Victoria Winters - the 2nd Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

I am having a thrilling time re-reading these Dark Shadows novels from the late '60s (which continued into the early '70s, well past the end of the television show).  It has been so many years since I originally read them, it is like I am reading them again for the first time.  And the author, W.E.D. Ross (writing under his most popular pseudonym, Marilyn Ross) does a pretty decent job with the characterization, capturing some of the nuances the actors instilled in the characters on TV.  I especially like the fact that these early books, like the early episodes of the TV show, focused on Victoria Winters, as she was by far my favorite character from the show.  Thankfully, Ross manages to instill her a bit more strength and awareness than she was given by the writers on the daytime soap.  It breathes a little more life into her, and definitely makes me love the character all the more!

 

Victoria Winters is the second book in the series, and the story picks up some months after the events in the first book (which depicted Victoria's arrival, her meeting the Collins' clan, her romance with Ernest Collins, and the terrifying events that led to Ernest leaving for an indefinite period of time).  Now, as summer has arrived, Carolyn and David are gone on a vacation, leaving Victoria behind to act as a personal assistant to Elizabeth Collins Stoddard.  The Collins' attorney, Will Grant, is still around (still trying to woo Victoria), and we meet his sister, Nora, with whom Victoria has developed a close friendship.  Burke Devlin makes a few quick appearances in this novel, and Matthew Morgan is his usual grumpy self.  Roger Collins continues to be the ultimate spoiled playboy.  The new characters who are introduced in this book are Paul Caine, a visiting artist who takes an instant liking to Victoria, as well as Henry Francis and his two daughters - the gorgeous Rachel Francis (who becomes entangled with Roger) and the invalid Dorothy (who is recovering from major brain surgery and is confined to a wheelchair in a near catatonic state).  It turns out Henry was an old classmate of Elizabeth's back in the day, so she welcomes the man and his daughters into her home unlike she would anyone else.  And now, with all the characters in place, the mystery unfolds...

 

 One might recall in the first book, it turned out Ernest's first wife did not really die as everyone believed, but was being kept secreted away in the dark halls of Collins House, as she had gone mad. It was revealed that she had murdered a woman Ernest had later fallen in love with - Stella Hastings, and she would have killed Victoria as well, if fate had not intervened.  Well, it seems that story was not quite over, as Victoria begins to see the face and ghostly apparition of a woman who she eventually finds out is none other than Stella Hastings!  Did the woman not die, as everyone thought?  Or was her spirit haunting the house where she had been killed?  As Victoria tries to figure this mystery out, she must also fend off a would-be killer, someone who is following in the footsteps of the silk-scarf strangler who Henry Francis tells her killed several woman back in Pennsylvania.  Did the killer follow the Francis family to Collinsport, stalking Henry's daughter?  Is Victoria simply another in a long-line of victims?  Or is there something much more sinister going on in the Collins' great house?  

 

We spend a bit more time outside of Collinwood (or Collins House, as Ross repeatedly refers to it) in this book.  Victoria and Nora head into Collinsport on several occasions, frequenting the Blue Whale, as well as Will Grant's office and the general store and post office.  Victoria and Nora also spend some time on the beach - after all, it is summer.  These interludes are nice reminders that there is an entire world within the Dark Shadows mythos, and the characters are not limited to the great house. It is also nice to see that Burke Devlin continues to make his brief appearances.  This book has a first printing date of March 1967, and by that point in the television show, viewers were treated to the final revelations regarding the mystery surrounding Mr. Devlin and his animosity towards Roger Collins.  Fans were also in the middle of the story where BIll Malloy is murdered and the phoenix, Laura Collins (David's mother and Roger's ex-wife!) shows up to claim her son.  While there are passing references in the books to Roger's ex-wife, there are no details given, and from what I can recall, the books never actually address who she is or her supernatural essence.

 

Ross once again gives strong hints at the supernatural, with the ghostly appearances of Stella Hastings, but as with your standard Gothic tale from this period, the haunting is explained away with real-world circumstances (in this instance, a look-alike who is mistaken for Stella).  Each of the continuing characters (Elizabeth, Roger, Will) are still exhibiting odd quirks and mood shifts that hint at secrets being withheld from poor Victoria, leading one to understand that Ross was likely hedging his bets, keeping their actions mysterious, yet not direct, so that if anything major was revealed on the television show, he could incorporate it into his stories.  I do like that he keeps Victoria true to form, in that she is not a Nancy Drew-type mystery solver, but rather, someone who seems to fall into these situations and is forced to go along for the ride until they resolve themselves.  I laughed at one line in the book, where Victoria was overwhelmed, and she realizes "[s]he had reached the stage where things when on around her and she simply sat in a kind of daze and allowed them to happen" (p. 100).  Many fans would say that is a pretty accurate description of how Victoria was always written on the TV show.  Thankfully, Ross does give her a bit more fortitude, so that even as she is forced into these situations, she has the mental acuity to reason things out.

 

As with the first book, this novel featured two different covers.  The first, which appeared on the early printings, was a painted cover (above), showing Victoria, in her overcoat, running away from Collins House.  This scene is taken from early promotional photos for the show, which shows Alexandra Moltke in that same position (also above).  For later printings, Paperback Library reprinted the book using a still photo from the television show, once again with Alexandra Moltke as Victoria and Jonathan Frid as Barnabas Collins.  As Barnabas did not make his first appearance on the show until April 18, 1967, a month after this book was initially released, and considering his character does not appear in the story at all, I find is somewhat misleading that the later printings used such a photo.  No doubt, Paperback was simply cashing in on Barnabas' popularity (since, by the time these books were reprinted, Barnabas had gained his success on the show, and the books were featuring Barnabas as their principal character).  Still, there were plenty of images of Victoria with other characters that do appear in the stories, which the publisher could have used.  Unless, of course, it was a mandate from Dan Curtis Productions, in which case, they would not have had much of a choice in the matter.

 

 This second book definitely takes the story of Victoria Winters further away from the direction she was written in the television show, and as such, it makes for some great reading.  These are new and unique stories, a "parallel time" of sorts, and it is a shame Ross was forced to write Victoria Winters out when she left the show.  This forum would have been the perfect place to reveal Victoria's true parentage, the one mystery that never got solved on any version of the television show (although, for the 1990's remake, that question was answered in Innovation Comics' Dark Shadows' comic book series, which picked up where the TV show ended and ultimately revealed Victoria really was Elizabeth's daughter...)

 

Only 30 books left to read in the ongoing saga of the Collins family!

