Mary Worth: 1943 Career Girl Drama - a Blackthorne Publishing Collection

Anyone that has ever read the "funny pages" from a newspaper is more than likely familiar with the name Mary Worth. The name is pretty much synonymous with the soap-opera-style comic strips, such as Rex Morgan, M.D. and Apartment 3-G, among others.  The strip began in 1938, although sources indicate the strip started even earlier than that in a previous incarnation as "Apple Mary," which had its beginnings in 1934.  "Apple Mary" was a strip created by Martha Orr, with art and lettering by Dale Conner and Ruth Belew, respectively.  When Orr left the strip in 1941, and this is when Allen Saunders took over the writing, and Ken Ernst came in to take over the art.  By 1940, the strip was already using "Mary Worth's Family" as a subtitle, and when Saunders and Ernst took over, it eventually transitioned to simply Mary Worth.  There is, of course, disputes regarding whether "Apple Mary" really was a precursor to Mary Worth, but respected sources, including Saunders himself, indicated it was.

 

In 1986, Blackthorne Publishing was doing a number of collection of comic strips under the "Comic-Strip Preserves" banner, including Betty Boop, Brenda Starr Reporter, and others.  One of those was Mary Worth, with, unfortunately, only had this one book.  Labeled a "1943 career girl drama," the book features a storyline that ran from October 1943 through April 1944.  A number of things surprised me about the strips as I sat down to read them.  First, the name of the strip alternates between "Mary Worth's Family" and simply "Mary Worth."  Second, and probably most surprising, is the fact that the title character actually features very little in this story!  She plays heavily in the first few strips, as she heads to Elm City where Bill Biff is to have found them a place to live, and she shows up in the last few panels to bid some of the major characters farewell, as two of them head out on military duty.  Otherwise, she is only seen in a few strips, and usually those scenes are simply as a plot device to move the characters in a certain direction!  This is a far cry from the strip I remember glancing out now and again as I was growing up, where the elderly woman was always sticking her nose into everyone's business and offering advice, whether it was solicited or not!

 

This sixth month tale is, in reality, the story of Gypsy Monez, a professional dancer from New York City.  She happens to be on the same train as Mary Worth, and she sneaks into Mary's cabin, asking her to hide her from the men that are looking for her.  Mary (and the reader) knows there is more to the story, so it goes without saying that Mary helps her sneak off the train at Elm City.  Mary opens up her new home to the young actress (over the objections of Bill Biff, who is upset to be put out of his own room!).  Soon enough, Gypsy is directing the charity benefit to support the war effort - there is only one catch - she must use the chairwoman's son in the leading role!  Gypsy is unsure until she meets the boy, who turns out to be a handsome young man.  The two quickly hit it off, but as with any good story there's a snag.  An unscrupulous man discovers by accident the secret Gypsy is keeping from everyone and threatens to expose her if she does not date him instead.  As her feelings for Bud (the chairwoman's son) grow stronger, she eventually walks away from the man blackmailing her - a decision she is sure to regret.

 

The story takes a romantic tangle of a turn when Bud's older brother comes home on leave from his service in the armed forces.  He happens to be on the same train Gypsy is on after spending time in New York City (no, I'm not going to spoil her reasons for being there - let's just say, it has to do with the resolution of the first half of the story), and, of course, the two hit it off, neither suspecting who the other really is.  Once home in Elm City, though, Rick is the one to realize his new love is actually his brother's fiance-to-be.  He tries to bow out, but his feelings for Gypsy and hers for him are too much.  Luckily, another young lady happens to come to town, and she catches Bud's eyes - and with a little help from Mary Worth, the entangled lives become untangled, and we end up with two very happy couples. Well, happy that is, until the final panel, when both Rick and Bud head off into the service for their country!

 

Again, it is odd (to me, at least) that the title character appears so little in the strip.  While I didn't necessarily expect to see her in every panel, I did expect her to have a much larger role than simply an advice giver every couples of weeks or so, and matchmaker for a few strips.  We can't even go so far as to say "Mary Worth's Family" is an appropriate title, since the characters involved in this story are not a part of her family at all.  I am now curious to learn when did Mary Worth take a much more active and consistent role in her own strip? 

 

The art, by Ken Ernst, is enticing, and he gives each of his characters very distinctive looks that make them easy to identify without being named repeatedly.  His rendition of Gyspy is pretty spot on, since she is meant to be a seductive beauty - he even manages to give her clothing that only accentuates her sexy side - when she tries to wear "normal" clothes that would be appropriate in Elm City, it comes across very unnatural.  Unlike Mary Perkins, On Stage (another strip that I have been reading in collected editions),  this strip does not always concern itself with detailed backgrounds; in fact, a number of panels have no backgrounds at all - the characters simply appear against empty space.  This does not detract from the storytelling, though.  In some cases, it actually gives more focus to the character(s) speaking, so the reader is not distracted looking at what is in the background.

