A Zebra Mystery Puzzler #26 - Murder by the Book

It's been fifteen books since we last read the exploits of Kay Barth, assistant district attorney in Aspen, Colorado (Death on the Slopes), which is way too long.  I loved author Norma Schier's first entry into the Zebra Mystery Puzzler series, and this one only solidified my love for her writing. And Schier's love of puzzles and anagrams certainly comes into play again in this mystery, as does her habit of switching points-of-view throughout the book.  Rather than stay with the protagonist, as most murder mysteries do, Schier seems to enjoy following any number of characters throughout her books, which plays mercilessly on the reader's ability to figure out just who the killer really is!

 

Murder by the Book switches the focus from the ski slopes, which featured heavily in the previous book, to book collecting and the victim's bookstore.  Once again, the story begins not with our intrepid sleuth, but rather, with one of the suspects - Adele Bradford, wife of the murder victim - as she flies from New York to Colorado to confront the husband that left her, taking all of the money and disappearing without a trace.  The scene then switches to a sidewalk cafe, where Adele Bradford's daughter, Ronnie, is having lunch with her boyfriend, David Truro - lunch and a rather heated argument that ends with him storming off, telling her, "This can't go on any longer.  I've had it" (p. 9).  And, wouldn't you know it, but the D.A., Kay Barth, and her own boyfriend, Jason Ryder, happened to be lunching at the next table and overheard the entire thing.  Little did they realize then just how important that knowledge would later be!

 

Now, Schier switches scenes yet again to the Poison Pen Bookshop, where "Brad" Bradford is informing a very determined customer - one Frederick Carrington - that his early edition of Edgar Allan Poe's book is not for sale, no matter what offer Carrington makes.  But Carrington is more than determined, and he will get that book no matter what it takes.  Enter Jason and Kay as the dissatisfied man leaves the store.  Jason frequents the store and is familiar with the owner, but Kay is only just now starting her joy of reading mysteries.  Another change of scene takes our dynamic duo to the Green Goose pub, located, conveniently enough, right next to the Poison Pen.  Inside they happen upon Carrington once again, who quickly leaves, informing them he's going to make another offer to Bradford in order to get that book.  They strike up a conversation with the owner of the pub, Lulu Porter, when Ronnie shows up looking for her boyfriend. And to think ... all of this happens in just the first chapter!

 

Schier gives a quick jump in time, and with Chapter Two, we reunite with chief of police, Mark Field, who gets the call that Bradford has been found dead in his bookstore.  His neighbor, Lulu, found him; the overly persistent Carrington saw someone leaving the store; the ex-wife who is not an ex-wife arrived in town the morning before the killing; the daughter's boyfriend, David, has no alibi for the time of the murder; and the estranged son Kevin shows up just in time to "learn" that he and his sister have inherited their father's bookstore - the only problem is, Ronnie has gone missing, and no one knows where to find her.  It's a grand ol' mystery with plenty of suspects, plenty of clues, and plenty of motives.  It's up to Kay, Jason, and Chief Field to sift through it all to uncover the truth - and to hopefully find Ronnie Bradford before she becomes victim number two!

 

It turns out one of the biggest clues is an acrostic that Bradford had on his desk at the time of his death.  The killer clearly did not realize how important the list of names and book titles were, or he/she would have never left it there.  It's interesting, because that paper with the list of names and list of books is the first internal illustration on page 29, and from the moment I saw it, I picked up on the importance of the first letter of each name - however, Schier does not make it that easy.  It's not until nearly the end of the book when the truth regarding that acrostic comes to light, something I doubt very many people would think to consider.  But that revelation leads Kay to the identity of the killer - that, alongside a very important clue on the cover art (one that, I can honestly say, I picked up on right away, which revealed the identity of the killer from the start - I just didn't get the motive until the end).

 

Speaking of the cover - there is no signature or other identifying mark that reveals the identity of the cover artist, which is a shame, as I love the art.  I think Kay looks considerably more attractive in this cover art than she did back on the cover of book 11, and that give-away clue is subtle, but not too-subtle so as to be missed.  You just have to know what you are looking for, and you'll see it.  As far as the internal illustrations go, once again, there is no signature or other identification of the artist, but those internals are gorgeous.  I particularly like the one on page 143, where Kay goes to question Adele Bradford - I think the artist captures the personality and essence of both of these women perfectly, and one can actually feel the tension between the two screaming off  the page! I can almost picture in my mind a Dynasty-style cat-fight between these two.  And since I mentioned it, I cannot ignore the fact that the author has Kay Barth set in Colorado, and one of the characters/suspects in the story happens to have the last name "Carrington."  Now, this book was published in 1979, two years before the Dynasty nighttime soap premiered in January 1981; however, it is quite the coincidence that the television show was set in Colorado and featured a wealthy family whose last name happens to be Carrington.  Of course, Aspen is 160 miles from Denver (where the soap was set), but still...

