Misty - 2024 Special

I was actually surprised when I saw this comic solicited in Previews.  I have several collection of the old Misty weekly comic from back in the '70s and '80s, as well as one of the original Annuals that was published in Britain; however, I was not aware that anyone was publishing new stories. Obviously, I ordered it, and when it arrived this month, I was not really sure what to expect.  What did surprise me is that three of the four stories were written by Gail Simone, a comic book writer, I have followed for years.  Her work on Birds of Prey for DC Comics is probably one of the best runs out there (outside of Chuck Dixon, of course), and I loved her run on Wonder Woman.  Thus, seeing her name headlining the creators for this special gave me high hopes - and she did NOT disappoint!

Misty 2024 Special features a beautifully painted cover by Tula Lotay (the pen name for English artist Lisa Wood).  The cover clearly pays homage to the classic images of the character Misty, who graced the covers and inside covers of the ongoing weekly comic, while at the same time giving readers a slight hint as to the first story once you dig inside.  I'm not familiar with Ms. Wood (a/k/a Ms. Lotay), nor do I recognize any of the artists for the four stories (Carola Borelli/Ellie Wright; Aly Fell; Marianna Ignazzi; and Letty Wilson), so I am assuming they are likely all European artists.  The work on the first three stories, all written by Simone, is magnificent (the second one being my favorite); the art on the fourth and final tale is a bit outside my normal likes, but I suppose it does fit the story.

The first tale, "Eleven Lonely Deaths," finds Misty herself walking the short of Syndon Lake, when she meets a photographer who is also a true crime podcaster.  He shares with Misty (and the readers) the tragic history of the lake and the eleven young girls who were murdered there.  A man was eventually arrested and charged with the crimes, but Misty surprises the photographer with news that the wrong man was convicted - and from there, the story takes a couple of surprising twists and turns ... and, well, I don't want to surprise the ending for you, but let's just say the irony is certainly fitting!

The second story, "The Pub at the End of the Road," is probably my favorite of the four tales.  Misty hosts the tale, but she only has a minor background role in the story itself.  A young woman named Willow, the daughter of a rather shady pub owner, is the star of this macabre tale.  While she may look and act like a Disney princess (even caring for the small critters that scurry around the back of the pub), she doesn't see herself as one, thanks to the cruelty of a father that uses her merely to increase his bank account.  Of course, there's the charming young man named David (who bears an uncanny resemblance to a young David Cassidy from back in the day!) who wants to save her from this life.  But, as with any good horror tale, things spiral out of control and ... well, by the end of this story, everyone really does get exactly what they deserve!

The third tale, "Happy Birthday, Mrs. Parker!," plays on the expectations of the reader. In this one, Misty takes on the role of a nurse at a small country hospital, where the nurses gather to celebrate the birthday of one very special nurse named Carina.  The patients refer to her as an angel because of her disposition and her willingness to work all hours of the day and night to help them.  But there's one nurse, Mika, who doesn't like her - in fact, she gets rather nasty to Misty as well!  Well, the story, of course, takes a dark turn when it is revealed the hospital has an unusually high death rate - and the tables get turned on one of the nurses who has been killing the patients!  Oh, and pay attention to the sign on the kitchen wall in the background, as it might give you a hint of what's to come...

The final story is definitely my least favorite of the four tales.  A young girl knows something strange has happened next door, as the neighbors have suddenly disappeared without cause.  When she goes to investigate, she discovers the house has been left with good on the counter and mail piling up at the door.  As she explores further, she comes across a mirror that is cracked ... a mirror that offers her an unusual escape ... or is it actually a trap?  And when she does finally find her way out of the mirror, is it her that comes back - or merely a mirror copy?  The art in this story just does not do it for me.  The story I can take - I like the idea of mirror/mirror worlds with alternate realities or other dimensions.  But I have a hard time appreciating the stylistic art of this tale - it takes away from my enjoyment of reading.

Overall, a pretty good issue, and it is capped off with a beautiful rendition of Misty by artist Shirley Bellwood on the back cover.  Hopefully this issue sells well so that maybe we will see some more specials in the coming years (or maybe even a regular series!).

RATING:  9 bottles of evening strange perfume out of 10 for some fantastic new tales of irony, horror, and Misty-loving fun!