 

RATING:  10 tiny silver earrings shaped like a leaf out of 10 for great Gothic suspense and ghoulish ghostly scares, with some well-written misdirects to keep the twist ending (somewhat) a surprise!

Harlequin Gothic Romance Series No. 32018 - Secret at Orient Point

"Could they fight the evil pulling them towards the same horrible fate as their parents?" (cover blurb) 

 

Picking up and reading this book was hard to do.  When I picked up the first Harlequin Gothic Romance to read back in November 2024, I had seventeen books ahead of me after I finished that one, so I didn't give much thought to actually completing the series.  Now, here we are a little over one year later, and I have finally reached the eighteenth and final Harlequin Gothic Romance.  After literally most of my life thinking I would NEVER pick up and read a Harlequin book, it's funny to look back and realize just how much I thoroughly enjoyed this series of Gothic romances - mainly because the stories had very little romance and more mystery and suspense, which are definitely more my line of reading.  Thus, with of a bit of reluctance, knowing that after this, I would have no more to read in this series, I opened the book and began to read...

 

Let's start with the title.  Secret at Orient Point.  That title alone is enough to catch me, since it has that same format as the children's mystery series I collect (i.e., "Mystery in the..." or "Clue of the...").  Then let's talk about that cover.  Twenty-four year old Erika Barlow, looking back with fear at the ghostly couple dancing in the dark ballroom.  Hints of terror, hints of supernatural, hints of a mysterious tale waiting in the pages within this book.  With all of this swirling in my head, I was excited to forge ahead.  The story is set in the 1880s and centers around Erika's return to her family's hotel, located on North Fork in Long Island, New York.  It has been twenty years since she was taken away to live with her aunt after her mother's murder at the hands of her lover, and now her father has died in a shipwreck, leaving her the sole owner of the hotel.  But her arrival starts a series of events that brings long buried secrets to the surface, kindles a relationship that can never be, and threatens to reveal a truth that someone will do anything to keep hidden - even if it means killing Erika!

 

Erika is aware of her mother's affair with the man she truly loved - Gerhard Langermann.  What she did not know is that she was a product of that affair.  But that secret does not seem overly important until she meets Langermann's son, David, and suddenly finds herself attracted to the son of her mother's lover. They are half-siblings, and despite knowing how wrong it is, neither one of them can deny the feelings they are experiencing.  Erika does everything in her power to fight the growing love she has for her half-brother and focuses on the refurbishing of the hotel so it can be opened for the summer guests.  However, someone seems to be out to get her.  First, there is the attack on the pier that nearly drowns her.  Then there is the fire in the hotel, from which she barely escapes alive.  Later, she experiences a terrifying climb onto the roof during a rainstorm, following the person she believes is trying to kill her.  Who is trying to end her life?  Could it be David, who may have inherited his father's own insanity?  Is it her secretary, whose jealousy of the attention David gives Erika is written all over her face?  Is it Pepys, the near-mute handyman on the property who was always overly protective of her mother all those years ago?  Is it Johannes, the carpenter who is charge of the renovations for the hotel and who seems to have eyes for her?  Is it her own father, who suddenly appears after having been thought lost at sea and makes it clear he wants her to stay away from David?  Or, could it possibly be, the ghost of Julie Ann Barlow herself, come back to haunt the hotel and ensure that no one else has any happiness over the loss of her own?

 

Author Patricia Werner writes a wonderful tale of secrets, lies, ghosts, and suspense that keeps the reader turning pages faster and faster to find out how it will ultimately all end. Werner appears to be the author's real name, and she has written quite a number of romance and Gothic novels over the years, including more than a few in the line of Zebra Gothics (with wonderful titles like Mistress of Blackstone Castle, The Swirling Mists of Cornwall, Island of Lost Rubies, Hidden Gold o Widow's Mountain, and Shadows Over Cypress Swamp).  And Werner writes a rather lengthy acknowledgement on the copyright page to Andrew Marlay (for consultation on costumes), Marlene Hamerling (for advice on Jewish names), Steve Hadley (director of an historical society), and Andrea Budy (for sharing thoughts about her Inn).  Such acknowledgements only adds to the belief that Werner is not a pseudonym, but a real person.

 

The locations Werner uses in the book are real.  North Fork and South Fork (not to be confused with a certain ranch on an old nighttime soap!) are two peninsulas located on the eastern end of Long Island, New York, and like in the book, the water just north of the Forks is referred to as "Long Island Sound."  And, as in the story, the easternmost tip of North Folk is a town called Orient Point (which is where our story is set).  According to online research, Orient Point does have its seasonal swell of visitors during the summer months, which would make Erika's desire to re-open the hotel and her urgency to get all the repairs and renovations done before the summer begins perfectly in-line with reality.  And to keep matters even more real, the Orient Point Inn referenced in the book was an actual place built originally as a residence in 1672, but eventually changed to a hotel and eventually demolished nearly 300 years later. More information about the hotel can be found in the Northforker archives (Orient Point Inn - North Fork). When authors incorporate details like this from the real world, it provides a sense of realism to the story that tempers the more unbelievable aspects (such as ghosts and supernatural elements).

 

Well, with this, I've completed the run of Harlequin Gothic Romances and must move on to another Gothic series (I already have one in mind....).  Never fear, though - at the same time Harlequin began publishing this line, they also started a line called "Harlequin Romantic Suspense," which were stories with a similar suspenseful style.  Sadly, that line only lasted two books, before it was repurposed and renamed as "Harlequin Intrigue."  I have both of those Romantic Suspense novels (not to be confused with Harlequin's later line of Romantic Suspense books, which series continues today) and will eventually get around to reading them and reviewing them here.

 

RATING:  10 diaries hidden in the back of a roll-top desk out of 10 for ending this series with a story of suspense, seduction, surprises, and sinister secrets that make for a superb Gothic romance!

Harlequin Gothic Romance Series No. 32014 - The Devereaux Legacy

"She had never believed in ghosts - then she came face-to-face with their deadly omen" (cover blurb)

 

I can't believe I'm saying this, but the books in this Harlequin Gothic Romance series just keep getting better and better.  Despite the number of various authors who have contributed to this series, the stories all have been strong, they all have featured great protagonists, and they all have mixed the elements of Gothic and mystery perfectly, sprinkling the stories with just a touch of romance.  This book is Carolyn G. Hart's one and only entry in the series, and it is a superb one!  Hart is the author's actual name, a mystery and suspense writer who has had more than 63 books published under the name of Carolyn Hart and Carolyn G. Hart.  After this book was published, Hart began her own series of mystery novels (the Death on Demand series, which lasted 26 books), alongside another series about a required newswoman turned sleuth (the Henrie O series, which lasted 7 books).  Her most recent series actually featured a ghost as the protagonist (the Bailey Ruth Raeburn series, which lasted 9 books). It's rather a shame she did not write more Gothics.