 

One thing I did catch in the story is that the author managed to mention the Jerome Hotel (a/k/a Hotel Jerome), which Kay refers to as the "grandfather of Aspen hotels."  In the real world, the Hotel Jerome was built in the late 1800s by Jerome B. Wheeler, a co-owner of Macy's, and over the years, it has become quite the landmark in Aspen. A quick look online reveals the hotel to be QUITE expensive - a single night can cost upwards of $2,300 or more!  Definitely a hotel for the upper echelon!

 

I do find it odd that Schier does not stick with her main character, but rather, she constantly switches point of view from one character to another.  It gives the story an almost-soap opera style feel to it, as you are following the lives of several different characters, not just one.  It also makes pin-pointing the killer a little bit more difficult, since you learn a bit more about each of the characters from their own points-of-view, rather than just the protagonist's, and it gives the characters a bit more depth.  At least with this book, Schier did not wait until we were seven chapters in before she brought Kay into the story!

 

Thankfully, there are two more books in the series by Schier, meaning Kay Barth still has some mysteries to solve before this series ends!

 

RATING:  10 telling telephone numbers out of 10 for a creatively puzzling mystery that really tests the reader's powers of observation and analytical skills! 

Jason 3-D: A Comprehensive Expose on Friday the 13th Part 3

Of the twelve Friday the 13th films (including Freddy v. Jason), the third installment rates pretty close to the bottom in my book. Yes, it will always hold a special place in my heart as the first Friday the 13th film I ever actually saw in the theater, having seen the first two movies on cable television.  Yes, I can still remember my Dad taking me and my best friend at the time to the small theater out on Dixie Highway in front of the K-Mart to see the film.  Yes, the 3-D effects in the films were done well enough that a couple of times in the movie I unashamedly raised my hand to ward off the clothes-line pole or to try and touch the handle of the pitchfork that was stick out towards me.  Yes, I did like the final girl of the film, who was not only pretty and smart, but she proved herself capable of overcoming her fear to brandish that final death blow to Jason Voorhees' head with an ax.  Despite all of that, the film just has too many plot holes, too many inconsistencies, and too bad of acting for me to consider it a great movie.  However, after author R.G. Henning's retrospective look at Friday the 13th, Part 2, I had to pick up his comprehensive expose on the third film to see if he could give me some idea as to why so many fans of the series seem to love this movie.

 

Jason 3-D: A Comprehensive Expose on Friday the 13th Part 3 provides considerably more details about the film, its actors, its directors, and its history than Peter M. Bracke's Crystal Lake Memories.  While Bracke's book does a fantastic job of looking at the first eleven films, with countless interviews from so many of the actors, directors, producers, and other behind-the-scenes people, Henning, in this book, narrows down the scope to just this one film.  As with his prior book (Sackhead), which dug deep into the first sequel, this book goes in-depth into the second sequel and its enormous impact on the series as a whole.  While Part 2 introduced film-goers and fans to Jason Voorhees as a somewhat crazed adult seeking revenge for the death of his mother, Part 3 established Jason as not only a one-man killing machine, but created the iconic look of the deformed, bald-headed killer hiding behind a hockey mask.  And just like in his previous retrospective, Henning gives readers story details for each of the characters, detailed descriptions of the various victims (and survivor!), interviews with many of the cast members, lots of photos and fun facts, and some well-thought-out answers to questions that have plagued fans for years.

 

I give Henning credit - he does acknowledge that this film, despite its fan-following and the love that so many seem to have for it, is the worst of the first four films (which all center around a more "human" Jason Voorhees, before he is revived as a zombie in Part VI).  Despite having some great looking actors, the actual acting itself leaves a lot to be desired, and the film seems to focus more on the visual 3-D effects that were the big thing at the time than on any of the acting skills of its cast.  He also acknowledges the number of plot holes and inconsistencies in the story (such as how Jason's attack on Chris in the woods several years prior shows him in the same appearance as he is in this movie - bald! - while in Part 2, which supposedly took place just two days prior to the events in this film, Jason had long hair; and how could Chris imagine/dream Mrs. Voorhees coming out of the lake to grab her, when she had no idea who Mrs. Voorhees was; and how come Jason's face changes visually throughout the film [thanks to three different face molds]; and so many other things).  So, since he notices the same exact things in this film that I did, how in the world can this be such a popular film in the series' mythos?

 

Henning answers that question in this book, and after considering everything he lays out amid the behind-the-scenes discussions, the fan reactions, and the cast interviews, it all seems to come down to this one fact - despite the bad acting, despite the careless story, despite the focus on the 3-D effects, there is one thing this film does manage to do very successfully: Part 3 defined Jason Voorhees in both look and character, firmly establishing his presence for the rest of the series.  And looking back at the film, I have to agree.  Despite all of its flaws, actor Richard Brooker's portrayal of Jason definitely cemented his character, defining not only the hockey-mask appearance, but also moving him beyond just the "young child in a man's body crying out for revenge over his mother's death" motivation.  In this film, Henning points out that Jason becomes determined, he becomes purposeful, and he even becomes emotional (such as the scene where his frustration has him throwing aside boxes and bales of hay searching for Chris in the barn).  In this film, Jason actually HAS character, something that does not get further evolution until Part VII, when Kane Hodder takes over the role and becomes the consummate Jason Voorhees.  And in so thinking, I have begun to open my mind a little bit more to the film and have decided to go back and re-watch it (yet again!) with a new perspective.

