Short Lived Comic Series #33 - Judge Colt (Gold Key Comics)

I am by no means a fan of westerns, whether it be television, movies, books or comics.  I remember watching The Rifleman with my mom every Saturday afternoon, and I can remember being bored to tears, waiting desperately for the episode to be over so we could watch Alfred Hitchcock Presents.  Back in the '80s, when comics increased in price from 40 cents to 50 cents, and DC Comics added those 8-extra page stories, I did pick up Jonah Hex, mainly because at the time, I was trying out pretty much everything.  I did not buy a lot of issues, as the western tales could not keep my interest.  Flash forward 40 years (yowza!  has it really been that long?), and while at a local comic convention, I stumbled across three issues of a Gold Key title about a "hangman judge" in the Old West.  They were cheaply priced for the good condition they were in, so I picked them up, figuring I could find the fourth issue at some point.  And that I did.  So, with all four issues in hand, I sat down to read them, wondering if they would hold my interest any better than past westerns had done...

 

Judge Colt was published back from 1969 to 1970, with cover dates of October 1969, February 1970, May 1970, and September 1970.  While the indicia indicated a quarterly schedule, as one can see from the cover dates, that schedule was very flexible.  Cover priced at just 15 cents, with beautifully painted covers by Steve Grass (first issue only) and Richard Green (possibly for issues two, three, and four), the comic was promoted as the story of "The Hangman Judge" - following the adventures of Mark Colt, a judge who is reknowned for issuing harsh sentences and hanging criminals more often than not.  But, as is made clear in the first issue, Judge Colt harbors a secret - he has a reason for the decisions he makes, and his travels have a purpose other than just dispensing justice throughout the towns of the American frontier.  All four issues were written by Leo Dorfman, who authored a number of Superman-related titles for DC Comics, but also writing some stories for Dell, Fawcett, and Gold Key comic companies.

 

ISSUE 1 - "The Hangman Judge" is told in two chapters, Part I being "Trial by Sixgun" and Part II being "The Justice of the Noose."  According to the Grand Comic Database, the story was written by Leo Dorfman, with art possibly provided by John Celardo.  The issue opens with Judge Colt traveling west in the 1870s, drifting across the Arkansas territory.  He happens across a fierce gun battle between a gang of thieves and military men safeguarding the army payroll.  The leader of the gang is the Tattoo Kid, and Colt takes it upon himself to track him down and bring him to justice.  He ultimately brings the criminal, along with several others, to justice, sentencing them to death by hanging.  Throughout this first issue, there is a subplot, as Colt unmasks every criminal, obviously looking for someone specific.  Plus every time Colt is forced to use his gun for any reason, his hands shake uncontrollably, and he seems incredibly frightened.  I rather liked the fact they did not reveal all in that first issue, but dangled some plot threads for the reader to learn about in future issues (which, thankfully, there were...).

 

ISSUE 2 -  "Death Writes the Verdict" is another two-part story, with Part I as "Justice Stands Trial" and Part II as "Twilight of the Chiefs."  This issue is one again written by Leo Dorfman, but the artist is identified as either Jose Delbo or John Celardo.  Oddly enough, Judge Colt looks considerably older in the art of this issue, from a young man of maybe 30 or so in the first issue to a man who appears to be in his late 40s in this issue.  The story finds Judge Colt in Indian territory, where he rescues an Indian accused of stealing from being hanged. He quickly learns there is a war brewing among the Indian tribes, and when Colt works to aid the Indian he rescued, he makes enemies of a warring tribe. In the end, though, Judge Colt sees justice served and heads on his way.  While we do not learn anything more about the man he is searching for, we do see him continue to shake every time he is forced to use his gun.

 

ISSUE 3 - "Time of the Assassin" features yet another two-parter, with Part I titled "A Man with a Mission" and Part II titled "The End of the Masquerade."  Written by Leo Dofrman, this issue is said to have art by Jose Delbo, although like the previous issues, it is unsigned and uncredited.  This time around Judge Colt helps a missionary group, who is being threatened and robbed by a group of criminals posing as actors.  It is finally revealed that Colt is searching for the men who killed his wife Maria on their second wedding anniversary - "I'll remember their faces! I'll hunt them down, Maria, if it takes a lifetime" he promises his dying wife.  And I was pleasantly surprised by the twist ending, which really caught me off-guard - and made for a great read!

 

ISSUE 4 -  "Trial by Fury" is the final story, with Part I ("Medals of Death") and Part II ("The Final Reckoning") providing readers with the last adventure of Judge Mark Colt.  The art is once again provided by Jose Delbo.  In this final tale, Judge Colt must track down a serial killer who leaves a Civil War medal pinned to the chest of each of his victims.  Colt uncovers a list of victims and races to save the next person on the list, coming face-to-face with the killer - the last person he would have suspected!  After sentencing the man to justice (death by hanging, of course), Col rides off into the sunset, wondering, "Am I any better...? Is it justice I'm handing our, or retribution?  Maybe someday I'll find the answer."

 

Unfortunately, neither Judge Colt nor readers of the comic got that answer, as the series came to an end with that fourth issue.  I was surprised at how much I actually enjoyed reading the series.  Perhaps that is because Judge Colt was not your typical western lawman, and while there were certainly some stand-offs and some gunfights, it was clear that the character only turned to violence as a last resort.  The underlying plot thread of Colt searching for his wife's killers added some depth to the character, and to the stories, and gave it a near soap opera feel to the story.  While each issue featured a different location, different villains, and a different supporting cast, one almost got a feel of "David Banner" from The Incredible Hulk television show - a loner, wandering from town to town, facing criminals and ne'er-do-wells while at the same time trying to resolve his own internal struggles.  The western aspect of the series was merely the setting.  Dorman's storytelling is what made the series a good read.

 

I would have to say this is probably a very underrated series.  Gold Key is probably more popularly known for its Walt Disney comics, as well as its Twilight Zone and Boris Karloff horror titles, as well as a number of licensed properties, such as Buck Rogers, Dark Shadows, The Man from U.N.C.L.E., Star Trek, Battle of the Planets, and others; however, the exceptional writing of this book, along with the art of comic great Jose Delbo, definitely serve to make this book more than just a typical Old West title.  Even for those, like me, who are not fans of the western genre, I would recommend picking up this title, if you can find inexpensive copies.  The stories are well-plotted and perfectly paced, the characters are far more than the stereotypical, cardboard cut-outs - they have depth, and Judge Mark Colt especially tugs at your heart strings as you keep hoping he is going to find those men who forever changed his life.

 

More and more, I'm discovering that Gold Key comics, from Western Publishing Company, was way more than a sub-par comic company.  They offered up some fantastic titles, such as this, that far surpass the stories that are being told in today's comics (I mean, let's be realistic - each of these single story issues would be dragged out over six-issued each in today's market!).  I'm glad now that I picked up these issues, and I certainly will take a closer look at other Gold Key titles I happen to run across while combing through back issue bins as comic conventions!

 

RATING:  8 ever-tightening hangman nooses out of 10 for offering up way more than just western action in through-provoking, moving stories about a man with a broken heart and a true sense of justice! 

The Secret of the Devil's Cave - a Magnum Gothic original

This is now the second Gothic novel I've read that was written by Jennifer Hale (otherwise known as Frank E. Smith (1919-1984), the previous one being Ravensridge, published in 1971, just two years prior to this one.  The plots of both books are entirely different, but the stories are both exceptionally suspenseful and filled with mystery and drama.  I am still, to this day, awed at the ability of these male authors, back in the day, writing so well books aimed at a female audience, capturing so nicely the strength of their female protagonists without making them helpless (but giving them just enough danger to need a man to assist in their journey through the Gothic tropes).  While this book was also written in a first-person perspective (which I am not a fan of at all!), just like the previous book, I will still able to thoroughly enjoy and get caught up in the story. 

 

The Secret of Devil's Cave is a book I would have picked up on the title alone, as it invokes memories of all those children's series book titles from back in the day (The Mystery of ... / The Clue in ... / The Secret at ... / etc.).  The story centers around young Beth Nolan, whose father has died and left her property in the Ozarks of Missouri, on which is located not only a rather large mansion, but also some cave that goes by the name "Devil's Cave."  Beth is shocked, as her father never mentioned this property, and although Beth knows they moved from Missouri when she was three years old, she was unaware he had no sold all of the property the family owned at that time.  It seems her father had some secrets to keep, one of which is a mysterious photograph of a gravestone that is not engraved.  Who would bury someone, place a headstone at the grave, and then not inscribe it?  Having no other choice, Beth temporarily closes the antique shop she and her father ran and travels to Devil's Cave to claim her inheritance.