 

When I first saw the title to The Devereaux Legacy, my mind automatically went to The Golden Girls.  After all, Blanche Devereaux was a true Southern belle, and since this book is set in South Carolina, she would certainly fit in!  But, alas, our resident seductress is not at all related to the family in this book; rather, the title character, Leah Devereaux Shaw, is the granddaughter of an aging matriarch - a granddaughter everyone thought had been dead for the past 19 years!  It's actually a pretty great premise to start the story, much in the vein of a soap opera.  A long-thought dead character suddenly shows up decades later, and everyone is scrambling to determine (a) whether this person is who she says she is and (b) what impact her re-appearance will have on the family dynamic.  In this instance, it comes down to the fact that Leah is a direct descendant of Carrie Deveraux, while the other three members of the family residing on the Devereaux Plantation are merely adopted and not actual blood relations.  The story develops from there, as the ghost of the Whispering Lady is seen - a forewarning of death to come to the Devereaux family!

 

Hart integrates a number of great Gothic and mystery elements into the story.  There is the family history, where the Devereaux women have been thought to be mad.  One woman killed her husband and herself, and it is said that Leah's parents followed that same pattern two decades before.  There is the Whispering Lady, a ghost that has appeared off and on through the years, each appearance heralding doom for someone in the Devereaux family.  Recent appearances have coincided with mysterious accidents on the property, leading everyone to take the warning seriously.   There is also the mystery surrounding the locked tower on the property.  Her cousins and grandmother tell her the tower is dangerous and not stable, which is why it is padlocked; but Leah suspects there is more to the story and wonders if the tower holds the clues to what really happened to her mother and father that fateful night.  Then there is the enigmatic Kent Ellis, an archaeologist who is digging and researching the history of the land surrounding the Devereaux Plantation.  Just what danger does he pose to the family and their secrets?

 

The story manages to build the suspense slowly and effectively.  Leah, of course, does not believe in ghosts, so she discounts the story of the Whispering Lady. But then she sees it for herself.  And then she hears the howling dog that turns out to belong to Kent Ellis and is found brutally murdered.  Then she witnesses an accident that nearly leaves Ellis as dead as his dog.  Then a heavy planter falls from the second story veranda, crashing down where Leah had stood only a moment before.  Then she overhears a conversation that reveals how one of her cousins has been using her - a cousin she had grown to trust and care for - in fact, she was falling in love with him.  Betrayal and danger surround her at every turn, and Leah finally realizes that one of her own family is out to remove her - permanently!

 

As can be expected with any good Gothic, there are two men who could be potential suitors for our lovely heroine, and Leah struggles to know who she can trust and who she can't.  Even I have to admit, I wavered back and forth as to who the culprit could be that was so desperate to rid Devereaux Plantation of Leah's presence - and the climactic reveal and crazed attack on Leah Devereaux Shaw is a fantastically written payoff for readers.

 

The gorgeous cover art is provided by Len Goldberg, who has provided art for several other books in this line (Castle at Jade Cove, The Blue House, and Shadows Over Briarcliff).  Goldberg perfectly captures the fear and shock on Leah's face as she sees what could be a ghost of the Whispering Lady on the back side of the bridge in the Plantation's massive gardens.  It is funny, this cover has a certain resemblance to the third cover art by Rudy Nappi for Nancy Drew's 15th mystery, The Haunted Bridge, which was introduced to readers in 1972.  Both cover feature the protagonist in the foreground, turning to look back across a bridge what appears to be a ghost in the background at the end of the bridge.  This is the second time Goldberg's cover art mimics a Nancy Drew mystery, the first being the cover to Castle at Jade Cove.   It almost makes you wonder if Goldberg was intentionally honoring the Nancy Drew series, paying homage to the Gothic elements of that series.

 

This book is a definite winner and a must-read.  

 

RATING:  10 gigantic curtain of cobwebs out of 10 for thriller readers with a suspenseful mystery and glorious Gothic tale of ghosts and secrets! 

Harlequin Gothic Romance Series No. 32012 - Castle Malice

"The bizarre incidents kept mounting until she had no choice but to unmask the source of evil" (cover blurb)

 

This 12th novel in the Harlequin Gothic Romance series is the second and final volume written by Marilyn Ross (W.E.D. Ross).  While his last novel was set in the 19th Century, this book is set in the present.  Further, both the story and the cover art are a strong reminder just how much these Gothic tales are like reading grown-up Nancy Drew mysteries - dark, foreboding mansions, hidden passages, repeated attacks on the protagonist, and long-kept secrets that must be uncovered before the heroine can find her happily-ever-after.  Thankfully, Ross knows how to write a strong protagonist that does not easily fall under the spell of the men around her and who can think for herself (although, let's face it, she ultimately winds up in a desperate and dangerous situation by the end that reveals the true villain of the story!), which makes for great stories.

 

Castle Malice is the tale of another young heiress who inherits a fortune from a distant relative and must travel to Europe to claim her bequest.   As with so many Gothic tales that have come before, that distant relative died under mysterious circumstances, the house our protagonist is to inherit comes with dark secrets, and someone is determined to get the heroine out of the way in order to take the property for themselves!  In this case, Trudy Stone, a young woman from New York, travels all the way to a small village on the Italian Riveria after receiving a letter from her aunt's attorney informing her that her Aunt Julia passed away, and Trudy is her only heir.  But she arrives by train to the lonely station (gee, sounds very much like poor Victoria Winters from Ross' other series of novels) to be met not by the attorney as she expected, but by Dr. Carl Redman, who whisks her away to the home of his employer, Benson Steiburn, and his lovely daughter, Sylvia - whose grand castle (known as "Castle Malice" by the townspeople because of its horrid past) is located right next to the villa Trudy is to inherit.  She soon meets their other neighbor, aging actress Lena Morel and the young reporter who is penning her biography, Tom Clarendon, as well as Adrian Romitelli, a con man who everyone says was taking advantage of Trudy's aunt.  With all of these characters, the stage is set for a deadly mystery to be played out...