Let the Crags Comb Out Her Dainty Hair - a Queen-Size Gothic

Okay, so last month, I came across the title to this book and thought, "This has to be the strangest title I have ever seen for a gothic novel!"  The cover art was beautiful, although not the typical young woman running away from a castle in the background, but rather, a collage of images that I figured must somehow depict the story within. I did not think much of it after that, but color me surprised when I went to my local used book store this month and happened across a copy of this very book!  Needless to say, I had to have it - with a title like that, I was dying to know what the story was.  I know the back synopsis hinted at a woman with the power to see the future in her dreams, so I was anticipating some great supernatural gothic terror.  Sadly, that was not the case.

Let the Crags Comb Out Her Dainty Hair did not in any way meet up to the expectations I had for it.  Published in 1975 by Popular Library under its "Queen-Size Gothic" series, this book was written by Jacqueline Marten, who, it turns out, is an actual person and not just another pseudonym.  She apparently began writing for pulp magazine back in the 1940s, but later tried her hand at novels; this book is the first of only twenty that she had published over a twenty-year period.  From what I could find online, her favorite genre was historical romance, of which this novel was clearly an example.  With a title like this, I was truly expecting a dark, strange story to equal the name; but what I found instead was a fairly typical romance story set in the early 1800s with a very, VERY small spattering of gothic elements that seem to have been thrown in as an afterthought.

The first fifty pages of the book are spent giving readers the backstory of Kynthia Brook, the daughter of an Englishman and Greek woman who spent her childhood and teen years in Greece, her mother's homeland.  The author gives readers a hint of the fact that Kynthia has the ability to dream of future events, but more time is spent on her relationship with her best friend, Berenike, and the four boys she considered like brothers - Aris, Paulos, Georgi, and Joseph.  When Kynthia's mother succumbs to an illness and dies, her father (at her mother's dying request) takes her to England, where they purchase a small cottage on the cliffs near Kent, in the hopes she will marry an Englishman that will treat her like a lady rather than like property, as so many Greek men do.  But Kynthia is special - not only does she have the dream talent, but she is also well-educated, thanks to her father is a teacher.  Thus, Kynthia has a mind and will of her own, and she is not one given to faint or blush at the sight of a man.

From there, most of the remainder of the story focuses on Kynthia's struggle to determine which man she loves - the playful, rebellious Brant Halley (the only son of Sir Halley's second wife) and the more formal, traditional Dennis Halley (he second son of Sir Halley's first wife).  She finds herself attracted to both men for various reasons, and although Brant is more similar in nature to Kynthia, Dennis has an off-putting personality that drives Kynthia crazy.  Both men profess their love for her, but only one of them actually proposes.  And then Halley Hall is set ablaze, killing Brant and Dennis' older brother, William, and leaving their father grievously injured.  Of course, that burnt, shell of a building also happens to be the dark castle Kynthia saw in her dreams when she was still in Greece (one of the very few elements of the story that might be considered to be "gothic").  At this point, the story begins to spiral downward - the engagement is off, Dennis heads off to war while Brant leaves with his mother for other parts of England, and Mr. Brooks' health takes a sudden turn for the worse.  And when it seems like everything in Kynthia's life is crashing to the ground, a surprise appearance by Dennis (who was wounded badly in the war) leads to a new marriage proposal.

And FINALLY, as we reach the end of the story, in just the last few chapters, we get some semblance of a gothic tale.  Kynthia finds married life is not what she thought, as she becomes more or less a prisoner in her own new home.  Her father is dead, and her new husband is determined to control her at all costs, never letting her go anywhere alone.  The reappearance of Brant offers her a chance at freedom, and Kynthia ultimately learns the truth about the Halley family and the secrets they have been hiding, which nearly cost her her life!  Readers get a passing mention of a "ghost" in the halls of the burned building, and Kynthia does hear strange singing coming from the supposedly abandoned house - but again, none of this takes place until the very end of the book.  Frankly, the end of the story feels more like an afterthought, as if the author suddenly remembers this was supposed to be a gothic novel, so she threw in some quickly inspired elements to fit the genre.

