We now come to the fourth novel in the Dark Shadows series by Marilyn Ross (a/k/a W.E.D. Ross) published by Paperback Library. This particular novel was published in January 1968, which is when the television show was starting what I consider to be one of its best storylines (and by far my favorite one on the show) - when a seance was held at Collinwood ... a seance that transcended time and space and sent Victoria Winters on a journey back into the past ... back to the year 1795! It was there that viewers learned the origin of how Barnabas Collins was cursed and became a vampire. So, it seems rather odd that by this point in the novels, we have yet to see any sign of Barnabas Collins, and the stories continue to focus on Victoria Winters as the young Gothic heroine who constantly finds herself being threatened by some dark force (that, like in all the Scooby Doo mysteries, turns out to be a real person in disguise!). Of course, I have no idea just how far in advance the stories were written, so there is the possibility that the book was written months before it was published...
The Mystery of Collinwood (and yes, they finally start calling it Collinwood at least, and have dropped the whole "Collins House" moniker) is more or less a repeat of the previous stories, which is a bit disappointing. How many times can we have strangers / relatives show up at Collinwood, strange events start to happen that all seem to target Victoria, no one believes Victoria when she tells them what is happening, and Victoria is nearly killed before the villain is finally caught and unmasked? Don't get me wrong - most of the Gothic novels from this period have many similar plot elements; but for a series of novels utilizing the same characters and setting to repeat the same basic story over and over again feels a bit redundant. Now, I love Victoria Winters - always have since the very first episode of Dark Shadows that I ever watched - so I absolutely love reading more stories about her that take her beyond what we saw on the television show. But after three books of her facing off against alleged ghosts/demons/phantoms and finding out they were actually one of the numerous strangers that were staying on the Collinwood estate, once would think that by this fourth book she would have wised up and not fallen from any more ghostly haunts. I would like to think that at some point, her character would have grown, and she would not always play the helpless victim. But, alas, Ross apparently did not see her that way.
With all that being said, the "mystery" of this book revolves around the rather odd Professor Mark Veno and his daughter, Linda, who have come to stay at Collinwood. The Professor and his daughter travel the world, putting on show that highlight his mental abilities to supposedly read minds. Roger Collins thinks it is a hoax, but Elizabeth Stoddard seems to think otherwise, so he is always welcome to stay at the great house when he is in the area. Meanwhile, down at Ernest's cottage on the property, an ill woman, Margaret Lucas, and her deformed caretaker, Carlos, have been renting the cottage so she can be isolated in what Elizabeth and Victoria believe to be the final months of her life. Margaret is a loner, but she does enjoy Victoria's company - in fact, Victoria is the only one she will allow to visit her. Until she hears about Linda, at which point, she invites that girl to pay her visits as well.
Oh, did I mention that Linda bears a remarkable resemblance to Victoria? And that Professor Mark Veno is actually Mark Collins, a previously never mentioned brother of Elizabeth and Roger (say what?!?!)? And that Mark Collins was married before he met Linda's mother, but the first wife and her newborn baby both died? Or did they? Yes, it's another potential parentage for Victoria to fret about (she seems to have a new one in every book, doesn't she?). While Victoria does not like the Professor - in fact, she can't stand him and is afraid of him! - she firmly believes his first child did not die, and she is that child. Everyone she confides in tries to dissuade her of this theory, but she is persistent to the point of having Burke Devil hire a private detective to look into the matter.
And as far as the mystery - well, that involves the strange phantom mariner that the Professor tells the family about. As the story goes, whenever the phantom mariner would appear to wives of sea-faring men back in the day, it meant the men would not be coming home, or that the women themselves would die! To see the phantom mariner means death! And, wouldn't you know it, the same night Victoria hears the story, she sees the phantom out on the grounds. And again later in the house. Again. And again. Poor Victoria is taken through the ringer in this story. Knocked down the well outside (remember the one she almost fell into back in the first book, but Ernest saved her?). Locked down in the dark cellar. Locked in an upper room with a bottle of gas thrown in for good measure. Locked in the attic with something moving around. Nearly hypnotized into jumping off Widow's Hill. Nearly hypnotized into jumping off the Captain's walk atop Collinwood. And, finally, poor girl is nearly strangled to death before she gets the bead on that phantom mariner and shoots the villain with a gun provided her by Burke Devlin (good for you, Burke!).
One continuity error I caught while reading this book: once again, David and Carolyn are out of the picture. Even though summer is over (this book is explicitly said to take place in September), Ross writes off David by sending him to a boarding school, and he writes out Carolyn by having her return to Ellsworth to finish her final year of high school. How convenient. In any event, when Elizabeth plans a big party toward the end of the story, she mentions that Carolyn will be able to come home for that week to be there for the party. Upon her return, she and Victoria and Linda go up into the attic to look for old dresses to wear for the costume party (p. 140), and Carolyn is the one who actually finds Victoria locked in the attic (p. 143). That's all good and dandy. But then the very next chapter begins by saying "Carolyn returned from school in Ellsworth on Friday evening and so was able to assist Linda with the last minute decorations (p. 147). So, if Carolyn did not return until Friday, then how was she there earlier in the week to look for costumes for the party and to free Victoria from the attic? Time travel, perhaps? Parallel time? Let's face it, stranger things than that have happened on the television show!
Just as the previous four books had two covers, so does this one. The early printings had a painted cover that features Victoria in the forefront, looking over her shoulder (a very striking image of her, I must say!), with a mysterious man in the background - that could be Roger, Ernest, or even the Professor. Collinwood looms in the background, menacing as ever. The later printings feature yet another image of Alexandre Moltke and Jonathan Frid as Victoria and Barnabas, again working to cash in on the popularity of Barnabas Collins, even though he has not even been mentioned in the book series up to this point.
Read by itself, the story is a fairly well-written Gothic. Read as a part of this series, however; well, it just feels like a repeat of the same plot with different characters.
RATING: 6 new bottles of sherry out of 10 for keeping Victoria Winters alive and giving her considerably more spotlight than the TV show was doing at this time.