 

As always, Ross manages to build up the suspense as Trudy finds some very strange things are happening at Castle Malice.  First, she awakens to find the likeness of her dead aunt's face on the pillow next to her; then, she comes face to face with ghostly masked swordsman that supposedly haunts the castle; next, she is locked in an underground tunnel that connects the castle to her aunt's villa; later, she is nearly killed as she chased down the stairs of the villa and chocked by the swordsman; and at a town festival, she finds herself trapped in an alley, facing certain death at the hands of a cloaked madman.  All of these "foibles," so to speak, could easily be seen in a Nancy Drew mystery novel, just perhaps with the threat-level lessened a bit.  But, like Nancy, Trudy fights back and refuses to be intimidated by the masked man.  She does not believe in ghosts, and she knows that a living, breathing human is behind all of her attacks.  In fact, she realizes whoever is after her is likely the same person that killed her aunt, anxious to get their hands on her inheritance - you see, her aunt did not outright bequeath Trudy her great fortune; rather, she merely gave it to her while she lives, and upon Trudy's death, it passes to another.  The only problem is, that "other" heir is unknown, as it is sealed in a second Will that cannot be opened until Trudy's death.  Which leaves everyone wondering - who inherits after Trudy?

 

It's a great mystery, and readers will likely go back and forth (like Trudy does in the story) trying to figure out who is the one with enough reason to get rid of our poor protagonist.  Is it Mr. Steiburn, who wants to tear down the villa and build a museum to house all of his art treasures?  Is it Adrian, who willingly admits he was Julia's friend and confidante solely for the money she gave him?  Is it Carl, who shows Trudy attention, while at the same time seems to have a love affair going on with the very married Sylvia?  Is it Lena, who claims to have been Julia's best friend, yet was completely left out of the deceased woman's Will?  Or is it Tom, who has no money of his own and who everyone believes has latched onto the aging actress solely to get the money from writing her story?  All of them have motives, all of them have means, and all of them seem to have opportunity with each incident - until Trudy learns that one of them did NOT have opportunity, and perhaps she has been trusting the wrong people.  And when that one person turns up dead of a supposed suicide, Trudy realizes she is next!

 

Unfortunately, like his last book, Ross builds up the story, gets you completely involved in the characters and plot, and then, instead of a very dramatic revelation at the end and a page-turning final battle, Ross wraps up the story in just four short pages, with very little climax at all.  It is somewhat disappointing that the endings to his stories feel so rushed, when the rest of his work is so engaging.

 

I would be remiss if I did not point out Ross' obvious Easter Egg to his most popular series.  I think in pretty much every book he wrote, Ross manages to weave in the phrase "dark shadows" (which fans easily identify as his most recognizable works, based on the 1960s television show), and he does not fail with this one.  In this case, it is in Trudy's dreams, as she has a sleep "filled with gliding phantoms and abrupt appearances of the masked swordsman from out of dark shadows" (p.166). 

 

The cover artist is not identified, but the scene is taken from pages 54-55, where Trudy is exploring the underground tunnel and gets trapped within the dark maze after someone locks her in there.  The artist manages to capture Trudy's fear nicely, and even accurately depicts her wearing the "light blue cotton-knit dress that was flattering to her blond good looks" (p. 54).  The scene could also easily be translated over to a Nancy Drew book (The Hidden Staircase, perhaps, or Old Attic, or even Blackwood Hall).  In fact, comparing this with Rudy Nappi's art on The Clue of the Dancing Puppet (published in 1962), Trudy here seems to be a mirror version of Nancy from that cover!

 

This is the first Harlequin Gothic to list the author's other works in the series in the front, just opposite the title page (identifying book 11, Shadows Over Briarcliff as other "Books by Marilyn Ross" in the line of Harlequin Gothic Romance titles.  The book also has a dedication by Ross to his "good friends Dot and Bill Swangren."  Research reveals a rather unexpected Nancy Drew connection, as Dorothy "Dot" Swangren was, at one point, a secretary at Wellesley College - which, coincidentally enough, is the very same college from which Harriet Stratemeyer Adams graduated back in 1914!  And fans of Nancy Drew are well aware of the Stratemeyer connection to that series, which reminds us that this truly is a very small world, after all!

 

RATING:  8 battered red clown hats out of 10 for a great mystery filled with plenty of twists, proving Ross is a master at Gothic suspense.

The Captain's Lady - a Zebra illustrated gothic

It's been over a year since I read my first Zebra Illustrated Gothic (Summerhaven), so I figured it was about time I give another one of these a try.  As anyone who reads this blog knows, I've been reading the Zebra Mystery Puzzlers for some time now, and these Zebra Illustrated Gothic novels were published around the same time (the end of the 1970s), and based upon the illustrations in each series, it would appear Kensington Publishing Corp. used the same artists for both the mysteries and the Gothics. It's funny, because I've been reading so many of the Zebra Mystery Puzzlers, in which the illustrations have clues to "whodunnit" in the mystery, I found myself inspecting each of the illustrations in this book, wondering if there were any clues as to the mystery within Elswick Manor (and, of course, there were not!).

 

The Captain's Lady was written by Rachel Edwards, which was a pseudonym for Brenda Castle (who also wrote under the name "Georgina Ferrand").  Castle was quite the prolific author of romance novels between 1973 and 2010, and she managed to sneak in a few Gothics, such as this one, along the way.  The story opens much like the start of Dark Shadows - in fact, it felt almost as if I were reading a version of the show when the author has the main character, Elinora Vernon, reflecting that she was "going to a place she did not know, to people had not seen" (pp. 6-8) in order to be a governess for a young child.  Gee, sound familiar?  That is nearly a mirror image of the opening scene to the first episode of Dark Shadows - except, instead of Victoria Winters riding on a train bound for Collinsport, Maine, we have Elinora riding in a stagecoach on her way to the small England town of Elswick.  Both young woman move into a dark foreboding mansion that overlooks the ocean, with waves crashing down on the rocks below.  The author here even makes reference to a "Collingford Inn" (p. 6) that certainly sounds a lot like "Collinsport Inn" from Dark Shadows!  Now, there are no vampires, werewolves, or witches in this story, but there is certainly the threat of a ghost called "The White Lady" that haunts the great manor.