 

Hale (a/k/a Smith) sets the mood of the story right from the get-go, with Beth driving through some extremely dense fog, lost within the Ozarks as she tries to make her way to the cave.  When she finally comes across a small gas station / general store, she is met with some hesitation when she asks directions to her destination. From the owner of the store, Beth learns the cave is said to be haunted, with people hearing voices calling out in the cave.  She also learns that two girls have died in the cave - one by accident (supposedly), but the other murdered.  And the alleged murderer was never convicted and still lives on the property that neighbors her own!  On top of all that, Beth also learns the Bratcher family lives on her property, having been there ever since her own family left, and everyone thought the family owned the land.  The store owner warns her the family will not be happy when she stakes her claim.  And, boy, he wasn't wrong!

 

Earl Bratcher and his wife are definitely none-too-pleased at Beth's sudden appearance.  Earl insists he has a signed contract with Beth's father, allowing him to manage the property and tourist attraction, yet he persistently makes excuses why he cannot show it to her.  The Bratchers' two sons - Walt and Mark - run hot and cold: Walt is sarcastic and clearly does not welcome Beth's presence, while Mark is a bit more reserved and takes Beth under his wing to try and protect her a bit from his family's harsh attitudes.  The Bratchers' daughter, Leda, is a bit of a wild child, one who happens to be in love with Charles Woodward - the very man accused of killing the young girl in the cave!  Then there is poor Flossie, Walt's wife.  She is not quite all there (being the product of inbreeding, as Earl so bluntly puts it), but Beth feels sympathy for her and tries to become her friend ... until she learns that some years back, Flossie killed her brother's dog and dumped it down the "bottomless" well inside the cave, all because her husband liked the dog better than her ... and she won't let her husband like anything, or anyone better than her ... including Beth!

 

There is definitely plenty of suspense and mystery in this book - who really killed those girls in the cave?  Why did the Bratchers close the cave, and what happened to the guest who disappeared while exploring the cave some weeks ago?  Is there really a hidden treasure somewhere within the cave?  Why does the father of a local artist have a painting of Beth in his house?  What is the secret behind the photo of that tombstone, and how will the answer to that question change Beth's life forever?  What surprising revelations are being held within the old trunk in the basement of the great house?  And just why does that old woman who claims to be a witch think that Beth is a dead woman come back to life?  What knowledge does she have about Beth, the Devil's Cave, and the Bratcher family that will reveal a past so dark and filled with lies and secrets that no one will come out unscathed?

 

This book proved to be a fantastic read, a page-turner that I literally could not put down until I had finished it.  The cover artist is not identified, and while I do like it, I have to admit it has some oddities to it.  Beth's hair flying up like that makes it seem like there's an air draft coming from beneath her (makes me think of that famous image of Marilyn Monroe trying to keep her dress down as the air blows up from below), and those lamp posts are all leaning inward, pointing toward the mansion behind Beth - not sure why the artist chose that kind of perspective, but it seems just a bit off.  However, the barren trees, the coloring of that sky behind the house, and Beth's expression definitely create a sense of terror that fits the story within.

 

That's two for two with the Jenifer Hale Gothics I have read, so it gives me strong reason to find the rest of her (his) Gothics and read them as well!

 

RATING:  10 glass coffins on display out of 10 for a superb Gothic mystery with just the right touches of supernatural suspense and hellish horror!

Agatha, Girl of Mystery #4 - The Heist at Niagara Falls

It's been over a year now since I read my last Agatha, Girl of Mystery book, so I figured it was about time to pick up the next book in the series.  This truly has been a fun series to read thus far, and I have to smile with each character's name - author Sir Steve Stephenson is clearly having loads of fun using names associated with many well-known crime-solving literary sleuths!  Agatha (as in Christie), Dashiell (as in Hammett), Mr. Marlowe (as in Philip), Chandler (as in Raymond), Watson (as in that certain doctor of Holmes fame), Scarlett (a game of Clue, or perhaps Cluedo, anyone?) and the list goes on!  It's literally a smorgasbord of famous sleuths, and the stories remind us that of all them, none can hold a candle to the queen of crime herself - Agatha Christie!

 

The Heist at Niagara Falls follows Agatha and her inept brother, Dashiell, along with their butler, Chandler, and Agatha's pampered and obnoxious Siberan cat, Watson, as they cross the Atlantic to stop a jewel thief on the Canadian border.  As always, it is starts with poor Dashiell, as he receives an urgent message from Eye International, sending him on a new mission - there has been a theft from the Overlook Hotel at Niagara Falls, and Dashiell is to get there, find the culprit, and recover the stolen jewels (p. 24).  Of course, Dashiell knows he could never do it himself, so he rushes to Agatha and asks for her help (and, as an aspiring mystery writer with a mind just chock-full of information, she's more than willing to help!).  Thus, it's a rush to the airport to catch the next flight to New York, where they are picked up by their cousin, Scarlett Mistery, who just happens to be a journalist and joins them on their quest to catch the crook.

 

What I found amusing is that the "Overlook Hotel," which is the scene of the crime where Madame Hofstetter's jewels were stolen (Hoffstetter?  Any relation to Leonard?), is the name of the hotel from Stephen King's horror novel, The Shining.  That book came out in 1977, while this book was originally published in Italy in 2011, so there is a possibility that the author used that name for the hotel as a nod to King.  There is no actual "Overlook Hotel" in Canada.

 

Stevenson has Agatha utilize her exceptional skills of observation and deduction to pick up clues and connect the dots that most people miss, and she soon comes to the conclusion that the thief was none other than Ratmusque, Canada's most notorious thief (who is actually a man named Rick Moriarty - hmmm, that last name sure sound familiar, doesn't it?).  But according to sources, he gave up his criminal activities years ago, so why start back up now?  Agatha and her crew are determined to find out.   They track the mastermind to a secluded cabin, where they nearly run down a Canadian Royal Mountie, who agrees to help them find the culprit.  The trail leads them to the Dark Sky Preserves, which is an actual location in Canada that allows you to get away from the bright lights of the city and gaze up at the stars free from any distracting lights (Dark-Sky Preserves).  Thus, without any distractions, it is here that Agatha realizes they have been chasing after the wrong crook all this time, and she reveals the identity of the true thief before he can disappear with the fortune in jewels!

 

These books are not meant to be heavy reading - at just a little over 100 pages in length, they are simply fun mysteries starring a young Agatha (Christie?) tracking down criminals in order to help her brother succeed at his school for spies.  They are similar to the 10-book Greetings from Somewhere series by Harper Paris, which also features a brother/sister team of kids who travel around the world solving mysteries everywhere they go - only the Agatha series is aimed an audience with a bit high reading level.  As the blurb on the back cover says, "With the smarts of Nancy Drew and the charm of Eloise, Agatha is an exciting addition to the girl-detective canon." (School Library Journal)  If you are looking for something light and quick to read, these are the books for you!

 

RATING:  9 stolen magnetic key cards out of 10 for mystery and adventure in Canada, from the Falls to the Muskoka, and plenty of places in-between! 

Trudy Phillips, New Girl - the first Trudy Phillips book

This series is the first "malt shop" series that I've read (even though I have quite a few of them in my collection).  For those unfamiliar with the term, "malt shop books" refers to books from the mid-20th Century with female protagonists that addressed teen problems in a very clean, wholesome way.  Many were romances and/or career girl stories, but some (like this one) feature a certain element of mystery.  Popular authors from this genre were Janet Lambert, Rosamond du Jardin (my mother's favorite author when she was a teenager), among others.  Whitman Publishing actually published several series in this genre:  Donna Parker, Ginny Gordon, Polly French, and our very own Trudy Phillips.  Trudy only had two books, while Polly had three, Ginny had five and Donna beat them all with seven books in her series.  Since poor Trudy only had two, I figured I would start with hers.

 

Trudy Phillips, New Girl was written by Barbara (S.) Bates (1919 - 2002).  According to the Pennsylvania Center for the Book, Bates was a prolific author, penning quite a few books before her death in 2002, both in the realms of fiction and non-fiction.  In addition, Bates also authored articles about books for literary journals. (Author - Barbara S. Bates) Surprisingly, her books for young readers were published under her own name, rather than a house pseudonym.  The two Trudy Phillips books appear to be the only two she wrote for Whitman Publishing.

