The Curse of Collinwood - the 5th Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

And with this book, the tone and direction of the Dark Shadows series by W.E.D. Ross (writing under one of his many pseudonyms, Marilyn Ross) changes to include the supernatural.  By the time this book was published in May 1968, the television show had long been dealing with supernatural themes:  from the ghost of Josette, to the phoenix Laura Collins, to the ghost of Sarah, to the introduction of the vampire Barnabas Collins, to the trip in time back to 1795, to the witch Angelique, and was just reaching the point with the evil Dr. Lang and his Frankenstein-type creation, Adam.  Thus, it was only natural that the book series would begin to introduce supernatural elements, which would go beyond the standard Gothic tropes and enter the realm of full-on horror in its stories.  But the addition of the supernatural was not the only change Ross brought into the series, as we will quickly discover...

 

The Curse of Collinwood is the story of Derek Collins and his wife, Esther Collins, who died over a hundred years ago under strange circumstances. Derek had engaged in slave trade in order to make his fortune, and his wife was horrified to learn this about her own husband.  With the help of a voodoo / witch doctor, she had her husband killed and embalmed, as well as orchestrated her own death, with the idea that her husband could never be rid of her.  Their bodies were returned to Collinsport and locked away in the Collins' family masoleum, forever to remain sealed.  Only a shaft of moonlight could unlock the curse placed upon their dead bodies, giving them new life as part of the living dead!  For a century, their coffins remained in darkness inside the cold, cement crypt, never seeing daylight nor moonlight, trapped in an eternal sleep.  But events are about to transpire that will change all of that!

 

Just as Victoria's love interest in the television show, Burke Devlin, was killed (allegedly) in a plane crash while on a business trip to Brazil, suddenly in this book we learn that Victoria's love interest, Ernest Collins, has died in a plane crash en route to Rio de Janeiro (p. 7) for a concert he was to perform (and for those who do not know, Rio de Janeiro is located in Brazil - meaning Ernest was killed in identical fashion and in the same location as Burke!).  Readers also learn that Elizabeth is no longer locking herself away in Collinwood, as she has learned the husband she thought dead for so many years has actually been alive and is pursuing a career on the high seas (p. 6).  David, who had been sent away to a boarding school as revealed in the last book, is back home; and Carolyn, who had been attending school in nearby Ellsworth, had a nervous breakdown and has returned home to recuperate (p. 6).  It seems quite a bit has happened in the Collins' household between books 4 and 5, and readers are brought up to date within just a few pages in the first chapter.  Surprisingly, there is no mention of Victoria searching for the truth about her past and her own identity - Ross apparently dropped that entire plot thread, much as the television show did as it moved further and further into the realm of the supernatural.  (And this is a true shame, as I always hoped it would have been revealed that Victoria was really Elizabeth's daughter - although, Ross did have an outline planned for a book that would have revealed Victoria's parentage and reunite her with her love, Ernest; but, sadly, that book never got written, as Ross was required to write Victoria out of the books, just as she had been written out of the television show - a brief version of that unwritten novel can be found on Craig Hamrick's website: The Secret of Victoria Winters)

 

Ross manages to keep the reader guessing for a good portion of the book as to whether the "large man" and "young woman" who seem to be terrorizing Collinsport are the escaped criminal Big Tim Mooney and his girlfriend, Nora or whether they are Derek and Esther Collins, brought back from the dead to roam the area as zombies.  Victoria, who at first discounts the stories of "Mad Man" Martin, an elderly spiritualist who warns her and Burke about Derek and Esther, soon believes that she and Burke accidentally released  the Collins' ancestors when they went into the mausoleum to satisfy Burke's curiosity regarding the two long-dead members of the family.  When Victoria, Carolyn, and Elizabeth are all terrorized by the large man and the woman with him, Burke and Vicki go back to the crypt and find both coffins destroyed - and the bodies are gone!  Burke insists it was Mooney looking for the treasures supposedly buried with Derek Collins, but Victoria thinks the supernatural is at work and zombies are now walking in the night.  In true Gothic fashion, Ross builds the suspense with disembodied hands, shadowy figures attacking, chases up the steep cliffs in the middle of the night, and plenty of appearances of these two horrors of the night.  Even I was curious as to whether they were actually zombies, or would it all be explained away by the end (as had been done in the four previous books).