 

I will admit - I took a look online to see what the strip looks like today - and it is a FAR CRY from these strips from the 1940s!  While I loved June Brigman's work on Marvel's Power Pack back in the '80s, her work on the current Mary Worth strips does not hold a candle to Saunders' work represented in this collection.  It is a shame no one has collected more of these early years of Mary Worth.   I'm aware there is a mass-market paperback collection out there, as well as a comic collection published by a company called Argo; and there are several issues of a Harvey-published comics; but that is so little compared to eighty years of daily newspaper strips!  Someone needs to get work preserving these strips for future readers!

 

As a side note - I'm not really sure where the "career girl drama" banner on the cover comes from.  Mary Worth is definitely not a career girl, so the only thing I can figure is that it is referring to Gypsy Monez, who settles down in Elm City and opens a fashionable clothing store for the women about town. 

 

RATING:  9 autographed photos of Gyspy Monez out of 10 for an interesting trip back in time to the simpler times of comic strip tales filed with romance, drama, and lessons learned!

Image of Evil - a Dell Gothic

This is a book I specifically hunted down because of the haunting cover.  The lone woman, standing in the swamp in her flowing white dress, with a dark mansion in the background - no light in an upper story window as so many Gothics are wont to do.  The greens and blacks setting the somber mood, the moss hanging from the trees, the moon barely visible in the sky.  To me, this cover screams creepy, and so I had to know if the story could match the horror of the cover art!  Took me a while to track down a copy at a reasonable price, but I finally managed to do so.  The book is written by Rosemary A. Crawford, and from all I can find, this appears to be the author's real name and this book appears to be the only Gothic I can find that she wrote!  If she did write any others, I would sure like to find them, especially if they are as good as this one turned out to be.

 

Image of Evil was first published by Dell in November 1971. The story is told in first-person, from the point-of-view of the main character, Susan (whose name is not actually stated in the book until page 15, when another character finally calls her by her name!), a twenty-three year old clothing designer from New York who comes to Louisiana to meet a family she never knew she had.  After her parents pass, she receives a mysterious letter from one Corinna Hamilton, who claims to be her aunt (her mother's sister).  The woman invites her to come stay at Southern Moon, the Hamilton homestead, and meet the rest of her family - which includes Corinna's two children, Paul Hamilton (a lawyer) and Lacy Hamilton (a spoiled debutante), as well as the brother of Corinna's deceased husband, Cedric Raimond.  Before she can even reach the mansion, which is deep in the Louisiana bayou, she has the misfortune of meeting the deputy sheriff, Billy Ben Curtis, to who she takes an instant dislike (due to his complete lack of manners and unpleasant disposition).  Once at the great house, she meets not only the family, but also the housekeeper, Matilda, and the surly cook, Lucille.  Susan is not overly ecstatic about this sudden appearance of a family she never knew existed, and so she is somewhat reserved when she arrives ... if only she had turned around and left the moment she arrived, perhaps she would not have experienced the terrors she did.  Of course, had she left, then she never would have learned the truth about why her mother left the Hamilton family and never looked back ...

 

I will admit, the story gets off to a somewhat slow start.  Crawford goes back and forth in the first two chapters between the present, as Susan is arriving at Southern Moon (the name of the Hamilton home) and Susan's receipt of her aunt's letter, her meeting with the attorney to learn more about the invitation to Louisiana, and her not-so-great experience on her first entrance into the swampland surrounding the great house. Once all of the backstory is told, Crawford then moves forward in a more normal, linear narrative form.  Susan's first observations of the family are somewhat accurate - Lacy is spoiled and clearly has no interest in knowing her; Paul is a playboy of sorts who takes a shine on her; and Corinna is playing a part, but just what part that is, Susan is unsure.  The only one she feels she can trust is the housekeeper, Miranda, who admits to remembering her mother and slowly, as the story progresses, tells her more and more about Meg Hamilton and why she left the way she did.  Of course, the more she learns about that, the more she learns about Corinna, and the more she begins to realize there is a lot more to this story than she realizes!  Things truly start to come to light when she meets Dr. Clay Foster, a young physician who is treating Miranda's daughter Lillian - and when she tells her new family she has a date with the doctor, she finds they are quite vocal on the matter.  By no means will a Hamilton ever go out with "white trash" like Clay Foster!  This is the beginning of the battle lines being drawn, and soon enough, more truths are revealed about Corinna, about Paul, about Clay, and about Lillian - and about Rosalie, the one no one is allowed to talk about!

 

Crawford build the suspense slowly, but as it rolls along, it gets more and more intense, and as it speeds towards the climax, the terror builds, as Susan finds herself first locked in the attic where Rosalie was hidden away for a number of years, and then ultimately as she runs through the swamps at night, daring to face any danger to escape the evil plans the Hamilton family has in store for her if she were to remain at Southern Moon!  What started out rather uninteresting definitely turns into a page-turner that I could not put down.  

 

The original printing by Dell has full cover art, interrupted only by the title and author's name at the top and bottom, respectively.  However, the book was later reprinted in October 1979 under Dell's "Candlelight Intrigue" banner; while the reprint used the same cover art, it reduced it to just a smaller square under the title and author's name, cutting off portions of the top and bottom of the art, so you do not get the full effect of the image.  Personally, I prefer the full cover printing (which is the version I have).

