Meg and the Ghost of Hidden Springs - Mystery #4 in a series

This book is now the third of four books in this series to feature a mystery that centers around a house - Witch's Stairway involved the house that was about to be lost by the two sisters if they could not find the money to save it; the Treasure Nobody Saw centered around a house that was said to be abandoned, yet was not; and now this book features a house that is alleged to be haunted.  This is also the third of four books to feature a house that is located next to the title character's home - Disappearing Diamonds involved Mrs. Partlow's house, which is next door to Meg's home; the Treasure Nobody Saw centered around a house that could be seen from Meg's bedroom window; and this book features a house just across the river from where Meg lives. Leaves one wondering what the last two books hold in store...

 

The Ghost of Hidden Springs is actually a sad tale about the ghost of a young girl who died tragically after the entire town shunned her family and refused to attend a birthday party thrown in honor of the girl's sixteenth birthday many years before. The family up and left town after that, and since then, people have sworn they saw the girl's ghost haunting the Hannigan house.  Meg does not believe in ghosts, but even she can't explain the ghostly girl her best friend's brothers saw; nor can she explain the open window she sees on an upper floor of the house - one she knows was closed before.  She and her best friend Kerry set out to uncover the truth about what is going on, only to find that a descendant of the Hannigan family has come to Hidden Springs as an heir to the estate.  What is uncanny is the young girl's resemblance to the girl who did - in fact, she even shares the same name: Kathleen!

 

As dark as the back story is, the mystery itself is actually relatively fun.  Is there a ghost that is knocking things off walls and running down the stairs?  Did a ghost lock Kerry's twin brothers in the basement room?  Is a ghost playing the piano?  Did a ghost damage the step on the front porch, causing Kathleen's mother to fall?  Meg is determined to uncover the truth, and the electronics found in the basement room, the apple core she finds on the floor, and the shadowy figure she sees running into the woods convinces her the ghost is actually a real person.  Is someone trying to force Kathleen and her mother to leave the property?  The will of her great-aunt stipulates that Kathleen must reside in the house for at least a month, at the end of which she must throw a lavish party for the townspeople of Hidden Springs in order to inherit the house and all of the wealth that goes with it - otherwise, the bequest defaults to a second heir who remains unnamed (as the lawyer indicates that heir is not even aware of the bequest and will remain in the dark unless Kathleen fails to follow her great-aunt's instructions).

 

Meg suspects some local real estate developers who are anxious to get their hands on the property so they can tear down and build multiple houses on the land (p. 97) - which is an amazing coincidence, because the Zebra Mystery Puzzler I just read prior to this book also had the same situation, in which a real estate developer was suspected of murder just to get his hands on a large property he wanted to subdivide (The Green Lama Mystery).  Odd how I happen to read both of these books right after each other!  Meg also suspects the great-aunt's housekeeper, who Kathleen's mother hired to help clean the house and prepare it for the upcoming party.  The police chief thinks it may just be a local homeless man causing the problems, and Kerry even suggests that the unknown heir may be aware of the bequest and is trying to get Kathleen to leave.  As Meg's father tells her - she must put on her thinking cap in order to solve this one!

 

There is a moment in the story when Meg is exploring in the Hannigan house when she hears a noise in the hall, so she darts "behind one of the dusty draperies" and takes a "cautious peek" to see who it is (p. 72).  The scene reminds me of a very similar scene from the previous book, where Meg is hiding behind a curtain while an intruder breaks into the library of that house (a scene depicted on the cover of that paperback).  Interesting that identical scenes like this would be used in both both books, particularly one after another.

 

One thing I was glad to see in this story is the return (albeit very briefly) of Meg's Siamese cat, Thunder (p. 103).  Considering the fact the covers to the paperback printings of this series show Meg and Thunder under her name, one would think the cat would have a larger role in the series.  Sadly, such is not the case.

 

The original hardback printing of this mystery features art by Cliff Schule (who also continues to provide the interiors) and depicts a scene from the end of the story, where Meg and Kerry, wearing their costumes from the party thrown by Kathleen's mother, head outside to see if they can hear the ghost of Kathleen's long dead ancestor.  The later paperback version of the book features a cover by Olindo Giacomini, which shows Meg watching a ghostly figure retreat into the woods.  This scene does not specifically appear in the book, although there is a moment where Meg does see a furtive figure fleeing into the woods one night (although it is not a ghost, and she is aware of that).

 

This fourth entry into the series is not bad at all, but the culprit is fairly easy to spot, and even this person's motive is relatively simple to figure out.  Of course, the age group for which the book is intended might not find it quite so easy as an adult reader!

 

RATING:  8 old homemade transmitters out of 10 for another fun-filled mystery that gives Meg a chance to help yet another family in need!

Jane Withers and the Phantom Violin - the third Whitman Authorized Edition

This third, and final, Whitman Authorized Edition to feature actress Jane Withers is so far removed from the previous two books - the title character, while referenced in the book as "an actress," is completely and utterly different than the version featured in the previous two books.  Thus, for three stories claiming to star the same person, the characterization in all three books, as well as the tone of the overall stories, are completely different.  Obviously, the fact that three different authors wrote the books plays some part in the variation; however, one would think if Whitman was going to produce more than one book on a particular actor or actress, they would put some effort into keeping the character consistent throughout the stories.  This was clearly not the case for poor Ms. Withers.

 

Jane Withers and the Phantom Violin was written by Roy J. Snell, who wrote a number of books for young readers.  His books were mostly aimed at boys, but he did write eighteen books advertised as "Mystery Stories for Girls," or sometimes as "Adventure Stories for Girls."  A number of those books featured a color in the title (such as The Blue Envelope, The Purple Flame, The Crimson Thread, and so on).  As far as I can tell, this book was the only "Authorized Edition" that Snell wrote for Whitman, although he did write three books from the "Fighters for Freedom Series" for Whitman.  I have heard a lot about Roy J. Snell over the years, but I believe this is the first books I've ever read that was written by him.

 

As indicated above, the Jane Withers of this novel, who is at one point identified as "an actress" (p. 206), is quite different from the Jane Withers portrayed in the previous two books.  In fact, the Jane Withers of this story is but one of three main characters, and so she shares the spotlight with her character's two friends - Greta Bronson (a gifted violinist) and Petite Jeanne (a young French gypsy girl).  The story alternates between the three girls, with the point of view shifting often, particularly when Jeanne separates from her friends to join her gypsy family as they travel the area to perform for locals.  The story takes place in Michigan, on the shores of Lake Superior.  Jane, Jeanne, and Greta are staying on an old wreck of a ship on the shore line of Isle Royale (which, by the way, is a real island in the Great Lakes, just northwest of Lake Superior).  The girls also make their way over to Greenstone Ridge (also a real location!) on the island, which is where the "phantom violin" comes into play - literally.  Greta is the first to hear its soft notes being played, but Jane also eventually hears it, leading the girls to seek out the "phantom" who is playing the instrument.

 

The mystery does go beyond just the phantom violin; there is also a strange black schooner that the girls see around their wrecked ship, as well as a diver who seems to be searching for something under the water around their ship.  In addition, there is a poacher on the island who is none too happy with the girls' interference with his attempts to bag a wild moose for its antlers.  On top of that is the isolated cabin deep in the woods, where a plane is seen dropping off a person.  Is it a victim of foul play or something else?  And, probably the most important one of all to Jane, Jeanne, and Greta is the possible "barrel of gold" they believe to be buried somewhere on the island.  The girls definitely have plenty to keep them busy, and unlike most children's series books, the mysteries do not eventually connect - they are all completely separate, and the one (the black schooner and diver) is left unsolved.  As Snell writes at the end, "Just who the men were on the schooner, with the diver on board, will probably never be revealed ... No one ever found out just who they were" (p. 247).  Very odd to leave something open-ended like that.