 

I enjoyed seeing David and Carolyn back in this book, and I rather liked the fact that Victoria was paired more with Burke Devlin in this story (as I always loved the two of them together in the television show).  Even Roger was back to his nearly-always drunk, belligerent self in this story.  Matthew Morgan is mentioned but never actually appears (and he is referred to as "Matt" Morgan, which I found weird).  And, I know I will probably get some flack for this, but I was actually happy Ross got rid of Ernest Collins.  I never liked the character, and I certainly did not like the romance between him and Victoria.  Yes, his abrupt death and the myriad of changes that took place "off screen" between books 4 and 5 definitely tells the reader that the series is headed in a completely different direction now.  At the time it was published, Alexandre Moltke was still playing Victoria Winters on the television show, so there was no reason for anyone to think Vicki would not continue to play a major role in the books; however, this was actually the last full-length novel written by Ross to feature Victoria Winters as a major protagonist.  Beginning with the next book, Victoria becomes a supporting character, with Barnabas Collins becoming the lead character (much as he did in the television show).

 

The family history truly deviates from that established in the show with this book, as Ross introduces Derek and Esther Collins, who are both said to have died in 1859, which would have made them both contemporaries of sorts with Daniel Collins, a cousin of the Collins family who inherited Collinwood after the events of 1795 (when most of the immediate family was killed).  There is no mention of Derek or Esther in the television show, making them both original creations of Ross.  I am aware that the books play very loose with the family lineage, and from what I can remember, the stories that are told in later books in various time periods do not match up between themselves as to the names of family members living at various points in time.  While I realize the television show played a bit loose with the family tree, particularly once Barnabas came into the picture, the books (from what I have been told) do not even bother with a coherent timeline (which, technically, could be explained by the fact that Barnabas' frequent trips through time messes with the timeline, creating multiple alternate realities with different family trees!).

 

This is the first book to feature only one cover, and it is a hodge-podge to say the least!  The background takes the same painted image of Victoria Winters that was used for the first book of this series, and superimposed over that is a very recognizable photo of Jonathan Frid as Barnabas Collins, baring his fans and holding that wolf's head cane of his.  Obviously, the use of Barnabas' image is to cash in on the success he was having in the television show, because his character does not yet appear in the books - although, the idea that his character was a vampire could hint at the supernatural part of the story within.  But the re-use of the first book cover art is questionable - perhaps it was done merely to save the expense of hiring an artist to paint an entirely new cover.  This is the last book to feature any painted artwork on the cover - all of the books hereafter feature photo covers, with images of the actors from the television show. 

 

Overall, I would say I liked this book far more than I did the previous one.  The story was refreshingly different from the previous four, and Victoria was a bit stronger of a character than Ross has portrayed her in the last couple of stories.  Plus, the actual supernatural elements were an added bonus!

 

RATING:   8 ornate silver snuffboxes from the 1800s out of 10 for increasing the Gothic terror with the reality of the walking dead!

The Mystery of Collinwood - the 4th Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

We now come to the fourth novel in the Dark Shadows series by Marilyn Ross (a/k/a W.E.D. Ross) published by Paperback Library.  This particular novel was published in January 1968, which is when the television show was starting what I consider to be one of its best storylines (and by far my favorite one on the show) - when a seance was held at Collinwood ... a seance that transcended time and space and sent Victoria Winters on a journey back into the past ... back to the year 1795!  It was there that viewers learned the origin of how Barnabas Collins was cursed and became a vampire.  So, it seems rather odd that by this point in the novels, we have yet to see any sign of Barnabas Collins, and the stories continue to focus on Victoria Winters as the young Gothic heroine who constantly finds herself being threatened by some dark force (that, like in all the Scooby Doo mysteries, turns out to be a real person in disguise!).  Of course, I have no idea just how far in advance the stories were written, so there is the possibility that the book was written months before it was published...