The writing itself was not bad, and the characters are strong; however, the story itself is not what I would call "gothic" at all, and I think promoting this as a "Queen Size Gothic" was a misnomer.  I have to wonder how many readers back in the day were just as disappointed when they picked up the book, only to discover a historical romance completely lacking in all of the standard gothic tropes.  I will say, though, that the author did stay true to the time period.  Dennis goes off to fight in the Battle of Waterloo, which took place in June 1815; and Kynthia's love of Jane Austen books is scattered throughout the story, with her enthusiasm at getting the new books as they came out in in 1813, 1814, and 1815.  The fact that Kynthia was an avid reader, and that she fought against the norm of her day, where women were not educated in scholarly studies, but rather in household duties, was a plus for her character in my book.  Her refusal to simply cow-tow to the men around her, and her courage to stand up to them did make for a more interesting read than this could have been.  So, despite the lack of gothic elements, the story did have a few saving graces.

Overall, however, this is definitely my least favorite gothic book to date.  I would say it rates even lower than that first Janet Louise Roberts book I read (and that's saying something!).  Would not recommend it, unless you are a fan of historical romance, in which case, this would be right up your alley!

RATING:  4 secret messages hidden in a book out of 10 for a strong female lead and for coming up with the most unique title to ever grace the cover of a gothic tale!

Connie Blair Mystery No. 1 - The Clue in Blue

I think this may be one of the first series of children's mysteries that I have read out of order!  Normally I would start with the first book and read them in order; however, with this series, I admit to having read the ninth book (The Brown Satchel Mystery) first, since it was set in Florida, and I happened to be reading through a number of books set in Florida.  I admit, I was not overly impressed with that book, although I would not say it was bad - it was sort of mediocre when it came to the mystery element.  But, I wanted to read this book, since I recently read Gertrude E. Mallette's mystery of a similar name (Mystery in Blue), and I was curious to know if there were any similarities between the stories (especially since they were published only three years apart - Mystery in 1945, and Clue in 1948).  The comparison was definitely worth it!

The Clue in Blue, the first Connie Blair Mystery, was published in 1948.  Written by Betty Cavanna under the pseudonym, Betsy Allen, the book introduces readers to the title character and her rather large supporting cast.  We get introduced to seventeen-year old Connie Blair and her twin sister, Catherine (referred to as "Kit") ... we meet their mother, their younger brother (Toby), and their father (who owns the local hardware store in Meadowbrook).  We meet the twins' Aunt Bet (Elizabeth Easton), who is said to be twenty-eight years old (p. 91) and who works in a department store in Philadelphia, and who has come to Meadowbrook to visit with her sister and host an impromptu fashion show.  This leads to her asking one of the twins if they would like to come back with her and model fashions at Campion's department store in Philadelphia!  Kit, the more reserved of the twins, declines, preferring to stay in their small hometown and help her father out at the store; Connie, on the other hand, jumps at the chance, as she has been eager since graduating high school to enter the working world, and now is her chance!  But, before she can even leave Meadowbrook, a mystery begins to brew when an expensive hat Aunt Bet was sure she brought with her is nowhere to be found...

As the story unfolds, Connie travels with her twenty-eight year old aunt to Philadelphia, where she is introduced to the (what she believes to be) glamorous world of department store modeling.  Aunt Bet is the store's stylist, and she is very popular among the employees.  It is here that Connie meets Larry Stewart, who works in the display department at the store - and with whom Connie develops an immediately liking for!  But there's little time for romance, as Connie soon learns the expensive hat is not the first item in the store to go missing.  What is odd, however, is that all of the other items had been returned. Before you know it, Connie accidentally spots a man in the ladies hat room, and she gets knocked unconscious before she can identify him.  No one believes she saw anyone (since the store was not open at the time), and Connie begins to doubt herself.  But as more things begin to happen - an expensive faux pearl necklace disappears and then reappears in her aunt's purse!  A young stock girl is found crying in the models' dressing room. Aunt Bet's apartment home is broken into and ransacked!  Connie slowly begins to put the pieces of the puzzle together, and soon enough, she not only solves the mystery of the "borrowed" merchandise, but she finds the missing hat and uncovers an ingenious international plot to sell priceless jewelry!