 

This first book of the two-book series introduces readers to  14-year old Trudy Phillips, whose family has recently moved to Tylertown where her father has been transferred by his job.  Trudy is very unhappy, as she is having to start a new school.  She bemoans the fact that at her previous school, she was very popular and was a shoe-in as class president for the year.  Now, as a "new girl," she would not know anyone and would have to catch upon several weeks of school work she missed due to the move.  The story's focus is on Trudy's status as the "new girl" at school, the problems she faces, the difficulties she overcomes, the friendships (and enemies!) she makes, and the successes she enjoys as she navigates this new school and its students.  While the book does feature a minor mystery involving various thefts of money, that is more of a sub-plat than the main story.

 

Bates provides Trudy with quite a large supporting cast - besides her parents (Mr. and Mrs. Phillips), there is her younger brother Johnny, a precocious red-headed prankster; there is "Spooky" Ruddle (a/k/a Gwen Ruddle), a young tom-boyish girl in her class who quickly becomes her best friend; there is Mike, the foreign boy who is also new to the school and shares Trudy's concerns about people liking him; there is Stephen, the class nerd who is everyone's go-to if they need help with classes; there is Doug, the editor of the school newspaper; then there are Susan, Ginger, Debby, Dick, Bob, Cynthia, and plenty of other classmates, including Gloria Holden -  the most beautiful, most talented, and most popular girl in the class, who always knows how to make an entrance and who is always the center of attention.  Trudy decides right away she would like to get to know Gloria and hopefully become friends with her.  And this is how the story begins...

 

The book finds Trudy facing any number of teenage problems - from being the only one not invited to Gloria Holden's big party (to be held on Halloween, the same day Spooky holds her annual birthday party!) to inadvertently beating Gloria during a class debate, making an immediate enemy of the girl.  She also must figure out a way to save up $20 in order to purchase this puppy from the town's pet store, while at the same time working on the class play, worrying about whether anyone will ask her to the Thanksgiving dance, and deciding whether she should run for class secretary, as all her friends want her to do.  In addition to all of these, Trudy is also determined to make friends with Gloria, even going so far as to invite her to a party she throws, over all of her friends' objections (which causes a brief rift between Spooky and her).

 

The mystery asserts itself in various places throughout the book.  Money from the ticket sales for the play goes missing.  Stephen's envelope filled with his savings to buy a new bike disappears from his locker.  Debby loses her silver dollar at the school dance.  Money from the school store's cash box is taken.  The more incidents that occur, the more it becomes obvious that one of the students is stealing money.  Stephen and Trudy work with one of the teachers to try and set a trap for the thief, but that goes awry, and the money used as bait disappears, but the thief is nowhere to be seen.  The mystery is not really that difficult (from the very first theft, it was obvious who was doing it and why), but it does add a unique element to the story (and since I'm more of a mystery reader than a romance reader, it definitely made reading this book more enjoyable!).

 

Something I thought was interesting was Bates gave Trudy a "collection of foreign dolls" in her room (p. 32).  It's not too often you come across a series book character who is a collector, and particularly, as in this instance, someone who collects foreign dolls.  It immediately brought to mind the Nancy Drew book, The Clue in the Old Album, as well as the Meg book, Mystery in Williamsburg, both of which featured mysteries that centered around doll collections.  Only, in this book, the dolls are mentioned in passing and never become a part of the story.  Leaves one to wonder why Bates even mentions them at all, unless it is to give Trudy a stronger feminine side to her character (since collecting dolls could be seen as more of a female hobby).

 

The book is illustrated by Dorothy Grider (1915 - 2012), who happens to be a Kentucky native (my home state!).  She got her BA at Western Kentucky State College and went on to study art in Paris.  Grider illustrated a large number of children's books, including the Trudy Phillips books for Whitman.  Her two-page endpapers depicts a scene that coincides with the cover art (also provided by Grider, based on what I was able to discern online) - both scenes reflect Trudy's arrival of her first day at Tylertown Junior High School (finally! endpapers that do not spoil any of the story, as so many of Whitman's books seem to do!).  The endpapers show her hurrying towards the front doors, with groups of students standing around (and it's amazing how easily one can pick out the various characters in their scene, as Grider definitely utilized the character descriptions for her art - with Dick talking to Gloria on the bottom right, while Steven is chatting with Ginny (or Debby) on the bottom left side, while Mike and Spooky are hurrying through the gate).  The brightly colored cover shows the same scene moments later, as Trudy climbs those front steps, with Steven and Spooky seated on the steps and Mike leaning against the wall.  Trudy is even wearing the red sweater and plaid skirt (p. 11) described in the book.  The cover wraps around to the back, where we find Gloria talking with one boy, while another is watching them from the window.  

 

While I've seen mixed reviews about the book online, I rather enjoyed the story.  The mix of theater and mystery, swirled around with all of the other teen antics, made for a rather fun drama.  And I actually found myself identifying with characteristics from several of the characters, which endeared me to pretty much all of them (except Gloria - the typical mean girl!).  Overall, I think this was a great introduction to the Malt Shop Book genre, and I am looking forward to reading the second book in this series.

RATING:  8 yards of glimmering brocade in the palest shade out of 10 for terrific tale of teen angst, romance, mystery, parties, theater, elections, and everything else that would make for an enjoyable read! 

A Zebra Mystery Puzzler #23 - Death in a Small World

Another new protagonist and another new author enters the Zebra Mystery Puzzler series with this book.  The 23rd book in the series is the first written by Laura Colburn, being followed up by books 34 and 46.  Colburn, in reality, is Ian McMahan, an award-winning author  and developmental psychologist who under his own name wrote a number of books, both fiction and non-fiction, including the three-book Microkid Mysteries and the one ESP McGee mystery for young readers back in the early 1980s.  I was not really sure what to expect from this book, considering the author's background (but, as one might expect, it turns out one of the characters in the book is a psychologist, which provides the author with an opportunity to include his profession into the story).  However, after a bit of a slow start, the book actually turned out to be surprisingly good.

 

Death in a Small World does not refer to a ride at Disney World, but rather, to just how small our world really is when it comes to running into people from our past in the most unexpected places.  What's the old expression about being in the right place at the right time?  Only, in this case, it's about someone being in the wrong place at most definitely the wrong time.  Our amateur sleuth in this book is Carol Gates, an artist and illustrator who is a part of the '70s bohemian movement in the Soho district of New York City. She happens to be at a party thrown by two of her friends, which is attended by a number of aspiring artists, several art dealers, and a few other miscellaneous people - including Steve McCullough, a stranger known only to the hosts (or so everyone thought!), who Carol finds dead in the elevator shaft clutching a gold lighter.  Was it an accident, as the police believe?  Or was it suicide, as Carol's friend Ginny firmly thinks?  Or was it cold-blooded murder, as Carol is sure it is?  Since the police are not investigating, and no one is really questioning it, Carol takes it upon herself to find out the truth - after all, being the daughter of a retired police chief, she has an inquisitive mind and an eidetic memory, so who better to solve a murder no one believes was a murder?

 

Colburn (a/k/a McMahan) does not open the story with his main character as most of the book do; rather, he opens it with his two main suspects - Angelo and Ginny Politano, an art-loving couple who are getting ready to host a very important party for their bohemian friends.  However, news of Steve McCullough's arrival causes a massive disruption in their plans, because it seems Ginny has a hidden past with Steve, and when Angelo finds out what it is, he becomes very unlike himself.  But, the party must go on, and so it does - until Carol is ready to leave and along with a fellow guest, Bob Fletcher (manager of several local buildings, including the one in which Carol lives), they wait for the elevator to arrive.  When it does, though, it bears an unexpected surprise - the body of Steve McCullough.  Carol knows there is something off - but her roommate doesn't believe her.  Her own boyfriend doesn't believe her.  Angelo and Ginny do not believe her.  Even Steve's best friend from the army who comes to town to claim the body does not believe her.  Despite all of this, Carol knows she is right, and she begins investigating, questioning everyone she can find from the party to find out what discussions they had with this stranger that no one (except Angelo and Ginny) knew.