 

The Mystery of Collinwood (and yes, they finally start calling it Collinwood at least, and have dropped the whole "Collins House" moniker) is more or less a repeat of the previous stories, which is a bit disappointing.  How many times can we have strangers / relatives show up at Collinwood, strange events start to happen that all seem to target Victoria, no one believes Victoria when she tells them what is happening, and Victoria is nearly killed before the villain is finally caught and unmasked?  Don't get me wrong - most of the Gothic novels from this period have many similar plot elements; but for a series of novels utilizing the same characters and setting to repeat the same basic story over and over again feels a bit redundant.  Now, I love Victoria Winters - always have since the very first episode of Dark Shadows that I ever watched - so I absolutely love reading more stories about her that take her beyond what we saw on the television show.  But after three books of her facing off against alleged ghosts/demons/phantoms and finding out they were actually one of the numerous strangers that were staying on the Collinwood estate, once would think that by this fourth book she would have wised up and not fallen from any more ghostly haunts.  I would like to think that at some point, her character would have grown, and she would not always play the helpless victim.  But, alas, Ross apparently did not see her that way.

 

With all that being said, the "mystery" of this book revolves around the rather odd Professor Mark Veno and his daughter, Linda, who have come to stay at Collinwood.  The Professor and his daughter travel the world, putting on show that highlight his mental abilities to supposedly read minds.  Roger Collins thinks it is a hoax, but Elizabeth Stoddard seems to think otherwise, so he is always welcome to stay at the great house when he is in the area.  Meanwhile, down at Ernest's cottage on the property, an ill woman, Margaret Lucas, and her deformed caretaker, Carlos, have been renting the cottage so she can be isolated in what Elizabeth and Victoria believe to be the final months of her life.  Margaret is a loner, but she does enjoy Victoria's company - in fact, Victoria is the only one she will allow to visit her.  Until she hears about Linda, at which point, she invites that girl to pay her visits as well.

 

Oh, did I mention that Linda bears a remarkable resemblance to Victoria?  And that Professor Mark Veno is actually Mark Collins, a previously never mentioned brother of Elizabeth and Roger (say what?!?!)?  And that Mark Collins was married before he met Linda's mother, but the first wife and her newborn baby both died?  Or did they?  Yes, it's another potential parentage for Victoria to fret about (she seems to have a new one in every book, doesn't she?).  While Victoria does not like the Professor - in fact, she can't stand him and is afraid of him! - she firmly believes his first child did not die, and she is that child.  Everyone she confides in tries to dissuade her of this theory, but she is persistent to the point of having Burke Devil hire a private detective to look into the matter.

 

And as far as the mystery - well, that involves the strange phantom mariner that the Professor tells the family about.  As the story goes, whenever the phantom mariner would appear to wives of sea-faring men back in the day, it meant the men would not be coming home, or that the women themselves would die!  To see the phantom mariner means death!  And, wouldn't you know it, the same night Victoria hears the story, she sees the phantom out on the grounds.  And again later in the house.  Again.  And again.  Poor Victoria is taken through the ringer in this story.  Knocked down the well outside (remember the one she almost fell into back in the first book, but Ernest saved her?).  Locked down in the dark cellar. Locked in an upper room with a bottle of gas thrown in for good measure.  Locked in the attic with something moving around.  Nearly hypnotized into jumping off Widow's Hill. Nearly hypnotized into jumping off the Captain's walk atop Collinwood.  And, finally, poor girl is nearly strangled to death before she gets the bead on that phantom mariner and shoots the villain with a gun provided her by Burke Devlin (good for you, Burke!).