There are a number of terms in this book that I found to be interesting.  The first is the casual reference to "The Fortnightly" hosting a garden party and fashion show in Meadowbrook (p. 5).  There is no indication as to what "The Fortnightly" is, and I found nothing online other than its definition, which means once every two weeks.  So, perhaps this is a club in Meadowbrook that meets every two weeks?  I suppose that is one mystery that will remain unsolved.  Then there is the Blair's dog, which is named Ruggles "because of his color, for Ruggles of Red Gap..." (p 15).  Having never heard of this, I went online and discovered this was a 1935 comedy film based on a 1915 best-selling novel. Not really sure what the "color" of the dog has to do with the relation to the film, unless it is simply because of the "red" in the title of the film.  Next, we come to two psychological terms - schizophrenic and kleptomaniac.  Connie and her aunt both agree they cannot say the first (p. 28); yet, neither have a problem pronouncing the second.  I found that rather odd.  Further terms include "chambray" (p. 75), which I learned is a type of natural fabric made from either linen or cotton with colored wrap and white filling yarns; a "Pennsylvania Dutch water bench" (p. 81), which turns out to be a dresser that has a lower portion closed off by doors and an upper section with shallow drawers; an antique brass "samovar" (p. 85), which is a metal container used to heat and boil water; some "baum martens" (p. 95), which happen to be fur coats; and ultimately, a "sacque" (p. 120), which is a short infant's jacket.  That's quite a few fashion terms I learned from this book!

In addition, there are several references to actual things in the book, such as Connie and her aunt walking to a church described as being near Rittenhouse Square (p. 32).  Rittenhouse Square is an actual park located in Center City Philadelphia (and apparently it's a well-to-do area).  There is also a reference to Coke (p. 47) instead of simply "cola" or "soda."  You don't often see brand names like that in series books, particularly from as long ago as the 1940s.  There is also reference to the Robin Hood Dell (p. 168), where Larry takes Connie and her aunt to see a summer concert (p. 169). This was an area where the Philadelphia Orchestra performed summer concerts from 1930 to 1976, but is now known as the Dell Music Center.  Plus, the book mentions Fairmont Park (p. 170), which is said to be the largest municipal park in Philadelphia.  Finally, when Connie comes back to her aunt's apartment late after a night spent at the department store, Larry mentions they were prepared to "drag the Delaware ... and then the Schuylkill" (p. 195).  While I was aware of the Delaware River, I was not aware of the Schuylkill River, which joins the Delaware in Philadelphia.

Now, when it comes to the title of the book, I was patiently waiting as I read the story for the "blue" clue to show up.  The first referenced clue is found after Aunt Bet's apartment is ransacked (which is also the scene depicted on the cover of the dust jacket and picture cover editions of the book).  Connie comes into the kitchen carrying an ash tray with a single, crushed cigarette butt (p. 89).  Connie declares it must be a clue, as neither she nor Aunt Bet smoke (which begs the question, why would they have an ash tray in the apartment?), and since the butt has no liptsick on it, it must have been a man - although Aunt Bet overcomes that theory when she reminds her niece that not all women wear lipstick.  What all of them overlook, however, is the bigger question - if someone was ransacking the house, searching for something or wanting to steal something, why would they stop and take the time to smoke a cigarette, and then so graciously crush the butt into an ashtray, instead of just letting it drop wherever?  This has to be one of the craziest clues I have ever seen in a mystery novel!  The blue clue does eventually appear, though, when the stolen necklace shows up in Aunt Bet's purse wrapped in a square of pale-blue cleansing tissue (p. 129), the same tissues that are only found in the models' dressing room!

One thing I must make mention of is the advertisement I found at the front of the book.  I am aware the copy of the book I have is not a first printing, as the front flap of the dust jacket, as well as the ad inside, list up to book five, The Green Island Mystery.  But what I thought strange is the ad, which appears before the frontis piece, before the title page, and before the copyright page, promotes the first book as "a special low-priced edition made to introduce" readers to this series, and advertises the series of books as being "available at all bookstores" at the low price of seventy-five cents each!  The listing shows five books (the final one with the caveat of being "ready soon") and indicates "there will be more to come."   I don't recall seeing any other series books that listed the series in such a manner, and I have to wonder what prompted Grosset & Dunlap to advertise the series this way.