 

Edwards a/k/a Castle provides readers with a haunting tale of passion and horror as Elinora is pursued by two very different men, all while trying to protect the young child she is tutoring.  The question is, from whom is she protecting Prudence? Is it from the girl's guardian, Captain Gideon Lang, a former seaman who is said to have once loved Prudence's mother before she married another man?  Did he really kill the girl's father and is now after her inheritance, as Prudence believes?  And what about Reid Sterling, the rather all-too-forward man of the world who has somehow wormed his way into the Manor as a guest of the Captain?  Are his advances towards Elinora sincere, or are his intentions less than pure? What hold does he have over the lord of the manor?  Then there is Elsie, the housekeeper's daughter.  Elinora cannot help but notice the relationship between her and the Captain is much too friendly for a lord and his servant.  Is there a more personal relationship between the two?  And one cannot overlook the west wing of the great house, which has been closed off ever since Captain Lang purchase the manor some ten years ago.  Why does Elinora keep seeing lights from that part of the house, and whose face is she seeing in the upstairs window?  Everyone tells here there is no one there, but Elinora knows what she saw.  What dark secret is being kept within those darkened halls...?

 

Oh, and we cannot forget the White Lady, the ghost that the villagers say haunts Elswick Manor.  Elinora is just one in a long list of governesses who have come and gone, and despite warnings from the villagers, Elinora is determined to stay.  After all, she does not believe in ghosts.  But young Prudence is insistent the White Lady is real, and that the ghost is determined to kill her!  The longer she stays in the house, the more Elinora begins to realize there is something dangerous going on within its walls.  Danger lurks around every corner - is it really the ghost of Prudence's mother come back to exact revenge; or is the culprit very much alive and hoping to steal a fortune by taking the girl's life and blaming it on a ghost?  Edwards a/k/a Castle sets up a great mystery.  Although fans of Gothic tales will pretty much guess what is going on long before the reveal in the final chapters, it is still a great read with some engaging characters and perfectly-paced suspense.

 

There is no signature on the cover art, so it is not possible to say who painted the cover.   It is definitely one of the better Gothic covers I've seen, with poor Elinora shivering as she looks back at the terror-filled Elswick Manor.  The barren tree limbs, the ocean waves crashing against the cliff side, and the rolling fog around the mansion blend together to create a scene that would give anyone goosebumps!  There is also no credit given to the artist who provided the interior illustrations, which is a shame.  The black and white illustrations throughout the book are so wonderfully rendered, filled with exquisite detail, they nearly come alive off the page!  From the rendition of the towering manor on page 17 to the scenes of the interior of the great house on pages 43, 62, and 83 (shown to the right, here), the artist manages to bring life to the words on the pages, and one can easily picture themselves there in the manor with Elinora!  The final illustration, a drawing of the White Lady terrorizing poor Prudence, it truly frightening - I did not show it here, as I do not want to spoil it for anyone who wants to read this book.  That face is straight out of a horror movie!

 

One thing I did find extremely odd about this book was the transition from Chapter 10 to Chapter 11 - or, to be more accurate, the complete lack of transition.  In fact, the last sentence of Chapter 10 does not even end; rather, it carries directly into the first line of Chapter 11:

She reached it just as Prudence did.  They both stared down at it as it was washed to and fro against

 

Chapter Eleven

 

the sands by the gentle movement of the incoming tide.  The bloated and distorted features of what was once a man lay face upwards... 

(pp. 176-77).

 

I have to say, I have never in my life seen a book that starts a new chapter in the middle of a sentence.  I am unsure if this was intentional on the part of the author or the publisher, or this was merely a printing error, or what.  In fact, the end of the first paragraph in Chapter 11 seems more like the ending point of Chapter 10, because the second paragraph of Chapter 11 has a bit of a time and spatial jump, going from the rocky beach to the parlor of Elswick Manor hours after the body was found.  I'm aware there are other editions of this book (I believe it was later re-published under the Linford Romance Library line of books in the 1990s), so I wonder if those editions have this same transition, or if it was corrected.

 

In any event, The Captain's Lady turned out to be a wonderful read, and I'll certainly be keeping my eye out for any more of Brenda Castle's Gothic novels under whatever pseudonym she chose to use!

 

RATING:  9 coarse kerseymere gowns out of 10 for pure Gothic suspense in the vein of Dark Shadows

 

The Mystery of the Tolling Bell - A Book By Any Other Name, No. 2

Way back in 1946, Grosset & Dunlap first published the twenty-third Nancy Drew mystery, titled The Mystery of the Tolling Bell.  About twenty years later, Christian Literature Crusade, with permission by Pickering & Inglis, Ltd., published a book written by Ellen Jane MacLeod by that same name (The Mystery of the Tolling Bell), which I happened across by pure chance at a local used bookstore.  Now, here we are a year later, and wonder of all wonders, I come across yet a THIRD title by that same name!  Now, I realize that some titles have a tendency to be used over and over (such as common phrases like "Double Indemnity" or "Web of Lies" or such); but for this unique of a title to be used not once, not twice, but three different times by three different authors in three different decades - well, the coincidence is uncanny!

 

This version of The Mystery of the Tolling Bell is written by Alan E. Losure, is an Indiana writer who enjoys writing historical fiction.  Unlike the previous two stories, Losure's tale is a murder mystery written for an adult audience, nor for children.  That does not mean it has sex, violence, and foul language; rather, it means the subject matter (murder!) is not something normally intended for children to read.  Additionally, while the two books for young adults were set in the present time (well, "present" as far as the date when they were originally published), this story is set back in 1898, just before the turn of the century.  Thus, there are no motor cars that would enable to characters to speed from one place to the next, and telephones are about the only technological advance - we're talking about "old west" style living, with saloons, general stores, and such.  However, as the title would suggest, the mystery does involve the mysterious tolling of a bell - in this case, warning the citizens of Gas City, Indiana that death is about to come to their small town!

 

Losure does write an interesting story that is multi-layered and not as clear-cut as one may expect.  In fact, the book is broken up into two parts - the first part being "The Mystery of the Tolling Bell" and the second part being "Doctor Death."  While the underlying mystery is threaded through both parts, they actually have very distinct factors driving the plots.  In the first half, the story centers around Herbert Ainsworth, a young man graduating from the local high school, who, at his graduation ceremony, announces to the townspeople how he has suffered at the hands of three other young men in his class for the past four years and warns them that their time is coming - theirs, as well as the school administrators who allowed the bullying to continue unchecked.  The second half of the book is focused on members of the mob who come to Gas City to begin an "insurance" racket, forcing the businesses to pay part of their profits for protection from ... well, protection from the very people to whom they are being forced to pay the insurance!