 

The interviewed provided some surprising information - such as the fact that Catherine Parks is originally from Orlando, Florida and graduated from University of South Florida - my current home state and my alma mater!  I wish I had known that when I met her some years ago at a Spooky Empire, as I would have loved to have talked to her about that.  The interviews also revealed that both Paul Kratka and David Katims both had roles on General Hospital before landing parts in Friday the 13th Part 3!  Of course, I was not watching GH back then, but I'd be curious to see their scenes from the soap to see just how different they appeared than in the movie!  And the fact that many of these actors were newbies to the industry when they took these roles, and many of them also left Hollywood not long after the film to pursue careers as doctors, lawyers, journalists, and other "professional" careers.  Sadly, several of the actors have since died (Richard Brooker, Gloria Charles, Steve Susskind), so I'll never have the opportunity to meet any of them.

 

I love Henning's careful look at some of the unanswered questions about the film, and his very plausible explanations and answers - such as, did Jason sexually assault Chris in the flashback scene?  Why did he not kill her back then?  Is Jason right-handed or left-handed (which seems to change from film to film)?  Whose blood-soaked clothing did Chris find in the upstairs bathroom?  Where did Chuck and Chili get the pot they smoked at the house, when they ate it all in the van when they thought the police were after them?  How did the biker gang find Higgins Haven (and know that's where Shelly and Vera had come from)?  Why did the newscaster at the beginning refer to the murderer as an "ax-wielding killer," when Jason never killed anyone with an ax in the second film? And one thing I don't recall ever noticing, but which Henning brought up in this book - why is it the name of Jason Voorhees is never mentioned anywhere in this film?  It played such an important part of the ending of the first film, and was the main focus of the second film; yet, despite how important this film was to the enduring legacy of the character, not one time in this film is his name said.  Just another reason to go back and watch the film!

 

One important fact Henning does bring out about this film, something that I have always thought was glossed over, is that the character of Debbie, played by Tracey Savage, was pregnant.  It is made clear several times in the film (with Debbie refusing to smoke weed or drink alcohol due to her pregnancy), so the fact that Jason murders her while she lies in the hammock with the dead body of her boyfriend (the unborn child's father) hanging above her in the rafters is much more horrific, as it means that Jason not only murdered an adult woman, but he also killed her unborn child.  In Part 2, he unceremoniously swings a machete into the face of a man in a wheelchair, and now in Part 3, he without remorse shoves a knife through the neck of a mother-to-be.  It definitely establishes a practice and pattern that anyone can be a potential victim of Jason Voorhees. 

 

So, to my friends Wayne, and Marcus, and David, who all just LOVE Friday the 13th Part 3 - you can thank R.G. Henning for making me take another look at this film from a different perspective and give it a chance I've never given it up till now.

 

RATING:  10 iconic hockey-masks out of 10 for once again giving fans an outstandingly well-researched and fact-filled look at this long-enduring fan-favorite film of the series.

Harlequin Gothic Romance Series No. 32018 - Secret at Orient Point

"Could they fight the evil pulling them towards the same horrible fate as their parents?" (cover blurb) 

 

Picking up and reading this book was hard to do.  When I picked up the first Harlequin Gothic Romance to read back in November 2024, I had seventeen books ahead of me after I finished that one, so I didn't give much thought to actually completing the series.  Now, here we are a little over one year later, and I have finally reached the eighteenth and final Harlequin Gothic Romance.  After literally most of my life thinking I would NEVER pick up and read a Harlequin book, it's funny to look back and realize just how much I thoroughly enjoyed this series of Gothic romances - mainly because the stories had very little romance and more mystery and suspense, which are definitely more my line of reading.  Thus, with of a bit of reluctance, knowing that after this, I would have no more to read in this series, I opened the book and began to read...

 

Let's start with the title.  Secret at Orient Point.  That title alone is enough to catch me, since it has that same format as the children's mystery series I collect (i.e., "Mystery in the..." or "Clue of the...").  Then let's talk about that cover.  Twenty-four year old Erika Barlow, looking back with fear at the ghostly couple dancing in the dark ballroom.  Hints of terror, hints of supernatural, hints of a mysterious tale waiting in the pages within this book.  With all of this swirling in my head, I was excited to forge ahead.  The story is set in the 1880s and centers around Erika's return to her family's hotel, located on North Fork in Long Island, New York.  It has been twenty years since she was taken away to live with her aunt after her mother's murder at the hands of her lover, and now her father has died in a shipwreck, leaving her the sole owner of the hotel.  But her arrival starts a series of events that brings long buried secrets to the surface, kindles a relationship that can never be, and threatens to reveal a truth that someone will do anything to keep hidden - even if it means killing Erika!