 

The story contains some very unusual names for the characters (although, perhaps for the time, the names were not as odd as they seem now).  Greta Bronson ... Swen Petersen ... Percy O'Hara ... Mr. Van Zandt ... Bihari (one of the gypsies) ...  definitely not very common names by any means.  Snell also uses some lyrics from "a half forgotten poem" (p. 180) titled Snow-Bound: A Winter Idyl, by John Greenleaf Whittier, a poem first published back in 1866.  On top of that, Snell also has Greta recognize the notes of "Intermezzo from Cavalleria Rusticana (p. 139), a one-act opera from the late 1800s.  Snell's use of real locations and actual poems and musical compositions gives the story a bit of grounding so as to not make it too overly fantastic and unbelievable.  

 

Now, as for the story itself ... well, Snell actually recycled a book he had previously written in his own "Mystery Stories for Girls" titled - you guessed it! - The Phantom Violin!  Originally published by The Lee & Reilly Co. in 1934, the story in this book is identical in nearly every word to the original Snell novel published nearly a decade prior - the only changes are in the name of the main character (in the original novel, it was Florence Huyler; in this book, that name is changed throughout to Jane Withers) and in the title to Chapter XVIII, which is shortened from "At the Bottom of the Ancient Mine" to simply "The Ancient Mind."  Otherwise, all of the title chapters, the character names, and the words in the story are exactly the same as the original version.  This re-use of a previous story predates the Stratemeyer Syndicate's recycling of The Tolliver books for Bobbsey Twins stories by nearly 40 years!  It certainly leads one to wonder if there are other examples of authors re-using earlier stories for later publications, simply changing names to lead readers to believe they are new stories...

 

The interior illustrations are once again provided by Henry E. Vallely, who provided the art for a number of the Whitman Authorized Editions, including the previous two Jane Withers books.  His art is truly beautiful to look at, and the illustrations add so much more to the stories - it makes me long for the days when children's series books featured interior illustrations.  I wish today's books offered interior art, because for me, this adds something extra to the book (and when the story itself is not all that great, the illustrations can help make the story bearable!).  The end pages, thankfully, do not spoil anything for the story as some have done for other Whitman books; rather, Vallely gives readers a dramatic scene where Jane, Jeanne, and Greta are facing a horrific storm in a small boat, taken from Chapter XXVI where the girls are escaping the old ship wreck before the storm tears it apart (p. 232).

 

The story is a bit disjointed, with so many small mysteries, it basically jumps from one to the other and then back again.  In addition, the constantly shifting points of view can be a bit jarring, as you grow used to one character, only to get switched out to another one, and then another one, and then back to the first, to the point where you never really feel like you get to know any of the characters.  That being said, it is not an overall bad read - just not one of the better reads, and definitely the weakest of the three Jane Withers mysteries published by Whitman.  It also leaves me wondering if I want to read any other Roy J. Snell books...

 

RATING:  6  large, crippled loons out of 10 for at least trying to create a spooky atmosphere with mysterious music in the dead of night and a dark schooner with unknown assailants coming and going.

Meg and the Treasure Nobody Saw - Mystery #3 in a series

This book marks the halfway point of the Meg Duncan series, by Holly Beth Walker.  It also turns out to be the book that has the only scene I remember from the series from back when I read these as a child (more on that below).  So far, I have been enjoying my re-reading of this series, and I am thankful my friend, Jarrell Dickey, made the suggestion that I should pick these up and re-read them.  Yes, admittedly, these stories are fairly simple and clearly aimed at early readers (not quite the Nancy Drew Notebooks age group, but definitely younger than the original Nancy Drew Mystery Stories age group).  They are fun, and Meg is not your typical financially-secure, freedom-enjoying teenager - she is probably closer to Trixie Belden in that aspect, as her father, as well as the family housekeeper and her husband keep a close eye on Meg, and she does get in trouble when she does not listen to them.  This gives the series a bit more of a realistic feel to it, giving young readers someone with whom they can easily identify.

 

The Treasure Nobody Saw does not have an identifiable author; yet, despite what online sources say, the stories still feel rather consistent.  A slight variation in names (calling Constable Hosey "Mr. Hosey," or the Carmody children calling their dad "Father" instead of "Sir," do not really make much of a difference when the reader is focused more on the story and Meg's adventures in solving the mystery.  In this instance, the mystery starts off as one things and leads into something entirely different by the end.  With her best friend, Kerry Carmody, out of town, Meg is rather lonely and bored.  So, on a dark and stormy night when she witnesses a car driving up to the Haywood house (which is supposed to be empty, since Bud and Sally Haywood were gone for the summer for jobs), Meg smells a mystery!

 

For the first half of the book, Meg sets about uncovering the identity of the person or persons who have taken up residence at the Haywood house.  First, it was merely the car driving up.  Then there is the person she sees in an upper window.  Finally, she sees a girl not much other than her in the yard, and that is when she finds out the truth!  A traveling family was forced to stop the night of the rain because the father had taken ill, and with no place else to go, they stopped at the Haywood house - finding it unlocked and empty, they chose to stay until the father was recovered and could drive (planning to leave money for anything they used while they were there). Meg agrees to keep their stay a secret, and even helps them out by bringing them food from her own house (and don't think that does not go unnoticed by the housekeeper!).  

 

After Meg makes friends of the James family, she then learns that the family has heard strange sounds in the house, as if someone was breaking in.  Meg sets about to find out who could be breaking in and why, and what she ultimately learns is that the house contains a treasure worth as much as twenty-five thousand dollars (which would equate to more than $200,000 in today's currency!), a treasure that would greatly help out Bud and Sally Haywood, who are in danger of losing the house due to a lack of money.  This is now the second mystery in a row where Meg has uncovered a hidden treasure that helps save a family homestead.

 

As with the previous books, the internals are provided by Cliff Schule, with a new cover on the paperback painted by Olindo Giacomini.  Looking at the original cover, if one was not aware of the story inside, one would assume the picture is that of Meg and her best friend, Kerry; however, when you read the story, you realize the blond-haired girl is actually Abigail James, the daughter of the family staying in the Haywood house.  The cover for the paperback edition gives us a more dramatic scene, where Meg and Mr. James are hiding behind a curtain while the intruder is climbing in through a library window (although, admittedly, you cannot see Mr. James - you only know he is there if you read the story!).

 

A few tidbits gleaned from the story.  One is a reference to the county in which Meg resides.  Mr. Wilson mentions there are "big tree branches down all over Kenilworth County" after the big storm (p. 24); however, that is a fictitious county, as Virginia does not have a county by this name.  There are cities by that name in New Jersey and in Illinois, so perhaps the name was pulled from there.  We also get some information about Meg's mother, when Meg looks up at her mother's portrait hanging over the mantel (p. 43).  Her hair and eyes match Meg's, and the color of the dress she is wearing in the portrait even happens the match the color of Meg's outfit on that day.  Meg begins to wonder what her mother's voice sounds like, and whether Mrs. Duncan would have listened to Meg when she talked about her mysteries?  It is actually a very touching scene that will pull on the reader's heartstrings.

 

Finally, that "treasure" worth so much money - SPOILER ALERT - it turns out to be a first printing of Edgar Allan Poe's The Murders in the Rue Morgue,  which the Haywoods had in their library without ever realizing its worth.  It is odd that the book places the value of the book at $25,000, when some research online reveals the book today is only worth about $7,500, which is considerably less!  The Haywoods may very well have been in for a big shock when they eventually tried to sell the book and discovered it was not worth near as much as Mr. James claimed it was!

 

Now, about that scene I remembered as a child.  Of all of the Meg books, the only thing I could ever really remember (before re-reading them now) was a scene where Meg wanted to pretend to be sick, so she took the thermometer the housekeeper gives her and sticks it in her hot chocolate to make the temperature rise - only, it rises too high, making the housekeeper realize the ruse!  Well, this is the book where it happens, right there on page 83, as Meg is hoping to make the housekeeper and her husband think she is sick so they will let her stay home for the day and she can escape over to the Haywood house to help out the James family! Mystery of the remembered scene solved! 

 

Overall, another fun read, and at least this time, we get some more time with Thunder (Meg's Siamese cat).  Not sure why, but I absolutely love the cat as a supporting character, and I'm glad the author chose to utilize her in the story.