 

 "The Mystery of the Tolling Bell" is the mystery that asks - who tolls that school bell before each murder (or attempted murder)?  The bell is high up in a tower, behind locked doors, and no one is ever seen anywhere near the scene at the time.  Yet, each time that bell tolls thirteen times (made me think of the Penny Parker mystery, The Clock Strikes Thirteen), and each time, there is a murder, or an attempted murder, at least.  All clues point to poor Herbert, who threatened the other boys in his class, since the two who are murdered were two of the three boys who bullied him, and the one who was nearly burned to death in his own outhouse was the school superintendent. Herbert claims he is innocent, and it is not until the last remaining bully is caught trying to torch Herbert's small shack that the town realizes it was actually that third boy - or was it?

 

This is where "Doctor Death" begins.  With the third bully hauled out of town to face criminal charges at the county seat, the citizens of Gas City think the horrors have ended.  But then the bodies start to pile up again, each one with a note signed by "Doctor Death," warning of more to come!  While this is going on, some out-of-town mobsters have made their way into Gas City and have set up an "insurance" scheme to force businesses to pay for their protection - and when they find out about Herbert's amazing mathematical skills, they threaten him into helping them.  Ultimately, Herbert comes up with a plan to outwit the crooks, while, unbeknownst to him, the real killer has entered the wrong house to do his next killing.  As the story reaches its climax, some startling secrets are revealed (including the REAL reason behind all of those killings) and a statewide criminal organization is finally brought to its knees.

 

Losure writes a great mystery that is fast-paced, yet still has time to fully flesh out all of his characters so that the reader actually feels for each and every one of them.  In addition, Losure includes considerable photographs of people that he identifies as the characters from the story, as well as vintage photos of various sites from around Gas City during the 1890s. At the end of the book, Losure explains about his use of the Cabinet Cards to "enhance the story" by giving a physical face to each of his main characters.  As far as the use of the tolling bell, this was likely taken from the old expression that "when a bell tolls, someone is going to die," which expression is said to be rooted in the tradition of churches ringing bells to announce that someone has passed away.

 

Overall, a pretty good read, even though there were a number of spelling errors and mixed up names (at one point, Herbert is sent to the telephone company to review the books and try to correct the payroll ledgers - when he enters the building, the story says "Wilbert assured them that it was his top priority" [p. 234], when it was actually Herbert who assured them), leaving me to wonder if any editing was done before the book was published.  I enjoyed the revelation as to the killer's identity and motive, and the pictures scattered throughout the book DID enhance my reading of the story.  At the end, Losure breaks the fourth wall to ask the reader "what will the future hold in store for them and a few other characters?" to which he informs the reader that such "answers will be contained within the pages of my next book" (p. 238).  Those two lines gave me a nostalgic feel of the old children's mysteries from the '30s, '40s, and '50s when each book would give a small tag at the end, letting readers know what the next book would be.

 

RATING:  9 helpings of salted meats, breads, and pickles out of 10 for a great mix of history and fiction with the superbly plotted murder mystery at its heart!

Kristie at College a/k/a Quarry Ghost - a Milderd Benson mystery story

For many years, I have heard about Mildred Wirt Benson's novel, Quarry Ghost, which was first published back in 1959.  It is not an easy book to find (especially if you want it in good condition), and when you do find it, the prices are likely to be quite high.  I never really held out any hope of finding a copy of the book, so it sat on my "want list" for quite a few years.  Well, one of the interesting things about this book is that one year after its U.S. publication, the book was also published over in Great Britain - the only catch, it was issued under a different title!  What's even more odd is that the British title does not even give one little hint of a mystery; rather, the title under which the book was published across the pond would make one think it is simply a typical girl's college-life book!  However, when I happened across a dust-jacketed copy of the British edition for under $20, I snatched it up - and FINALLY, I was able to read Benson's last novel written for young adults...

Kristie at College is an innocuous title that gives absolutely not hint of mystery whatsoever.  In fact, the cover depicts a dark-haired girl carrying her schoolbook, while behind her other college students mingle in front of a plain brick building.  The only way one would know this was a mystery story was to read the synopsis on the inside front flap, which talks about Kristie becoming "deeply involved" in a controversy with one of the college professors and a dinosaur relic that has disappeared under his watch.  Kristie, a journalism student at Hagers College, gets the scoop from a stranger who shows up at the office of the school newspaper late one night.  He informs Kristie that he has been sent by a Canadian museum to purchase the dinosaur egg that was acquired by members of the college from an expedition in the Gobi Desert (p. 13).  Kristie takes down the information, and her story makes it to the front page of the next day's edition of the collegiate newspaper - but that's where the trouble begins!

Benson gives her readers a well-crafted mystery, where the mysterious informant disappears, the college professor who is in charge of the dinosaur egg is acting shady, and Kristie's own aspirations to be editor of the college newspaper are put at risk because of her unvetted story!  To only complicate matters, Kristie, who is on one of the school's swim teams, is invited to join a scuba-diving club who make regular trips to the local quarry to explore - but her introduction to scuba-diving and the quarry quickly escalates to a situation of extreme danger when a "ghost" seems to be haunting the place.  The ghost not only frightens some of the club members, but it also sabotages some of the students' equipment and attacks Kristie when she is under the water!  Kristie begins to realize, though, the ghost seems thoroughly focused on a portion of the quarry the students have labeled "the black hole," as it is deeper than the rest and completely dark when one swims down into it.  She soon discovers that the missing dinosaur relic, the ghost, and the black hole are all connected - and the odd, rather large man who lives in the woods outside of the quarry is a part of it all!

To any seasoned mystery reader, the solution to the conundrum is not at all hard to figure out; but it is the getting there that is all the fun.  And Benson makes it fun, because not only do we have the danger and suspense surrounding the ghost and the underwater dangers, but we get the not-so-friendly competition between Kristie and the professor's daughter, Marcia Radcliff.   After all, every good protagonist needs a nemesis to keep them on their toes!  And along the way, Kristie learns a bit about good sportsmanship, priorities, and what really matters most.  Of course, as can be expected (this is a young adult story), Kristie does end up getting the editorship, largely due to her part in finding the missing dinosaur and revealing the true criminal in the matter, and she also wins the final swimming competition, mostly due to the amount of underwater exercise she got while with the scuba club.  Thus, all's well that ends well, and as Marcia so aptly concludes the story, "With either flippers or slippers, Kristie Coleman will never be out of her depth!"

I suppose it should not be surprising that Benson would integrate her career as a journalist and her love of swimming into this tale.  As most fans are aware, Benson spent a number of years working as a journalist, which, like Kristie in the book, began in her college years working as the yearbook editor and also on The Daily Iowan, the college newspaper (Mildred Wirt Benson: College Years). In addition, while in college, Benson excelled in swimming, as well as diving, becoming a member of the "Seals Club."  According to the University of Iowa, "a photo of [Benson's] beautiful swan dive into the Iowa River is often reproduced and has become on of the Iowa Women's Archives' iconic images" (Mildred Wirt Benson: College Years).  Thus, one might wonder if perhaps Benson imprinted a part of her own life and experiences into Kristie Coleman as she was writing this book!