 

Erika is aware of her mother's affair with the man she truly loved - Gerhard Langermann.  What she did not know is that she was a product of that affair.  But that secret does not seem overly important until she meets Langermann's son, David, and suddenly finds herself attracted to the son of her mother's lover. They are half-siblings, and despite knowing how wrong it is, neither one of them can deny the feelings they are experiencing.  Erika does everything in her power to fight the growing love she has for her half-brother and focuses on the refurbishing of the hotel so it can be opened for the summer guests.  However, someone seems to be out to get her.  First, there is the attack on the pier that nearly drowns her.  Then there is the fire in the hotel, from which she barely escapes alive.  Later, she experiences a terrifying climb onto the roof during a rainstorm, following the person she believes is trying to kill her.  Who is trying to end her life?  Could it be David, who may have inherited his father's own insanity?  Is it her secretary, whose jealousy of the attention David gives Erika is written all over her face?  Is it Pepys, the near-mute handyman on the property who was always overly protective of her mother all those years ago?  Is it Johannes, the carpenter who is charge of the renovations for the hotel and who seems to have eyes for her?  Is it her own father, who suddenly appears after having been thought lost at sea and makes it clear he wants her to stay away from David?  Or, could it possibly be, the ghost of Julie Ann Barlow herself, come back to haunt the hotel and ensure that no one else has any happiness over the loss of her own?

 

Author Patricia Werner writes a wonderful tale of secrets, lies, ghosts, and suspense that keeps the reader turning pages faster and faster to find out how it will ultimately all end. Werner appears to be the author's real name, and she has written quite a number of romance and Gothic novels over the years, including more than a few in the line of Zebra Gothics (with wonderful titles like Mistress of Blackstone Castle, The Swirling Mists of Cornwall, Island of Lost Rubies, Hidden Gold o Widow's Mountain, and Shadows Over Cypress Swamp).  And Werner writes a rather lengthy acknowledgement on the copyright page to Andrew Marlay (for consultation on costumes), Marlene Hamerling (for advice on Jewish names), Steve Hadley (director of an historical society), and Andrea Budy (for sharing thoughts about her Inn).  Such acknowledgements only adds to the belief that Werner is not a pseudonym, but a real person.

 

The locations Werner uses in the book are real.  North Fork and South Fork (not to be confused with a certain ranch on an old nighttime soap!) are two peninsulas located on the eastern end of Long Island, New York, and like in the book, the water just north of the Forks is referred to as "Long Island Sound."  And, as in the story, the easternmost tip of North Folk is a town called Orient Point (which is where our story is set).  According to online research, Orient Point does have its seasonal swell of visitors during the summer months, which would make Erika's desire to re-open the hotel and her urgency to get all the repairs and renovations done before the summer begins perfectly in-line with reality.  And to keep matters even more real, the Orient Point Inn referenced in the book was an actual place built originally as a residence in 1672, but eventually changed to a hotel and eventually demolished nearly 300 years later. More information about the hotel can be found in the Northforker archives (Orient Point Inn - North Fork). When authors incorporate details like this from the real world, it provides a sense of realism to the story that tempers the more unbelievable aspects (such as ghosts and supernatural elements).

 

Well, with this, I've completed the run of Harlequin Gothic Romances and must move on to another Gothic series (I already have one in mind....).  Never fear, though - at the same time Harlequin began publishing this line, they also started a line called "Harlequin Romantic Suspense," which were stories with a similar suspenseful style.  Sadly, that line only lasted two books, before it was repurposed and renamed as "Harlequin Intrigue."  I have both of those Romantic Suspense novels (not to be confused with Harlequin's later line of Romantic Suspense books, which series continues today) and will eventually get around to reading them and reviewing them here.

 

RATING:  10 diaries hidden in the back of a roll-top desk out of 10 for ending this series with a story of suspense, seduction, surprises, and sinister secrets that make for a superb Gothic romance!

The Baseball Boys of Lakeport - the Second Volume of the Lakeport Series

This book is definitely not a usual one for me.  However, it is a book I could not pass up when I saw it up in Cooperstown, New York a couple of years back when my friend, Pam, and I went up there to explore all the sites that actually existed and were used in the Nancy Drew mystery, The Secret of Mirror Bay.  After all, Cooperstown is famous for its baseball, and this book happens to be authored by none other than Edward Stratemeyer, the same man who created Nancy Drew (and whose daughter authored Mirror Bay!). Thus, even though I'm not a sports fan at all, and even though I'm not normally a fan of series books for boys, I picked this up for no other reason than to have a collectible from my visit to Cooperstown.  However, as I was chatting with another friend recently, he was asking me about books written by Edward Stratemeyer, and I had to admit I have never read one.  So, thanks to his prompting, I picked up this book and gave it a read.