 

RATING:  9 cans of pineapple, tuna fish, and baked beans out of 10 for another fun little mystery that is an easy and enjoyable read! 

Meg and the Secret of the Witch's Stairway - Mystery #2 in a series

This particular book (the original hardcover version) has special meaning to me, as I purchased it at the estate sale of a very dear friend of mine - Judith Weaver.  She was a wonderful woman who amassed a large collection of mystery novels (adult, young adult, pre-teen, and juvenile) in order to open a mystery bookstore.  Unfortunately, the local government persisted in putting up roadblocks that prevented her from ever opening the store, but that did not stop her from selling the books online, by word-of-mouth, and to her friends who would come by and visit.  When her health declined to the point where she needed constant care, her daughter moved her up north and all of those books were sold at an estate sale.  This is one of the books I obtained at the estate sale, and it will also be a treasured memory of Judith Weaver, a woman with more stories in real life than all of the books in her house could ever hold!

 

The Secret of the Witch's Stairway is the second Meg Duncan mystery, first published in 1967 (the same year as the first book).  The book is not written by the same author as the first book (which was written by Gladys Baker Bond), but the story is just as enjoyable as the first.  Having helped an elderly neighbor in the first book recover her stolen diamonds, Meg and her best friend, Kerry, help a pair of elderly neighbors search for some hidden family heirlooms in this mystery.  When Meg's Uncle Harold Ashley (her mother's cousin) visits, he tells her a story about the alleged missing Ashley silver, that was hidden away back during the Civil War and never seen again.  Many believe the silver is buried somewhere on the farm owned by Clara and Jenny Ashley (even more distant cousins of Meg's mom), but no one has ever found it.  Meg and Kerry, of course, are anxious to put their detective skills to work and help Miss Clara and Miss Jenny find that the treasure that would help them save their farm!

 

The book has a number of elements that remind me of some Nancy Drew mysteries.  First, the two elderly sisters who are trying to save their farm is similar to the plot of The Hidden Staircase, where Nancy helps two older women who are being frightened into selling their estate.  Second, the Ashley sisters have a rather unique doll collection, which reminded me of The Clue in the Old Album, where an older woman Nancy is helping has a large doll collection.  In fact, both collections of dolls include a peddler doll, which comes with an assortment of tiny objects - for the Nancy Drew book, it was musical instruments, ribbons, and laces (p. 15, Old Album), while for Meg, it was a bunch of keys, a lace handkerchief, and a tiny thimble (p. 32, Witch's Stairway).  What's even more of a coincidence is that the dolls first appear and are described in the second chapter of each book - "The Doll Collector" in Old Album and "The Doll Family" in Witch's Stairway!  And, if that were not enough, it turns out that dolls hold very important clues to solving the mysteries in both books.  This leads one to wonder if the author was a fan of the Nancy Drew series, as Old Album was published some 20+ years prior to the publication of this book.

 

The mystery turns into a rather fun adventure, as the girls begin their search with the help of a young boy named Glenn who turns up with a diary of the Ashleys' ancestor that gives them clues to the location of the silver.  Some of the clever poems written by their ancestor are actually rather ingenious clues, with double meanings and secret codes that ultimately lead the youngsters to the "Witch's Stairway," a seldom used path that leads down to the river.  Meg and Kerry and their new friend fall into some unexpected danger in their final effort to find the missing treasure, and it is only with the timely help of Curly, their four-legged friend, that they are able to escape what could be certain doom!  (Funny how both this mystery and the last feature a dog that plays a pivotal role in helping the girls' solve their case!)

 

Meg's Siamese cat, Thunder, is nowhere to be seen in this book, and while Mr. and Mrs. Wilson make a brief appearance in the first chapter, they are not seen for the rest of the book.  Kerry's little brother and sister are also noticeably absent from this story, but one can assume that is because we already have a helper in the form of Glenn, who turns out to be a relative of the Ashley sisters and finds a home with his new relatives by the end of the story.

 

The internals are once again provided by Cliff Schule, who I am assuming provided the cover art for the original hardcover version as well.  As with the first book, the cover to this book is not mysterious at all and gives no hint as to the mystery itself.  In fact, to me, this original cover reminds me of a Disney-type movie poster, what with Uncle Hal driving Meg and Kerry (dressed alike!) in his old roadster (Chitty Chitty Bang Bang, anyone?).   For the paperback reprint, Olindo Giacomini again provides the cover art, which is definitely much more in-line with the mystery!  Showing an elderly woman, bent over and staring back into the dark woods where Meg and Curly are watching, the reader gets an instant feel that this mystery is going to be creepy!  This scene is pulled from the end of Chapter Six, where Meg spots an old woman with scraggly hair staring down at her from the top of the Witch's Stairway (p. 77).  While not an exact representation of what takes place on the page, it is definitely much more mysterious than the original cover art!

 

I found it somewhat amusing that Uncle Hal works in Washington, D.C., since Meg's father also works there.  Hal work in a museum, however, while Meg's father works in the government.  Of course, since Hidden Springs is said to be in Virginia, it should not be much of a surprise that they work in Washington, D.C.; it simply means that Hidden Springs must not be far from the state line.  In fact, the girls take a short trip with their Uncle Hal into the capital to search for information on an old Thomas Jefferson desk that once belonged to the Ashley sisters, hoping to find more clues as to the lost silver.

 

The story definitely holds up well and was an enjoyable read.  Simple, yet fun!

 

RATING:  9 broken wooden dolls out of 10 for an adventurous mystery filled with treasure-hunting, riddle-solving, and fortune-finding! 

Jane Withers and the Swamp Wizard - the second Whitman Authorized Edition

The second Whitman Authorized Edition mystery to feature actress Jane Withers has some easily discernible differences from the first book.  There is a different author for this book - Kathryn Heisenfelt takes over the writing chores -  you may recognize her name, as she wrote quite a few of the Whitman Authorized Editions, including mysteries starring Ann Rutherford, Ann Sheridan, Betty Grable, Bonita Granville, and even the Powers Model girl.  I have done reviews of a number of these books, and if you look back, you'll see Ms. Heisenfelt's writing has never gotten more than a 5 out of 10 (in some cases, only 4, and in one case, as low as a 3!) rating.  I am definitely not a fan of her writing, so I went into this book with quite a bit of trepidation.  The story also has no seeming relation to the previous book - there is no mention of any of the characters from the previous book, and while Jane was a student in the first book, it is implied that she is an actress in this book (just like her real-life namesake).  The tone is completely different as well - much, MUCH darker.  The question in my mind as I started reading - how bad is this going to be?

 

Jane Withers and the Swamp Wizard takes young Jane Withers to a small town named Burley (the state is left unnamed) to spend some time with her best friend, Miss Cordelia Champlin (affectionately referred to as "Cokey"), and her mother, Alice Champlin.  The two women, along with Cokey's younger brother, Eddie, have moved into a farm to start a new life.  "Dad is still in Washington," Cokey tells Jane (p. 14), adding that they do not expect to see much of him, "[b]ut then, we didn't anyway - lately" (p. 14).  Thus, with the man of the house out of the picture, and with the younger brother off-screen, so to speak, going into the next village to buy a tractor, it is just these three women left to face the mystery that lies ahead.  It begins when Cokey tells Jane about a strange feeling she got after being told of the Simmering Springs and the legend of the "Swamp Wizard" that is said to haunt the springs.  Jane puts no stock in the story, but Cokey reminds her friend that her hunches have always come true in the past, and she is certain there is trouble ahead for the girls.  Needless to say, her premonition turns out to be true.

