Whitman Mystery Stories - Brenda Starr, Girl Reporter

This is one of the Whitman Authorized Editions that I have been wanting for quite a while.  While I never had the opportunity to read the original comic strip in the newspaper, I do have an edition of the collected dailies and Sunday strips from 1940 - 46 (Brenda Starr Newspaper Strips), as well as the one-issue Dell Comic published back in 1963 (Brenda Starr Comic Book), plus the collected editions of her original comic book series from Four Star Publications and Superior Publishing back in 1947 - 49.  The ones I still don't have are the Charlton Comics series published in 1955.  I have enjoyed reading her adventures, which are outlandish to say the least - this amazingly gorgeous, redheaded reporter that every man loves on sight manages to get in the most unbelievable situations - yet, with her looks and ingenuity, she manages to get herself and those around her out of every scrape and, along the way, scoops the story for her newspaper, the Flash.  So, I was overjoyed when a close friend of mine sent me this book (along with a Sunday color newspaper page featuring Brenda Starr paper doll with outfits!), and I could not wait to sit down and read it.

 

Brenda Starr, Girl Reporter gives credit to the main character's creator, Dale Messick, as the author of the story, as well as the artist for all of the internal illustrations and full color cover.  I think this is only the second Whitman based on a comic strip that I have read, which is actually written and drawn by the creator of the strip (although, there is some question as to whether Messick actually penned the novel or just the plot - more on that later) - the first was a book based on the Boots and Her Buddies comic strip (Boots - Whitman Mystery), the authorship for which was credited to the strip's creator. What I found interesting is that the title page says "An original story based on the Famous Newspaper Strip 'BRENDA STARR'." Thus, I was expecting a brand new story featuring Brenda and her supporting cast. Little did I realize that was not going to be the case.

 

The story begins innocently enough, with Brenda being sent off to the slopes of Colorado (which is funny, since the most recent Zebra Mystery Puzzler that I read was also set on the slopes of Colorado - Murder by the Book) on a mysterious assignment.  She does not know exactly what the story is or what the work will entail - all her editor told her was to go to the newspaper there and ask for Larry Nickels.  When she arrives, she finds the "newspaper" feels more like a posh hotel, and the "employees" seem to do nothing but lounge around and ski all day!  When she asks for Mr. Nickels, she finds he is out on the slopes, and his secretary - Flurry Snow (p. 19 - and, yes, that really is her name!) - informs Brenda that she is to meet him out on the slopes.  Brenda is somewhat nervous, as she is a horrible skier and that fact is proven when she goes out to meet him, but ends up falling backwards down the slope (p. 24).  He rescues her, much to her dismay, and she learns that the "Cloud" (the name of his newspaper) is nothing more than a hobby, and he asked her out there to breathe some real life into his newspaper.  That story turns up pretty quickly, when Nickels points out to her a nearby lodge, described as "a vast, sprawling building with many towers and gables.  Despite its many windows and entrances, it possessed a look of strangeness and complete isolation" (p. 45).  Nickels tells her the lodge is a mystery, because people go in, but not a single soul has ever come out!  Brenda senses a big story, which is only confirmed when Nickels tells her about the man who operates the lodge: "a queer old duck who calls himself 'Professor Squell'" (p. 46).

 

Now, it is at this point, I started to sense something strange as well.  Not about Professor Squell or his lodge, but about the plot itself.  It felt extremely familiar.  So, I pulled out that collection of newspaper strips I had read before, and sure enough, there it was!  The same exact story I was now reading in prose form I had read three-and-a-half years ago when I read those newspaper strips!  Before Brenda Starr had even been published in the newspapers for a year, she was on a plane, dreaming about the blond-haired mystery man who had kissed her on New Year's Eve - exactly as she did on the opening pages of the first chapter of this book.  In fact, the dialogue was lifted straight out of the newspaper strip and used word-for-word in the book.  Now, obviously, a lot of exposition and additional dialogue was added into the book in order to flesh out the story, the characters, and the page count (otherwise, it would have ended up being a very short book, indeed!).  But if you read the book, side-by-side with the newspaper strip panels, you will see that it is literally a full adaptation of the story written and published back in 1941 and not an original tale at all.  Therefore, I'm at a loss to explain why the publisher refers to this as an "original" story based on the comic strip, when it is in actuality an "adaptation" of a story from the comic strip.

 

The story follows Brenda as she watches first Flurry, and then Nickels, go into the strange lodge and never come out.  A reward offered sends quite a few of the men from the village into the house, none of whom ever come out, and before you know it, Brenda is in hot water, being blamed for sending the men to their doom.  So, what else can she do, but go into the lodge?  Meanwhile, reporter Tom Taylor and photographer Pesky head out to rescue Brenda - and thanks to an anonymous warning, Tom knows enough to wear a gas mask before he goes into house, which saves him from the gas that takes control of all who enter - but does NOT save him from the mysterious man who knocks him out from behind.  From here, the story gets even more wild, including a basement laboratory, underground caverns, a room of pirate booty, and an impromptu wedding between Brenda and the "queer" professor who is holding everyone captive under ground.  And while the collection of newspaper strips ends with Brenda, Tom, and Nickels getting out and rescuing everyone, the book goes beyond and jumps into the next storyline involving a missing detective, a mysterious doppelganger, and a secret surprise.  This story moves much quicker than the first and take up only the last few chapters of the book.  Since I did not get to read the newspaper strips for this tale, it was completely new to me.

 

Now, some have speculated that Messick did not actually write the book, but, rather, it was simply ghostwritten as an adaptation of the strips - and since Messick wrote the newspaper strips, she was given credit for writing the book.  Whether this is actually the case or not, I have no idea.  What I do know is that Messick provided brand new illustrations for the book - 19 of them to be exact.  While some of the scenes do seem to mirror those from the strip, there are differences, which provide proof they were not merely reproduced from the art of the strip.  Messick also provides the art for the endpages, which depict the professor's planned wedding to Brenda, with Tom and Nickels standing behind her and Pesky off to the side, down in the caverns. 

 

What is odd about these endpages is that, in my copy at least, the pages are reversed in the back.  In the front, Pesky and the professor are on the left side, with Tom, Brenda, and Nickels on the right (which appears to be the correct positioning, based on the smoke drifting overhead); however, in the back of the book, Tom, Brenda, and Nickels are on the left side, while Pesky and the professor are on the right - supposedly looking at each other, but because of the repositioning of the pages, they are looking away from each other!  I wonder if this production malfunction was only in this one printing, or if all copies of this book have this error.

 

Despite the story not being original, I still enjoyed it - Brenda is a fun character to read, and her antics are always guaranteed to bring a smile, if not a full laugh, to the reader's face.  The gorgeous Messick art is only an added bonus!  Rather a shame they did not adapt more of the stories into book form - would have made a great series.   

 

RATING:  8 hats that resemble flipped over pancakes out of 10 for a fun-filled romp in the snow, under the ground, in an Easter parade, and in the clubs of Washington, D.C. - all in a day's work for Brenda Starr, Girl Reporter! 

Whitman Mystery Stories - Judy Garland and the Hoodoo Costume

Here we are with another in the long line of "Authorized Editions" published by Whitman back in the 1940s.  The series featured big names like Deanna Durbin, Bonita Granvile, Ginger Rogers, Betty Grable, Ann Sheridan, Shirley Temple, Dorothy Lamour, and a number of others, so it should come as no surprise that Judy Garland's name should be among them.  After all, her role in The Wizard of Oz in 1939 made her a household name, and her many other movies (including several with Mickey Rooney in the "Andy Hardy" series) during the late 1930s and well into the 1940s kept her in the limelight.  So, it is only natural Whitman would want to use her name for a character in one of their "Authorized Edition" mysteries.  Unlike most of the other books, in this one, the main character is actually the famous actress whose name is being used (and one of the characters actually refers to her as a "famous actress" on p. 71).