 

The story then follows Carol as she starts questioning everyone. Angelo and Ginny know very little about Steve, other than his past affair with Ginny.  From attorney Robert Silverman, she learns about Steve's interest in Nazis who absconded with valuable art from Germany after the war.  From Steve's best friend, Arnie, she learns about his obsession with finding one particular Nazi by the name of Hans Bruckner who disappeared after the war.  From two different art dealers, she learns just how important that stolen art might be worth and what it cost people to escape from Germany after the war.  From Bob Fletcher, the building manager who knows some art dealers, she learns that both of the art dealers have something to hide.  From Steve's own attorney, Theodore Hornby, who is handling his estate, she learns not only a lot more about Steve's past, but also that his will leaves quite a large sum of money to his former lover - Ginny Politano!  The more Carol learns, the more questions there are, and the more suspects there appear to be.  When another guest from the party turns up dead from yet another apparent accident, and when two attempts are made on Carol's life, she knows she is getting closer to the truth. With nothing else to do, and with the help of her boyfriend, Carol sets up a trap to trick the killer in to revealing himself - the only problem is, the killer turns the tables on Carol, and she is the one tricked!

 

While I was not able to get into the story at first, it quickly shifted gears and the more information Carol (and I!) learned about Steve and the possible motives and suspects, the more interested I became in the mystery.  Every time I thought I had an idea of who did it, a monkey wrench got thrown into the works, and suddenly I changed my mind and went with another suspect (however, I should always trust my first instinct, because the person my gut first told me was the killer did turn out to be the culprit!).  I have to give Colburn (a/k/a McMahan) credit for crafting a well-written mystery.

The cover art, which depicts the scene where Carol finds Steve's body in the elevator, is painted by Mel Greifinger, the same artist who provided covers for The Curse of the Golden Skull and The Final Appointment.  None of the interior illustrations identifies the artist, but the shading and drawings seem similar to some of the other books in the series, so it was likely someone who Kensington Publishing Corp. used on a fairly regular basis.  The illustrations do not, in and of themselves, point to any specific clues, but rather, they merely depict scenes that are important to the story and moments at which Carol learns (or should have learned - such as the fact that one of the suspects, who turns out to be the killer, is left handed - it's a subtle sort of thing, but it's there if you notice it) something that would ultimately lead her to the solution to this mystery.

By the end of the book, I found I rather like Carol Gates, and I'm happy to know that I'll get two more adventures with her before this series ends!

RATING:  9 heavy attache cases out of 10 for a creative plot that works overtime to mislead the reader, taking you in one direction, when the truth lies in an entirely different area!

Epilogue to a Christmas Murder - the eleventh (and final) Beyond the Page Bookstore Mystery

It took a lot of strength for me to finally pick up this book and read it.  Ever since I picked up the first two books in this series and began reading about Addie Greybourne back in 2019 (just six years ago???), I have been absolutely hooked.  The characters are so real, the stories so engaging, and the crimes so well-plotted - I felt like this had become a real little world of which I had the privilege to peek in and watch from time to time.  Over the past six years, I have been fortunately enough to communicate with the author, Lauren Elliott (a/k/a Linda Maureen Fowler), on any number of occasions, and I found her to be personable, considerate, and simply wonderful to chat with.  So, it was with shock and profound sadness when, back in August, I and other fans of Elliott and her books learned that this amazing woman had passed away on August 11, 2025.  I was so stunned, and it was shortly after her passing that this next book in her Beyond the Page Bookstore Mystery series was published - the last one she wrote before she died.  I bought the book and put off reading it, because I knew that once I did, there would be no more - that the adventures of Addie Greybourne and her ever-growing supporting cast would come to an end.  But my love of Elliott's writing and her story-telling skills got the better of me, so I picked it up, determined to take my time and relish every page for as long as I could.  Well, it only took me two days to read the book, I got so caught up in the story and just HAD to know who did it and why!

 

Epilogue to a Christmas Murder, while not intended to be the final book, is certainly the perfect book end for this series.  Over the past several books, Addie Greybourne's life has gone through a number of changes - her best friend, Serena, has gotten married and had children.  Her first love when moving to Greybourne Harbor, police chief Marc Chandler, found a new love and has settled into marital bliss.  Her bookstore and curio shop has grown so that she had two employees helping her out - Paige and Nikki.  Her most recent love and ex-fiance, Simon Emerson, has reunited with his wife and son, starting a new chapter in their life. Her mentor and mother-figure, Catherine Lewis, has married a globe-trotting man of mystery, and she is rarely in Greybourne Harbor any more.  As for Addie herself?  Well, she has returned after taking a year's sabbatical in England, where she not only solved a murder, but found her heart falling for a certain detective inspector (Noah Parker), only to leave England before it ever even had a chance.  Now, Addie is back in Greybourne Harbor, everything and everyone has changed, and Addie doesn't know where she fits in any more - but one thing's for sure, wherever Addie is, a murder is never far behind!

 

The town is gearing up not only for the Christmas gala at the museum, located just above the rocky cliffs of the harbor, but also for Paige's Christmas day wedding to her boyfriend, Logan.  But nothing is ever easy when Addie is around  first, Paige's wedding plans are disrupted when her wedding planner quits after Paige's mother (who happens to be Addie's business neighbor, Martha!) takes over planning the wedding - since she is paying for it, she will make all the decisions!  As Paige's maid of honor, it's up to Addie to try and smooth things over before Paige and Logan decide to elope!  Meanwhile, the "Twelve Days of Christmas" fundraiser and gala faces an uncertain future when all of the donations - including a first edition copy of O. Henry's The Four Million, which contains his famous short story, "The Gift of the Magi" and was delivered all the way from England - are stolen right out from under Addie's and the entire board's noses!  And when a body turns up at the bottom of the cliff, just below the museum from where the presents were stolen - well, let's just say it does not look like anyone is going to have a very merry Christmas.

 

Oh, did I mention that the book Addie was donating, which was worth quite a hefty sum, signed by O. Henry, and came all the way from England, was hand delivered personally by none other than Detective Inspector Noah Parker!  No one is more surprised than Addie, who thought she was never going to see him again. However, it's a good thing he's in town, because it turns out that the dead body is Nikki's ex-husband, Chad, who she divorced and ran away from because he was so abusive.  All evidence points to Nikki as the killer, and since she is Marc's cousin, he has to take a leave of absence while Noah is asked to step in and head up the investigation.  So, it ends up with Nancy Drew and the Hardy Boys ... er, I mean, Addie alongside Marc and Noah ... working together to figure out who the real killer is so Nikki does not end up being railroaded by a politically-minded mayor who is running for re-election and wants this case wrapped up quickly.  As the evidence builds against Nikki, Addie is more convinced than ever that someone else is to blame, and she's determined to prove it, even if that means she has to do it on her own!

 

The book, which, I think, is probably the longest in the series, weighing in at 360 pages, splits its time between Addie trying to figure out who killed Nikki's ex-husband and Addie trying to figure out just who she is now and how she fits in with all of the changes in her friends' lives.  Anyone who has ever had some major upheavals in their life and had to make some major changes will appreciate the frustration, sadness, and constant questioning that Addie goes through over the course of the book.  And while, from the very beginning of this series, I have been a big supporter of Addie and Marc, I can admit that maybe, just maybe, our English inspector might actually be a better fit for Addie.  Thankfully, she figures this out by the end of the story, as well, after she manages to uncover the identity of the real killer, thereby proving Nikki's innocence (and proving, as she always does, that she was right all along!).

 

Elliott, who admits to being a fan of Nancy Drew, having read all her books growing up, manages to sneak a Nancy Drew reference into this book!  When Addie is at the police station, where a press conference is set up, she asks one of the reporters if she remembers her, and the reporter responds with, "My favorite bookseller and Greybourne Harbor's very own Nancy Drew" (p. 149).  Elliott also slips in a British female detective reference, when Noah refers to her as "Agatha Raisin" (p. 194), which is a British television series about an amateur female sleuth (and it happens to be based on a book series by M.C. Beaton).  I suppose Elliott wanted to give both American and British readers a bit of a nod with famous female detectives from both sides of the pond.

 

The only thing that left me a bit nonplussed with this mystery is the fact that we never find out who stole the presents (and Addie's valuable book) from the museum.  Addie kept wondering if the theft and the murder were connected, but after it turned out they were not, and the real murderer is revealed, the theft is pushed to the back burner.  There is an epilogue of sorts (perhaps where the title comes from?) where some of the stolen items show up on the doorsteps of various people in town, all wrapped up in shiny Christmas paper, with sleigh bells being heard by each person who finds the gift on their front porch.  It seems everything EXCEPT the O. Henry book is returned, and nothing further is said about it.  I realize with the Christmas theme of the book, the hint here is that perhaps "Santa" took the gifts and gave them out to those who they should go to (especially since the man who stole them was dressed up as an elf, and no one knew who he was);  however, I just feel like Addie would be more invested in finding that missing book and the thief who took it.  Maybe it was a plot thread that was going to come back in play in a future book, but now....oh, well, it's a mystery that shall forever remain unsolved.