 

The Baseball Boys of Lakeport is the second volume in a series of books set in the fictional town of Lakeport. What I find amusing about that is the fact that another Stratemeyer series, The Bobbsey Twins, is also set in the town of Lakeport.  The first volume of The Bobbsey Twins series, written by Stratemeyer and published in 1904, featured the two sets of twins having adventures in their hometown of Lakeport.  The first books in this Lakeport Series were published in 1908 (see below for questions regarding publication and copyright dates), and while they did not feature the Bobbsey family, they did feature a group of boys who managed to form clubs of some sort involving a variety of activities.  The boys went hunting in the first book, formed a baseball team in this book, then went on to form a boat club, a football team, an automobile club, and at the end, an aircraft club.  There was very little mystery to this book - it was more about the adventures of the boys and they trouble they faced from local bullies, and based on some of the recap of the first book in this one, I would hazard the guess that all of the books were the same.  This series only lasted six books, being published from 1908 to 1912:

 

1 - The Gun Boys of Lakeport, or The Island Camp (1908)

2 - The Baseball Boys of Lakeport, or The Winning Run (1908)

3 - The Boat Club Boys of Lakeport, or The Water Champions (1909)

4 - The Football Boys of Lakeport, or The Champions of the School (1909)

5 - The Automobile Boys of Lakeport, or A Run for the Mountains (1910)

6 - The Aircraft Boys of Lakeport, or The Rivals of the Clouds (1912) 

 

While the "boys" in the book are quite a few in number, Stratemeyer seems to focus on four or five main boys, with a number of supporting characters that have minimal dialogue or action.  The main characters are Joe Westmore and his older brother, Harry, and their good friend, Fred Rush.  Other boys who share the spotlight are Link Darrow and Paul Shale.  Rounding out the cast are the minor players, such as Frank Pemberton, Walter Bannister, Matt Roscoe, and a few others whose names only appear once or twice throughout the story.  On the other side of the tracks, you have the bullies/villains of the story, which include Dan Marcy, a carry-over from the previous book who caused the boys considerable problems when they were out hunting; Si Voup, the captain of the opposing baseball team who will do anything to win the championship; Sidney Yates, another player of the opposing team who pulls some nasty tricks that get him punished severely by his father; and then there is Montgomery Jaddell, the school principal who is quite the stick in the mud, and who seems dead-set on making life as difficult as possible for the boys during their last weeks of school for the year.

 

While there is the main story involving the formation of the Lakeports amateur baseball team and their struggles to earn money to buy uniforms and equipment, as well as their games against various opposing teams from the surrounding towns, there are a couple of smaller adventures along the way - such as a stolen boat that leaves the boys stranded on Pine Island and the kidnapping of the Lakeports' two strongest players just before the final championship game. The boys also come up against some vagrants who think they are going to report their activities, as well as a bull that somehow gets loose and runs rampart through the main street, and a stolen cash box (that Harry and Joe's father mistakenly believes Harry took!).  Again, there are no major mysteries, and most everything centers around the boys' baseball activities.  Again, the subject matter of the book is not necessarily my cup of tea, but the writing is actually well-done, the story nicely paced, and the characters are varied enough to avoid a cookie-cutter cast.

 

The internal illustrations are by Max Francis Klepper (1861-1907), who was a German-born artist who immigrated to the United States in 1876 and grew up in Indiana before working in Illinois and New York.  He contributed illustrations to a number of magazines, such as Collier's, Harper's Monthly, Cosmopolitan, and others, as well as providing illustrations for several books during the early 1900s, one of which was this particular book.  More information about the artist can be found here:  Max Francis Klepper.

 

Something I found rather interesting is the copyright page.  Pretty much all references to this book I was able to find online provides a copyright and publication date of 1908.  However, the copyright page for this book lists the original Copyright as 1905, by A. S. Barnes & Co., under the title "The Winning Run."  The Copyright of the Lothrop, Lee & Shepard Co. edition is 1908, under the title "The Baseball Boys of Lakeport, or The Winning Run."  I was unable to locate any information regarding that earlier copyright, or even a book (or magazine serial) published under the name "The Winning Run" by A. S. Barnes & Co., leaving me to wonder just where that copyright originated.

 

Another surprising fact about the book is its length.  The story is 315 pages, which is nearly 100 pages more than most of the children's series books I am used to reading from the first half of the 20th century.  This must have been somewhat the standard in the very early 1900s, as ads in the back of the book indicate the first three Dave Porter books were 312, 286, and 304 pages, respectively.  Other series listed in those ads show books of various lengths - from 300 pages to 310 pages to 320 pages to 330 pages, and even one book at a whopping 431 pages!  It's actually rather sad that the decades passed, the length of these books aimed at children and young adults gradually decreased to just a little over 200 pages, and ultimately down to just 180 or so pages per book.

 

Overall, not a bad story, and while I may not be rushing out there to hunt down the other five books in the series, if I do happen across any of them at some point, I'm likely to pick them up just to read the further adventures of these Lakeport boys!

 

RATING:  9 silk hats with the top knocked in out of 10 for a wholesome story of sportsmanship, friendship, and adventure, with a lot of sports and a bit of mystery thrown in for good measure. 

Flashing Mountain - a Children's Press Mystery

It's been a bit since I last read a mystery from The Children's Press, and this one was picked up for my by a friend of mine from a library in Canada.  I don't often see many of The Children's Press books here in the States, and most of the ones I have came from beyond our borders.  This one is authored by Edwin Johnson, who wrote a couple of other books for this publisher, with titles such as The End of Project 38 and The Devil of Bruges.  With these kind of titles, one would think the books were aimed at adults, rather than young adults or older children; however, all three of these books were published by The Children's Press, and as such, were marketed for young readers.  I did find a number of other books by "Edwin Johnson," but I have a feeling this name is associated with different authors, as the topics range from Christianity and the origins of the Christian religion to poetry to books about sexy Asian girls.  I cannot, for the life of me, imagine all of these varied subjects were written by the same Edwin Johnson!