 

Judy Garland and the Hoodoo Costume finds our protagonist agreeing to take an  expensive dress to its owner, unaware that this small errand is going to become a nightmare of a mystery.  It begins innocently enough, as Judy delivers a gift to the sister of a friend of hers.  While at the sister's house, she stumbles across a rather expensive dress that the sister claims is not hers - but she knows to whom it belongs!  Oddly enough, she asks Judy (a person she does not even know, other than as an actress she has seen on the movie screen) to take the dress to its owner.  Judy reluctantly agrees; but when she arrives at the boarding house where its owner resides, the two women who run the house inform her that Frederica Hammond has left to care for an ill relative not some distance away.  Judy gets lured into taking a bus to a secluded old house where Frederica is believed to be staying - and upon arriving, Judy finds herself facing a night of Gothic terror!

 

Yes, Heisenfelt once again takes her protagonist and places her in unusual circumstances, where she finds herself trapped in a foreboding old house with unseen danger lurking around every corner.  If you don't believe me, go back and look at Ann Rutherford and The Key to Nightmare Hall or Betty Grable and The House with the Iron Shutters, or even Ann Sheridan and The Sign of the Sphinx.  Of course, one of her best examples is Jane Withers and The Swamp Wizard.  In fact, this book has a lot of similarities to that last one, as both books feature a supernatural character of sorts that has people in the household frightened.  Heisenfelt seems to focus on a similar theme for all of her stories (well, at least with all of the ones I have read of hers thus far!), and it makes me wonder if perhaps at some point she did not delve into the world of Gothic paperback tales in the '60s and '70s, as her Whitman mysteries would fit perfectly in that genre.

 

From the moment of Judy's arrival at the old house, the Gothic tropes are at play.  A mysterious figure chases Judy outside, forcing her to run around the back of the house and enter in a rush through the kitchen.  She is then rushed upstairs by the very girl she was there to meet, as both the girl and the housekeeper are fearful that "Mr. Frazer" may find out she is here.  Judy then learns that Frederica, while not adverse to helping her aunt, is being forced to remain in the house, allowed no contact with the outside world.  Judy also overhears conversations that lead her to realize Mr. Frazer, along with Frederica's cousin and her uncle are hatching a plot against Frederica's aunt, who may or may not be ill - are the relatives convincing her of an illness, feeding her medication in hopes she will die and they can inherit her fortune?  One of the biggest surprises comes, however, when Judy finally sees the bed-ridden Mrs. Mattis and recognizes her - not as Myrta Mattis, however, but as a famous songstress by the name of Lucia Grayson!

 

While this book offers up some songs that Lucia Grayson allegedly sang (p. 130 - songs such as "Still as the Night," "Evening Star," and "Then You'll Remember Me"), a bit of research reveals that no such singer named Lucia Grayson existed.  However, there was an actress named Kathryn Grayson who sang in a number of MGM musicals alongside greats such as Gene Kelly and Frank Sinatra.  This real Grayson dreamed of doing opera, but instead ended up signing a contract with MGM to do film work; yet, interestingly enough, she received an offer to sing Lucia at the Met, but she was convinced to turn it down. This book was published in 1945, four years after Grayson's film debut in Andy Hardy's Private Secretary.  It does lead one to question if perhaps Heisenfelt based her aged character's name on this young up-and-coming singer/actress of the day.

 

The story takes place literally over the course of 48 hours - meaning there is 248 pages of mystery and suspense that lasts merely two days!  Heisenfelt spends considerable time having her protagonist worry and dwell on everything going on around her, constantly questioning her own actions, the motives of those around her, and the possibilities of what may happen to her - which is something the author seems to relish doing in all of her stories.  Despite her main characters being based on actresses who normally portray rather strong female characters in their films, Heisenfelt manages to turn them into whining, worrisome, and nearly wearisome characters who spend most of their stories agonizing over what is happening rather than taking any action to overcome the circumstances in which they find themselves.  While all of this anxiety of the characters may build some level of suspense, it does get a bit tiresome to read after a while, and I, for one, find myself reaching the point where I don't really care whether she makes it out of the house or not!

 

One difference between this and Heisenfelt's other books in this series is that this story actually features two mysteries - the first involves the happenings inside the old house and poor Mrs. Mattis (a/k/a Lucia Grayson); the second involves a con artist who is taking money from Mrs. Mattis' groundskeepeer and other neighbors, leading them to believe there is a lady ghost who comes from the lake.  Poor Judy, trying to escape the house, ends up a pawn in the con artist's game, and she must try and outwit him in order to escape his machinations. This second mystery is almost like an intermission in the main story, as it really has no connection whatsoever to Mrs. Mattis or her relatives.  One is left to wonder if perhaps the main story was not long enough, so Heisenfelt added this in order to "pad" the story out to a proper length for publication.

 

The illustrations are provided by Ruth Ruhman, who illustrated a large number of children's books, as well as (surprisingly!) a few comics back in the day, including pages in Big Jon and Sparkle, published by Ziff-Davis Comic Group back in the early 1950s.  She did quite a bit of work for Western Publishing, who acquired Whitman Publishing in the early 1900s, so it should not be any surprised that her illustrations would appear in one of Whitman's Authorized Editions.  While she does not do an exact likeness of Garland in her art, there are a couple of the illustrations in this book that do capture Garland's facial expressions pretty well.  The endpages, thankfully, do not spoil any of the story; rather, they depict the scene where Judy first arrives at the dark, old house and is forced to run in the freezing snow around to the back in order to escape the man chasing her.

 

While this book does read better than most of Heisenfelt's other stories (with the exception of Swamp Wizard, which I actually rather enjoyed), it certainly does not rate the same quality of story as most of the other Whitman Authorized Edition by other authors.  I've seen a few online sites that indicate this is one of Heisenfelt's most popular books; I can only postulate that the reason is because of the star name, Judy Garland, as opposed to the story itself.  Not the worst, but definitely not the best.

 

RATING:  6 stark white capes with high collars out of 10 for an attempt to thrust Judy Garland into a Gothic landscape of suspense and fear to create a story half-worth the read. 

Trudy Phillips, Headline Year - the second Trudy Phillips book

This two-book series has been my introduction, of sorts, into the world of "malt shop" stories, and I must say, I rather enjoyed them.  The first book offered up a slight mystery mixed in with plenty of school days adventures and teen angst, and the second book pretty much followed the same form, albeit with an even slighter mystery.  Written by Barbara (S.) Bates (1919-2002), the series follows the life of its title character after her family moves to Tylertown. In the first book, Trudy is trying to find out where she belongs in this new town and new school; now, in this second book, she has adjusted to life in Tylertown and is ready to forge ahead with plans for her future and a brand new friend!