 

And now it's over.  Addie's mystery-solving days in book form are over.  I would like to think that her sleuthing days continue, as she and Noah continue to work together to solve murders in Greybourne Harbor, as well as Pen Hollow, and maybe even Moorscrag, as well.  I have no doubt Elliott had many more ideas in mind for her book-minded sleuth, and I'll just have to imagine what they might have been (perhaps even one day solving the mystery of what book is the REAL first edition of Nancy Drew's Password to Larkspur Lane...).  Elliott will be greatly missed, as well Addie and all of her friends and family...until we meet again!

 

RATING:  10 pairs of red-and-white mittens out of 10 for providing Addie (and readers!) with one final mystery that gives us all a nice, well-wrapped conclusion to the tales of Addie Greybourne.

Harlequin Gothic Romance Series No. 32015 - Island of Mystery

"It was the perfect summer job, or so she thought - until it became a nightmare of danger and intrigue" (cover blurb) 

 

The fifteenth Harlequin Gothic Romance was written by yet another new author to the line:  Margaret M. Scariano.  Ms. Scariano (1924-2013) was the author's actual name, and she was a graduate of Fresno State who went on get a master's in English from Illinois State University.  She was not exactly a prolific writer, having only 18 books published; however, her works were of a wide variety, including stories for lower reading levels, young adult fiction and non-fiction, adult stories, and this book - her one and only contribution to the Gothic genre.  Based on this story, it is rather surprising Scariano did not write more Gothics, as she definitely has the talent for it, capturing the right mix of mystery, suspense, and romance.

 

Island of Mystery is the story of a young woman hired to help organize a wealthy family's papers to help put together a family history, and in order to do this, she must travel to an isolated island and stay in a rather foreboding house with family members who do not necessarily want her there!  If this plot sounds familiar, perhaps that is because it is a nearly identical plot to Tree of Evil, which book I just read and reviewed just two weeks ago.  I have no doubt there are plenty of Gothic novels from his era with similar plots (considering the plethora of books pushed on the market at the time, there would have to be!), but I do find it rather amusing that by pure chance I would read two books so similar this close to each other.  I mean, the opening sequence with the young protagonist on a boat, traversing rough waters to get to the island is almost identical to that of Roberta Morrison's Tree of Evil.  Both stories also feature a family member who dies from falling off a cliff, and both stories feature a locked room from which sounds can be heard (when there is not supposed to be anyone in there), as well as some secret that is held within the family papers that someone is willing to kill for. And if that were not enough, but stories have natives (Hawaiians in the Tree of Evil, and Native Americans in this one) who play an important part of the tale.  Thankfully, though Scariano eventually diverges and provides some variations that gives this Gothic some distinction from the other.

 

In Island of Mystery, Jenny Fletcher (a relation of Jessica Fletcher, perhaps?) is a grad student who goes go Lone Lake Lodge in order to help Grace Hamilton put her family papers in order so that they can be donated to the Montana Historical Society (the author likely chose Montana as the setting, since she was originally from that state and began her college career there).  From the moment of her arrival, however, there is unrest with the family.  Grace resides on the island with her two nephews - Glenn and Martin Larabie, whose mother was Grace's sister.  She took them in after their father left and their mother died in a tragic boat accident.  The brothers are at odds, however, on what Grace should do with the island when she dies, and poor Jenny gets caught in the middle.  Bobby Black Bear, the Native American who also resides on the island, warns her not to take sides, as it will not end well for her.  Jenny also learns that Grace has had previous secretaries, none of whom lasted very long.  Jenny is determined to prove them wrong, as she plans to use the Hamilton family history as a part of her thesis for grad school.  She just never realized the tension she was going to face in the great house.  To round out the oddball cast, there is Lone Willow, the companion to Grace, a young Native American who is going to college via correspondence courses (yes, this definitely shows the age of the book!), and who the family affectionately refers to as "Ruthie."  There is also Mr. Alger, the rather rough-around-the-edges cook who makes it clear in no uncertain terms that he knows the real reason Jenny is there and does not want her there.  

 

The mystery comes into play when Grace and Jenny come across an old lease that reveals the island was only leased to her family, and neither she, nor the boys, own the property.  Jenny is certain they will come across a later document that eventually transferred title, but Grace is unsure.  When Grace finds the diary of Glenn and Martin's mother, she learns a dark secret that could have very serious repercussions on the entire family, particularly with regard to who really owns the island!  Unfortunately, before she can reveal the truth, she is murdered, and the diary goes missing.  Jenny soon finds her life is in danger, as someone thinks she knows what was in that diary, and they are determined to keep her from revealing it!  The suspense really plays out in the final act of the story, and in true Gothic fashion, everyone's secrets are revealed at last, and Jenny (along with the reader) learns that not everyone is who they say they are!

 

The cover artist is not identified, but the art is beautifully rendered.  The scene is actually a mixture of several scenes - one scene, where Jenny is pushed down the stairs when exploring the fourth floor ballroom, and another scene where Jenny has found the diary on a stormy night.  The only thing I noticed about the art (and it's rather nit picky, I know) is that while Jenny's hair appears to be blowing from the wind, the wick of the burning candle does not appear to be affected at all by that same wind.  (And since that particular scene of Jenny occurs while she is in a room with a broken window, it would only make sense that the wind from the storm outside was blowing in, affecting both her hair and the candle.)  This is probably one of my favorite covers from this series - that half turn, the storm outside, the hands reaching out for her. It breaks the mold of the stereotypical "girl running away from the house in the background" standard scene and instead gives us a tension-filled moment where we can almost feel Jenny's fear as she is about to be pushed.

 

One thing I did want to mention was the author's choice of names for the cook.  Mr. "Alger" made me immediately think of Horatio Alger (1832-1899), who was a very prolific author of young adult novels in the second half of the 19th century.  Most of his stories are referred to as "rags to riches" tales about young lads in poverty who rise above their circumstances to make good for themselves.  Interestingly enough, one of Alger's pseudonyms was Arthur "Hamilton," which also happens to be Grace's last name in this book.  It could be pure coincidence - or, just perhaps, Scariano was actually paying a slight homage to a fellow author, albeit one a bit before her time.

 

RATING: 9 rugged mountain sheep out of 10 for spinning a slightly new take on an already established Gothic plot - and throwing in a few surprises along the way.

The Sacred Scimiter - a Hope Twins Adventure Story

And so we continue with the unusual adventures of Dave and Will Hope - the twin aviators who seem to be known around the world for having been the first individuals to make a non-stop flight across the Pacific Ocean.  I did not thin author William Dixon Bell could take these boys on any wilder adventures than they faced in the last book, but Bell did not disappoint.  This book finds the boys thrown smack dab into the middle of a Holy War, with warring religious factions in the Arabian deserts.  And the title?  Well, let's just say the title to this book does not actually come into play until, quite literally, the very end of the story.

 

The Sacred Scimiter picks up directly after the end of the last book. Astute readers will recall that at the end of the previous story, the Hope Twins were flying to Teheran (which, for those who do not know, is the capitol and largest city in Iran!) with Theodore Curtis and the young woman (who believed she was a goddess) they rescued from the Tibetan mountains.  Well, as this first chapter opens, the brothers and Theodore Curtis have arrived in Teheran - the only thing I was left wondering is - what happened to the girl?  There is only the briefest mention of their adventures in the previous book and how they rescued the girl; yet, there is no mention of her and Curtis falling for one another, and Curtis' decision to take her home with him. In fact, Curtis seems to have completely forgotten about her, as he chats with Dave and Will before taking off on his own.  Are readers left to believe the girl decided to take off on her own as well, or was she safely stored away somewhere, and Curtis just did not feel any need to mention her to the boys?  Whatever the reason, I must say that unresolved plot threads are always quite annoying...

 

As soon as Curtis takes off, the boys are met by a mysterious woman - a Persian woman who happens to speak English - a woman who is in desperate need of help - a woman who is being watched by a strange man with a bent nose and damaged ear - a woman who is willing to pay the boys $25,000 (which would be more than $570,000 in today's dollars!!!) to fly her anywhere and everywhere she needs to go to accomplish a mission about which she cannot tell them - a woman who, as it turns out, is not a woman at all, but a man in disguise!  Once again, the boys undertake a strange mission after being hired by a mysterious stranger (a plot element that is a commonality between the two books) - only this time, the brothers have no clue where they are heading with each flight, and they must deal with the odd bent-nosed man who keeps turning up everywhere they go.  To make matters worse, each time they land, their mysterious benefactor takes off, leaving them to fend for themselves in Arabian countries where they are looked at with suspicion and treated with less than respect.

