passages and tales of Revolutionary spies that may have used them.  While those elements are certainly a part of the story, they are only a small part of it.  The main focus of the story is the changing sentiment towards slavery during that time period and how Sally's family (both immediate and distant) is involved with it.  The story is heavy on the subject of freeing the slaves, and the manner in which the Underground Railroad worked to help get slaves away from their owners in the South and up to the free states in the North.

 

Cavanna not only sets her story in a very volatile time, but she has created characters that are drawn straight out of that era.  Sally comes from a very strict Quaker family, as shown not only in her personality, but in her somber dress (plain, solid-color dresses of gray and brown), as well as her and her family's use of "thee" and "thy" instead of "you."  Additionally, her family are strong believers that ALL men are created equal, including those of African-American descent, and Sally adheres to that belief.  This book, published back in 1946 and copyrighted in Great Britain, as well as its "dominions and possessions" according to the copyright page, and as such, the author does not shy away from referring to the slaves as "black" or "Negro," or even in some cases as "n**ger."  However, the uses do not come across as derogatory, as the Brighton family is clearly on the side of abolishing slavery, and by the end of the story, they are actively helping some of the slaves escape.  When reading the book, one must remember not only the time period in which it was published, but also the time period in which the story is set, as such terms would have been used without question at that time.

 

The story opens with 12-year old Sally traveling by herself on a train from Pennsylvania down to Virginia to visit her cousin Dorothea and Aunt Charlotte, who live on a plantation called "Carrington."  And, yes, when I saw that name, I immediately thought of Dynasty.  In fact, the description of the old plantation house would probably match in size to the Carrington home on that show.  It is while visiting there that Sally first learns of the mistreatment of slaves at a neighboring plantation, and she overhears some of her aunt's servants making plans to run away to the North.  Her trip is cut short when her father writes and informs her that she must come back home, as the family is moving from Philadelphia to Haddonfield, New Jersey - and yes, that name also made me stop, as that is the same name as the city in Illinois where the Halloween series of films is set.  Of course, nothing in this story comes even close to the terrors of those films!

 

It is not until the Brighton family is settled into their new home in Haddonfield that Sally learns of an underground tunnel beneath a nearby Inn, which is what begins her adventure that leads her to learn of the possibility of a tunnel underneath her own home.  Strange cries in the night, mysterious meetings behind their neighbor's house, and her own father's mysterious comings and goings all add to the mystery.  She eventually learns her father is involved with helping runaway slaves, and when some of the servants she met at her aunt's plantation show up in Haddonfield needing help, it is Sally who ultimately saves them from capture and gives them the chance to gain their freedom.  While the book is not really heavy on the mystery part (despite the subtitle indicating it is a mystery story), it is quite the adventure, with some tense moments here and there.

The book features illustrations by Jean MacLaughlin, who, according to the back cover bio, was an old friend of the author and who had previously done many illustrations for magazine stories.  Other than the information provided on the back cover, I was not able to find much information about Ms. MacLaughlin.  The frontis piece is a color illustration, which is simply the cover scene repurposed for an internal.  However, the remaining internals spread throughout the book are black-and-white line drawings that are heavy on detail and utilizes much line shading in each illustration.  With the exception of the very last illustration on page 207, none of the scenes depict anything exciting; rather, they are simply every day scenes from Sally's life, both at Carrington and in her new Haddonfield home.  I do have to say, however, MacLaughlin does manage to draw the characters at their correct ages given in the story (I always through those illustrations in the 1930s series books depicted 16-year old girls looking more like they were in their 20s or even 30s in some instances - so it is nice to see pictures where the characters are drawn age appropriate!).

While definitely not the story I was expecting, the book was certainly a good read and one I would recommend.

 

RATING:  9 excited black puppies named Cinder out of 10 for telling a brutally honest story of what life was like in the 1800s and mixing factual history with fictional adventure to craft a good mystery. 