 

While several blogs and reviews I have read online seem to find this book not overly appealing, I found it to be rather engaging, once you get past the opening sequence.  I would certainly recommend it to those who love a good Gothic read from this time period - and the Louisiana bayou setting is definitely a nice twist to the theme!

 

RATING:  8 extra bolt locks out of 10 for taking our poor heroine through the ringer, with some intensely dangerous moments and a couple of unexpected deaths! 

Snoops, Inc. # 4 - The Vanishing Treasure

This series has been a fun little series of easy reads, with some perfectly plotted mysteries that are aptly suited for the young reader age group at which the books are aimed.  Yes, the stories are short (after all, they are intended for fourth graders - although, honestly, I could have easily read these in third grade, and probably second as well), and there are plenty of fantastic illustrations in each chapter drawn by the extremely talented Mariano Epelbaum; but, quite frankly, if you want a twenty or thirty minute escape from the pressures of real life, these are the perfect go-to books!

 

The Vanishing Treasure is the fourth book in the series, which features the twin crime solving siblings, Hayden and Jaden Williams, with their two best friends, Keisha Turner and Carlos Diaz.  Together, these four are Snoops, Inc. - four junior detectives who are ready, willing, and able to help when needed.  As the tag line reads:  "No case too small ... we solve them all!" As with the previous books, the first chapter opens with the conclusion of a case - in this instance, the Snoops have set a trap to capture a bicycle thief, and their coordinated stake-out results in trapping the culprit when she attempts to steal Jaden's shiny red bike, which was used as bait.  With that case behind them, Hayden is free to focus on her upcoming challenge - the annual Math-tastic Regional Tournament!  About the only mystery there is the identity of Hayden's online friend, with whom she has been chatting about the tournament for weeks.  The two plan to meet for the first time at the tournament, and Hayden could not be more excited!

 

Of course, a real mystery gets in the way when the two Math-tastic trophies - one for the winning team and one for the highest-achieving individual - are both stolen from a locked case in the school lobby.  Hayden calls in the rest of her Snoops team, and they are on the case.  Hayden is concerned that the thief could turn out to be her online friend, who she believes to be Anya, a new contender in the math tournament.  All clues do seem to point to her, but Hayden does not want to believe it.  The culrpit could also be Warren Garvey, the student from Hayden's own school who was disqualified by their teacher for cheating on an exam - and boy, is he angry about not being able to participate!  Can the school win without him?  There's also Newt Loggins, a quiet young boy that does not seem to fit in.  As the saying goes, you can never really tell about the quiet ones!  A crumpled up practice test, some saw dust on the floor around the trophy case, a mask that looks like one of the suspects, and a witness's description of a person fleeing the scene all lead the Snoops to only one conclusion - the wrong one!

 

Author Brandon Terrell creates a fun surprise near the end when he reveals not only the real thief, but also the reason for the theft and the true identity of Hayden's online friend.  It all leads them into the school basement, where they get trapped in the boiler room just minutes before Hayden is supposed to be back on stage for the final math competition.  It's a race against time to get Hayden back in the competition and stop the trophy thief before he pulls off one final steal!

 

Enjoyed Terrell's side-story about Jaden's attempts to learn how to perform magic tricks.  Sure, he may have been bumbling around in the beginning, but those tricks turn out to be very important when the kids are locked in the boiler room - a well-placed subplot that seemed to have no importance whatsoever actually worked right into the main mystery quite nicely.  Kudos to Terrell!

 

Another winning read - as I say every time, it's a shame this series didn't last.

 

RATING:  8 grape suckers out of 10 for a calculatingly good mystery featuring a few surprising twists and turns! 

The Brownie Scouts at Snow Valley - Book One of the Brownie Scout Books

This is one of the few series by Mildred A. Wirt (Benson) that I have not yet read, so when a friend suggested I read it, I took her up on it!  I had heard of the Brownie Scout series before, as well as her companion series (Girl Scouts and Dan Carter, Cub Scout), and while I have all of them, I've only ever read one of them (The Girl Scouts at Mystery Mansion).  These series are aimed at a younger audience than her regular mystery series, more along the level of The Bobbsey Twins readers.  As many people are undoubtedly aware, Wirt (Benson) was the original ghostwriter for the Nancy Drew books back in the 1930s, and she went on to write quite a large number of series books over the course of more than two decades, many under her own name.  Surprisingly, she wrote a number of books for young readers (such as some of the Honey Bunch books, as well as the Dot and Dash series, in addition to those listed above).  This particular series was first published in 1949, with the first two books coming out that year, and the remaining four book coming out one a year through 1953.  So, with a little bit of curiosity and wonder as to whether these series would be as enjoyable as her mysteries for older children, I picked up the first book and gave it a read.