 

Trudy Phillips, Headline Year picks up literally where the first book left off.  For those who may not remember,  Trudy not only made friends with the very popular Gloria Holden, but she welcomed her into her home (as Gloria's parents were never really present, leaving the young teen by herself most of the time).  Now, as this book opens, Trudy is helping Gloria carry her many suitcases into the Phillips home, where Gloria will share a room with Trudy.  Quite frankly, this book is almost as much about Gloria and her growth as it is about Trudy's.  One would think that after finally admitting her loneliness by the end of the previous book, Gloria would have been somewhat humbled - but, no, in this book, Trudy finds herself at odds with her new friend a/k/a roommate a/k/a "sister," as Gloria has taken a dislike to Trudy's dog, Tucker, and even worse, she has a clear disdain for Alice Johnson, the new girl at school!  Trudy finds herself caught between the two, as she remembers what it was like to be the new girl (after all, that was just in the last book!), and she wants to make Alice feel welcome, but at the same time, she does not want to alienate Gloria after spending most of the last book trying to win her friendship!

 

Bates takes the characters from Christmas, through the New Year, on to Valentine's Day, before reaching the end during the St. Patrick's Day celebration - and during that time, Trudy and her friends face a number of challenges.  When one of the journalism students moves away, there is a spot open on the school's newspaper, The Sentinel, and Trudy decides she wants to try for the position.  She manages to win the coveted spot, and now finds she must learn to balance her time between school, the newspaper, her dog, her family, and her friends! And speaking of her dog ... poor Tucker has his own set of challenges, as Trudy desperately tries to train him, but finds herself at a loss to teach the dog to obey.  The shy new girl takes a liking to Tucker and agrees to help, but she is frightened away time and again by Gloria's actions towards her, as well as towards the dog.  Then there is the overcrowding on the school busses and in the lunch room that leads to a student revolt, inadvertently spurred on by the school paper!  On top of all of this, there are two mysteries that weave their way through the story:  (1) who is the anonymous writer who provides the paper with some well-written and though provoking articles, and (2) why does Alice always  wear a turban and never invited anyone to her house?

 

The various storylines provide Bates with plenty of opportunity for drama and teen angst, particularly since these kids are just at the age where they are starting to like the opposite sex.  Thus, everyone is worried about dates for the New Year's parties, for the Valentine's Day dance, as well as for the St. Patrick's Day celebration.  I, for one, was glad to see Trudy remains faithful to her glasses-wearing, college-level word spouting friend, Steve (the two of them made it to the cover of the book!), and does not fall sway to Alice's rather handsome older brother - a young man who Gloria sets her eyes on!  I also enjoyed reading Trudy's repeated attempts to make friends with Alice, despite her constant brush-offs and her secretive nature surrounding her family and her turban.  The mystery surrounding the latter is actually revealed about half-way through the book, and it is Trudy's mother who uncovers the reason the girls is always wearing something over her hair (p. 173).  I won't spoil it, but let's just say the reason given is factually accurate, as I did some research to see if it was real or not - and it was definitely real!

 

The student strike due to overcrowding was a bit much, as I can't imagine any school, particularly back in the 1950s, would have so easily given in to student demands when most of the school walks out and begins to picket rather than attending class.  Perhaps I am looking back with rose-colored glasses, but it seems to me that school authorities (principals, teachers, administration, etc.) had a much more firm control over the student body than to allow what takes place in this book.  And I do realize that a lot of it was for dramatic purposes, and part of it was a fictionalized telling of what junior high school students would probably love to be able to do in order to get their way.  At least Bates gave her title character and her friends some backbone to stand up to the strikers and find a way to get everyone back in class before things get too far out of hand. 

 

One surprise I found while reading the book was a pop culture reference, when Alice finally invites Trudy over to her house and they listen to some records - including a "new" version of "Smoke Gets In Your Eyes" by Frank Bye (p. 259).   While the song is definitely a real one, made famous by The Platters back in the late 1950s (four years AFTER this book was published!), and was covered by numerous artists thereafter, I was unable to find any version by someone named "Frank Bye."  The first recorded version was by Gertrude Niesen in 1933, then recorded by Nat "King" Cole in 1946, and after that, it was performed in the 1952 film adaptation of Roberta.  Numerous others have covered the song since.

 

Dorothy Grider once again provides the art for this book.  The end pages are the same as the first book, with all of the students milling outside of the school and Trudy running up to the steps on her first day at the new school.  The illustrations feature black and white line drawings with splashes of color, either pink or a pastel blue/green. Nearly every chapter has an illustration to complement the story taking place therein, and while there is nothing too exciting in the scenes (after all, this is not a fast-paced Stratemeyer series book that is dependent on lots of action and cliffhangers!), it is fun to see some of the choices made - from Trudy and Gloria carrying all of Gloria's things into the Phillips house to Alice's budding affection for Trudy's dog (in no less than three of the illustrations!) to couples at the various parties.  One particular illustration I thought was well done was where Trudy is upset by her father's reaction regarding the events unfolding at her school (p. 209) - I felt Grider really captured Trudy's emotion exceptionally well on the girl's face, such that it was clear to see just how upset she was without even having to read the story!

 

It's rather a shame this series ended with this second book.  Sure, they are not the most exciting stories in the world, but they are fun with some endearing characters that quickly grow on you (yes, even Gloria).  Trudy, Spooky, Gloria, Doug, Steve, Mike, Ginger, and now Alice - a better group of friends you are unlikely to find in any other series book!

 

RATING:  8 heavy white wool mittens out of 10 for expressing the ups and downs of a teenagers life with realistic and fictional drama woven into an engaging story that never drags nor bores! 

Whitman Mystery Stories - Gene Autry and the Thief River Outlaws

This book is definitely a far cry from what I would normally read.  As I mentioned in a recent post about the Judge Colt comic book series (Judge Colt - Gold Key Comics), I am not a fan of westerns.  The only reasons I picked this book up is because (a) I have grown to realize that a number of these Whitman Authorized Editions actually contain some really good stories, (b) the book came with its original dust jacket in pretty good shape, and (c) the price was right.  I set it on my "to be read" pile some time ago and left it there.  Well, after enjoying the Judge Colt series from Gold Key comics, I thought I might as well give this book a try and see how it holds up.

 

Gene Autry and the Thief River Outlaws is one of two Whitman Authorized Editions about the western movie star, both written by Bob Hamilton. This book, copyright 1944, appears to be the first of the two, with the second being published two years later in 1946 (Gene Autry and the Redwood Pirates).  While the book uses Autry's name and likeness, and while the character is quite well-known to the people in the story, it is not the actual Gene Autry in the tale (which makes sense, since the story takes place in the 1800s and the Old West, and the actor was clearly not around then - he simply make films about that time!).  Autry is basically a drifter, going from town to town, sometimes serving as a special deputy for law enforcement, other times simply helping out those in need, such as takes place in this book.  Like the real Gene Autry, the book-Autry has a horse named Champ, clearly modeled after the real Autry's horse, Champion.  

 

The story is the typical western fare, which you would have likely seen on the big screen.  Autry has been asked to come to Thief River Canyon to help out a friend of a friend.  It seems Jim Farnsworth is have some difficulty with the construction of a bridge that is to cross the canyon, which would allow trains to save time by taking a direct route rather than going around the canyon.  But Farnsworth has been laid up after an accident has left him with an injured leg.  On top of that, strange accidents have been taking place - the workers were all made sick through food poisoning; necessary parts were delivered to the wrong place, delaying work; a nearby fire resulted in the men being called away to help put it out; and the donkey engine broke down, resulting in more lost time while they waited for a new part.  (And for those wondering, like me, what is a donkey engine?  well, that happens to be a steam or internal combustion engine with a winch and drums used for pulling cables to move heavy loads!)