 

That being said, Flashing Mountain follows the adventures of fifteen-year old Charles "Chip" Wood, an orphaned young lad living with his already overworked aunt, who has her hands full with her own family.  Despite attempts to stay under the radar, Chip ends up on the run from a gang of bullies and ultimately finds himself saving the life of one Dr. Mandrake, an archeologist with a special mission, to assist a physicist friend who needs to borrow some specialized electronic equipment for a discovery he has made.  Chip joins Mandrake on a ship bound for an island off the coast of South America - to an island known as "The Island of the Four Apostles" (p. 26), or as it is referred to in French, "L'Ile des Quatre Apotres."  This is likely based upon the Ilots des Apotres (Apostle Islets), which in the real world are some uninhabited rocky islands located in the southern part of the Indian Ocean (south east of the southern tip of Africa - they are nowhere near South America, as the island in the book is).  In the book, Johnston indicates the name "comes from four hills at the north of the island," named by a shipwrecked Frenchman who was so thankful for not perishing in the wreck that he named the hills for the apostles (p. 26).  Of course, the mission turns out to be much more dangerous than originally anticipated.

 

Before they even arrive at the island, they learn the man Mandrake is supposed to meet is dead.  They also discover there are two men on the boat with them who are determined to learn what the scientist's discovery was and get to it before Mandrake can.  Thus, from the beginning, the reader knows it is going to be a race to see who can solve the mystery of what the scientist discovered first.  Mandrake and Chip must not only deal with the president of the people on the island, but they must also contend with a wealthy treasure-hunter who has basically taken control of the island in the hopes of uncovering the scientist's secret, as well as a group of revolutionists who want the interlopers gone and also want to overthrow the president!  With the help of some unexpected allies, Chip and Mandrake manage to escape after being captured and make their way through the jungles to the area known as "flashing mountain" - and they learn exactly what the scientist discovered and why that mountain has the name it does!

 

This is definitely a boys' adventure story, as it is chock full of adventure and danger for our main characters.  It also does not shy away from violence and death - even some very gruesome deaths that involve melting faces!  There are also deadly natives on the island, and mysterious legends regarding the formation of the island and the hills.  The climatic scenes where Chip uses his ingenuity to destroy the flashing mountain, ensuring that no one would ever be able to mine what the mountain was hiding (and trust me, considering what it was, Chip definitely did the right thing!) - and in the process, he causes the deaths of two of the bad guys.  Certainly not something you would ever read in a Stratemeyer series book, that's for sure!

 

Sadly, there are no internal illustrations (in fact, I don't believe any of the books I own that were published by "The Children's Press" have internals), and there is no identifying information for the artist who painted the cover.  The scene depicted on the cover is somewhat misleading - it comes from that final chapter, where Chip sets off explosives to cause the destruction of the flashing mountain, however, Chip and the man helping him were wearing considerable protective gear (otherwise, they would have been melted down, just like some of those natives had been!).  I guess showing the main character completely covered from head to toe would not make a great cover, so they simply placed Chip at the scene in his regular clothing.

 

As someone who much prefers mystery stories to adventure stories, this book was not overly captivating to me.  Sure, it had plenty of adventure and chapter cliffhangers; but the lack of mystery just made me want to speed through it and get finished with it so I could move on to another book.  This book would probably be enjoyed more by those who like Tom Swift, Rick Brant, Ken Holt, or series such as that.

 

RATING:  6 small ticking boxes out of 10 for an adventure story filled with more danger and death at ever turn than most young adult stories I've read!

Short Lived Comic Series #34 - The Big Prize (Eternity Comics)

Before I get started with this post, let's go ahead and address the elephant in the room. The author of this 2-issue comic series published back in 1988 got into trouble in 2016 and ended up being sentenced to six years in prison for a horrible crime.  This post is not about the author, and it's not about my thoughts of the crime he committed.  This post is about the two-book comic series that was published by Eternity Comics (a division of Malibu Comics) back in 1988, and how much I enjoyed the story.  I'm not looking to discuss the writer; rather, I'm looking at discussing the work itself, and quite frankly, it was worth the read.

 

The Big Prize (The Timedrifter's Odyssey) was intended to be a six-issue mini-series, the first of several mini-series that would tie together to tell the story of Willis Austerlitz.  Unfortunately, "best laid plans" and all that ... Eternity, for whatever reasons, decided to not move forward with the planned series, and the comic ended after its second issue.  Which is a shame, as the premise was fun, and the set-up in these first two issues definitely provided some wonderful fodder for future stories to come.  It is kind of a mix between Quantum Leap and Back to the Future, and it features some fun characters.  Although the author indicates in that second issue his hope to find a way to bring the series back under another title or a different publisher, sadly, that never happened.  Thus, we are left with only these two issues to tease us with the time-traveling odyssey of Willis Austerlitz.