 

The Brownie Scouts at Snow Valley introduces readers to six young girls who make up the Brownie Scout troop of a small town named Rosedale, set in somewhere USA (the exact location of the Scouts' hometown is left rather vague, which I suppose was a purposeful way of keeping the author's stories from being limited by geographical area).  The girls include:  Connie Williams, Jane Tuttle, Rosemary Fritche, Eileen Webber, Belinda Matthews, and "Sunny" Davidson.  Of these six girls, Connie is the one who takes center stage through most of the story, with Jane, Rosemary, and Sunny coming in as supporting characters.  Other than passing mentions, we see very little of Eileen and Belinda (who are pretty much just background window dressing used to fill-out the six-girl troop).  However, there is another major character in the story, Veve McGuire.  Veve is not a Brownie Scout; however, she is a friend of the girls, but she is frustrated with her friends for spending more time with their Brownie activities than playing with her.  Rounding out the main cast is Miss Jean Gordon, "the fourth grade teacher at Rosedale School, [who] had organized the Brownies..." (p. 2).

 

This seems like a good place to stop for a moment and discuss the Brownie Scouts for a moment.  Before picking up this book, I knew nothing about "Brownie Scouts," other than the fact that they are precursors to the Girl Scouts.  Wirt does not specifically identify the age of any of the girls, but some online research reveals that Brownie Scouts are usually anywhere from ages 7 or 8 up to 12 years old (at which point, I suppose, they are old enough to join the Girl Scouts).  Since Wirt does reference Miss Gordon as being a fourth grade teacher, one can assume the six girls are likely around 9 or 10 years old (since this book takes place around Christmas time, most likely the girls are still 9 years old).  According to online sources, the Brownie Scouts do have "promises" and "laws" the same as Girl Scouts, which set forth their standards for the members.  In this book, Wirt has them singing, "We're the Brownies, here's our aim: Lend a hand and play the game!" (p. 3).  This is the actual Brownie opening song, but in the story, Wirt has the girls sing this just before their meeting breaks up and the girls leave to go home.  Later in the book, Wirt has Miss Gordon recite to the girls the "Brownie story" as originally told by Juliana Horatia Ewing (pp. 128-33).  While there are some slight variations (Wirt's version has a little girl named Mary and her brother Tommy; in Ewing's original story, Tommy is the lead character, and his brother's name is Johnnie - there is no girl), the overall story elements are the same, with the charm, "Twist me, and turn me, and show me the Elf; I looked in the water, and saw--" (p. 131), being exactly the same as recited in Ewing's tale.  To read the actual story, you can find it here:  The Brownies and Other Tales.

 

Now, with regard to the story itself, the book features two very minor mysteries - one involves someone stealing trees from the property near the Gordons' home in Snow Valley where the girls go for the Christmas holidays, and the other involves a missing locket that Grandmother Gordon claims was stolen by a poor woman who used to be her housekeeper and cook.  These mysteries do not actually come into play until nearly half-way through the book, when the girls are taken to Snow Valley by their troop leader, whose grandparents have opened up their home to the girls.  The first half of the book is merely the adventures (or in poor Veve's case, MISadventures!) of the girls as they get ready for their Christmas break and enjoy what little snow the small town has.  Veve lucks out and is able to join the girls on their trip when Belinda falls ill at the last moment.  The poor girl seems to be a trouble magnet, as she spills water on a fellow train traveler, then that same man steps on her jacks when she accidentally loses them in the aisle; later, at a train stop, she forgets her purse in the depot diner and nearly misses the train!  Connie continually defends her friend, even when some of the other girls grow weary of Veve's mishaps.  Once the girls arrive in Snow Valley, though, the focus shifts to the mysteries.

 

The Stone family live in a nearby cabin and are very poor, so the girls come up with the idea to pool their money to buy the Stone children a brand new sled for Christmas and provide the family with some food for the holiday.  This is when they learn from Grandmother Gordon that Mrs. Stone used to be the Gordon's housekeeper, and Grandmother believes she stole a precious locket.  The Brownies are determined to find the missing locket and exonerate Mrs. Stone.  At the same time, a neighboring property that is filled with a plethora of pine trees, is the subject of numerous thefts, as someone is chopping down trees and sneaking them off the property.  Poor Mr. Stone is blamed, since he is out of work and has been seen walking down the street with an ax in his hand; but when Connie points out they saw another man from town with an ax, the accuser backs down.  Ultimately, both mysteries are solved - the girls have no hand in the resolution of the stolen tree mystery; however, Connie is the one to uncover the whereabouts of the locket, requiring Grandmother Gordon to apologize for her suspicions of Mrs. Stone and re-hire her as the Gordons' housekeeper. As one might expect, it is a very happy conclusion, as all mysteries are solved, the girls' families arrive in Snow Valley on Christmas Eve night despite a horrible snow storm, and the Stone family is included in the Christmas celebration.