Judy Garland and the Hoodoo Costume

Here we are with another in the long line of "Authorized Editions" published by Whitman back in the 1940s.  The series featured big names like Deanna Durbin, Bonita Granvile, Ginger Rogers, Betty Grable, Ann Sheridan, Shirley Temple, Dorothy Lamour, and a number of others, so it should come as no surprise that Judy Garland's name should be among them.  After all, her role in The Wizard of Oz in 1939 made her a household name, and her many other movies (including several with Mickey Rooney in the "Andy Hardy" series) during the late 1930s and well into the 1940s kept her in the limelight.  So, it is only natural Whitman would want to use her name for a character in one of their "Authorized Edition" mysteries.  Unlike most of the other books, in this one, the main character is actually the famous actress whose name is being used (and one of the characters actually refers to her as a "famous actress" on p. 71).

 

Judy Garland and the Hoodoo Costume finds our protagonist agreeing to take an  expensive dress to its owner, unaware that this small errand is going to become a nightmare of a mystery.  It begins innocently enough, as Judy delivers a gift to the sister of a friend of hers.  While at the sister's house, she stumbles across a rather expensive dress that the sister claims is not hers - but she knows to whom it belongs!  Oddly enough, she asks Judy (a person she does not even know, other than as an actress she has seen on the movie screen) to take the dress to its owner.  Judy reluctantly agrees; but when she arrives at the boarding house where its owner resides, the two women who run the house inform her that Frederica Hammond has left to care for an ill relative not some distance away.  Judy gets lured into taking a bus to a secluded old house where Frederica is believed to be staying - and upon arriving, Judy finds herself facing a night of Gothic terror!

 

Yes, Heisenfelt once again takes her protagonist and places her in unusual circumstances, where she finds herself trapped in a foreboding old house with unseen danger lurking around every corner.  If you don't believe me, go back and look at Ann Rutherford and The Key to Nightmare Hall or Betty Grable and The House with the Iron Shutters, or even Ann Sheridan and The Sign of the Sphinx.  Of course, one of her best examples is Jane Withers and The Swamp Wizard.  In fact, this book has a lot of similarities to that last one, as both books feature a supernatural character of sorts that has people in the household frightened.  Heisenfelt seems to focus on a similar theme for all of her stories (well, at least with all of the ones I have read of hers thus far!), and it makes me wonder if perhaps at some point she did not delve into the world of Gothic paperback tales in the '60s and '70s, as her Whitman mysteries would fit perfectly in that genre.

 

From the moment of Judy's arrival at the old house, the Gothic tropes are at play.  A mysterious figure chases Judy outside, forcing her to run around the back of the house and enter in a rush through the kitchen.  She is then rushed upstairs by the very girl she was there to meet, as both the girl and the housekeeper are fearful that "Mr. Frazer" may find out she is here.  Judy then learns that Frederica, while not adverse to helping her aunt, is being forced to remain in the house, allowed no contact with the outside world.  Judy also overhears conversations that lead her to realize Mr. Frazer, along with Frederica's cousin and her uncle are hatching a plot against Frederica's aunt, who may or may not be ill - are the relatives convincing her of an illness, feeding her medication in hopes she will die and they can inherit her fortune?  One of the biggest surprises comes, however, when Judy finally sees the bed-ridden Mrs. Mattis and recognizes her - not as Myrta Mattis, however, but as a famous songstress by the name of Lucia Grayson!

 

While this book offers up some songs that Lucia Grayson allegedly sang (p. 130 - songs such as "Still as the Night," "Evening Star," and "Then You'll Remember Me"), a bit of research reveals that no such singer named Lucia Grayson existed.  However, there was an actress named Kathryn Grayson who sang in a number of MGM musicals alongside greats such as Gene Kelly and Frank Sinatra.  This real Grayson dreamed of doing opera, but instead ended up signing a contract with MGM to do film work; yet, interestingly enough, she received an offer to sing Lucia at the Met, but she was convinced to turn it down. This book was published in 1945, four years after Grayson's film debut in Andy Hardy's Private Secretary.  It does lead one to question if perhaps Heisenfelt based her aged character's name on this young up-and-coming singer/actress of the day.