 

The author spends a considerable amount of time talking about the Muslim religion, their religious practices, and their war against British rule.  Interestingly, this was likely taken from the real "holy war" that was going on at the time this book was written, as between 1936 and 1939, there was an Arab revolt in Palestine, fighting against the British rule and its policies related to Jewish immigration and the sale of land in the area.  In the story, Dave and Will find themselves in the middle of the war, slowly learning that their benefactor is a key player in this war.  Surprisingly, Bell does not have his twins take a side in the matter - in fact, they persistently complain about their distrust of their benefactor and their desire not to do anything illegal or that would place them in a precarious position with the laws of the lands they are forced to visit.  Ultimately, the man they are helping gets what he is after (the "sacred scimiter" that is somehow important to the Arabian cause, yet it is never mentioned or seen until the very last chapter, with its importance not explained until the very last paragraph of the book!), and the Hope twins are able to escape all of the turmoil of the area with the ability to finally get out from under the thumb of their benefactor.

 

The subject matter is a very odd one for a children's book, with a heavy emphasis on the war and the religious aspects of the people involved.  There is a certain level of mystery surrounding their benefactor's motives and real identity, and there is plenty of adventures as the boys fly from place to place; but the heavy emphasis on political and religious intrigue made this book read more like an adult story of spies and espionage than a children's mystery / adventure book.  And speaking of the religious aspect, at one point when the boys are flying over Kirkuk, which is a large oil field in Northern Iraq, their passenger points to the area that many believe to be the "fiery furnace" into which the king threw Shadrach, Meshach, and Abednego for refusing to worship him (p. 100).  This location is, in reality, Baba Gurgur (literally "Father of Fire" - The Eternal Fire at Baba Gurgur), which contains a fire that is alleged to have been burning for more than 4,000 years!  Bell also has the boys come across a silversmith who claims he and his people "are the famous silversmiths of Amara ... in addition are the descendants of John the Baptist" (p. 138).  This is likely a reference to the Mandaeans, who revere John the Baptist and believe he was the final and most important prophet.  Later in the story, while flying over the Dead Sea, David jokingly asks, "Do you suppose that sea is the pillar of salt that Lot's wife turned into?" (p. 189).  In addition to all of this, the author also takes the twins into what is referred to as the Great Mosque - in the book it is called "Ka'ba" (p. 217), which in the real world is more commonly spelled Kaaba (Kaaba - The Great Mosque).  Bell's explicit descriptions and references to religious locations and stories leads one to question whether Bell was a student of the world's religions, or if perhaps, he was a Christian who had a good deal of knowledge regarding other religions (and I say that because in both books, the Hope Twins are skeptical and questioning of religious beliefs that do not acknowledge the one true God and the history set forth in the Bible).

 

Thankfully, there were not more adventures of the Hope Twins written after this book.  I have no idea how these books were received back in the late 1930s when they were first published, but they definitely do not hold up well, especially against today's world views, and the plot and characters in this particular book are much too intense for a pre-teen audience.  I would have to agree with the author of the University of Texas webpage on the author, in which he states that Bell never appears "to have made a great success as an author of novels for teenage readers" (William Dixon Bell) - because based on these two books alone, I honestly cannot imagine too many teens or pre-teens who would like these books!

 

I'm just glad to have both of these behind me now, so I can move on to "hopefully" better reading!

RATING:  6 magnificently jeweled scimiters out of 10 for sending these adventurous young aviators into areas and dangers around the world that most series book writers would never dream of taking their sleuths! 

The Secret of Tibet - a Hope Twins Adventure Story

This book is part of a series featuring Will and Dave Hope, two young aviators who happen to be twin brothers.  You do not come across too many series books which feature twins (The Bobbsey Twins are probably the first, and most popular, to come to mind), so when I come across any, I pick them up.  This particular series was mentioned in a Facebook group for collectors of children's series, and thankfully, the two books were not too difficult to find with dust jacket.  Published by Goldsmith in 1938 (although one website about the author indicates this book came out in 1938, while the next came out in 1939 - William Dixon Bell - however, both of my books show a copyright date of 1938), the books feature a strong continuity, as one book picks up literally right after the ending of the book before it.

 

The Secret of Tibet introduces readers to Will and Dave Hope, twin brothers who are in Shanghai, China after winning a contest by being the first flyers to cross the Pacific Ocean non-stop.  While there, they meet a stranger by the name of Theodore Curtis, who engages their services to fly him to the hidden city of Tibet, where he believes his friend, Professor Alfred Noll, is being held captive.  The Hope twins are suspicious at first, but Curtis convinces them and offers to have the National Scientific Society pay their expenses (but, sadly, no salary).  The boys' hesitation ends when a mysterious Chinaman with a scarred face appears everywhere they turn - and when Will is knocked unconscious after catching someone trying to sabotage their plane, the brothers realize they must help Curtis, as his friend (a fellow American) could be in serious trouble!

 

The story takes some rather unusual and, well, rather unbelievable turns as it progresses.  While the fancy, trick flying could be possible, the number of instances that the plane takes off and lands in places with little runway space is a bit far-fetched.  And when the twins, along with Curtis, find the hidden village, they come across a young woman - who happens to be Caucasian! - who thinks herself a goddess (actually, she believes she is a mixture: half Drolma, goddess of mercy, and half Dordjelutru, the god of the highest mountain [p. 126]).  And she happens to be quite fluent with the English language.  And she happens to believe the scar-faced Chinaman is a ruler of the people who can be trusted.  I cannot imagine what Bell was thinking when he wrote these elements into the story.  Plus, for this to be a book aimed at "boys and girls," as the back of the dust jacket proclaims, the fact that this girl is "almost naked" (p. 123), as can be seen on the dust jacket cover art, is a bit too risque for young readers!

 

As one might expect, the story does feature a lot of flying, and there is even a battle in the sky when the Chinaman and his villainous cohort chase our twin heroes in their speedy yellow plane, shooting a machine gun at the Hope twins!  Despite the damage done to their plane, the boys manage to climb down into a wooded area in the middle of nowhere, between the mountains, to find exactly the type of wood they need to make the necessary repairs.  How convenient is that?!  Of course, the boys ultimately outwit the villains, and not only do they rescue Prof. Noll (who they find to be naked as well [p. 177] - what is it with Bell and his naked characters?), but they also manage to sneak out the young goddess girl, who takes an instant liking to Curtis and agrees to leave her home where she is worshiped to start a new life in the outside world with Theodore Curtis!

 

One thing that did surprise me (and it was a pleasant surprise, considering some of the material in this book!) was the twins' refusal to believe in reincarnation when the young "goddess" tells them she has been reincarnated a thousand times.  Dave firmly tells the girl, "...you should be ashamed to claim to be a goddess.  There is only one God - the God who moved upon the face of the waters and gathered them together.  To Him only I pray" (p. 132).  It's not very often you see a series book character so bluntly express their belief in God and to stand strong like Dave does with his conviction of there only being one true God.  Sure, other series characters make vague references to attending church on Sundays, but outside of Christian books, I cannot recall another series that states a belief in God so firmly as this one does.  It rather made up for some of the other nonsense that goes on in this story.

 

While some online sites negatively critique Bell's writing, particularly with some of his dialogue, I actually enjoyed the banter between Dave and Will - it was fun and, to a certain extent, felt natural, with the boys constantly making snarky comments to one another.  Some of the "native" language and pidgin English is rather off-putting at times; however, the depiction of the Chinaman and the other characters the Hope twins meet along the way are nothing more than a reflection of the time in which the story was written (remember, the book was published nearly 90 years ago, and American views on foreigners, particularly between the two World Wars, were not exactly respectful).  Thus, I simply put them in that context, and they did not bother me as much.

 

One thing to note - I had assumed that this book and the next one were the only two books in the "Hope Twins" series; however, it appears there was an earlier book, The Lost Aviators (published more than ten years prior in 1924) that is the first book to feature the flying brothers.  Since this book makes considerable reference to the boys' famous flight across the Pacific, and the prize money they won for making the flight, one might assume that story is told in The Lost Aviators (which, ultimately, would make this a three-book series). Yet, some online research reveals the plot of that book involves three boys who start out on a hunt for some army aviators who were lost while traveling from San Francisco to Panama (sadly, I don't find reference to the names of these young boys, so I can't be sure if two of them are the Hope twins or not!).  Therefore, until I can snag a copy of that book and read it, I cannot be sure whether it truly is a prequel to The Secret of Tibet or not.