 

There is an interesting bit of information in the story about snowflakes, as Miss Gordon gives the girls some facts about various types of snowflakes, how they are formed, and why they are white (pp. 67-69).  She tells them how the hexagonal shape is "fairly common," while three-sided snowflakes are "considered rare" (p. 68).  I had never heard of three-sided snowflakes before, so even I learned something new from this book.  Some quick research reveals that three-sided flakes form due to special aerodynamic  - when a crystal tips in the air, causing two sides to grow faster than the others, creating the triangular shape.  Thus, like so many of the Stratemeyer series books, one can learn new information even from a non-Stratemeyer series such as this!

 

One thing I found rather amusing was that Wirt included a recipe for brownies in the book!  While preparing goodies for the upcoming Christmas holiday, Miss Gordon allows several of the girls (Veve, Connie, and Rosemary) to assist her.  At the bottom of page 155, Wirt includes all of the ingredients one would need to make a batch of brownies (which, oddly enough, Miss Gordon indicates are a type of cookies!).  I have to wonder how many children who read this book back when it originally was published asked their mothers to allow them to make brownies based on this recipe?! 

 

The book has a dedication at the beginning to "MRS. ELEANOR T. GIBSON, Executive Director of the Toledo Girl Scouts, in appreciation of her helpfulness and cooperation."  This would explain the accuracy of the Brownie Scout information, songs, and stories within the book.

 

As a final observation, at the conclusion of the story, Wirt references a trip the girls will take in the summer to a camp, making specific reference to the next book in the series, "The Brownie Scouts in the Circus" (p. 198).  What is unique, though, is that right after this reference, Wirt adds:

And for boys, also interested in cam life and the out-of-doors, there is a book called: "Dan Carter, Cub Scout."  (pp. 198-99).

I can't say that I can recall ever reading a series book that offers up an ad for another series by the same author like this!

 

The art, for both the cover and the interior frontis piece, was provided by Marguerite Gayer (her signature appears on the art and illustration).  What is strange is that I cannot really find anything about the artist online.  The only thing I could find was an illustrated page that Gayer had obviously done for another book, which features a little boy and a dog enjoying a picnic outside.  Thus, it is clear Gayer illustrated other children's books, outside of her work on the Brownie Scouts series, so it is surprising there is next to no information to find about her online.  I have put some feelers out there, so we will see what we can turn up on Ms. Gayer!

 

I'll readily admit that I did enjoy the story.  It was an easy read, and the characters and situations were fun.  Wirt has a way with making her characters come to life, so that you get drawn into their adventures and mishaps without even realizing it!  I'm looking forward to reading the remaining five books in this series. 

RATING:  9 lost luggage bags out of 10 for a fun-filled romp with some cute new characters as they experience plenty of misadventures in the snow! 

Victoria Winters - the 2nd Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

I am having a thrilling time re-reading these Dark Shadows novels from the late '60s (which continued into the early '70s, well past the end of the television show).  It has been so many years since I originally read them, it is like I am reading them again for the first time.  And the author, W.E.D. Ross (writing under his most popular pseudonym, Marilyn Ross) does a pretty decent job with the characterization, capturing some of the nuances the actors instilled in the characters on TV.  I especially like the fact that these early books, like the early episodes of the TV show, focused on Victoria Winters, as she was by far my favorite character from the show.  Thankfully, Ross manages to instill her a bit more strength and awareness than she was given by the writers on the daytime soap.  It breathes a little more life into her, and definitely makes me love the character all the more!

 

Victoria Winters is the second book in the series, and the story picks up some months after the events in the first book (which depicted Victoria's arrival, her meeting the Collins' clan, her romance with Ernest Collins, and the terrifying events that led to Ernest leaving for an indefinite period of time).  Now, as summer has arrived, Carolyn and David are gone on a vacation, leaving Victoria behind to act as a personal assistant to Elizabeth Collins Stoddard.  The Collins' attorney, Will Grant, is still around (still trying to woo Victoria), and we meet his sister, Nora, with whom Victoria has developed a close friendship.  Burke Devlin makes a few quick appearances in this novel, and Matthew Morgan is his usual grumpy self.  Roger Collins continues to be the ultimate spoiled playboy.  The new characters who are introduced in this book are Paul Caine, a visiting artist who takes an instant liking to Victoria, as well as Henry Francis and his two daughters - the gorgeous Rachel Francis (who becomes entangled with Roger) and the invalid Dorothy (who is recovering from major brain surgery and is confined to a wheelchair in a near catatonic state).  It turns out Henry was an old classmate of Elizabeth's back in the day, so she welcomes the man and his daughters into her home unlike she would anyone else.  And now, with all the characters in place, the mystery unfolds...

 

 One might recall in the first book, it turned out Ernest's first wife did not really die as everyone believed, but was being kept secreted away in the dark halls of Collins House, as she had gone mad. It was revealed that she had murdered a woman Ernest had later fallen in love with - Stella Hastings, and she would have killed Victoria as well, if fate had not intervened.  Well, it seems that story was not quite over, as Victoria begins to see the face and ghostly apparition of a woman who she eventually finds out is none other than Stella Hastings!  Did the woman not die, as everyone thought?  Or was her spirit haunting the house where she had been killed?  As Victoria tries to figure this mystery out, she must also fend off a would-be killer, someone who is following in the footsteps of the silk-scarf strangler who Henry Francis tells her killed several woman back in Pennsylvania.  Did the killer follow the Francis family to Collinsport, stalking Henry's daughter?  Is Victoria simply another in a long-line of victims?  Or is there something much more sinister going on in the Collins' great house?  