 

Farnsworth and his right-hand man, Tennessee (his real name is never said) are certain someone is behind all of these mishaps, and Gene Autry has been called in to investigate.  Autry is concerned an old enemy of his, Trig Marsden, might be involved, but the workmen have to wonder if the new engineer, Dude Dudley, is not the cause.  (Man, you just gotta love these names!)  One of the workers winds up dead when the cables on the donkey engine snap, and Farnsworth has to struggle to keep men from walking off the job.  Autry starts to look into things, and he learns that if Farnsworth does not complete the job within a specified time, the government will take it away from him and turn it over to Mr. Hind, a competing engineer who is only ready to take the job (and the money that comes with it!) away.  But will he really sabotage the work being done just to make a buck?  What do you think....?

 

Surprisingly, there are no gunfights or showdowns at sunrise as one would expect in a western tale. However, there is plenty of kidnapping, brawls, and horseback riding to remind you that this is definitely an Old West tale.  Plus, we have the one obligatory woman thrown into the mix - Betty Jackson.  A not-so-near neighbor who has been coming over to cook and keep house for Farnsworth while he is down and out.  She has plenty of playful banter with Tennessee, and she's got quite the backbone, not being taken in by Dudley's plays for her.  Of course, as anyone with common sense can figure out, when a woman in a story like this is determined to keep a particular man away from her, it is pretty much a given she will end up with him by the end of the story ... and, wouldn't you know it, this book is no different.  

 

While the story was somewhat entertaining, I have to say that the climax is what I would consider the saving grace for this book (at least for those, like me, who don't really enjoy westerns). The villains have sabotaged the bridge itself on the night before the train is set to cross for the first time - just when they think they are going to win, Autry shows up with Hind in tow, forcing Hind on to the train to take the ride with them.  Well, you can pretty much guess what Hind's reaction will be, seeing as how he knows exactly what's been done to the bridge!  I found myself cheering Autry's ingenuity in turning the tables on the crooks and forcing them to reveal their own dirty work before any damage is done!

 

The interior art is provided by Dan Muller.  I can't say for certain, but it appears Muller is likely the same Dan Muller (1889- 1976) who was a real-life cowboy, known for his art depicting scenes of the American West.  It would only make sense that an artist such as Muller would be chosen to illustrate a book like this.  His line drawings give the reader a definite feel for the period and location, making it evident the artist was quite familiar with the subject matter.  His end pages provide a rather tame scene where Autry goes into town to see what he can find out about Trig Marsden, and it even accurately shows "Pete Lonergin's Cafe" as referenced in the story itself.  Unlike many of the end pages in Whitman books, this one does not spoil any of the action or surprises from the story.  The book came with two different dust jackets - one, which I have, showing a group of cowboys galloping across the plane with an inset of the actor, Gene Autry; the other is a full wrap around cover, which shows a full-figure of Autry, holding his gun and lasso on the front, and standing beside Champ on the back.  Not sure what prompted the change in covers, and honestly, I can't say which one came first (although some sellers online list what they call "first printings" of the book with the dust jacket I have, so perhaps that is the case).

 

While not exactly my cup of tea, I will say that the story was well-plotted and had its moments.

 

RATING:  7 orders of hydrochloric acid out of 10 for a western adventure filled with plenty of action and a bit of mystery, along with a few surprise twists at the end.

Trudy Phillips, New Girl - the first Trudy Phillips book

This series is the first "malt shop" series that I've read (even though I have quite a few of them in my collection).  For those unfamiliar with the term, "malt shop books" refers to books from the mid-20th Century with female protagonists that addressed teen problems in a very clean, wholesome way.  Many were romances and/or career girl stories, but some (like this one) feature a certain element of mystery.  Popular authors from this genre were Janet Lambert, Rosamond du Jardin (my mother's favorite author when she was a teenager), among others.  Whitman Publishing actually published several series in this genre:  Donna Parker, Ginny Gordon, Polly French, and our very own Trudy Phillips.  Trudy only had two books, while Polly had three, Ginny had five and Donna beat them all with seven books in her series.  Since poor Trudy only had two, I figured I would start with hers.

 

Trudy Phillips, New Girl was written by Barbara (S.) Bates (1919 - 2002).  According to the Pennsylvania Center for the Book, Bates was a prolific author, penning quite a few books before her death in 2002, both in the realms of fiction and non-fiction.  In addition, Bates also authored articles about books for literary journals. (Author - Barbara S. Bates) Surprisingly, her books for young readers were published under her own name, rather than a house pseudonym.  The two Trudy Phillips books appear to be the only two she wrote for Whitman Publishing.

 

This first book of the two-book series introduces readers to  14-year old Trudy Phillips, whose family has recently moved to Tylertown where her father has been transferred by his job.  Trudy is very unhappy, as she is having to start a new school.  She bemoans the fact that at her previous school, she was very popular and was a shoe-in as class president for the year.  Now, as a "new girl," she would not know anyone and would have to catch upon several weeks of school work she missed due to the move.  The story's focus is on Trudy's status as the "new girl" at school, the problems she faces, the difficulties she overcomes, the friendships (and enemies!) she makes, and the successes she enjoys as she navigates this new school and its students.  While the book does feature a minor mystery involving various thefts of money, that is more of a sub-plat than the main story.

 

Bates provides Trudy with quite a large supporting cast - besides her parents (Mr. and Mrs. Phillips), there is her younger brother Johnny, a precocious red-headed prankster; there is "Spooky" Ruddle (a/k/a Gwen Ruddle), a young tom-boyish girl in her class who quickly becomes her best friend; there is Mike, the foreign boy who is also new to the school and shares Trudy's concerns about people liking him; there is Stephen, the class nerd who is everyone's go-to if they need help with classes; there is Doug, the editor of the school newspaper; then there are Susan, Ginger, Debby, Dick, Bob, Cynthia, and plenty of other classmates, including Gloria Holden -  the most beautiful, most talented, and most popular girl in the class, who always knows how to make an entrance and who is always the center of attention.  Trudy decides right away she would like to get to know Gloria and hopefully become friends with her.  And this is how the story begins...

 

The book finds Trudy facing any number of teenage problems - from being the only one not invited to Gloria Holden's big party (to be held on Halloween, the same day Spooky holds her annual birthday party!) to inadvertently beating Gloria during a class debate, making an immediate enemy of the girl.  She also must figure out a way to save up $20 in order to purchase this puppy from the town's pet store, while at the same time working on the class play, worrying about whether anyone will ask her to the Thanksgiving dance, and deciding whether she should run for class secretary, as all her friends want her to do.  In addition to all of these, Trudy is also determined to make friends with Gloria, even going so far as to invite her to a party she throws, over all of her friends' objections (which causes a brief rift between Spooky and her).

 

The mystery asserts itself in various places throughout the book.  Money from the ticket sales for the play goes missing.  Stephen's envelope filled with his savings to buy a new bike disappears from his locker.  Debby loses her silver dollar at the school dance.  Money from the school store's cash box is taken.  The more incidents that occur, the more it becomes obvious that one of the students is stealing money.  Stephen and Trudy work with one of the teachers to try and set a trap for the thief, but that goes awry, and the money used as bait disappears, but the thief is nowhere to be seen.  The mystery is not really that difficult (from the very first theft, it was obvious who was doing it and why), but it does add a unique element to the story (and since I'm more of a mystery reader than a romance reader, it definitely made reading this book more enjoyable!).