 

As much as I have not liked any of the previous books written by Heisenfelt that I have read, this one turned out to be quite different and quite readable.  Perhaps a large part of that is because of the gothic feel she gives to the story.  The girls run an errand for Cokey's mother, and end up taking a side trip to deliver a message for a sick woman.  As they say, no good deed goes unpunished, and the girls go out of their way, get lost, and mistakenly end up in the house of a bitter woman who makes it clear she does not want them there!  But a storm is unleashed, which takes out the bridges that are the only way across the raging river, leaving Jane and Cokey stranded at this lonely old farmhouse with the woman, her cantankerous father, and her brooding son.  All three want the girls gone, insistent that the Swamp Wizard does not like strangers near the springs - which is exactly where the farmhouse is located!  Jane and Cokey are not able to rationalize this family's fear, but when they hear the strange cries in the night, and when the woman's son appears to be missing, they have to wonder if there is some supernatural force at work.

 

  

 

The gothic tropes abound in this story - the secluded house, the family with secrets, the visitors who are not wanted there, the whispers of supernatural creatures, and the dire warnings of impending doom.  The night seems to be endless, and the storm unrelenting.  The girls are shuffled off to an upstairs room at the end of the hall, with strict instructions to not leave the room.  Of course, Jane is much too curious to remain locked in the room, and she and Cokey venture out in the hopes of learning some of the secrets behind the animosity this family had towards them and why they are so afraid of a superstitious wives' tale about a wizard in the swamp.  Heisenfelt does a decent job of building up the tension, of keeping the secrets right there on the edge of everyone's thoughts, and instilling terror in her characters, leaving the reader to wonder who really is the bad guy of this tale. There is even a scene where the woman's father takes the girls to the edge of the springs, claiming he wants them to understand why they need to leave and never come back - but Cokey loses her balance (or was she pushed?) and nearly falls into the deadly quicksand that makes up the swampy springs!  This scene is depicted on the endpages, with Jane reaching out desperately to save her friend!

 

The conclusion builds up nicely, as the secrets are not so quickly revealed, even after Cokey's mother finally arrives with some others, who were out searching for the missing girls (remember - they had simply gone on an errand to buy eggs, yet never came home for more than 24 hours!).  These villagers, who know the woman, are given the same harsh welcome that Jane and Cokey endured, and it is from the most unlikely of sources that the truth behind the Swamp Wizard is finally revealed. Once that truth comes out, and once the secrets of the past are laid bare, the woman is finally freed from all that has been haunting her for so many years, and Heisenfelt provides a very satisfying conclusion to the story and its characters.  The book even concludes with Jane observing that, "I've a hunch we're going to have a lot of fun this summer!" (p. 248).

 

Henry E. Vallely, who has provided the art for so many of these Whitman Authorized Editions, does the line illustrations for this book.  For this, I am glad, as he does a fantastic job of drawing expressions that help strengthen the scene depicted, so that even if there were no words given, you would get the impression of what was going on.  In one such instance, where Jane has left the upstairs bedroom to learn more about the secrets of this hose, Vallely shows Jane hiding behind the couch as Alma Frieson and her father prowl around in the night - just by looking at Jane's face, you can see the fear she feels at the thought of being discovered; while, at the same time, the harsh expressions on Mrs. Frieson and her father give you a clear sense of just how fierce this family can be. The mood created fits perfectly with the gothic nature of the story, and I can't imagine a better artist to provide the illustrations for this one than Vallely.

 

This was an unexpectedly good book to read, and I was pleasantly surprised at how much I enjoyed it.  Now I am curious as to the third Jane Withers mystery, as it is written by yet another author (Roy J. Snell) - I wonder how it will compare to these first two...

 

RATING:  9 bowls of strawberry preserves out of 10 for a suspenseful story of gothic terror mixed with young adult mystery. 

Jane Withers and the Hidden Room - the first Whitman Authorized Edition

While most of the books in the Whitman Authorized Editions are single-issued books, there were a few in the line that gave the characters two books - such as Shirley Temple, Deanna Durbin, and Betty Grable.  However, once actress was fortunate enough to get three books, published one a year from 1942 to 1944, and that was Jane Withers (1926 - 2021).  Now, I'll be honest, before getting these books, I had never even heard of Jane Withers before, let alone did I know who she was.  Upon performing a bit of researched, I was surprised to learn she was an extremely popular child star in Hollywood in the 1930s and early 1940s.  I was even more surprised to find that she was "Josephine the Plumber" in those old Comet cleanser commercials on television!  These three books from Whitman seem to have been published just as Withers' childhood fame was starting to die down, so it is interesting that of all the actors and actresses who had books published using their name, she is the only one to have received three!

 

Jane Withers and the Hidden Room was written by Eleanor Packer - and this was Ms. Packer's only contribution to the Whitman Authorized Editions.  The "hidden room" of the title is a bit misleading, as it is not necessarily hidden (since it is easily seen from the outside), but it is a room that is only accessible from the inside by going through a hidden panel in the back of a closet or from outside by clicking a secret release under the ledge of the window.  However, it is what is kept in that room, who is using the room, and why access to the room is so obscure that create the real mystery for this book.  The room, in fact, does not really come into play until nearly half-way through the story!

 

The book actually opens innocently enough, with you Jane Withers arriving by train in the small city of Hollytown-on-the-Hudson. (NOTE - there is no such city; yet, oddly enough, there are two special events that take place with similar names: (1) "Holi on the Hudson" is a Hindu festival that celebrates love, goodness, and renewal; and (2) "Hooley on the Hudson" is an Irish festival that celebrates their culture and heritage. It seems both celebrations on the Hudson River are relatively recent, so it is unlikely the author was inspired by either for the name of her fictional town.)  Jane has returned late from her summer vacation in California due to illness, so she has a lot to catch up on now that she is back at Holly Hall, the "school for young ladies" that is Hollytown's greatest pride (p. 16).  This includes the new professor of Romantic Languages, Paul Berthon.  According to Jane's best friend, Ellin Dwyer, the teacher is the talk of the school, as all of the students (and some of the teachers) are quite smitten with the handsome man.  Jane, however, is more worried about catching up on all of her missed schoolwork rather than silly, girlish crushes on a new teacher.

 

Holly Hall reminds me quite a bit of Starhurst School for Girls from the Dana Girls series.  Both are prestigious schools for young ladies; both are run by a stern, but fair older lady (in this instance, Miss Abigail the second heads up the school; her aunt, Miss Abigail the first, was the previous mistress of Holly Hall until her death); and both have students who become amateur sleuths who fall upon mysteries that must be solved.  While the Dana sisters are both involved in solving the mysteries, in this instance, Jane is on her own - even though her best friend Ellin is in the picture, she does not actually become involved in the mystery.  As this book was published in 1942, some eight years after the first Dana Girls books were published, perhaps Packer was influenced by the Dana Girls series (and numerous other girls series from that era and before that were sent in girls' schools).  

In any event, the mystery begins when Miss Abigail announces some of her jewelry was stolen from her room at the school.  When one of the missing earrings is found under Jane's hatbox in her room, Jane's inquisitive mind kicks into gear.  How did it get there?  Who could have dropped it?  The mystery deepens when Jane is invited to join Ellin at her parents' home for the weekend, and the new teacher, Paul Berthon, and his sister, Lucienne, are also there - and shortly after the visit, the Dwyers' jewels are stolen from their safe!  Jane begins to have suspicions about Professor Berthon and his sister, but Ellin and her parents dismiss them.  Yet, when Jane and Ellin are guests at the professor's cottage, Jane happens upon a small jewel case under the cushion of her chair, which only strengthens Jane's distrust of the professor and his sister.  She is determined to uncover the truth, so she goes to confront her professor - but, instead, she stumbles upon a sinister plot much greater than she had originally thought and becomes the captive of a group of ruthless criminals!

 

The story was actually one of the best of the Whitman Authorized Editions I have read to date.  A strong plot, a very likeable main character, and plenty of danger, excitement, and mystery to keep the story moving at a good pace.  There are definitely some more adult themes to this story, though.  The constant threat of death looming over Jane while held captive by the criminals keeps it very suspenseful, and the fact that they repeatedly make it clear the school's caretaker was "already taken care of" only strengthens the reader's belief that Jane's fate is sealed.  "The little black boy won't never talk again," one crook comments (p. 142); but a more insulting comment is made shortly thereafter, when the same crook sneers and remarks, "You didn't wait to let the Chief decide when you got rid of that darkie" (p. 143).  This kind of comment reminds readers how dated the book is.