 

We spend a bit more time outside of Collinwood (or Collins House, as Ross repeatedly refers to it) in this book.  Victoria and Nora head into Collinsport on several occasions, frequenting the Blue Whale, as well as Will Grant's office and the general store and post office.  Victoria and Nora also spend some time on the beach - after all, it is summer.  These interludes are nice reminders that there is an entire world within the Dark Shadows mythos, and the characters are not limited to the great house. It is also nice to see that Burke Devlin continues to make his brief appearances.  This book has a first printing date of March 1967, and by that point in the television show, viewers were treated to the final revelations regarding the mystery surrounding Mr. Devlin and his animosity towards Roger Collins.  Fans were also in the middle of the story where BIll Malloy is murdered and the phoenix, Laura Collins (David's mother and Roger's ex-wife!) shows up to claim her son.  While there are passing references in the books to Roger's ex-wife, there are no details given, and from what I can recall, the books never actually address who she is or her supernatural essence.

 

Ross once again gives strong hints at the supernatural, with the ghostly appearances of Stella Hastings, but as with your standard Gothic tale from this period, the haunting is explained away with real-world circumstances (in this instance, a look-alike who is mistaken for Stella).  Each of the continuing characters (Elizabeth, Roger, Will) are still exhibiting odd quirks and mood shifts that hint at secrets being withheld from poor Victoria, leading one to understand that Ross was likely hedging his bets, keeping their actions mysterious, yet not direct, so that if anything major was revealed on the television show, he could incorporate it into his stories.  I do like that he keeps Victoria true to form, in that she is not a Nancy Drew-type mystery solver, but rather, someone who seems to fall into these situations and is forced to go along for the ride until they resolve themselves.  I laughed at one line in the book, where Victoria was overwhelmed, and she realizes "[s]he had reached the stage where things when on around her and she simply sat in a kind of daze and allowed them to happen" (p. 100).  Many fans would say that is a pretty accurate description of how Victoria was always written on the TV show.  Thankfully, Ross does give her a bit more fortitude, so that even as she is forced into these situations, she has the mental acuity to reason things out.

 

As with the first book, this novel featured two different covers.  The first, which appeared on the early printings, was a painted cover (above), showing Victoria, in her overcoat, running away from Collins House.  This scene is taken from early promotional photos for the show, which shows Alexandra Moltke in that same position (also above).  For later printings, Paperback Library reprinted the book using a still photo from the television show, once again with Alexandra Moltke as Victoria and Jonathan Frid as Barnabas Collins.  As Barnabas did not make his first appearance on the show until April 18, 1967, a month after this book was initially released, and considering his character does not appear in the story at all, I find is somewhat misleading that the later printings used such a photo.  No doubt, Paperback was simply cashing in on Barnabas' popularity (since, by the time these books were reprinted, Barnabas had gained his success on the show, and the books were featuring Barnabas as their principal character).  Still, there were plenty of images of Victoria with other characters that do appear in the stories, which the publisher could have used.  Unless, of course, it was a mandate from Dan Curtis Productions, in which case, they would not have had much of a choice in the matter.

 

 This second book definitely takes the story of Victoria Winters further away from the direction she was written in the television show, and as such, it makes for some great reading.  These are new and unique stories, a "parallel time" of sorts, and it is a shame Ross was forced to write Victoria Winters out when she left the show.  This forum would have been the perfect place to reveal Victoria's true parentage, the one mystery that never got solved on any version of the television show (although, for the 1990's remake, that question was answered in Innovation Comics' Dark Shadows' comic book series, which picked up where the TV show ended and ultimately revealed Victoria really was Elizabeth's daughter...)

 

Only 30 books left to read in the ongoing saga of the Collins family!

 

RATING:  10 tiny silver earrings shaped like a leaf out of 10 for great Gothic suspense and ghoulish ghostly scares, with some well-written misdirects to keep the twist ending (somewhat) a surprise!

Nancy Drew Mystery Stories # 141 - The Wild Cat Crime

"Nancy faces a dangerous threat when danger is uncaged!'  (cover blurb)

 

"A hunt for missing cougar cubs leads Nancy into a sinister trap!" (back cover blurb)

 

It is interesting that Simon & Schuster would publish two Nancy Drew books back-to-back where Nancy and her best friends, Bess and George, are holding down jobs of sorts.  Since the series inception back in 1930, Nancy and/or her friends having an actual job, or even an internship, has been seen only on rare occasions; here were are, though, at the beginning of 1998, and Nancy and her friends can be found working - volunteering for an after-school program in the previous book (140 - The Door-to-Door Deception), and now interning at a local television station (Nancy and George) and at a zoo (Bess) for this book.  Although both volunteering and interning are jobs that normally come without any salary (it's not like Nancy needs money!), it is rather unique to find the girls doing something other than simply solving mysteries in their leisure time.