 

Something I thought was interesting was Bates gave Trudy a "collection of foreign dolls" in her room (p. 32).  It's not too often you come across a series book character who is a collector, and particularly, as in this instance, someone who collects foreign dolls.  It immediately brought to mind the Nancy Drew book, The Clue in the Old Album, as well as the Meg book, Mystery in Williamsburg, both of which featured mysteries that centered around doll collections.  Only, in this book, the dolls are mentioned in passing and never become a part of the story.  Leaves one to wonder why Bates even mentions them at all, unless it is to give Trudy a stronger feminine side to her character (since collecting dolls could be seen as more of a female hobby).

 

The book is illustrated by Dorothy Grider (1915 - 2012), who happens to be a Kentucky native (my home state!).  She got her BA at Western Kentucky State College and went on to study art in Paris.  Grider illustrated a large number of children's books, including the Trudy Phillips books for Whitman.  Her two-page endpapers depicts a scene that coincides with the cover art (also provided by Grider, based on what I was able to discern online) - both scenes reflect Trudy's arrival of her first day at Tylertown Junior High School (finally! endpapers that do not spoil any of the story, as so many of Whitman's books seem to do!).  The endpapers show her hurrying towards the front doors, with groups of students standing around (and it's amazing how easily one can pick out the various characters in their scene, as Grider definitely utilized the character descriptions for her art - with Dick talking to Gloria on the bottom right, while Steven is chatting with Ginny (or Debby) on the bottom left side, while Mike and Spooky are hurrying through the gate).  The brightly colored cover shows the same scene moments later, as Trudy climbs those front steps, with Steven and Spooky seated on the steps and Mike leaning against the wall.  Trudy is even wearing the red sweater and plaid skirt (p. 11) described in the book.  The cover wraps around to the back, where we find Gloria talking with one boy, while another is watching them from the window.  

 

While I've seen mixed reviews about the book online, I rather enjoyed the story.  The mix of theater and mystery, swirled around with all of the other teen antics, made for a rather fun drama.  And I actually found myself identifying with characteristics from several of the characters, which endeared me to pretty much all of them (except Gloria - the typical mean girl!).  Overall, I think this was a great introduction to the Malt Shop Book genre, and I am looking forward to reading the second book in this series.

RATING:  8 yards of glimmering brocade in the palest shade out of 10 for terrific tale of teen angst, romance, mystery, parties, theater, elections, and everything else that would make for an enjoyable read! 

Meg and the Mystery in Williamsburg - Mystery #6 in a series

Alas, with this book, we come to the end of the Meg Duncan series by Holly Beth Walker (or whatever ghostwriter actually wrote this final mystery).  It has certainly been a fun journey, trailing along with Meg and her best friend, Kerry Carmody, as they stumble across one mystery after another, no matter where they are. The mysteries have become a bit more complicated and more mature in theme as the series has progressed, and the character of Meg certainly acts like someone much older than a girl barely in her teens.  And despite the likelihood of different ghostwriters for the books (especially for this one, whose writing style and sentence structure definitely differs from the previous books), the characters have, for the most part, remained consistent.  It's a shame the publisher did not commission more books, either during the series' first run or when it was later reprinted by Golden Press.

 

Meg and the Mystery in Williamsburg sees Meg and Kerry join Meg's Uncle Hal on a trip to Williamsburg, Virginia to help out at a vintage toy show.  This obviously caught my attention right away, having a house full of vintage and collectible toys myself!  But the toys that are the focal point of this mystery are dolls and a doll house that date back to the colonial days.  The girls are staying with Lucy Cameron, a friend of Meg's now-deceased mother, and she introduces them to one Miss Mariah Collins (yes! Collins! a shame more of the Collins' family didn't enter the story...), a quirky old woman who has agreed to allow her family's toys be displayed at the show.  Only, her toys come with a story - and a mystery!  It seems many years ago, when Mariah's cousin came for a visit (back when Mariah was a little girl), her cousin brought her two small children with her. The children had a quarrel and ultimately wrecked the play room, breaking toys, smashing the dollhouse her grandfather had built, and pulling the arms and legs off of Mariah's special doll named "Paris."  But worst of all, when the room was cleaned up, it was discovered that two clothespin dolls that had been carefully displayed in a glass cabinet were gone (p. 31).  Miss Mariah's grandfather did eventually find the two dolls, but he hid them away so they could never go missing again.  And so begins the mystery...

 

Miss Mariah has spent most of her life searching for those clothespin dolls.  She keeps the upstairs toy room locked so no one else can enter.  She has searched the secret room just off the toy room.  She has looked through the doll house.  In fact, her father told her if she turned the house upside down, she would find them - but she has searched her plantation home from basement to attic, and she has never found the dolls. Meg and Kerry are excited with the idea of another mystery to solve, and they are determined that before they leave Williamsburg, they will do their best to locate those dolls.  In the meantime, they must put on colonial-style costumes and greet guests at the toy show, giving memorized speeches about the toys themselves, and answering questions from the visitors.  What they do not expect is that the mystery of those missing dolls will cross over into the toy show, as strangers begin to start asking very pointed questions - about the dollhouse, about Miss Mariah's doll "Paris," and ab out the Collins' collection of toys.  The mysterious Mr. Adam, who takes an intense interest in Paris.  The friendly but overly-curious Stephen Anderson, who is more than determined to get a closer look at the dollhouse.  Then there is the unknown man that the girls see talking to both Mr. Adam and Stephen Anderson.

 

Someone tries sneaking up the stairs of Miss Mariah's house to her playroom.  Someone enters the toy show during lunch and makes a mess of the toys, which are in a roped-off room that no one is allowed to enter.  Someone steals Paris, but then leaves her at the door to the playroom.   Someone chases Meg and Kerry through the woods, determined to get their hands on that doll.  What has caused the roof of the dollhouse to not seal properly?  Why does the secret room in the dollhouse, modeled after the one in the real plantation, not have a door knob?  What has caused Paris to no longer say "Mama" like she did years ago? And why is Meg so certain the clue to unraveling this whole mystery has been in front of her face the entire time?

 

This was definitely a mystery worthy of Nancy Drew and some of the other "great" teenage detectives. If the series had to end, this was definitely a fantastic way to close it down.  The author integrates a number of real Williamsburg sites into the story - from the Duke of Gloucester Street (p. 16) to the Brush-Everard House (where the toy show is) located next to the Governor's Palace (p. 20); from the Raleigh Tavern Bakery (p. 52) to the holly maze located on the grounds of the Governor's Palace (p. 83).  You have to love it when an author includes actual locations in the book, providing readers with an opportunity to explore the same locations in the real world and truly follow in their favorite sleuths' footsteps!

 

The artists for the covers and the interior remain the same as the previous five books - Cliff Schule provided the cover for the original hardback edition, as well as the interiors for both, while Olindo Giacomini provided the cover for the later paperback edition.  Both covers depict the scene where Meg and Kerry are running back to River House Plantation to escape the man chasing them, and are ready to sneak in through the chimney door.  It is interesting that while they both depict the same scene, and both accurately portray Meg and Kerry in the correct costumes they are wearing in the story, the hardback gives us a perspective from above, looking down them as the come around the chimney to the door, while the paperback gives us a perspective from the side, watching the girls run around the corner of the house and directly into the door located in front of the chimney. 

 

On a complete side note, when Meg reads an article giving the history of the two clothespin dolls, which were said to have been made by George Washington for his sister, Betty, the article reveals that "when Betty was a grown woman, she had given the dolls to a girl named Nell Benson..." (p. 92).  I had to laugh out loud at that name, because there was a character by that very same name on General Hospital a few years back - a character who turned out to be quite a dastardly villain, but one who I grew to love immensely!  Funny coincidence!