 

One continuity error I caught while reading this book:  once again, David and Carolyn are out of the picture.  Even though summer is over (this book is explicitly said to take place in September), Ross writes off David by sending him to a boarding school, and he writes out Carolyn by having her return to Ellsworth to finish her final year of high school.  How convenient.  In any event, when Elizabeth plans a big party toward the end of the story, she mentions that Carolyn will be able to come home for that week to be there for the party.  Upon her return, she and Victoria and Linda go up into the attic to look for old dresses to wear for the costume party (p. 140), and Carolyn is the one who actually finds Victoria locked in the attic (p. 143).  That's all good and dandy.  But then the very next chapter begins by saying "Carolyn returned from school in Ellsworth on Friday evening and so was able to assist Linda with the last minute decorations (p. 147).  So, if Carolyn did not return until Friday, then how was she there earlier in the week to look for costumes for the party and to free Victoria from the attic?  Time travel, perhaps?  Parallel time?  Let's face it, stranger things than that have happened on the television show!

 

Just as the previous four books had two covers, so does this one.  The early printings had a painted cover that features Victoria in the forefront, looking over her shoulder (a very striking image of her, I must say!), with a mysterious man in the background - that could be Roger, Ernest, or even the Professor.  Collinwood looms in the background, menacing as ever.  The later printings feature yet another image of Alexandre Moltke and Jonathan Frid as Victoria and Barnabas, again working to cash in on the popularity of Barnabas Collins, even though he has not even been mentioned in the book series up to this point.

 

Read by itself, the story is a fairly well-written Gothic.  Read as a part of this series, however; well, it just feels like a repeat of the same plot with different characters.  

 

RATING:  6 new bottles of sherry out of 10 for keeping Victoria Winters alive and giving her considerably more spotlight than the TV show was doing at this time. 

Strangers at Collins House - the 3rd Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

This third novel in the series of Dark Shadows novels by Marilyn Ross (a/k/a W.E.D. Ross) takes the story even further away from the plots established in the television daytime drama and most firmly establishes this series as a completely alternate timeline.  While Ross maintains some elements (such as Victoria's search for her parentage, Elizabeth's self-imposed 18-year seclusion, Roger's drinking and sarcasm, and the animosity between Roger and Burke Devlin), Ross deviates in so many ways with the various cousins, uncles, and other family members that appear from book to book, as well as Victoria's romance with Ernest Collins and the lack of supporting cast (with very little mention or few appearances of Maggie Evans, Joe Haskell, and other various Collinsport denizens - even poor David and Carolyn are sent away and haven't appeared since the first book, I suppose to allow more of the focus to be on Victoria as the Gothic heroine).  It is like stepping into another parallel time, like those that appeared later in the television serial.

 

Strangers at Collins House (and I don't think I will ever get used to their constant reference to "Collins House" instead of "Collinwood" was first published in September 1967.  By this time in the TV show, Barnabas Collins had been introduced, the ghost of little Sarah had been appearing, Jason McGuire was on the scene and blackmailing Elizabeth, and Victoria was engaged to Burke Devlin.  Thus, it is surprising that the books continued to keep the focus solely on Victoria Winters, leading one to suspect that the books were actually written some time before they were published.  Not that I am complaining, as I loved the character of Victoria Winters, and I am overjoyed to be reading further adventures of the young ingenue among the dark and sometime dangers secrets surrounding the great house on Widow's Hill.  This book takes place during the same summer as the previous book, only Carolyn is now working in another town and David is at a boys' camp.  This leaves Victoria alone once again in the big house with only Elizabeth Collins Stoddard and her brother, Roger Collins, along with the gruff caretaker, Matthew Morgan.