 

In addition, Lucienne's rather sarcastic comment to her brother when referring to all of the schoolgirls who have a crush on him, calling him "my gay Lothario," has some very adult undertones, since Lothario often refers to a man who acts very irresponsibly with regard to his sexual relationships with women (which stems from a character of this nature from the 1703 Nicholas Rowe tragedy, The Fair Penitent).  I am surprised such a reference would have been allowed in a book intended for children and young adults to read back in the 1940s!

 

Aside from that, the book was a great read.  It is illustrated by Henrey E. Vallely, who seems to have provided illustrations for a large number of the Whitman Authorized Editions, for which I am glad, as he provides some very beautiful illustrations. The only negative observation I have to make (and it's not about his actual artwork, but rather, about the scene he draws) is with regard to the end pages.  This is not the first book where the end pages provides a dramatic scene which actually spoils the story if you pay attention to it before you actually read any of the book - stories about Ginger Rogers, Betty Grable, and Ann Sheridan also showcased art on their end pages that revealed dramatic moments, either from the end of those particular stories, or from climactic moments that revealed important elements of the story.  Not sure why Whitman would choose these particular scenes, but they should come with a "spoiler alert"!

 

After reading this first Jane Withers mystery, I am anxiously looking forward to the next two - especially since they are not written by the same author as this one, and I'll be curious to see in what direction they take the title character.

 

RATING:  10 little gold typewriter charms out of 10 for a well-written mystery that is pretty much on par with the Nancy Drew and Dana Girls mysteries being published around the same time!

Mystery at Redtop Hill - a Whitman tween-age book

This is one of those rare one-off books that I picked up because I had seen it often enough in used book stores and antique malls, and I'd seen enough people mention it online, that I decided I might as well give it a try.  Finding a copy of the book in good condition is not easy, as the Whitman hardcover books had a tendency to come apart fairly easy.  Thankfully, I found one that, even though it has some bumps on the top and bottom of the spine, is still tightly bound with crisp, clean pages and a brightly colored cover.  I was not really sure what to expect with the story, as I literally knew nothing about it, other than the cover that shows three youngsters watching a car coming up the road - oh, and the fact it is labeled as "A Whitman Tween-Age Book."  This phrase, according to the first page (before even the title page!), is an "In-between books for in-between readers" - or, as described in the back of the book: "Not too easy, Not too hard, Just LOTS OF FUN!"  And quite frankly, I think that is the perfect description for this book.

Mystery at Redtop Hill is the story of Steve Lambert, his best friend, Tod Wilson, and Tod's annoying little sister, Nancy.  In the story, the Lamberts and the Wilsons spend every summer in the country hills of New York on property they bought from Major Clyde Elting, a widower whose own farmhouse is in disrepair and who never leaves his house.  Until now!  And this is where the mystery begins for these three youngsters.  A mysterious stranger has come to the area, and he makes frequent visits to Major Clyde's farm, sometimes taking the Major away for a bit before bringing him back.  The children are curious, so they spy on the meetings, hoping to figure out what is going on.  The Major enjoys having the children visit his farm each summer, but this stranger takes an instant disliking to them (and that feeling is mutual!).  Sure enough, the kids uncover a clue that reveals the true nature of the stranger's visits, and it is up to them to save Major Clyde from making a huge mistake.

The mystery is not overly complicated, and it's not one that needs numerous clues for the children to solve the case.  Rather, it is a simple case of a stranger trying to trick an aging man into selling him his property so he can renovate it into something he deems to be more profitable for the times.  The author, Marjory Schwalje, is new to me.  It turns out she has written a number of books for young readers (including a few Raggedy Ann and Andy books), with this one being the only one I see for "in-between" readers.  I found her obituary online, revealing she died in 2012.  She was a teacher and freelance writer, having authored more than 20 books, and she was also a Braille transcriber.  Her writing style is clear and concise, and she manages to give each of her characters a distinct personality that make the story enjoyable to read.

The book is illustrated by Charles Greer, who I recognize as having illustrated some of the Miss Pickerell books that I read growing up.  There are a number of full-page illustrations in the book, as well as several two-page, color spreads that add some life to the story.  The drawings are a bit rough and cartoony, but they are fun, and let's face it - that's what this story is intended to be. 

One thing about the story that did bring a smile to my face is the fact that the nearest town to Redtop Hill in the story happens to be Cooperstown, New York!  Having just visited there myself last year, it was fun to read yet another story set around the area.  At one point, the children even go with their mothers to Cooperstown, where they take a boat tour on Lake Otsego, and the captain of the boat provides a brief history of the lake's name, as well as points out the mountain, known as The Sleeping Lion, at the northern end of the lake (p. 81)!  It turns out this book, published in 1965, came out seven years before the Nancy Drew book set in the same location (The Secret of Mirror Bay).

Taking into consideration the age group the book is aimed at, I'd say the author did a great job telling a fun, enjoyable, easy-to-read story.

RATING:  8 large brown stoneware crocks out of 10 for a mystery worth the read for book lovers of any age.

Whitman Mystery Stories - April Kane and the Dragon Lady (a Terry and the Pirates Adventure)

I have, of course, heard of Terry and the Pirates over the years, but honestly, I've never read it.  I know that Terry and the Pirates was a newspaper comic strip created by Milton Caniff.  Looking it up online, I see the strip ran from October 1934 to February 1973.  Caniff left the strip in 1946, however, as Terry and the Pirates was owned by Chicago Tribune New York Times Syndicate and lacking any creative control over the strip, he went on to create his own work with a strip called Steve Canyon.  Terry and the Pirates went on under other writers and artists until it ended in 1973.  In recent years, I became aware that Whitman offered up a book in its line of "Authorized Editions" based on the comic strip, so when I found a copy in dust jacket, I picked it up.

April Kane and the Dragon Lady was published in 1942, just a few years before Caniff left the newspaper strip.  As with the other Whitman Authorized Editions that are based on comic strips, the book does not attribute any writer or artist to the book; however, on the copyright page, it does indicate the internal illustrations are "adapted" from the comic strip itself.  This might hint at Caniff himself being the artist and, possibly, the writer; or, it could be that the story is taken from one that ran in the newspaper strip and the illustrations are simply panels from that ongoing tale.  Having never read the comic strip, I cannot say for sure one way or the other.  The cover makes Terry and April appear to be children; the interior illustrations, thankfully, give them a somewhat older appearance.

I was not really sure what to expect from the story.  I had always assumed the "and the Pirates" portion of the name of the strip meant that Terry had a group of pirates that he went around with; but, I quickly learned this is not the case.  The "pirates" are actually the villains he fought against, with his trusty gang: his trusted friend, Pat Ryan; his Chinese helper, Connie; his silent strongman, Big Stoop; and, of course, his love interest, April Kane.  While the title of the book is April Kane and the Dragon Lady, the story would actually be more aptly titled "Terry and the Dragon Lady."  Based on the title alone, I had expected April to be the main character of the story, but, alas, that is no the case.  Terry is actually the main character - it is he who meets up with the Dragon Lady; it is he who takes dancing lessons in secret from the Dragon Lady so he can take April to an important ball; it is he who rushes to the aid of the Dragon Lady; and it is he who gets gravely injured during a battle on behalf of the Dragon Lady.

That's not to say April is not in the story.  But she is mostly a supporting cast member who is there to play nursemaid to Terry after he is hurt, and to help Pat recover after he defeats the villainous Klang during a cliff side fight.  It was disappointing not to see more of April, and more particularly, not to see her portrayed as a strong-willed heroine who is not dependent on the men to rescue her.  In fact, it is the Dragon Lady who seems to made of sterner stuff, and while she teeters between good and evil, it is clear that she is not dependent on anyone and can handle herself in any situation.  The way she handles the men who serve her, the way she confronts the enemy, and the way she does not hesitate to punish anyone who disobeys her - she is a definite leader, not a follower.  I almost wish the author had given us readers a bit more of the back story with her and Terry's gang, as it is evident Pat is familiar with her, as he speaks so comfortably with her, like no one else would dare.  