And apparently, Benson's daughter took after her when it came to swimming, as Benson gives a dedication of this book: "To Peggy, champion swimmer, who lost a race and launched a story."  

Personally, I prefer the Quarry Ghost title, and the cover to Quarry Ghost is much more in line with the main plot of the story.  However, I am just happy to have found a reasonably priced copy of Kristie at College, so at least I have the story to have read and enjoyed.  Maybe one day I'll come across a copy of Quarry Ghost, and I can add that to my collection - but until then, Kristie will sit upon my shelf with my other Mildred Wirt Benson mysteries!

RATING:  10 lost license plates out of 10 for a great mystery and a nice book-end for Benson's children's book writing career!

Ravenkill - a novel in the Gothic tradition

A young woman travels to a small, coastal town in New England to take a job with a family she has never met - in a dark, foreboding mansion set high atop the cliffs overlooking the Atlantic - to a place she's never been, with people she has never seen - but who will soon fill all the days and nights of her tomorrows.  Boy, that sure sounds like the opening scene to Dan Curtis' first episode of Dark Shadows that aired on June 27, 1966.  Interestingly enough, though, that description is for a book that was published in 1965, a year prior to Dark Shadows hitting the small screen!  Coincidence, or something much darker?  Well, we are talking about gothic novels, and let's face it - there are only so many variations to the same plot that can be written!  So, while Dan Curtis had young Victoria Winters heading off to Collinsport to become the new governess at the Collins' homestead high atop Widow's Hill, author Paulette Warren gave readers a different cast of characters for that same plot.

Ravenkill is the story of Jennifer Wonderly, a 25-year old librarian from the Midwest who receives a strange invitation to go to Maine and help sort out a wealthy recluse's personal library of books in his gloomy Maine mansion known as "Ravenkill."  The man in question, John Belaman, happens to have lived briefly in Jennifer's hometown, years before she was born, and he knew Jennifer's mother.  But he never met her, and he could not have been aware that Jennifer's mother recently died.  So how did he know where to find her?  How did he know she was a librarian?  And how did he know his invitation would fill her with so much curiosity that she could not help but go to the cliffside house in Maine?  If she thought she would receive answers to any of those questions, she was sorely mistaken!  This is a gothic tale, after all, and it would not be complete without an air of mystery, a hint of supernatural, and a whole lot of suspense!

The tale takes Jennifer to a "mansion of cripples," as the author refers to it more than once in the book.  This was the 1960s, so making such a statement would not have been as offensive as it is now.  Instead, the term is used to instill a certain level of uncertainty and fear, as Jennifer must adjust to living in the same house as a misshapen small person, a regal beauty with a damaged leg, and that woman's young daughter who is mentally disabled.  To make matters worse, Gaspar (the little person) and Agatha Pate (the beautiful housekeeper) clearly do not want here there!  Then there is the fact that her host - John Belaman, the man who invited her there - remains secluded away in the mansion somewhere and will not come out to see her.  And what is up with the weird music she hears at night as she drifts off to sleep?  Belaman is a former pianist, so is he playing late at night, or is it something more sinister?  Something to do with his sister and her husband, who fell to their deaths from the cliff behind Ravenkill some years ago...

Warren does not forget to include a hero (or, at least, a character who appears to be a hero) in the form of Garth McCroy, an artist who lives in a small shack on the beach, down at the bottom of the cliffs.  He takes an instant liking to Jennifer, and she finds herself attracted to him.  But he has secrets of his own, connections to Ravenkill and the people in that house that could spell disaster for Jennifer!  Throw in a ghostly apparition in white that visits the lonely grave of Belaman's deceased brother-in-law in the dead of night, placing fresh roses on his grave.  Is it a ghost, or is someone from Ravenkill simply trying to frighten her away?  Again, so many questions, and for Jennifer, the answers may not be what she is expecting.

The name of the author, Paulette Warren, is a pseudonym, as so many for these gothic novels are.  In this instance, the real author is Paul Warren Fairman (1916 - 1977), a rather prolific writer who published stories in any number of genres - from detective stories to science fiction tales to western adventures to gothic novels.  The gothics he wrote under the female pseudonym of "Paulette Warren" (a feminization of his first name and then using his middle name for her last).  This is the first gothic I've read from this author, and I will say I found the story engaging - and I can't really say he ripped-off Dark Shadows, since this actually came out first - making one wonder if Dan Curtis read this novel, or perhaps his wife told him about it, and it inspired the "dream" he allegedly had of a girl heading off to a mysterious house that was the beginnings of his gothic soap.

Something I did find somewhat odd about the book is that the author changes the point-of-view several times throughout the story.  Chapter One is told from Jennifer's POV, and contains five lettered sub-parts; then Chapter Two is told from Gaspar's POV, with only two lettered sub-parts.  Chapter Three reverts back to Jennifer, with Chapter Four also from Jennifer's POV, while Chapter Five turns once again to Gaspar.  This reminds me of the Hardy Boys books that have been published since the early 2000s, where the first person point-of-view alternates between the two brothers with each chapter.  I had never seen that before, but clearly there is precedent, since this book was published some 40 years before the Hardy Boys, Undercover Brothers and Hardy Boys Adventures series were ever imagined.  What this does for the story, though, is give the reader insight into Gaspar and some of the inner-workings of what is really going on at Ravenkill - although, I give Warren (Fairman) credit, as he does not spoil some the surprises at the end - those twists are only somewhat hinted at, so that their revelation comes with a bit of a shock.

Definitely worth the read, and it makes me want to read more of Paulette Warren's books.

RATING:  9 cups of coffee at the kitchen table out of 10 for a creepy, twisted gothic tale that is not afraid to go beyond what some may considerable normal boundaries to tell a tragic, horrifying story!

Shadow of a Witch - an Ace Gothic by Dorothy Eden

Not gonna lie - I picked this book up mainly for the cover art.  Sure, it's a gothic mystery, so that, in and of itself, is appealing to me.  But for this particular book, it was the cover that that attracted me to it.  Yes, it has the standard gothic trope - a woman running in the foreground, looking back at a dark, foreboding castle/mansion with just one light in an upper window, shining out against the darkened sky.  But it is the young woman that caught my eye - her facial expression, her hand coming up to her mouth, her eyes ... quite frankly, I would swear the art is done by Hector Garrido, who provided very similar art on the cover to the 75th Nancy Drew Mystery, The Emerald-Eyed Cat Mystery.  But, more on that later...