 

In this book, Victoria believes she has finally found the answers she has been searching for with regard to her missing past when Elizabeth and Roger's uncle, Henry Collins, arrives at Collins House with his friend and confidante, Benjamin Willard, and Benjamin's son and daughter-in-law, Jack and Molly.  Before the elderly man even arrives, Elizabeth shows Victoria to the apartment in the closed off wing of the house where Henry stays whenever he visits - an apartment that has a secret room hidden away through the door in the back of a closet - a room that is quite literally a room from the Ritz Hampton hotel in New York City that was transported piece-by-piece and recreated in this closed off part of the house.  The room holds special meaning for Henry Collins, as it hearkens back to a time past, when he was young and in love with a woman - a woman who met a tragic end, and for whom Henry has been grieving every since.  In fact, he has returned to Collins House in very poor health and anticipates dying there.  And thus, the mystery and the terrors begin once again for poor Victoria Winters...

 

Ross does a bit of a repeat on this plots with this story - a family members comes to Collins House to stay ... a tragic story involving a past love ... a room in the closed off wing of the house is opened ... the "ghost" of a woman long-thought dead is seen by Victoria ... someone is stalking poor Victoria ... the climax reveals there was no ghost, and the real culprit is the one you would least expect.  It is almost as if there is a set pattern for his stories, and he just fills in the blanks with various new characters and situations.  Yet, despite the sameness of the plot, the story was still rather enjoyable.  I thoroughly enjoyed the possibility of Victoria being related to Henry Collins - Ross certainly established all of the right elements for that to have been revealed!  It would have made for a very nice twist to the television story (which was pretty much set up to reveal Victoria as Elizabeth's daughter), and it would have given Victoria's story some closure that fans never received from the TV show.  From my understanding, Ross had a definitely idea in mind for Victoria's parentage, that he would have eventually revealed had he been allowed to keep the character in the books; but, alas, once Victoria was gone from the show, Ross was told to remove her from the books.

 

The book does give some explanation about the current (for the time the book was published) Collins' family tree.  When Henry Collins is first introduced, Elizabeth informs Victoria that he is her "father's older brother and the only surviving member of all that family" (p. 9).  We know from the TV show that Jamison Collins was Elizabeth and Roger's father, and that he had one sister, Nora.  In the show, there was no brother named Henry, so this, in and of itself, sets this book series apart from the television drama.  He is referred to as the "older" brother, hinting that there were other aunts and uncles out there, which would account for Cousin Ernest, since Elizabeth plainly says Henry has no surviving members of his line of the family.  I do not recall the books ever mentioning the names of Ernest's parents, but since he bares the Collins' name, it would have to be a brother of Jamison's, other than Henry.  Thus, in this book parallel time world, Jamison Collins had at least two brothers - Henry was one, and Ernest's father was the other.  Whether there are other siblings, I suppose I will discover as I continue to read through the series.

 

This book also brings in (sort of) the famous artist Charles Dana Gibson, who is famous for his illustrations of tall, narrow waisted women who were independent and stylish.  Roger snidely refers to Victoria as a "Gibson Girl," an observation to which Uncle Henry wholeheartedly agrees (p. 24). Henry goes on to explain to Victoria that Gibson and his wife, Irene Langhorne (who was, indeed, the real-life wife of Charles Gibson).  While this book indicates Gibson and his wife met and fell in love in Bar Harbor, Maine (p. 24), there is no evidence of that being the case in the real world.

 

Another interesting tidbit in this book is the Collins' strawberry field.  Yes, you read that right.  Apparently, the Collins family has a field where they grow strawberries, located "about a mile from the estate grounds and off the road leading to the village" (p. 69).  It is here Victoria faces one of her many dangers, as Jack Willard nearly runs her over with his car, later apologizing, claiming the brakes did not work and he lost control.  Victoria, of course, has difficulty believing the man, who is known to drink quite a bit and who could, potentially, be involved in the plot to get rid of Victoria because of how close she is becoming to Henry Collins! 

 

Last, I would be remiss if I did not mention the character of Rupert Harvey, a friend of Roger Collins who comes to Collins House and stirs up quite a bit of activity.  Rupert claims to be a psychometrist, which he describes is someone who has "a natural sensitivity to objects and places" (p. 92).  He relates this ability to a form of psychic power that allows him to pick up on the history of a particular thing or past simply by touching it.  It is interesting that the term is used in the para-psychological sense for this book (which I suppose is not too surprising, considering the nature of these stories), as psychometry also refers to an actual field of study that is concerned with the psychological measurement of knowledge, abilities, attitudes, and personal traits.  Honestly, until I saw this term used in this story, I had never actually heard of the word before!