 

Nevertheless, the next book is a direct sequel to this one (picking up literally where this one left off), so I will be curious to see what strange adventures await the twin brothers in their next adventure!

 

RATING:  7 bridges made of slender bamboo rope out of 10 for sending two teenage boys on some crazy and unbelievable adventures into unexplored terrain between the mountains of Tibet!

Ripped to Shreds - a retro-'80s horror graphic novelization

I am a HUGE fan of '80s horror/slasher flicks.  Ever since I watched my first Friday the 13th film on cable TV back in the early '80s, I was hooked.  As the years went by, I watched every slasher film I could get my hands on - Friday the 13th, A Nightmare on Elm Street, Texas Chainsaw Massacre, Halloween, Prom Night, My Bloody Valentine, Terror Train, New Year's Evil, Silent Night, Deadly Night, Happy Birthday to Me, Final Exam, The Funhouse, Chopping Mall, and the list goes on.  Some were great, some were good, some were bad, and some were just plain awful. The love of this genre has continued on till today, with films like Scream, I Know What You Did Last Summer, Happy Death Day, Wrong Turn, and so on - but, honestly, nothing compares to the zany stories that made up those '80s films.  I mean, anyone who has ever seen the Sleepaway Camp films knows exactly what I'm talking about.  So, when I saw the Kickstarter for this graphic novel, there was no doubt that I was going to get it.

 

Ripped to Shreds is a love letter to fans of those '80s slasher films.  In fact, it was originally supposed to BE one of those '80s slasher films!  Ripped to Shreds is based upon a screenplay written by Michael Johnson, which was initially advertised to begin filming in late 1980.  Unfortunately, the project remained in what is affectionately referred to in Hollywood as "development hell" for three years, and ultimately it was scrapped, thought to become just another in a long line of "lost" slasher films never to be made.  Flash forward more than forty years later, and a collector happened to come across the one and only surviving copy of the Ripped to Shreds script - a copy that Apostrophe Comics has brilliantly turned into a beautifully bound, fantastically drawn, and superbly scripted graphic novel that captures the true essence of the film and the genre!  Adapted by Scott Alan Gregory (writer), Thiago Motta (illustrator), and Karla Aguilar (colorist), the graphic novel is the ultimate must-have for die-hard fans of 1980s' slashers!

 

The story is actually a mix of elements that would have turned out an amazingly great film!  An opening flashback to a campfire, where teens are getting drunk, and where three girls take off in a car, only to pick up a lone hitchhiker - a man who slashes them with his metal claw, causing them to crash - and only one girl survives!  Years later (the present - 1980s), another group of teens are around a campfire, talking about the legend of the clawed killer and the fatal car crash.  Some people believe if you drive that same road at night, the ghost of the murdered girls will appear in your car and force you off the road.  Needless to say, one young couple have to put the legend to the test - and they pay the price for it.

 

The two main characters - Madeline (modeled after Lauren Marie-Taylor from Friday the 13th, Part 2) and Richard (modeled after Russell Todd from Friday the 13th, Part 2) set about to uncover the truth.  Is the legend true?  Is there a clawed killer our there?  Or did their friends merely die as a a result of a freak accident?  Like any good slasher movie, there are any number of suspects - the suspicious gardener who is uber-religious and is keeping his daughter (the only survivor of that original accident all those years ago) captive in her own home; the juvenile crime detective, who seems to have an unhealthy interest in the investigation and the teens; or even that girl who survived the original crash, whose mind is now fractured.  Before you can say "booze, sex, and drugs," the bodies start to pile up, ripped to shreds by that deadly claw (hence, the title!), and Scott and Vickie ... er, I mean Madeline and Richard have to work harder to uncover the truth.

 

Fans will enjoy the ultimate revelation and backstory, as you learn the truth about what really happened all those years ago and who was really at fault for the death of those girls.  Madeline gets a fantastic final girl battle against the killer in a darkened house, wearing nothing but a towel wrapped around her (she was, after all, in the shower when the lights went out!).  I love the ingenuity the character uses to lure the killer into a deadly trap, so just when you think he has her, she turns the tables and kills the killer!  There is a nice wrap-up scene as Richard accompanies Madeline in the ambulance to the hospital, explaining to her the truth about the killer identity and why the murders were taking place ... only to get that one final shock at the end - a surprising twist that would have left the door open for a sequel (of course, that would have necessitated the first film ever being made in the first place!).  

 

The hardcover book contains no only the full adaptation of the script, but plenty of special features in the back to make you feel like you were enjoying a DVD / BluRay version of the story.  From an interview with the original screenplay writer, Michael Johnson, to interviews with both actors (Russell Todd and Lauren Marie-Taylor) about their involvement in the project, to production designs of the killer claw, as well as commentary about the overall production of the graphic novel, character design pages, and a cover gallery.   

 

This book deserves the greatest of all accolades for successfully bringing back a 1980s film in a format that is both visually and artistically pleasing, and will satisfy any fan's appetite for a "new" '80s slasher!

 

RATING:  10 mutilated bodies hanging upside down out of 10 for a true '80s classic - the perfect horror / slasher flick that, sadly, was never made!

Tree of Evil - a Paperback Library Gothic

This is one of those books where, from the very first page, there is tension and suspense that holds strong throughout the entire story!  I was not familiar with the author Roberta Morrison prior to picking up this book, and it turns out this is Morrison's only book - although it is NOT the author's only book.  How, you ask, can that be?  Well, obviously, "Roberta Morrison" turns out to be just one of many pseudonyms used by prolific author Jean Francis Webb III (1910-1991), which is a name I have seen before.  Webb wrote mysteries (1930s), nurse romances (1950s), and a number of Gothics (1960s), using not only the pen name Ethel Hamill (his mother's name), but also his own name (which many probably mistook for a woman's name).  He also wrote a short story for the first issue of Dell's Gothic Romances magazine published in 1970.  You can find out more about Webb from this vintage nurse romance novel blog page (Jean Francis Webb III).

 

Tree of Evil was published in 1966 by Paperback Library, Inc. as "A Paperback Library Gothic."  This is the only Gothic that Webb wrote using the pseudonym Roberta Morrison, which was  play on his maternal grandfather's name (Robert Morrison).  The story is set on a remote island in Hawaii, where young Nell Jordan goes to perform research for a book she has been hired to write about the history of the Drakewood family.  The family patriarch, Calvin Drakewood, has hired her to go through all of the family's papers and compile a comprehensive history - but upon her arrival at the isolated Drakewood mansion, she is met with outright hostility by members of the family who clearly do not want her there. Calvin is back on the main island, and the only person who could possibly help Nell, Roy Walker (a friend of Calvin who ferried Nell through the treacherous waters to the remote island), is unable to stay on the island.  Thus, our poor heroine is left to face the regal yet austere Cornelia Drakewood, her adopted son Dr. Horton McGrath, and her niece Bernice "Bunty" Drakewood, all by herself.

 

Despite the resentment towards her intrusion into their private lives, Nell is determined to move forward with her work.  But, from the moment she arrives at the dark estate, she is plagued by uncertainty and fear.  The horrific screams that haunt the night ... the cloaked figure that seems to stare up at her room from the garden ... that dark, foreboding tree on the lanai that seems to keep the house in darkness ... the strange drums that sound at night, frightening the native staff ... and the ghost of Bunty's dead sister, Lila, who seems to haunt the halls of the mansion.  Nell realizes there is a deeper mystery to be solved here on the island, and the longer she stays in the house, the more danger she finds she faces!  Soon enough, Nell starts to suspect that accident that took Lila's life was not necessarily and accident - and perhaps it did not even take her life at all!

 

Webb (a/k/a Morrison) truly plays up Nell's fears throughout the whole story, using the bumps in the night, shadowy figures, and the menacing tree to increase the terror of what his main character faces.  The isolation she feels in a house where she is not wanted, surrounded by strangers who seem to menace her at every turn - the morbid curiosity that continually grows within her concerning Lila Drakewood's death and the possibility that the girl may be alive, yet somehow mentally damaged by her accident - and the mystery surrounding the Drakewood's history and exactly what it is within those family papers that could warrant the deadly attacks on her person - all of it combines to make for a very suspenseful tale of true Gothic terror.