The one character in the story who kept me guessing was Deeth Crispin III.  The son of an important businessman, it is Deeth who ultimately takes April to the ball, albeit for the sole purpose of making Terry jealous (just as Terry takes the Dragon Lady to the ball in the hopes of making April jealous!).  Deeth ends up getting sucked into the adventure, as the Dragon Lady takes Terry, April, and Deeth hostage, flying them to a distant land where she plans to abandon them.  Deeth seems to lack courage at every turn - but when the final battle takes place, it is Deeth who sneaks away in the hopes of finding a way to save April, Terry, and the gang.  And it is Deeth who takes a bullet that potentially costs him his life - the only problem is, we never find out!  The book leaves so many things unfinished - does Deeth die?  Do Pat and April reunite with Terry and the gang?  Where did the Dragon Lady go?  A very unsatisfying ending to the story, that's for sure!

For an adventure story, I'd say the book was a fairly good read.  It was not a mystery, so if that's what you are looking for, you can pass by this one.  Not one of the best Whitman stories I've read, but by far, not one of the worst.

RATING:  6 glasses of poisoned punch out of 10 for not being afraid to put these characters in some very life-threatening situations and giving them the courage to make it through!

Whitman Mystery Stories - Ann Sheridan and the Sign of the Sphinx

I suppose I'm a glutton for punishment, because I decided to read yet another Whitman Authorized Edition written by Kathryn Heisenfelt.  The previous three books I have read by her have been less than stellar, and, in fact, it seems the more I read, the worse they become.  I honestly cannot figure out why Whitman utilized her as a writer for these books, particularly the authorized editions that were using the names and likenesses of relatively big name stars from that time (such as Bonita Granville, Betty Grable, Ann Sheridan, and others).  I have to wonder if any of these stars actually read the books using their names, and if so, what they thought of the stories.

Ann Sheridan and the Sign of the Sphinx has a fairly dark mystery to it.  Ann has come to the town of Coreyville to visit her friend, Tess Whitehouse, who owns a beauty parlor in town.  But, from the moment of her arrival, she can tell something is off.  The employees seem worried, and while Tess tries to play if off, Ann senses something is very wrong.  She quickly discovers that Tess's business partner, Gail De Lane, has given her notice and is leaving the business!  What's worse is the reason she is leaving - she is worried about her sister, who she believes to be missing!  Ann finds herself thrust into the middle of helping Tess and Gail, where she discovers that Lacey De Lane has become involved in some kind of cult that uses a poorly drawn sphinx as its symbol.  Ann is not sure who she can trust - the De Lanes' neighbor?  His rather brusque nephew?  The parlor's assistant?  All of these supporting cast come across as suspicious, and quite frankly, it's not easy for the reader to discern who is really on the up-and-up.

As with any mystery involving a "cult," they are, in reality, nothing more than con men, determined to swindle people out of their fortunes and leave them high-and-dry!  Only, this cult intends to do more than that - they don't believe in leaving behind witnesses!  Probably the best thing about this story is the final few chapters, where Ann and the nephew, Charles Boyden (also known as "Crunch"), sneak into an abandoned hotel that was never finished and try to put a stop to the cult's actions before Lacey, and the others being swindled, are sent to their deaths in a deep pool at the heart of the hotel!  Ann has to overcome her fears to create a distraction so that Crunch can rescue the women - and boy, she definitely creates a distraction!

Now, since we are talking about Ann's fears, let me say that this entire book seems to be mostly about Ann's fears.  Heisenfelt goes on for page after page with Ann's inner dialogue and her fears -her fear of going into the apartment building where Lacey might be; her fear of going back into the beauty parlor to pick up some papers; hear fear of climbing the stairs; her fear of getting into a car with Crunch; her fear of going into the dark hotel; etc., etc.  It becomes very tiresome that in order to get to any actual scenes of action, we are forced to read pages of fear-filled thoughts and feelings running through Ann's head.  It makes me wonder if Heisenfelt believed this was the best way to create tension and suspense in her writing, by giving her title characters unfounded fears, and then just rehashing them over and over until the action finally occurs, revealing the fears to be baseless (in most cases, but not all).  It becomes almost like the boy who cried wolf, as the readers starts doubting anything is going to happen every time Ann's inner dialogue goes to work in building up fear of what might be about to happen.

 

One thing that did surprise me about the story was the fact that Ann Sheridan was actually written as the actress, rather than just a character of the same name.  In other Whitman Authorized Editions, the "star" is not actually a movie star in the story, but rather, simply a character with that name.  In this book, however, the supporting cast immediately recognize Ann as the film star that she is, and there's even comments about her stardom and how she handles it.  

 

At least one saving grace about the book is the art.  Henry E. Vallely, who did art on a number of other Whitman titles, provides some beautiful line drawings that are a few of the only redeeming qualities for the book.  The end pages show a fantastic scene of Ann and Crunch getting ready to jump into action to save the women from the cult - which, as with other Whitman books, reveals part of the climactic scene, spoiling some of the story for readers (if they actually pay attention to the end pages before they start reading!).  

Of the 23 illustrations throughout the book, though, I'd have to say my favorite is probably the one on page 175.  The drawing depicts the unfinished hotel at night, where all that can be seen is the shadowy outline of the crumbling building, with only one light shining through a slim window and a full moon in the sky overhead.  It creates an eerie scene, and certainly relies on the gothic to project fear into the reader's mind.  And while I do really love the image, I am somewhat confused as to why the publisher placed it at this point of the story.  The tag underneath the illustration reads, "The windows glowered at them."  This comes from the previous page, 174, where Ann and Crunch had come up to the Stop-Off, a food stand that was the place where they would catch the trail to lead them to the abandoned hotel.  Ann is looking at the Stop-Off, not the actual hotel, when this line is applied, and so it begs the question of why Vallely drew the hotel for this illustration instead of a food stand.  Or did the publisher merely put the picture in the wrong place, tagging it with a line they thought might fit.  In either case, it doesn't fit the story here.

The remainder of the illustrations, though, are also beautifully rendered, and Ann looks absolutely stunning.  I give Vallely props for keeping Ann's clothes consistent from the one drawing to the next, including the rather ostentatious hat she is wearing at the beginning of the story!  The drawing on page 209, where Ann and Crunch are eavesdropping on two of the cult leaders, looks like it could have been drawn for a move poster!  You can actually "feel" the action in that scene.  I think that is part of the reason I like Vallely's illustrations so much, in that they come alive in most cases, and it feels like a moving scene rather than a two-dimensional drawing.

It took me a bit longer than normal to work my way through this story, mostly because I had to force my way past all of the repetitious "what's going to happen?" and "should I do this?" and "why am I doing this?" and "I must go on, but I'm scared!"  I suppose the big finale was at least a sort-of payoff for sitting through the rest of the book - but this is definitely not one of the Whitmans I would recommend.

RATING:  4 white-robed figures carrying candles out of 10 for at least making the reader question the motive of a number of the characters, so as not to give away the identity of the actual culprits too early in the story.

Whitman Mystery Stories - Ginger Rogers and The Riddle of the Scarlet Cloak

While I am familiar with the name of Ginger Rogers (knowing she was an actress back in the day), I am honestly not at all familiar with her work.  I don't believe I have ever seen a movie with her in it, nor do I really know anything at about her life - other than the fact she was paired with Fred Astaire in a number of films.  Thus, going into this book, I had absolutely no preconceived ideas about the character; however, after reading the book, I get the impression Whitman, as with the other authorized editions I've read, is simply using the actress's name and the story is not intended to represent Ms. Rogers as she was in real life.  What is surprising about this book is that it is written by Lela E. Rogers, who, as it turns out, is the mother of actress Ginger Rogers!  How often does a parent get to write a fictional story about their own child?