 

As with the previous two books, this one also has two covers - the original, painted cover features Victoria fairly far from the great house, looking back in fear (perhaps a rendition of the scene where Jack's car is about to run her down?).  The photo cover, used in later printings, has Victoria standing with Barnabas Collins, who, once again, is not in the book series yet, so the only possible reason for having him on the cover was simply to cash in on his popularity in the television show at that time.

 

The further I get into the series, the closer I know I am getting to the last Victoria Winters story, as she is written out of the books, with her last appearance being in book six (and even that appearance is peripheral, as she does not actually appear as a character in the main story, which focuses solely on Barnabas Collins).  So, I must relish her stories while they last, no matter how formulaic they may be!

 

RATING:   8 emerald necklaces with matching earrings out of 10 for bringing Victoria (and readers!) to the brink of discovering her origins, within the confines of a terrifying tale of past love and murder!

Victoria Winters - the 2nd Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

I am having a thrilling time re-reading these Dark Shadows novels from the late '60s (which continued into the early '70s, well past the end of the television show).  It has been so many years since I originally read them, it is like I am reading them again for the first time.  And the author, W.E.D. Ross (writing under his most popular pseudonym, Marilyn Ross) does a pretty decent job with the characterization, capturing some of the nuances the actors instilled in the characters on TV.  I especially like the fact that these early books, like the early episodes of the TV show, focused on Victoria Winters, as she was by far my favorite character from the show.  Thankfully, Ross manages to instill her a bit more strength and awareness than she was given by the writers on the daytime soap.  It breathes a little more life into her, and definitely makes me love the character all the more!

 

Victoria Winters is the second book in the series, and the story picks up some months after the events in the first book (which depicted Victoria's arrival, her meeting the Collins' clan, her romance with Ernest Collins, and the terrifying events that led to Ernest leaving for an indefinite period of time).  Now, as summer has arrived, Carolyn and David are gone on a vacation, leaving Victoria behind to act as a personal assistant to Elizabeth Collins Stoddard.  The Collins' attorney, Will Grant, is still around (still trying to woo Victoria), and we meet his sister, Nora, with whom Victoria has developed a close friendship.  Burke Devlin makes a few quick appearances in this novel, and Matthew Morgan is his usual grumpy self.  Roger Collins continues to be the ultimate spoiled playboy.  The new characters who are introduced in this book are Paul Caine, a visiting artist who takes an instant liking to Victoria, as well as Henry Francis and his two daughters - the gorgeous Rachel Francis (who becomes entangled with Roger) and the invalid Dorothy (who is recovering from major brain surgery and is confined to a wheelchair in a near catatonic state).  It turns out Henry was an old classmate of Elizabeth's back in the day, so she welcomes the man and his daughters into her home unlike she would anyone else.  And now, with all the characters in place, the mystery unfolds...

 

 One might recall in the first book, it turned out Ernest's first wife did not really die as everyone believed, but was being kept secreted away in the dark halls of Collins House, as she had gone mad. It was revealed that she had murdered a woman Ernest had later fallen in love with - Stella Hastings, and she would have killed Victoria as well, if fate had not intervened.  Well, it seems that story was not quite over, as Victoria begins to see the face and ghostly apparition of a woman who she eventually finds out is none other than Stella Hastings!  Did the woman not die, as everyone thought?  Or was her spirit haunting the house where she had been killed?  As Victoria tries to figure this mystery out, she must also fend off a would-be killer, someone who is following in the footsteps of the silk-scarf strangler who Henry Francis tells her killed several woman back in Pennsylvania.  Did the killer follow the Francis family to Collinsport, stalking Henry's daughter?  Is Victoria simply another in a long-line of victims?  Or is there something much more sinister going on in the Collins' great house?  