 

The author does a nice job of misleading the reader in a number of ways; however, any true fan of these '6s and '70s Gothic novels will immediately start to pick up on the clues and figure out that the real villain or villains will not be the most obvious suspects (rarely does it play out so conveniently in these books). The  mystery surrounding Lila Drakewood (is she, or isn't she, alive?) is very well done, and the climax provides the readers with some nice and somewhat unexpected surprises.  

 

The cover, with its heavy use of black shadows, features Nell looking back tentatively at a house barely visible through the branches of that ever-menacing tree.  A light is visible in an upstairs room (of course, what Gothic cover would not have that?), and the sky is a dark shade of blue.  There is no signature on the cover art, and the copyright page does not identify the artist.   

 

I definitely want to find more of Webb's books, as this was a fantastic read, and I suspect his other books will be just as enjoyable.

 

RATING:  10 garnet-colored, velvet gowns out of 10 for a wonderfully crafted tale of Gothic horror and mystery that keeps the readers on the edge of his or her seat until the very end! 

 

The Mystery of the Brobdingnagian Beast - the Second (new) Three Investigators Mystery

It has taken me a few months, but I finally picked up the second book in this new series of The Three Investigators.  Elizabeth Arthur, the daughter of Robert Arthur (the writer of the original series), and her husband, Steven Bauer, are clearly trying to re-establish these characters and this series in the 21st century, and it is evident from the stories that they are making certain changes in the hope to appeal to today's readers.  In some ways, I am fine with that.  Obviously, the use of technology (cell phones, internet, etc.) makes obvious sense, since kids today would likely not know how to function without these things.  But other changes, such as the change in heritage for each of the investigators, feel forced and unnecessary, as if the authors are making the changes simply to show that Pete, Jupiter, and Bob are not simply "white, American boys."  Whatever the reason, I hope the authors move away from the constant emphasis on their family heritage and move back to what made these stories great back in the day - the great mysteries and the fun interaction between the boys!

 

The Mystery of the Brobdingnagian Beast picks up not long after the conclusion of the first mystery.  The three boys are excited at the prospect of receiving money from Isabella Change, for whom they helped clear up some mysteries surrounding her family's past (and find some long-lost gold in the process!) - see the previous book, The Mystery of the Abecedarian Academy.  They have ideas on how to not only save that money for college, but to use part of it to buy a car and hire a chauffeur (since their time with Worthington was now over).  But fate has a way of keeping these boys busy, and before the first chapter is over, Pete's father, who is working a set construction supervisor for a historical film about John Fremont, and his impact on California and the old west, wants Pete, Bob, and Jupiter to come visit the set with him to help solve a mystery.  It seems ever since a man named Daniel Hernandez has published a book that disputes the claims of Dr. Phillipa Paxton, upon whose book the film is based, the movie has been plagued with problems.  Small mishaps, such as stolen equipment and break-ins, have been happening, and there is a group known as OUTLAW (Outing Lawbreakers from Past Centuries) that has been loudly protesting at the film site.  The Three Investigators are only more than happy to look into it!

 

From the beginning, it is not really hard to see who is causing all the problems, and even the three boys are fairly certain who the criminal is - it's just a matter of proving it.  Thus, the mystery is focused less on who is committing the crimes and more on how and why he is committing the crimes.  John Fremont, who is the central figurehead of the mystery, was a real person (January 21, 1813 - July 13, 1980), and as related in the book, he did, with the help of Kit Carson, explore the new country, deep into the western area - and, just like stated in the book, there was an incident where three unarmed men were murdered by Carson and a couple of other men, and it still remains a mystery today whether they murdered the men of their own volition, or if it were on the orders of Fremont.  Elizabeth Arthur and her husband use this as the focal point of their mystery, as Dr. Paxton is said to have two letters in her possession from Kit Carson that exonerate Fremont, while Hernandez has a letter that lays the blame right at Fremont's feet.  Someone has a forged letter, and it is up the Three Investigators to figure out who.

 

Not all of the historical information in the book is on point, however, so one has to be careful to take all of the "history" given in the story as factual.  While Mallory (remember that Scottish girl the boys met in the first book?) tells Pete that John Fremont's wife made a bear flag for him as a present, measuring 15 feet by 20 feet; however, the legend is that his wife made him a flag with an eagle in the upper corner, which Fremont carried with him on his first expedition into Wyoming.  Thus, Arthur and Bauer fudge the facts a little bit to keep in theme with the mystery (and her alleged 15 x 20 flag does play an important part of the mystery, as the boys are commissioned with locating someone who supposedly has a replica of the flag, which, when they find it, turns out to be the original and not a copy!).

 

I did enjoy the reference that Pete makes to "an old science fiction TV show he'd seen a couple of times on late night TV" (p. 157); although, I'm not sure if I like the idea that it is considered an "OLD" science fiction show!  Pete describes it as "a show in which the aliens looked just like regular human beings, though if you ripped off their skin, they were really lizards underneath" (p. 157). That's a great way of describing the NBC television show V without actually naming it. Again, I just hate the idea that the show is labeled as "old" (although, looking at the facts, the show did come out in 1984, which was over forty years ago now!).  Yet, despite omitting the name to this show, Arthur and Bauer had no problem name-dropping Jurassic Park, The Terminator, The Fifth Element, and The Deer Hunter as movies Pete had seen with his father.

 

I also agree with the authors' view on news reporting, which is expressed by Mr. Andrews (Bob's father) when he and Bob's mother are discussing how everything has become politicized - from teaching at universities to news reporting.  "News reporting at least used to try to be objective, but now every article reads as though it belongs on the Opinion page," he says, going to say that journalists "need to work as hard as we can to present facts, not opinions - to stick to the objective truth" (p. 197).  Mrs. Andrews even pipes in with the comment that "Anything else is basically propaganda" (p. 197).  This is clearly a commentary on the state of teaching and reporting in today's society, and quite frankly, I could not agree more.

 

What I do have to question about the authors' choices, though, is the imprinting of previously never stated ethnic backgrounds for the boys.  As we learned in the first book, Bob's mother is Chinese, and people have sometimes commented that they see it in Bob's eyes.  In this book, we learn that Jupiter's mother had been Serbian, and, thus, he was able in this mystery to determine that a particular character was Serbian and how to pronounce his name (p. 125).  We also find out that Pete's father is Mexican-American (p. 90).  The author's webpage (The Salvage Yard) reveals that she wanted to build upon the boy's backgrounds, to more fully flesh out the characters as befitting of the "melting pot" nature of America, and therefore, Bob, Jupiter, and Pete suddenly have a mixture of ethnic heritages.  Unfortunately, the expression of these ethnicities feels forced and does not read naturally within the stories.  Nor does the fact that Pete's family is Catholic, yet his mother is caught up in "other interpretations of the invisible world" (p. 1), such as I Ching, serve any real purpose.  I am all for diversity, and I love for the stories I read to represent the reality of different people that exist in our world; but I am not overly thrilled when new authors take existing characters and change them simply for the sake of wanting to promote "diversity."  If there were a compelling reason to reveal these "new" backgrounds (say, for instance, a mystery was to take the boys to Serbia, where they had to solve a mystery involving one of Jupiter's distant relatives), that would be one thing.  But imprinting the boys with these new backgrounds without reason feels unnecessary and forced.

 

Oh, for those wondering about the title - the word "Brobdingnagian" comes from the book, Gulliver's Travels, which Mallory reads during the course of the story.  "Gulliver goes to another country called Brogdingnag, which has a race of giants, and where everyone is huge," she tells the boys (p. 87).  At the end, when Bob is trying to come up with a "B" word to go with Bear or Beast, Pete suggests the name.  Bob likes it, commenting, "in a way, it's been there all the time ... something large and menacing..." (p. 310). 

 

Aside from that, the mystery itself was fairly entertaining, and the boys do retain their natural instincts for working together to solve a crime.  I have the third book in the series (I bought the first three at one time when they came out), and I'm going to give the series another chance - but, to be completely honest, I'm not really overwhelmed by the stories, and they do not have the same feel that the originals had.  The next book will determine whether I continue buying and reading the books, or whether I shelve these alongside the originals and simply re-read the originals for my TI fix!

 

RATING:  7  Ghost-to-Ghost hookup e-mails out of 10 for navigating the worlds of movie-making, history, publishing, and social media and mixing them into a relatively enjoyable mystery to read!