 

And with that, we reach the end of the Meg Duncan series.  One can only wonder how many unrecorded mysteries Meg and her best friend, Kerry, solved, and whether either of them went on to find boyfriends (as none whatsoever are mentioned in these six books) and went on to college and careers...

 

RATING:  10 fresh-baked ginger cookies out of 10 for ending the series on a high note, with a well-plotted mystery with a great mix of real and fictional history!

 

 

Meg and the Mystery of Black-Magic Cave - Mystery #5 in a series

The penultimate book in the "Meg" series is the best one of the first five books.  One has to wonder if the ghostwriter for the previous book also wrote this one, as both books definitely have more mature themes to them than the first three books.  That, of course, is one of the reasons why I wish these book publishers back in the day had retained one author to ghostwrite a series of books, so that they stories would have a certain consistency to them, both in characterization and in tone.  Some series did (such as the Penny Parker series by Mildred Wirt Benson), while other employed any number of writers (such as Nancy Drew, Hardy Boys, etc.).  While having a series bible may help the writers remain consistent with character names, occupations, hair and eye color, settings, etc., the rotation of writers is still noticeable in the way a story is written and how a character talks and acts.  Now, one could argue that Meg and Kerry have grown some since the first book, and therefore, after solving several mysteries, they might have matured in the way they handle them, but that is stretching it a bit, I think.

 

Meg and the Mystery of the Black-Magic Cave takes Meg and Kerry out of their home state of Virginia and places them in Merrybones, Maine, where Meg's Uncle Hal vacations each summer.  This year, he offers to take them along with him, partially to enjoy the locale, but also because there is a mystery to be solved, and he knows how much the girls enjoy solving mysteries.  And, in case you are wondering, no, "Merrybones" is a made up township in Maine, although it perhaps draws its name from Marylebone, which is in the city of Westminster in London, England.   The mystery surrounds a schoolteacher friend of Uncle Hal's by the name of Emily Hawthorne (p. 16), who has asked for his help.  Now, I have to think that the author specifically chose the name "Hawthorne" for several reasons:  (1) the name is the same as that of Nathaniel Hawthorne, the famous author who hailed from New England, and (2) Nathaniel Hawthorne's great-great-frandfather (John Hathorne) was one of the judges during the famous Salem witch trials.  And, since this particular book deals with witches...

 

The author delves into a world of witchcraft and black magic, as the girls learn from Miss Hawthorne that someone has threatened her with a curse, and her black cat, Melissa, has gone missing.  Someone wants her out of Merrybones, and it's up to Uncle Hal, Meg, and Kerry to figure out who it is.  As if right one cue, Meg and Kerry learn about a nearby cave that is referred to as "Black-Magic Cave," and while picking blueberries near the cave, the girls find a makeshift altar with a candle burning and a pentagram drawn on the floor in front of it!  This begins the girls' quest to uncover the truth about the cave, the witches' coven operating in Merrybones, and whether the women who make up the coven are responsible for threatening Miss Hawthorne and stealing her cat.   

 

The witches' coven and black magic aspect of the story are played up well, and Meg and Kerry even manage to witness a gathering of witches in what they suspect is a meeting in which the women will attempt to cast a spell to rid the town of Miss Hawthorne once and for all!  But the girls are clever, and while the witches are in the cave, Meg, Kerry, and their new friends gather up the shoes the women left outside the cave and take them with them (so that, like Cinderella, they can identify the witches by having the women try on shoes to see if they match!).  It's quite a climactic confrontation between the defeated women and the police, alongside Meg and her friends.  And the author holds back one particular surprise, which a careful reader will pick up on earlier in the story as to the identity of the specific person that wants Miss Hawthorne gone and why!  Overall, the book offers a well-plotted mystery that is very entertaining reading.

 

I did find it rather amusing that when the girls find a book of black magic in the attic of the house where they are staying, they discover the words are written rather uniquely - in Old English, where the s's are written like f's, and some words have "e" at the end, which is pronounced like our current "y" (p. 75).  And there is even a paragraph written in that styles, with Old English font!  Definitely a great way to introduce young readers as to how much the English language has changed in the last couple of centuries!

 

The paperback cover art, by Olindo Giacomini, is definitely my favorite of the two, as it has Meg and Kerry hiding behind an old tree, spying on the witches as they are marching out of the cave, holding lit candles.  Of course, the scene is in the reverse in the story, as they watch the witches go into the cave, not out of it.  The cover art on the original hardcover version of the book, by Cliff Schule, depicts the witches heading in the proper direction  (and it even accurately shows 13 witches!).  Interestingly, both covers show Kerry wearing a blue top and Meg with a red/burgundy top, thus maintaining some consistency between the two.  And for those of you who are Nancy Drew fans, you might think this cover hearkens back to the cover art for The Secret of Red Gate Farm, in which Nancy is hiding behind a tree, watching hooded figures going into a cave.

 

I have been really enjoying this series, so it's somewhat disheartening to realize I only have one Meg book left to read, and then I'll have completed the series.  It almost makes me want to put off reading that final book ... almost ... 

 

RATING:  9 stones with oddly carved pentagrams out of 10 for a menacing tale of witches, curses, and black cats!

Whitman Mystery Stories - Winnie Winkle and the Diamond Heirlooms

Before picking up this book, I had never heard of "Winnie Winkle" before, but apparently Miss Winkle was the star of her own newspaper comic strip for a little over 75 years!  The strip was quite an achievement, and more than just for its longevity.  Created by Joseph Medill Patterson, the strip was written and drawn by Martin Branner (who provided the illustrations for this Whitman edition), and it was one of the first strips to feature a working woman as its lead character.  In the strip, Winnie Winkle supported her parents and younger brother, and she eventually married and became pregnant (which, oddly enough, some newspapers felt was too risque for a comic strip, causing them to drop the daily trip from their papers!).  Branner wrote and drew the strip (with the aid of various assistants over the years) until 1962, when he suffered a stroke, and other creators took over the strip  until it was eventually discontinued in 1996.  Besides this book from Whitman, Winnie was also featured in a one-issue comic published by Dell, as well as ten feature films written by Branner and starring Ethelyn Gibson was the title character.  So, with this much fame out there, it is rather odd that I never heard of the character prior to finding this book...

 

Winnie Winkle and the Diamond Heirlooms is a fairly standard children's mystery of the period, but I have to say, it was rather engaging and well-written.  I'm not familiar with the author, Helen Berke, but I will definitely try and locate more of her books.  A quick search online reveals she wrote more than a couple of Whitman's "Big Little Books / Better Little Books," including Captain Midnight, Dick Tracey, Smilin' Jack, Terry and the Pirates, and Little Orphan Annie.  Winnie Winkle appears to be the only full-size novel that Ms. Berke wrote for Whitman, which is a shame, as this story was probably one of the better Whitman novels I've read to date!  Now, to be fair, part of that reason could be that I am unfamiliar with the character, having never read the comic strip, so I have no ability to compare the characters and characterization in this story with those in Branner's daily strip.  That being said, I went into this hoping for a good mystery, and I definitely got that!