 

The first issue introduces readers to our main character, a data entry clerk who daydreams about his favorite era - the 1930s.  Unfortunately, that daydreaming causes problems at his job.  He is an insecure, glasses-wearing nerd who has trouble with girls.  Walking home from work one day, his destiny literally falls right on top of him in the form of a plastic credit card with a full color hologram of a grinning man.  Approached by a man desperate for change, Willis stuffs the card in his pocket and rushes home.  He sits down to watch an old film, but falls asleep.  He awakes to discover he missed recording a show, and to make matters worse, he finds that card in his pocket.  And that is where things start getting weird.  While talking to his mother on the phone, the man whose face is on the card suddenly materializes right before his eyes, congratulating him as the "lucky winner!"  Willis learns this is his chance of a lifetime, as this three-dimensional hologram says his "Big Prize" is one 24-hour journey to any point in space and time.  He could actually go back in time to the 1930s and experience his favorite era live and in person!  Only, the trip back is not what he expects.  As soon as he and Glint Sparkle (roving emcee for The Planetary Lottery) reappear in his apartment, albeit in 1934, things go from bad to worse.  A woman is being threatened in the next room, but when Willis goes to her aid, he finds himself at the mercy of men with guns!  Glint disappears, Willis takes off running, and the adventure in time begins!  Matters become even more complicated when, on the last page of this issue, Willis finds out Glint has been killed - and he is now stuck in the past with no way home!

 

The excitement does not let up with the second issue.  Willis is driven by these fanatics up to where the Hollywoodland sign looks down on Los Angeles, where they are preparing to dump Glint's body and silence Willis permanently.  Willis manages to come to his senses and convince the men he is from the FBI, and that he is looking for bigger fish then them.  Once they take off, Willis ponders his predicament - only to have Glint come back to life (after all, he is only a hologram, and as such, he cannot really die).  Willis convinces his benefactor to allow him to stay in 1934 for the full 24 hours before returning to his own time, so he can experience more of life in the '30s.  He hopes to aid a certain damsel in distress, meet an actress who was involved in a huge scandal back then, and unintentionally gets involved with some very mob-like men who have plans for him.  Willis gets more than the experience he was hoping for, and once he has had enough, he heads for the place Glint told him holds the jump point for them to return home - Union Station.  There's only one problem - in 1934, Union Station is still under construction and will not be completed until the next year!  And Glint Sparkle is nowhere to be seen!  "It finally begins to sink in," Willis thinks, "I was going to be here for a long time..."

 

The art for the two issues is provided by Bryon Carson and Mike Roberts, who do a great job of creating a sense of that 1930s film style for the book.  The black and white pages, the shading, the action sequences, the looks of the various characters.  I think I actually prefer the interior art to the full-color covers by Tim Hamilton and Scott Bieser (issue 1 colors) / Brooks Hagan (issue 2 colors).

 

This comic turned about to be a surprising little gem, as I had never heard of it prior to stumbling across both issues at a local toy store that had a few boxes of comics in the back.  It is a shame the story was never allowed to continue, even with another publisher. I, for one, would like to have seen where Willis Austerlitz would have gone from here.  (Plus, loved his excitement at being able to pick up first printings of some now-valuable pulps and magazines when they were first hot-off the presses!)  But, I suppose like Sam Beckett from Quantum Leap, he will be forever left without an ending.

 

RATING:  9 time-drifting, 1930s-loving nerds out of 10 for a different kind of time-travel tale with some great art and fun geek-loving antics!

Berryhill - an Old Fashioned Blood-Curdling Gothic

This book definitely borderlines more on the horror side of things than it does the Gothic side.  Published back in 1979 by Manor Books, just two years before the publisher ceased its activities (the same publisher who put out the "King Size Gothic" line, ripping off Popular Library's line of "Queen Size Gothics"), the book promotes itself as "Editor's Gothic Choice," and claims to be "An Old Fashioned Blood Curdling Gothic."  This is one of the very few Gothics that I have read that actually crosses over into the supernatural and delves into witchcraft and ghosts.  It is also one of the few that puts forth very detailed descriptions of some gory and horrific deaths.  The author was Barbara Curry Bennett (1938-2024), and this appears to be her one and only Gothic novel.  Bennett lived in Tennessee, so it should come as no surprise that her story is set deep in the woods of the southern state.

 

Berryhill takes its title from the house in the story, which is set at the bottom of a hill where berries once grew in abundance.  Unfortunately, the ground upon which the house was built has a horrific background, as it was the site of a terrifying massacre of some outcast Indians, the last of whom put a curse on the land - a curse that managed to endure from year to year and generation to generation.  The author takes readers from the time of the early settlers in America in the opening prologue to the current time (well, current when the book was written!) in the epilogue, telling a terrifying tale that lasts over a century.  It opens with a young boy coming across a group of Indians while he is playing in the woods - a group he mistakenly believes are a threat to his family.  He is unaware that the Indians are merely a rag-tag group of misfits, kicked of other tribes for one reason or another and banded together to live a peaceful existence away from everyone.  But the young boy's family, and the other settlers that are with them, come back with blood-thirst in their veins, and they viciously wipe out all of the Indians, from the youngest child to the oldest woman - an old woman who puts a curse on "all white men who dare to walk on this land where the blood of the innocent is shed!" (p. 8),  Half a century later, a man by the name of Aaron DeGault comes across this clearing and decides it is the perfect spot to build a home for his wife and newborn son.  Unfortunately, the curse begins, as Aaron and his wife are tragically killed in a wagon accident, leaving their six-year old son to be raised far away by distant relatives...