 

The story takes place literally over the course of 48 hours - meaning there is 248 pages of mystery and suspense that lasts merely two days!  Heisenfelt spends considerable time having her protagonist worry and dwell on everything going on around her, constantly questioning her own actions, the motives of those around her, and the possibilities of what may happen to her - which is something the author seems to relish doing in all of her stories.  Despite her main characters being based on actresses who normally portray rather strong female characters in their films, Heisenfelt manages to turn them into whining, worrisome, and nearly wearisome characters who spend most of their stories agonizing over what is happening rather than taking any action to overcome the circumstances in which they find themselves.  While all of this anxiety of the characters may build some level of suspense, it does get a bit tiresome to read after a while, and I, for one, find myself reaching the point where I don't really care whether she makes it out of the house or not!

 

One difference between this and Heisenfelt's other books in this series is that this story actually features two mysteries - the first involves the happenings inside the old house and poor Mrs. Mattis (a/k/a Lucia Grayson); the second involves a con artist who is taking money from Mrs. Mattis' groundskeepeer and other neighbors, leading them to believe there is a lady ghost who comes from the lake.  Poor Judy, trying to escape the house, ends up a pawn in the con artist's game, and she must try and outwit him in order to escape his machinations. This second mystery is almost like an intermission in the main story, as it really has no connection whatsoever to Mrs. Mattis or her relatives.  One is left to wonder if perhaps the main story was not long enough, so Heisenfelt added this in order to "pad" the story out to a proper length for publication.

 

The illustrations are provided by Ruth Ruhman, who illustrated a large number of children's books, as well as (surprisingly!) a few comics back in the day, including pages in Big Jon and Sparkle, published by Ziff-Davis Comic Group back in the early 1950s.  She did quite a bit of work for Western Publishing, who acquired Whitman Publishing in the early 1900s, so it should not be any surprised that her illustrations would appear in one of Whitman's Authorized Editions.  While she does not do an exact likeness of Garland in her art, there are a couple of the illustrations in this book that do capture Garland's facial expressions pretty well.  The endpages, thankfully, do not spoil any of the story; rather, they depict the scene where Judy first arrives at the dark, old house and is forced to run in the freezing snow around to the back in order to escape the man chasing her.

 

While this book does read better than most of Heisenfelt's other stories (with the exception of Swamp Wizard, which I actually rather enjoyed), it certainly does not rate the same quality of story as most of the other Whitman Authorized Edition by other authors.  I've seen a few online sites that indicate this is one of Heisenfelt's most popular books; I can only postulate that the reason is because of the star name, Judy Garland, as opposed to the story itself.  Not the worst, but definitely not the best.

 

RATING:  6 stark white capes with high collars out of 10 for an attempt to thrust Judy Garland into a Gothic landscape of suspense and fear to create a story half-worth the read. 

The Legendary Lynx - a Mad Cave graphic novel

What better way to kick off the new year that with a brand new collection of "vintage" comic books!  But, wait! This graphic novel collects a comic book that never really existed.  Rather, as the back of this graphic novel says, this book comes from the meta-fictional world of Secret Identity, a novel by author Alex Segura about a woman named Carmen Valdez, who helped create a character named "The Legendary Lynx" for the failing comic company, Triumph Comics.  The book (Secret Identity) is more than just the tale of how this woman created a best-selling comic back in the days before women were big in comics, but it is also a murder mystery, a story of friendship and betrayal, and a romance story.  Throughout that novel, there were pages of the "comic book" created by the fictional Carmen Valdez that were supposed to have come from the "original" comics published back in the 1970s.  At the end of my review for that book, I asked the question:  when are we going to see The Legendary Lynx in a real comic?  Well, my review was posted back in 2022 ... and two years later, my question was answered!