 

The mystery begins when Winnie gets an urgent call from Mary Dee Adams, an old friend from high school, who begs Winnie to rush to Chicago to help her.  It seems Mary's Aunt Rhoda passed away, and the only thing left in her estate is an old house out in the country.  Aunt Rhoda had previously told her there was money and jewels that she was leaving her, but somehow they are gone!  So, Winnie, being the good friend that every girl sleuth is, gives up her long-awaited vacation plans and heads over to Chicago to help her friend. Winnie meets Tommy Blake, her artist boyfriend, and the three of them prepare to head out to Blainville - but not before they have dinner with Mr. Jenkins, a man claiming to be friends with Tommy (but Winnie suspects the friendship is one-sided!), and not before poor Winnie gets kidnapped by someone who mistakes her for Mary!  There is something definitely fishy going on, and Winnie decides she must get to the bottom of it.

 

Through unexpected circumstances, Winnie, Mary, and Tommy wind up as prisoners in the house Mary has inherited from her aunt, as an unscrupulous con man and his lackey (who turns out to be an even more dangerous criminal than his boss!) are determined to locate the fortune in jewels that Mary's aunt allegedly left her niece as a part of her estate.  The only problem is, no one knows where they are, and there appear to be no clues as to where to find them!  It becomes a race to see who will find them first - are they hidden in the grandfather clock that Aunt Rhoda had moved up to her room on the second floor?  Could they be stored in the one of the chandeliers hanging in various rooms?  Are they in one of the trunks in the attics, or in one of the storage chests out in the barn?  Every drawer is pulled out, every closet is combed from top to bottom, and every wall is checked for secret panels - but, alas!   No jewels are to be found.  Winnie and her friends eventually focus on getting word to someone outside of the house of their predicament, in the hopes someone will rescue them from the clutches of these villains.

 

The story does not necessarily build a lot of suspense, but there are definitely some tense moments (when one of the captors takes a shot at Tommy when he attempts to sneak out one night, or when the con man purposefully shows Winnie that he, too, has a gun and is not afraid to use it!).  The location of the jewels and the way in which Winnie is able to find them is actually pretty ingenuous, and I give the author credit for crafting a fun little mystery (and for giving Winnie more than half-a-brain when it comes to outwitting the villains!).  Now, there are a couple of "Nancy Drew" moments in the story - such as the secret compartment in the grandfather clock (Old Clock, anyone?), and the old diary that provides them with a few hints about the jewels (Clue in the Diary).  However, those similarities only enhance the story, as I saw them more as homages than I did any cheap rip-offs.

 

The artist on the Winnie Winkle comic strip, Martin Branner, provides all of the illustrations for this book, including the endpages, which features a scene taken directly from page 42 of the story, when Winnie, Mary, and Tommy are taken by a horse-drawn wagon from the train station to the home that once belonged to Aunt Rhoda.  Thankfully, the scene is from early in the story and does not spoil anything from the mystery, as a number of endpages from other Whitman mysteries have done!  

 

As always, there are a few tidbits from the story worth nothing.  The first is found when Winnie comes across a medicine cabinet full of a number of bottles of various kinds of pills, including sleeping pills.  She realizes they could be used to put their captors to sleep, giving them a means to escape; and when Tommy suggests giving them two pills each, Winnie quickly replies, "...we'd better give them just one.  We don't want to kill them, even if they deserve it" (p. 109).  I can't say I've ever read a children's mystery where the protagonist actually believes someone deserves to die!  However, that scene is quickly forgiven by the author's later references to books that Winnie finds in one of the trunks in the barn.  "She picked up a few at random and looked at the titles.  Horatio Alger ... Mrs. E.D.E.N. Southworth.  Rover Boys..." (pp. 139-40). Anyone even vaguely familiar with children's series book at the turn of the 20th century will recognize Alger and the Rover Boys!  As for Mrs. Southworth, she was a popular author of the late 19th century, writing about heroines who challenged the Victorian perceptions of that day (sort of how Winnie Winkle, as a working woman, challenged the idea of women's place in the working arena of the early 1900s).  It was surprising to see references to real authors and book series in a title such as this!

 

This was certainly one of the most enjoyable Whitman mysteries I have read, and most definitely one of the better written ones.  I will be searching for some of those Big / Better Little Books that Berke has written.

 

RATING:  9 specially-made chocolate cakes out of 10 for a well-written mystery that takes comic-strip characters and fleshes them out into very readable characters in a great story!

Meg and the Ghost of Hidden Springs - Mystery #4 in a series

This book is now the third of four books in this series to feature a mystery that centers around a house - Witch's Stairway involved the house that was about to be lost by the two sisters if they could not find the money to save it; the Treasure Nobody Saw centered around a house that was said to be abandoned, yet was not; and now this book features a house that is alleged to be haunted.  This is also the third of four books to feature a house that is located next to the title character's home - Disappearing Diamonds involved Mrs. Partlow's house, which is next door to Meg's home; the Treasure Nobody Saw centered around a house that could be seen from Meg's bedroom window; and this book features a house just across the river from where Meg lives. Leaves one wondering what the last two books hold in store...

 

The Ghost of Hidden Springs is actually a sad tale about the ghost of a young girl who died tragically after the entire town shunned her family and refused to attend a birthday party thrown in honor of the girl's sixteenth birthday many years before. The family up and left town after that, and since then, people have sworn they saw the girl's ghost haunting the Hannigan house.  Meg does not believe in ghosts, but even she can't explain the ghostly girl her best friend's brothers saw; nor can she explain the open window she sees on an upper floor of the house - one she knows was closed before.  She and her best friend Kerry set out to uncover the truth about what is going on, only to find that a descendant of the Hannigan family has come to Hidden Springs as an heir to the estate.  What is uncanny is the young girl's resemblance to the girl who did - in fact, she even shares the same name: Kathleen!

 

As dark as the back story is, the mystery itself is actually relatively fun.  Is there a ghost that is knocking things off walls and running down the stairs?  Did a ghost lock Kerry's twin brothers in the basement room?  Is a ghost playing the piano?  Did a ghost damage the step on the front porch, causing Kathleen's mother to fall?  Meg is determined to uncover the truth, and the electronics found in the basement room, the apple core she finds on the floor, and the shadowy figure she sees running into the woods convinces her the ghost is actually a real person.  Is someone trying to force Kathleen and her mother to leave the property?  The will of her great-aunt stipulates that Kathleen must reside in the house for at least a month, at the end of which she must throw a lavish party for the townspeople of Hidden Springs in order to inherit the house and all of the wealth that goes with it - otherwise, the bequest defaults to a second heir who remains unnamed (as the lawyer indicates that heir is not even aware of the bequest and will remain in the dark unless Kathleen fails to follow her great-aunt's instructions).

 

Meg suspects some local real estate developers who are anxious to get their hands on the property so they can tear down and build multiple houses on the land (p. 97) - which is an amazing coincidence, because the Zebra Mystery Puzzler I just read prior to this book also had the same situation, in which a real estate developer was suspected of murder just to get his hands on a large property he wanted to subdivide (The Green Lama Mystery).  Odd how I happen to read both of these books right after each other!  Meg also suspects the great-aunt's housekeeper, who Kathleen's mother hired to help clean the house and prepare it for the upcoming party.  The police chief thinks it may just be a local homeless man causing the problems, and Kerry even suggests that the unknown heir may be aware of the bequest and is trying to get Kathleen to leave.  As Meg's father tells her - she must put on her thinking cap in order to solve this one!

 

There is a moment in the story when Meg is exploring in the Hannigan house when she hears a noise in the hall, so she darts "behind one of the dusty draperies" and takes a "cautious peek" to see who it is (p. 72).  The scene reminds me of a very similar scene from the previous book, where Meg is hiding behind a curtain while an intruder breaks into the library of that house (a scene depicted on the cover of that paperback).  Interesting that identical scenes like this would be used in both both books, particularly one after another.