Ginger Rogers and the Riddle of the Scarlet Cloak was published in 1942, and so it should come as no surprise that the plot of the story revolves heavily around World War II.  The "Ginger Rogers" in this book is not an actress, but rather, she is a night telephone operator at a posh hotel located on the California coast.  A beautiful young woman, she is the envy of every woman around her, and she is pursued by all of the men who stay at the hotel (as well as the young neighbor, for whom her mother is always trying to match her up!).  It's all of this attention that ultimately lands poor Ginger right in the thick of things.  She gets roped into going on a date with a man of whom she is not that fond, but she is willing to give him a chance.  Before the date, however, she receives an anonymous gift of a beautiful scarlet cloak.  Her date asks ... no, begs ... no, he quite literally demands that she wear the cloak for their date (movie and dinner after), and it is at this point that I realize the direction the mystery is going to take.

Thus begins a story of spies and romance, as Ginger notices the strange man watching her in the movie theater, she observes her date drop a cigarette package that is picked up (and swapped!) by that strange man, gets abandoned at the restaurant by her date, and ultimately, with the aid of the man she really likes and one of the hotel guests, finds her evening date left for dead behind the hotel!  There is clearly a lot more going on that what she first thought, and Ginger soon learns that all the men around her are harboring secrets.  Who can she trust, and who is an enemy spy?  Lela Rogers writes a crafty tale of mystery, as Ginger must use her wits and intuition to figure out what is really going on and what she can do in order to stop the plans that are being put in motion!

The romance side of the story does not take away from the mystery at all - in fact, in some ways, it enhances the story, as the romance has a mystery of its own!  Ginger's mother is dead set against her daughter dating any man of wealth, and it just so happens that Gregg, the man Ginger likes (and decides to marry after only one date!), is one of those men.  But she will not tell Ginger why she is so against rich men, and the reader is left to surmise that it has something to do with Ginger's missing father (who is not on the scene, and about whom Ginger's mother will not talk).  Well, what would one of these children's books be without coincidences - and sure enough, it turns out Gregg not only knows Ginger's father, but he knows where the man can be found!  So, daughter and father are reunited after so many years apart, and Ginger is left to figure out how to restore her parents' marriage, while at the same time, figure out how to stop the enemy spies from stealing the plans from the nearby military factory!

The book is filled with illustrations (22 of them, in fact!) by Henry E. Vallely, who provided illustrations for quite a few of the Whitman books.  He does a great job of capturing Ginger Roger's look, from the style of her hair to the way her smile just lights up her face (which is a pretty good feat, considering the illustrations are simply black-and-white line drawings).  None of the pictures depict overly dramatic scenes, and for the matter, the only one that actually has any "action" to it is the final one on page 237, in which one of the spies demands to know the price it will take for Ginger to tell him all she knows.  Otherwise, the other illustrations are rather tame scenes of Ginger at her night desk, or talking with her mother, or other such mundane scenes.  It's a good thing the story is filled with the suspense it is, as the pictures add no excitement whatsoever to the book (but they are beautifully rendered).

 

Okay, I do have to take back what I just said - as I completely forgot about the end pages at the front and back of the book.  This is definitely a dramatic scene, and surprisingly, it is the very climax of the story, when Ginger is taken by the criminals and very nearly led to her demise!  The scene is taken from the cliffhanger at the end of Chapter 15, before the final chapter brings the story to its satisfying conclusion.  While it definitely gives readers some excitement to look forward to, I am rather surprised they would spoil the final edge-of-your-seat moments with splashing it on the end pages like this.

Overall, this was a very enjoyable read, and made all the more surprising by the fact the main character's real-life mother wrote the book!

RATING:  9 folded bits of paper out of 10 for taking a well-known actress, placing her in a mundane setting, and creating a well-written mystery filled with suspense, romance, and at times, danger!

Whitman Mystery Stories - Joyce of the Secret Squadron (A Captain Midnight Adventure)

The Whitman Publishing Company definitely put out plenty of self-contained mysteries for children back in the day, and it's clear that quite a few of them were "authorized editions," containing stories about licensed characters and actual actors and actresses.  I have read several of them already, starring actresses such as Bonita Granville and Betty Grable, as well as fictional characters as such Tillie the Toiler, Boots, and Invisible Scarlet O'Neil, and for the most part, they have been pretty good.  So, whenever I'm out and about, and I see any Whitman books with fairly decent dust jackets (they don't have to be perfect), I pick them up.  This book is one of my more recent finds, and while it is no much of a mystery, it was still a fairly okay read.

Joyce of the Secret Squadron is based on the old radio show, Captain Midnight (as the tagline on the cover of the book indicates - A Captain Midnight Adventure).  While I had heard the name before, I had never actually listened to any episodes of the show, nor had I watched any of the televisions shows or films based on the character.  I also had never read any of his comic book adventures published by Fawcett Publications back in the day.  So, I went into this story with pretty much no knowledge of the characters.  Which is probably a good thing, as it gave me a fresh perspective on all of them.  What I did find interesting is that even though Joyce Ryan is toted as the main character, based on the title and the photo of one of the actresses who played the character on the radio show, she does not necessarily play a prominent part in the story.  In fact, none of the characters seem to be the "main" character - rather, Captain Midnight, Chuck Ramsay (the Captain's young ward), Joyce Ryan, and Ichabod "Ikky" Mudd (the team's mechanic) all seem to share some equal time in the story.  Thus, in effect, this really is more of a Captain Midnight adventure than a Joyce Ryan story.

As for the story itself, it is definitely more of a war tale than a mystery.  Set near the start of World War II (the book was published in 1942, after all), the Secret Squadron are engaged by the United States government to search for the missing Flying Wing - an experimental plane believed to have gone down somewhere in the Pacific, possibly near the islands where Captain Midnight and his team have their secret base.  The Captain and his team - Joyce, Chuck, and Ikky - are only more than willing to help out their government, but they find themselves first having to help Mrs. F. W. Bosmouth, who happens to be searching for her missing brother in the same area of the Pacific.  What the Captain and his gang do not realize is that Mrs. Bosmouth is actually Carla Rotan, an agent of the Barracuda, Captain Midnight's deadly nemesis.  She has been tasked with the job of not only finding the Secret Squadron's hidden base, but also to find out what they knew of the Flying Wing.  The Barracuda's forces descend upon the Secret Squadron while Carla is there, hoping to convince the Captain that she is sincere, but Joyce has her doubts about the woman - and let's face it, a woman's intuition is rarely wrong!

From here, the story becomes a search and (hopefully) rescue mission, as the Captain, Joyce, Chuck, and Ikky fly out to search the Pacific Islands for the lost Flying Wing.  They eventually locate an island, where they land and begin their search - only to face the arrival of Mrs. Bosmouth and her pilot, as well as a boat filled with some very rough men.  Joyce and Chuck come across a crashed plane, but it is not the one they are looking for - rather, it's an even older plane, whose pilot they discover has been living isolated on the island for fifteen years!  Between their distrust of Mrs. Bosmouth, their fight to keep the ruffians at bay, and their attempts to help the stranded pilot, the Secret Squadron team has their hands full.  Needless to say, all is revealed in the end, and there is even a surprising change of heart for one of the villainous characters, who provides much needed aid to the Captain and his team (this, thanks to the quick-thinking and persuasive talk of young Joyce Ryan).  There are a few air battles, ground battles, and even a battle on the ocean to keep the "excitement" in the story, and while Joyce is somewhat timid during these battles, she definitely proves her worth to the team throughout the book.

 

One thing that must be noted is that the story is definitely a product of its time, having been written not too long after the U.S. became involved in World War II.  There is some very "colorful" language used to describe the United States' enemies of the time, and the characters' references to them would certainly raise a lot of outrage in today's overly sensitive society.  But, when placed in the proper context, these derogatory names are actually appropriate, as it is what people would have called them back in the early 1940s.  Therefore, it's important to read the story with its setting and context in mind.