 

The Wild Cat Crime, published in February 1998, lets readers know from the very first page of the story that Nancy and George are interning at Channel 9 news (p. 1).  I believe this is the first reference we have ever seen of an actual television station, and it is further identified as "WRVH-TV" on the next page (p. 2).  The mystery, however, has little to do with their work at the television station; instead, the mystery comes from Bess's own summer internship at the River Heights Zoo - an endangered cougar successfully gave birth to four baby cubs, and shortly after one cub is thought to be missing (but is thankfully found having somehow gotten beyond the door into the habitat area), all four cubs disappear!  When Bess's boss, Sally, finds out Nancy is a detective, she asks her to look into the matter and find the cubs quickly, as they were still newborns who needed to be fed on a strict schedule or they could be irreparably harmed!  Needless, to say, Nancy is on the case.

 

What gives this story a bit of a twist - or should I say WHO gives this story a bit of a twist - is the investigative news reporter for whom Nancy and George work, one Christy Kelley.  Christy is not the easiest woman to work for, and Nancy and George have spent most of their internship doing menial jobs, barely saying one word to the girls since they started.  When Nancy shares the news of the cubs' birth with Christy, thinking it might make a good story, Christy takes it out of Nancy's hands, deciding it is best to do it with just her camera and sound men.  George believes Christy is jealous of Nancy, as she was hired because of her fame as a detective.  "Christy seems pretty ambitious," George tells her.  "She might be worried you do a better job investigating stories" (p. 4).  Thus, from the get-go, the reader knows that Christy Kelley is going to be a foil during the investigation.  One might say she is the "Brenda Carlton" character in the Nancy Drew Mystery Stories series (Brenda, for those who do not know, was a recurring character in the Nancy Drew Files series, which ended in 1997, and she was a reporter who was constantly causing problems for Nancy during her investigations).

 

The ghostwriter for this book definitely throw Nancy into one dangerous situation after another.  She and George face off against a deadly Cobra snake;  Nancy and Bess are on a monorail that derails right next to a hyena pen; Nancy is held by knife point by a store owner who mistakes her for the kidnapper; and Nancy is pushed into a cougar habitat with a deadly male cougar ready to attack!  Whoever stole the four cougar cubs is definitely not playing games!  There are suspects galore: Christy (who is said, more than one, bears a striking resemblance to Nancy) seems a little too determined to find those missing cubs before Nancy; Hawk, the cameraman, goes a little overboard in his defense against locking up animals in cages; Joey, the sound man, is evasive and acts very suspicious every time Nancy questions him about the day of the kidnapping; Eduardo Vallejo, the cat trainer who knows more about the cougars than anyone; Randy Thompson, the assistant vet, whose position gives him easy access to the cougars at any time (and he would know how to sedate the mother to nab the cubs!); and even Sally Nelson, the main zoo vet and the woman for whom Bess works.  While Sally seems to be the most unlikely suspect, we all know that in a good mystery, anyone can be the culprit!

 

While the story is very fast paced, due to the limited page count (149 pages with the not-so-small font), the mystery actually develops nicely, and the clues are somewhat subtle, so as not to be glaringly obvious to the reader.  It make for a pretty good read.  One of the things that did annoy me was the number of times George and Bess referred to Nancy as either "Drew" or "Nan."  I realize by the time this book was published in the late '90s, using nicknames, such as a last name or a shortened version of a first name, was a long-established thing, the Nancy Drew series has always, for the most part, given Nancy Drew a level of respect by having everyone refer to her by her proper name.  Calling her by a nickname may modernize the story somewhat, but I think it also takes away from the strength that her name gives the character.  I mean, even the director of the zoo, when he meets her, asks, ""Are you, by any chance, the Nancy Drew - the detective?" (p. 46).  This is a prime example of where the name really matters!

 

(On a side note, the author does manage to throw in a Sherlock Holmes reference, when Nancy first notices the monorail track, which lead "to a quaint, old-fashioned-looking train platform and station.  It looks like a station where Sherlock Homes might catch a train, Nancy thought" [p. 8].  Nice to see one great detective make mention of another!)

 

The gorgeous cover art is provided by Ernie Norcia, who, as fans of the digests know, provided the art for a large majority of these half-white covers.  The scene captures the climatic moment near the end of the mystery, when Nancy is pushed into the cougar habitat and must find a way to escape before a deadly male cougar makes a meal out of her!  Not so sure the outfit Nancy is wearing matches the clothing she had on in the story, but that black dress does work perfectly with the dark, night scene pained by Norcia, and her expression captures her realization of just how much danger she is in!

 

I would go so far to say that this is one of the better digests, as it provides a well-plotted mystery with characters who are not just cookie-cutter stereotypes.  I'd recommend this one.

 

RATING:  9 missing B-rolls of film out of 10 for a really wild mystery set in one of the most unlikely of places (let's face it - how many crimes really happen in a zoo?) - and Nancy had to match wits with a criminal who seemed to always be one step ahead of her! 