Shadow of a Witch is the first gothic novel I've ready by author Dorothy Eden.  And if the rest of her books are anything like this, it definitely won't be the last.  While the story was a bit slow in getting started, once it did, it had me hook, line, and sinker!  The protagonist is a young woman - Julia French - who is determined to land an interview with the elusive architect, Mark Winterton, who has completed work on the restoration of an old church.  Winterton is known for his aloofness and his unwillingness to discuss his private life after the death of his wife in a plane crash some time ago.  Julia has no intention of falling for the man, particularly after seeing him with his daughter and a woman she wrongfully assumes to be his wife (but who turns out to only be taking care of the daughter). But, in true gothic fashion, fall for him she does, and soon enough, he falls for her, and the two are married - and that's when all the problems begin.

Eden writes a tale with a number of twists and turns (and, surprisingly, several different points of view).  While Julia is the main focus of the story, Eden also provides moments from the point of view of Estelle, the woman taking care of Winterton's young daughter, Flora, and who also happens to be vying for Winterton's attentions.  But her motives are less than pure, as Julia soon discovers when she overhears a conversation between Estelle and a woman named Beryl.  We also get a few brief moments from Beryl's point of view, as well as that of Estelle's aunt, Gertrude.  Yet, despite the differing points-of-view, the story flows smoothly, and the tension builds as the mystery presents itself.  Young Flora is nearly run down by a car when she thinks she sees her mother alive and well across the street, beckoning for her.  Winterton is upset by his daughter's actions, and Winterton's older sister, Kate, who lives with them, believes Flora is merely still trying to process her mother being gone and her father taking a new wife.  All too soon, though, there is real concern that Eugenie Winterton is still alive, in which case, Julia's marriage would be a legal nullity!

The only drawback to the story is that Eden reveals too much early on.  Any astute reader (and perhaps even some not-so-astute readers) will be able to spot the devious plot that is being hatched as soon as it begins.  I think if Eden had avoided giving readers the scenes from Estelle's, Beryl's, and Gertrude's points-of-view, it might have made the revelation at the end a lot more exciting than what it was.  Yes, it was fun to read along with Julia as she slowly pieces together the parts of the puzzle, and I found myself rooting for her to realize who the real villain was before she walked into his trap.  Thus, even though the scheme was obvious way too soon, I still enjoyed the read.  Eden made Julia French into not only a very likable character, but also an almost Nancy Drew-like protagonist.  Which brings me to the cover art for this edition of the book (yes, there are other editions that have different cover art).

Sadly, the publisher does not identify the artist, and nothing I could find online revealed the name of the artist; however, the face, the post, the positioning of the hand, the opened mouth, all of these things combined, particularly when compared to Hector Garrido's other art (especially on The Emerald-Eyed Cat Mystery) leads me to believe Garrido may very well have provided the painted art for the book.  At the very least, it is evident the same modeling photo was used for both books, albeit in mirrored images.  But I definitely prefer the art on Shadow of a Witch better - it has a darker mood to it, the castle/mansion in the background reflects a much more gothic architecture, and for some reason, those tree branches right behind Julia as she runs from the castle really strike a frightening chord.  It is funny, though, that this scene depicted on the cover never actually takes place anywhere in the story.  For that matter, there is no "witch" in the story at all - about the closest we get to any reference is when Kate refers to her brother's deceased wife as a witch, in a figurative sense, not in the literal sense.  I can only assume the title stems from the fact that poor Julia is living in the shadow of her new husband's deceased wife, who was not a very nice person at all.

Overall, I enjoyed this read, and I look forward to reading more of Eden's works.  Hopefully they stand up as well as this one does!

RATING:  8 delicious chocolate eclairs out of 10 for tension-filled tale with a number of twists and turns that, while not totally unexpected, do make for a great read!

The Virginia Mysteries, Book 3 - Ghosts of Belle Isle

Okay, while I was not entirely enthused with the previous book in this series, I can say that I found this third book to be a bit more enjoyable to read.  And while Ghosts of Belle Isle may not have had much of a mystery to it (nor did it have the treasure hunting adventures that the prior two books had), it does have something the first two books lacked - stronger characterization.

Perhaps the author, Steven K. Smith, is getting a better hold on his three main characters by this book.  Derek, Sam, and Caitlin are no longer cookie-cutter kids - instead, in this mystery, they actually read and feel very natural, both in dialogue and in action.  Which, obviously makes for a better read.  And once again, Smith provides a number of history lessons scattered throughout the story, this time involving the Civil War and the surrendering of the South to the North.  As the kids learn about Jefferson Davis and General Lee and the number of lives lost in the war between brothers, so do the readers.  Thankfully, Smith manages to integrate the history lessons pretty well into the story so that the reader does not feel like he or she is being hit over the head with it.

Now, as far as the mystery goes - as you can expect with a title like Ghosts of Belle Isle, there are ghosts.  Only, they are not the "ghosts" in the typical sense.  Sure, the kids' crotchety neighbor, Mr. Haskins, tells the boys about the mysterious lights that appear on the river that separates Belle Isle from Richmond and how those could possibly be the spirits of the hundreds of men who gave their lives for the South right there on Belle Isle.  The only problem is, the kids never really see those ghosts at all (albeit one very brief moment near the end); rather, the "ghosts" more prominently on display throughout the story are a motorcycle gang who appear to not only be rough and tough, but are also involved in some very suspicious and mysterious activities in the Hollywood Cemetery in Richmond.

I'd have to say this story is more of a typical "day in the life" type story - the kids' parents go away on a vacation, leaving them in the hands of an older cousin who pays little attention to them, leaving them to fend for themselves; they have to face bullies who are intent on making their lives miserable (although Caitlin does have the right attitude when it comes to bullies, and there is a scene at the end where the bullies get what's coming to them in a very deserving way), and having to face the consequences of their actions.  There are no really overly dramatic scenes, no big cliffhangers or foibles standard to the children's mystery genre, and no scary moments.  So, for those looking for a mystery to solve, or hoping for another "National Treasure" type adventure, this is not the one for you.  However, if you want a quick, nice little read, then you'll probably enjoy this one.

RATING:  7 Eiffel Tower snow globes out of 10 for good, clean family fun - would have preferred an actual mystery for the kids to solve, but hey - you can't have everything.