 

The author, R.R. Winterbotham (1904-71) was a newspaperman turned author, and he wrote several books for Whitman Publishing Company (apparently writing at least 60 books in the Big Little format, including a series of those books about a character called "Maximo, the Amazing Superman," which I will need to track down).  In addition to this Captain Midnight novel, he also wrote a Captain Midnight story in the Big Little format.  The art in this book is by Erwin L. Darwin (1906-77), which I discovered is a pseudonym for Erwin L. Hess.  Before illustrating books for Whitman, Hess was a comic book artist for Dell Publications.  While his art is not what I would call "beautiful," like some of the other artists I have seen in the Whitman books, I think his almost cartoon-style art fits for the characters.  And that is one thing I do have to say the Whitman books have going for them, at least in my opinion - they have plenty of interior illustrations and some truly great end pages.  I wish the books of today would take a page out of the books of yesteryear and give readers some great illustrations to compliment the stories!

While not really a mystery, I do think this book makes a great addition to the Whitman authorized editions and Whitman's collection of "Stories for Girls and Boys featuring your favorite characters."

RATING:  7 brand new Codographs out of 10 for

Whitman Mystery Stories - Betty Grable and the House with the Iron Shutters

I am amazed at just how unique and, often times, quite good these Whitman mysteries for boys and girls are.  I spent years passing them over, because I assumed they were of inferior nature to the Grosset & Dunlap and Cupples & Leon series, simply based on their fragile paper and their less than stellar cover art.  But as I've begun reading some of them, I'm learning that they are nowhere near as bad as I thought they were!  Yes, the paper is very fragile, so I have to be very careful reading them (since many of them are well over 6o and 70 years old!), and the cover art is not necessarily as beautifully painted as some of the ones by G&D or C&L.  But some of the stories have been just as well written, in a few cases more so, than the more popular series books.  This one, however, is not one of those.

Betty Grable and The House with the Iron Shutters is one of the "Whitman Authorized Editions," which are mysteries featuring film stars who were rather famous at the time.   The Bonita Granville book I read some time ago was rather enjoyable, and the Quiz Kids mystery was a lot of fun.  So, when I picked this one up, I had fairly high hopes.  Now, mind you, while I recognized the name Betty Grable, I honestly had no idea who she was.  I just knew she was an actress back in the day.  Thus, using that handy-dandy information resource otherwise known as the Internet, I looked her up.  Betty Grable (1916-1973) was more than just an actress, it seems - she was also a pin-up girl, a dancer, a model, and a singer.  In 1943, when this book was published, she would have been 27 years old and has starred in more than 40 films!  That's quite a career.  And she did plenty more movies afterward, so one can assume that this book came out during the height of Grable's popularity.

The story is written by Kathryn Heisenfelt, who wrote a number of these authorized stories for Whitman.  I've read her Bonita Granville, and I have several other of her books (Jane Withers, Shirley Temple).   Her Bonita Granville story was pretty enjoyable, so I expected the same here.  What I found, though, was a somewhat lackluster tale that tried to create drama and suspense by dragging out scenes unnecessarily too long and a plot that was haphazard at best.  This book does not at all compare to the Bonita Granville story, which is a shame.

The story opens with Betty and her friend, Loys Lester, on a unique vacation, wherein they have no set plans, but just travel from place to place by pulling out a map and blindly selecting their next destination.  I had never seen the name "Loys" before, and thought it rather unusual.  I looked it up and discovered it is of Greek origin, and is equivalent to the American version of "Lois."  At any rate, as they are preparing to leave the hotel, Betty realizes they are not far from a city where a friend lives, so she suggests going to visit the friend - but, first, she wants to find an antique gift to bring her friend.  The owner of the hotel and his wife, who both act rather shady, inform Betty that an old woman and her sister who reside in a formerly grand house up on the hill are selling off their antique furnishings, and the wife agrees to take the girls there.  The woman drops them off in front of the house (that has definitely seen better days!), but she refuses to go inside, saying something about a quarrel with one of the sisters.  Betty and Loys are suspicious, but needing to find a gift, they go inside, where they meet one of the sisters, Miss Ardeeta Dewitt (a/k/a Miss Deeta), and her housekeeper, Mercy.  The woman does not seem happy about selling anything, but she is willing to do so - at least, until her sister, Miss Cherry Dewitt, comes downstairs.  Betty and Loys can feel the tension between the two.  Finding the whole situation uncomfortable, Betty and Loys decide to leave - only, the wife of the hotel owner is gone, leaving them stranded at the house!  And thus begins the mystery.

From here, the story becomes not only stranger, but a bit convoluted ads well.  It seems the housekeeper is afraid a ghost seen on the premises - a women dressed in white - and the Dewitt sisters confess things have been taken from the house.  When a treasured bowl (one that Betty was interested in buying) goes missing, Miss Cherry blames the girls and locks them in an upstairs bedroom that has iron shutters on the window so they can't escape!  Betty and Loys do not want to stay trapped in the room, but they cannot convince the sisters that they did not steal the bowl.  Through a trap door in the ceiling, Betty climbs into the attic, out through a small window, and down the vines on the side of the house.  She  thinks of taking the car in the garage, but not only does she not find a car, but she stumbles upon a strange and gnarled old woman (Betty thinks she is a witch!) who seems to be taking things from the garage.  She sees Betty and things Betty is the ghost!  There's a lot of back-and-forth, misunderstandings, near-misses, and the sudden appearance of a strange man who takes Betty back into the house through the basement and forces her to help him see Miss Deeta.  The story drags considerably here as Betty tries to silently steal her way back up the stairs and find Miss Deeta, but nearly gets caught and has to hide in a closet - where someone nearly finds her when they reach in to hide the supposedly stolen bowl!  Everything eventually comes out, the woman in white is revealed not to be a ghost, the thief confesses, and Betty and Loys learn the truth about what is really going on in that house with the iron shutters.

Perhaps the story would not have been so hard to read had Heisenfelt not taken literal chapters (and I mean a LOT more than one) to tell the adventure of Betty after she escapes through the attic.  I had to force myself to keep reading, wondering when Betty would quit questioning everything, second guessing herself on every decision, and just bravely move forward.  Usually, the title characters in these books are very strong-willed and determined young women, but Betty Grable in this book comes across in most instances as very timid and weak.  That, coupled with the not-so-fantastic mystery of "who stole the bowl" (which really is not too hard to figure out), led to me not enjoying this book as much as I had hoped I would. 

 

There was one line in the book that did bring a smile to my face, though.  When Betty and Loys are first locked in the shuttered bedroom, Loys voices her opinion that Miss Deeta and Mercy are scared of Miss Cherry.  "Well aren't they?" Loys pursued. "Don't you wonder why the two of them don't grab the old witch and throw her into the oven--?" (p. 115). This nice little nod to the fairy tale story of Hansel and Gretel and how they escaped the witch holding them captive was a cute reference.  Unfortunately, that one moment did not make up for how much the rest of the story lacked.  Hopefully this is an exception to these Whitman Authorized Editions, and other books will prove better.

 

Before I sign off, I must mention the interior illustrations.  The line drawings, by Henry E. Vallely, are beautifully rendered.  Vallely provided illustrations for a number of the Whitman books, and his drawings are very detailed - just look at the wallpaper in the background of page 63, even the ornate frame around the picture on the wall.  And, for the most part, his people are very nicely drawn - but his rendition of Miss Cherry is  - well, there's no polite way to put it.  She looks like a man dressing up as a woman!  Not sure if Vallely did that intentionally to try and define her character in the illustrations, or if he just simply wanted to draw her so drastically different from her sister.  In either event, she is as horrible in the illustrations as she is in the story! It's interesting to note that the end pages (at the front and back of the book) set forth a scene that actually occurs pretty much at the end of the story - thankfully, there is no clue in the picture that reveals the identity of the ghost, the thief, or even the strangers.  I just found it odd that is the scene the publisher would pick to display on the end pages.

RATING:5 genuine Amelung sapphire bowls out of 10 for a half-hearted attempt to put Betty Grable into a mystery, with its saving grace being the interior illustrations.