 

We spend a bit more time outside of Collinwood (or Collins House, as Ross repeatedly refers to it) in this book.  Victoria and Nora head into Collinsport on several occasions, frequenting the Blue Whale, as well as Will Grant's office and the general store and post office.  Victoria and Nora also spend some time on the beach - after all, it is summer.  These interludes are nice reminders that there is an entire world within the Dark Shadows mythos, and the characters are not limited to the great house. It is also nice to see that Burke Devlin continues to make his brief appearances.  This book has a first printing date of March 1967, and by that point in the television show, viewers were treated to the final revelations regarding the mystery surrounding Mr. Devlin and his animosity towards Roger Collins.  Fans were also in the middle of the story where BIll Malloy is murdered and the phoenix, Laura Collins (David's mother and Roger's ex-wife!) shows up to claim her son.  While there are passing references in the books to Roger's ex-wife, there are no details given, and from what I can recall, the books never actually address who she is or her supernatural essence.

 

Ross once again gives strong hints at the supernatural, with the ghostly appearances of Stella Hastings, but as with your standard Gothic tale from this period, the haunting is explained away with real-world circumstances (in this instance, a look-alike who is mistaken for Stella).  Each of the continuing characters (Elizabeth, Roger, Will) are still exhibiting odd quirks and mood shifts that hint at secrets being withheld from poor Victoria, leading one to understand that Ross was likely hedging his bets, keeping their actions mysterious, yet not direct, so that if anything major was revealed on the television show, he could incorporate it into his stories.  I do like that he keeps Victoria true to form, in that she is not a Nancy Drew-type mystery solver, but rather, someone who seems to fall into these situations and is forced to go along for the ride until they resolve themselves.  I laughed at one line in the book, where Victoria was overwhelmed, and she realizes "[s]he had reached the stage where things when on around her and she simply sat in a kind of daze and allowed them to happen" (p. 100).  Many fans would say that is a pretty accurate description of how Victoria was always written on the TV show.  Thankfully, Ross does give her a bit more fortitude, so that even as she is forced into these situations, she has the mental acuity to reason things out.

 

As with the first book, this novel featured two different covers.  The first, which appeared on the early printings, was a painted cover (above), showing Victoria, in her overcoat, running away from Collins House.  This scene is taken from early promotional photos for the show, which shows Alexandra Moltke in that same position (also above).  For later printings, Paperback Library reprinted the book using a still photo from the television show, once again with Alexandra Moltke as Victoria and Jonathan Frid as Barnabas Collins.  As Barnabas did not make his first appearance on the show until April 18, 1967, a month after this book was initially released, and considering his character does not appear in the story at all, I find is somewhat misleading that the later printings used such a photo.  No doubt, Paperback was simply cashing in on Barnabas' popularity (since, by the time these books were reprinted, Barnabas had gained his success on the show, and the books were featuring Barnabas as their principal character).  Still, there were plenty of images of Victoria with other characters that do appear in the stories, which the publisher could have used.  Unless, of course, it was a mandate from Dan Curtis Productions, in which case, they would not have had much of a choice in the matter.

 

 This second book definitely takes the story of Victoria Winters further away from the direction she was written in the television show, and as such, it makes for some great reading.  These are new and unique stories, a "parallel time" of sorts, and it is a shame Ross was forced to write Victoria Winters out when she left the show.  This forum would have been the perfect place to reveal Victoria's true parentage, the one mystery that never got solved on any version of the television show (although, for the 1990's remake, that question was answered in Innovation Comics' Dark Shadows' comic book series, which picked up where the TV show ended and ultimately revealed Victoria really was Elizabeth's daughter...)

 

Only 30 books left to read in the ongoing saga of the Collins family!

 

RATING:  10 tiny silver earrings shaped like a leaf out of 10 for great Gothic suspense and ghoulish ghostly scares, with some well-written misdirects to keep the twist ending (somewhat) a surprise!