 

One thing I was glad to see in this story is the return (albeit very briefly) of Meg's Siamese cat, Thunder (p. 103).  Considering the fact the covers to the paperback printings of this series show Meg and Thunder under her name, one would think the cat would have a larger role in the series.  Sadly, such is not the case.

 

The original hardback printing of this mystery features art by Cliff Schule (who also continues to provide the interiors) and depicts a scene from the end of the story, where Meg and Kerry, wearing their costumes from the party thrown by Kathleen's mother, head outside to see if they can hear the ghost of Kathleen's long dead ancestor.  The later paperback version of the book features a cover by Olindo Giacomini, which shows Meg watching a ghostly figure retreat into the woods.  This scene does not specifically appear in the book, although there is a moment where Meg does see a furtive figure fleeing into the woods one night (although it is not a ghost, and she is aware of that).

 

This fourth entry into the series is not bad at all, but the culprit is fairly easy to spot, and even this person's motive is relatively simple to figure out.  Of course, the age group for which the book is intended might not find it quite so easy as an adult reader!

 

RATING:  8 old homemade transmitters out of 10 for another fun-filled mystery that gives Meg a chance to help yet another family in need!

Jane Withers and the Phantom Violin - the third Whitman Authorized Edition

This third, and final, Whitman Authorized Edition to feature actress Jane Withers is so far removed from the previous two books - the title character, while referenced in the book as "an actress," is completely and utterly different than the version featured in the previous two books.  Thus, for three stories claiming to star the same person, the characterization in all three books, as well as the tone of the overall stories, are completely different.  Obviously, the fact that three different authors wrote the books plays some part in the variation; however, one would think if Whitman was going to produce more than one book on a particular actor or actress, they would put some effort into keeping the character consistent throughout the stories.  This was clearly not the case for poor Ms. Withers.

 

Jane Withers and the Phantom Violin was written by Roy J. Snell, who wrote a number of books for young readers.  His books were mostly aimed at boys, but he did write eighteen books advertised as "Mystery Stories for Girls," or sometimes as "Adventure Stories for Girls."  A number of those books featured a color in the title (such as The Blue Envelope, The Purple Flame, The Crimson Thread, and so on).  As far as I can tell, this book was the only "Authorized Edition" that Snell wrote for Whitman, although he did write three books from the "Fighters for Freedom Series" for Whitman.  I have heard a lot about Roy J. Snell over the years, but I believe this is the first books I've ever read that was written by him.

 

As indicated above, the Jane Withers of this novel, who is at one point identified as "an actress" (p. 206), is quite different from the Jane Withers portrayed in the previous two books.  In fact, the Jane Withers of this story is but one of three main characters, and so she shares the spotlight with her character's two friends - Greta Bronson (a gifted violinist) and Petite Jeanne (a young French gypsy girl).  The story alternates between the three girls, with the point of view shifting often, particularly when Jeanne separates from her friends to join her gypsy family as they travel the area to perform for locals.  The story takes place in Michigan, on the shores of Lake Superior.  Jane, Jeanne, and Greta are staying on an old wreck of a ship on the shore line of Isle Royale (which, by the way, is a real island in the Great Lakes, just northwest of Lake Superior).  The girls also make their way over to Greenstone Ridge (also a real location!) on the island, which is where the "phantom violin" comes into play - literally.  Greta is the first to hear its soft notes being played, but Jane also eventually hears it, leading the girls to seek out the "phantom" who is playing the instrument.

 

The mystery does go beyond just the phantom violin; there is also a strange black schooner that the girls see around their wrecked ship, as well as a diver who seems to be searching for something under the water around their ship.  In addition, there is a poacher on the island who is none too happy with the girls' interference with his attempts to bag a wild moose for its antlers.  On top of that is the isolated cabin deep in the woods, where a plane is seen dropping off a person.  Is it a victim of foul play or something else?  And, probably the most important one of all to Jane, Jeanne, and Greta is the possible "barrel of gold" they believe to be buried somewhere on the island.  The girls definitely have plenty to keep them busy, and unlike most children's series books, the mysteries do not eventually connect - they are all completely separate, and the one (the black schooner and diver) is left unsolved.  As Snell writes at the end, "Just who the men were on the schooner, with the diver on board, will probably never be revealed ... No one ever found out just who they were" (p. 247).  Very odd to leave something open-ended like that.

 

The story contains some very unusual names for the characters (although, perhaps for the time, the names were not as odd as they seem now).  Greta Bronson ... Swen Petersen ... Percy O'Hara ... Mr. Van Zandt ... Bihari (one of the gypsies) ...  definitely not very common names by any means.  Snell also uses some lyrics from "a half forgotten poem" (p. 180) titled Snow-Bound: A Winter Idyl, by John Greenleaf Whittier, a poem first published back in 1866.  On top of that, Snell also has Greta recognize the notes of "Intermezzo from Cavalleria Rusticana (p. 139), a one-act opera from the late 1800s.  Snell's use of real locations and actual poems and musical compositions gives the story a bit of grounding so as to not make it too overly fantastic and unbelievable.  

 

Now, as for the story itself ... well, Snell actually recycled a book he had previously written in his own "Mystery Stories for Girls" titled - you guessed it! - The Phantom Violin!  Originally published by The Lee & Reilly Co. in 1934, the story in this book is identical in nearly every word to the original Snell novel published nearly a decade prior - the only changes are in the name of the main character (in the original novel, it was Florence Huyler; in this book, that name is changed throughout to Jane Withers) and in the title to Chapter XVIII, which is shortened from "At the Bottom of the Ancient Mine" to simply "The Ancient Mind."  Otherwise, all of the title chapters, the character names, and the words in the story are exactly the same as the original version.  This re-use of a previous story predates the Stratemeyer Syndicate's recycling of The Tolliver books for Bobbsey Twins stories by nearly 40 years!  It certainly leads one to wonder if there are other examples of authors re-using earlier stories for later publications, simply changing names to lead readers to believe they are new stories...

 

The interior illustrations are once again provided by Henry E. Vallely, who provided the art for a number of the Whitman Authorized Editions, including the previous two Jane Withers books.  His art is truly beautiful to look at, and the illustrations add so much more to the stories - it makes me long for the days when children's series books featured interior illustrations.  I wish today's books offered interior art, because for me, this adds something extra to the book (and when the story itself is not all that great, the illustrations can help make the story bearable!).  The end pages, thankfully, do not spoil anything for the story as some have done for other Whitman books; rather, Vallely gives readers a dramatic scene where Jane, Jeanne, and Greta are facing a horrific storm in a small boat, taken from Chapter XXVI where the girls are escaping the old ship wreck before the storm tears it apart (p. 232).

 

The story is a bit disjointed, with so many small mysteries, it basically jumps from one to the other and then back again.  In addition, the constantly shifting points of view can be a bit jarring, as you grow used to one character, only to get switched out to another one, and then another one, and then back to the first, to the point where you never really feel like you get to know any of the characters.  That being said, it is not an overall bad read - just not one of the better reads, and definitely the weakest of the three Jane Withers mysteries published by Whitman.  It also leaves me wondering if I want to read any other Roy J. Snell books...

 

RATING:  6  large, crippled loons out of 10 for at least trying to create a spooky atmosphere with mysterious music in the dead of night and a dark schooner with unknown assailants coming and going.