 

Until Jason DeGault grew up, married Abigail, and returned to his family's homestead to start a family.  They had two sons, but the War Between the States claimed Abigail's husband and oldest son, and her youngest son, Paul, was missing in action.  That left Abigail to run the farm and care for her sickly daughter-in-law and her grandchild, Alicia.  The horrors of the Indian curse continue when a vile Union soldier shows up, forces his way into the house, brutally rapes and kills Clarice, throwing the infant child across the room in the process.  Abigail finds an inner strength to fight back and takes an ax to the soldier's head, killing him instantly.  She has just enough time to bury the man in the basement before the nearest neighbor, Harry Hunnicutt shows up.  From here, the story moves forward with the Default family, the years pass, and Paul returns home with a wife, step-daughter, and son, moving in with his mother and niece.  The only problem is, Alicia has been raised alone by Abigail, and she is not happy about these people intruding upon what she feels to be her home.  She pushes her new Aunt Sarah down the stairs, killing her without remorse.  You see, little Alicia has discovered the secret in the basement ... and for her, that dead soldier has suddenly become her closest friend and confidant ... someone who is more than willing to help her rid the house of these unwanted interlopers!

 

After Sarah's death, the girls are sent to a boarding school, from which they do not return until they are teenagers.  Alicia's malevolent nature continues, as she not only scares her grandmother to death using the skull of the dead soldier in the basement, but she also seduces her uncle and leads him to commit suicide.  One by one, Alicia removes the obstacles out of her way so that Berryhill can her hers, and hers alone.  All that remains are her cousins, Julie and Michael.  And never you fear, as she has plans for them as well.  Dark, malicious plans that stem from the very evil of the house itself - evil that only Abigail's slaves, Belle and Sally, have the sense to see.  The curse remains within the halls of Berryhill, and that curse has taken complete control of the soldier's spirit and the once-innocent baby that was so casually thrown across the room by his violent rage.  The two form a symbiotic relationship to carry out that Indian woman's curse, and it seems no member of the DeGault family is safe.

 

Flash-forward some more years, and Julie returns to Berryhill with her husband, Phillip Hunnicutt.  It does not take long, though, for Alicia to frighten Julie to her death, which, in turn, leads to Phillip's depression and his ultimate death.  Which leaves only young Michael, who is far removed from the horrors of that house, taken by his grandparents on his mother's side to be raised away from the memories that could scar him forever.   Michael - who has no real memories of the terrors and tragedies that have overtaken his family for generations.  Michael - who is all grown up and ready to return to Berryhill as a married man, to take over control of the farm and start a new family, bringing joy to a house with a history of darkness and sadness.  Michael - who Alicia is none-too-happy to see, and who she is determined to force out of her house.  It all comes down to these last two DeGaults, and the suspense rises to its highest level yet, as readers wait to see whether good will win over evil, or if the dark curse that has held Berryhill and its inhabitants in its sway for so long will have the ultimate victory.

 

Of course, Bennett gives readers a teaser at the end, with a four-page epilogue, set in the present, in which a new generation of DeGaults arrive in a Porsche, set to take over this land that no one in the family even knew existed until a member of the family died, and a long-hidden deed reveals ownership of the land.  Thus, a new family is ready to take over the farm - is the curse gone, or has it simply lain dormant, ready to spring to life again when these latest white men dare to walk the land where innocent blood was shed?

 

Bennett has no qualms introducing the supernatural into the story, and the spirit of the Union soldier gradually taking more and more control of Alicia's decisions (at one point even interacting with her sexually!) is startling to read.  She is a girl-turned-woman without a conscience, and her systematic destruction of her own family is hard to watch. The house is simply filled with evil, and one has to wonder if Abigail had never buried the soldier in the basement, would all of those horrific deaths still occurred?  Was that one incident - the killing and burying of the soldier - the catalyst that released the curse upon the DeGault family?  Or was it merely the means to an end for that dying Indian's curse?  Either way, the story is extremely sad, and there is no happy ending for anyone in this book!

 

No identification of the artist for the cover art, so I have no way of knowing who painted the cover.  It is as creepy as the story itself, with the foreboding house superimposed over a slowly melting candle, while the young woman in the forefront is running away, her long gown flowing in the wind as she runs.  It is sort of an eerie foreshadowing of the story inside - as the candle slowly burns down, so do the lives of those who live inside Berryhill.  It is also a symbol of those rituals that take place in the basement, as Alicia, and eventually the old witch woman who comes to live with her, perform rites over the grave of the long-dead soldier by candlelight - a picture of the evil being released in the house and on the family that lives within it.  This book, by far, as the darkest one I've read to date.

 

RATING:  8 long strands of glimmering pearls out of 10 for an aptly described "blood-curdling" Gothic tale of terror!