A Zebra Mystery Puzzler #29 - You'll Die, Darling

After an eight-book break, author Martin Grove (a/k/a Marjorie J. Grove) returns to this series with his sixth murder mystery featuring gossip columnist-turned-sleuth Maxine Reynolds.  But this book marks more than just the return of Grove and his spunky columnist.  This is the first book to feature the completely revamped cover format!  Gone are the full cover painted scenes, and in their place, the publisher instead placed the cover art within the glass portion of a large magnifying glass, which lay diagonally across a colored box, with a white outline surrounding it all.  In the top right-hand corner, the number of the book in the series now appears in white against a different colored background.  Thus, the cover illustration has considerably less space within which to display a clue to the mystery, and there is now a much less chance of catching any artist signature that might give a clue to the identity of the cover artist.  I'm not sure why they chose to go in this direction, unless it was simply to set the series apart from all the other mystery novels on the shelves at the time and give it a distinctive look that would set it apart from the rest.

 

You'll Die, Darling has Maxine Reynolds hunting for the killer of a country-western singer who was preparing the change direction with her career by leaving behind her former singing partners and entering the rock-n-roll realm. Max may have been the last person to see the singer alive, as Cindy Chester went missing just as she was about to head to San Francisco to put on a show that would start her new direction.  But the story does not open with her murder; rather, it opens with her kidnapping, as her agent, Kevin Belvedere, calls Max to see if Cindy said anything to her during the interview that would explain her failure to appear in San Francisco for her scheduled concert.  A ransom demand, a scramble to get together the money, and a police stake out to capture the kidnapper lead to even more questions when the man who ultimately picks up the cash is only an intermediary - and the post office box number to where he is to mail the money does not exist!

 

Grove gives readers a twisting tale of murder, mystery, jealousy, bitterness, and revenge as Max digs deeper into the kidnapping, only to discover the songstress dead in her garage from apparent suicide by carbon monoxide poisoning.  The police inspector is satisfied, but Max is not.  The only clues she has are a few strands of blond hair in the dead woman's fist, as well as a specially made key that has the logo scraped off.  With those two things to get her started, Max sets out to question everyone involved - from the dead woman's manager, to her two former singing partners, to the singer's abusive boyfriend, to one of the former partner's drug-dealing boyfriend.  One or more them wanted  Cindy Chester dead, but the questions remain - who and why?

 

The identity of the killer is not exactly obvious, but it is not too difficult to spot.  Only a couple of the interior illustrations hold clues to the killer; the rest have to be gleaned from the story itself.  And since we are on the topic of those internal illustrations, Sanford Hoffman is once again the one providing the framed drawings in this book.  However, despite how much I normally enjoy his framed illustrations, the ones in this book seem a bit off.  For example, the first illustration (on page 65 - see below), the middle-man who is arrested for picking up the package filled with money - if you look carefully, you will see that his left hand has two thumbs!  The second picture, on page 78, shows one of Cindy's two singing partners holding a round object in her hand; however, there is nothing in the story that indicates she is holding anything, and the circular object in the illustration is no plain there is no telling what it actually is.  In the third illustration on page 113, Cindy's manager is drawn holding a drink in his right hand - but the hand itself is oddly elongated, way longer than any human hand could possibly be.  The fourth and fifth illustrations are normal, but the last one, on page 173, shows three men who show up at Max's door uninvited, and the one in front is clearly holding up a gun in his right hand; yet, in the story, the man has no gun, and there is not even any mention of a gun anywhere in that scene!  Definitely not Hoffman's finest work in the series, that's for sure!

 

The cover art, limited as it is, has no identification as to the artist.  The scene nearly describes the moment when Max comes across Cindy Chester's dead body in the car in her garage, except in the story, she slides into the seat next to the singer, she is not standing outside the car looking down at her.  The artist does manage to sneak in the strands of blond hair in Cindy's hand, which I'm assuming is meant to be the clue on the covers, as promised in the cover blurb.  What is a little weird is it appears the car in which she is sitting had two gear shifts.  Perhaps one is meant to be an emergency brake, although I will admit, I've never seen any car that has an emergency brake so far behind the gear shift as the one in this painted cover.

 

While this particular story is not Grove's best work in the series, it is still a fairly good read.  As expected the obvious suspect is not the culprit (and in fact, that particular person winds up dead themselves!), and the real culprit is not really a big surprise.  I do like, though, that Grove always has his sleuth talk through all of the clues that led her to figure out whodunnit, so that the reader knows exactly what they should have seen (if they didn't) while reading the story.  Plus, Grove's books are always fun because of Pamela Tooth, better known as "Toothy."  Her quick wit and sarcasm make the whole thing worth it!

 

Sadly, there is only one more Grove mystery left in this series (book 39), so I can't wait to see what Maxine Reynolds' final case has in store for us!

 

RATING:  7 apartment complex pools filled with green water out of 10 for attempting to mislead the reader (and poor Max) and hide the real killer's identity for as long as possible!