 

The Legendary Lynx was published by Mad Cave Studios in November 2024, and it purports to collect the first four issues of the "vintage" comic book created by the lead character of Alex Segura's novel. Segura even goes so far as to have an introduction by J.M. DeMatteis (from the "Bwa-Ha-Ha-Ha" Justice League era) that talks about the comic as if it were really published back in the '70s from the small, failing company, Triumph Comics.  Everything about this book is intended to give the reader the feel and belief that The Legendary Lynx did exist as a comic book series, and that the real creator and writer of the series has remained a mystery until recent years, when speculation regarding Carmen Valdez as that creator and writer has become verified.  The packaging, the look, even the coloring of the comics would lead one to believe these are actual comics from back in the day, if one did not know any better.  (Although, to be honest, there is one big thing that gives away the fact this is not vintage at all - and that is the number of panels on each page - back in the '70s, comics boasted quite a bit of story and more than just 2, 3, or 4 panels per page - these four issues collected in this trade paperback are formatted the same as today's comics, instead of mirroring the format of comics 50 years ago - and, as with today's comics, this story that is told in four issues would have been told back in the '70s as just one or possibly two issues at the most...)

 

That being said, Segura and artist Sandy Jarrell (who also provided the illustrations in Segura's novel, Secret Identity) do breathe life into the Lynx and her alter ego, newspaper secretary Claudia Calla.  The stories are exciting and the characters fresh - and the story actually takes a much darker turn as it progresses (with one of the main characters being killed off before the end of the fourth issue!).  The origin story is somewhat fresh and unique - Claudia's twin sister is murdered, and she is not able to prevent it.  At her sister's funeral, Claudia comes in contact with a ghost who agrees to train her so that she can track down the man that murdered her sister and bring him to justice.  Thus was born the Lynx!  And she has her own male version of Lois Lane in the form of Simon Upton, a reporter who will do anything to get a story - and one who believes he has figured out that Claudia is really the Lynx!  But there is no romantic entanglement for these two, as the Lynx has a job to do bringing the criminal element to justice and stopping super-powered villains such as Diesel, Void, and others.  

 

The trade provides faux covers for the four issues, and the stories are credited to Harvey Stern as the writer and Doug Detmer as the artist, with Rich Berger listed as the editor and Jeffrey Carlyle listed as the President & CEO of Triumph Comics (all of these names coming straight out of Segura's novel).  The tone of the stories definitely has a dark feel to them, much along the lines of DC's The Phantom Stranger or Marvel's Dracula or Werewolf by Night - nowhere near as light-hearted as the typical superhero fare of the time, but still not so dark as to cause problems with the Comics Code Authority.  The art and colors definitely fit that darker tone of the story, but it's not gory or filled with sexual situations as so many of today's indy comics seem to be.  I give Segura credit for creating a unique character that may seem familiar on the surface, but believe me, the Lynx is unlike any comic character you've seen to date!

 

The one drawback about this trade is that the fourth issue ends on a major cliffhanger, and so readers are left wondering what happens next! In Segura's fictional world, a new creative team took over with the fifth issue of The Legendary Lynx, so it's rather doubtful we will ever see any more "reprints" of issues of this comic, since this one specifically ties into Secret Identity and its title character.  I do love this cross-promotion of sorts (both the book and this comic can be read separately without any problem, but if you read them both, you find they truly compliment one another beautifully and give you a fuller picture of both stories!).  A part of me almost wishes Segura would go ahead and just introduce a REAL comic series for The Legendary Lynx - bring her into the present time and give fans an ongoing series (or a series of mini-series), so we can really enjoy the world of Clauda Calla and her justice-seeking alter ego.

 

RATING:  9 razor-sharp claws out of 10 for allowing the Lynx to jump out of the pages of Secret Identity and into her own "real" comic for fans to enjoy!