And, just like The Brown Satchel Mystery, which I previously read, this book also has a paperback edition that was published by Tempo Books in the 1960s.  The cover art is gorgeous, and like the art for The Brown Satchel Mystery, it offers up a college that features more elements from the actual mystery than the dust jacket and picture cover editions do.  Something to note about the Tempo paperback editions is that only three were published, and they were in a different order than originally published - the 12th book in the series was the first Tempo paperback; this book, the 1st in the series, was published as the second Tempo paperback; and Brown Satchel, which was the 9th book in the series, was published as the third Tempo paperback.  I've not read the paperback editions, so I'm not sure if there were any editorial changes to the text to account for the books being out of order (since I know Brown Satchel makes reference to a couple of the other mysteries which were not published by Tempo in the paperback versions).  However, the cover art alone of those Tempo books is enough to make finding them worthwhile!

Before signing off, I do want to say that reading this mystery reminded me a great deal of the Katy Keene television series that ran for one season on the CW.  In that series, Katy went to New York to become a fashion designer, but she starts off her career working in a high-end department store.  Some of the descriptions of the store and the employees and management therein felt very much like the store in the Katy Keene show.  It almost makes me think they could have done a Connie Blair mystery series if they had wanted!

Overall, I would say I liked this book better than I did The Brown Satchel Mystery, so it has given me hope that the other books in the series will be worth the read!

RATING:  8 elevator car cards out of 10 for a great introduction to a different type of amateur sleuth, a fun supporting cast, and a series of unique style.

A Zebra Mystery Puzzler #9 - You'll Die Tomorrow

One thing I remember liking about this series when it was first published, and I admittedly still enjoy it today, is that the authors who wrote more than one book in this series managed to use titles that immediately identified with the author and the character of the story.  For Marjorie J. Grove (a/k/a Martin Grove), each of the books with Maxine Reynolds was titled with "You'll Die..." something.  First, it was You'll Die When You Hear This ... then it was You'll Die Laughing.  Now, with Grove's third book in the series (numbered nine if the actual ongoing numbering of the series), we get another variation of this title. And since this book picks up literally right after Grove's second mystery in this series, it feels like returning to visit old friends again ...

You'll Die Tomorrow opens with Max waking up after a long flight home from London, where she was solved her last murder mystery.  In fact, there is a specific footnote referencing the last book on page 8, in case readers forgot.  Dealing with jet lag, the Hollywood gossip columnist must get up for her meeting with everybody's favorite agent, Ken Carson - a meeting that sets the ball rolling for Max's latest mystery.  While lunching with the older man, Max meets record producer Cory Collins, who is known for his wandering eye for women, and whose marriage to his second wife is rumored to be on the rocks.  Max is determined to get the story, so when Cory invites Max to his house for a party he is hosting, she jumps at the chance.  Of course, she intends to take her boyfriend, Rob Allan, with her so that Cory will know she is off-limits.

At the party, Max meets Cory's wife, Joyce (nicknamed "Joycie"), a woman who clearly enjoys the lavish lifestyle her husband provides.  But Max knows that lifestyle may be in jeopardy due to Cory's unhealthy love of gambling and the amount of money he loses during his jaunts to Las Vegas.  As coincidence would have it, Max is planning a short vacation to Aruba with Rob and - well, it turns out Cory and Joycie are also headed to Aruba at the same time!  Needless to say, Max's employer tells her to keep an eye on Cory and come back with some great columns for their magazine.  None of them realized that story would find Max involved in yet another murder mystery (although, for the reader, it is no surprise, since this is a murder mystery series!).  When Cory keels over dead at a craps table in one of the Aruba hotels, it is up to Max to figure out whodunnit.  Was it the young singer whose career Cory ruined years ago when she would not sleep with him, and who is now forced to sing in Aruba hotels just to make a living?  Was it the mysterious man with the briefcase who came out of the safe deposit room at the hotel with Cory earlier in the day, and with whom he was arguing at the time?  Was it Joycie Collins, who was worried her husband would squander away all of their money before she could divorce him?  Or was there someone else involved who Max had not yet seen?

Like Grove's previous books, the murder does not actually take place until nearly half-way through the book.  Grove has a habit in her (his) stories of spending quite a lot of time describing the meals and going into considerable detail about locations.  In fact, the hotels referenced in the book along the Palm Beach area of Aruba are actual places - the Concorde hotel (referred to as "the brand new Concorde" on page 53 because, at the time this book was published, that hotel had just opened its doors - now it has been renamed to the Riu Palace Antillas); the Sheraton hotel (which is now called the Aruba Grand, a part of the RIU Palace); the Caribbean hotel (which is now the Hilton Aruba Caribbean Resort & Casino); the Americana hotel (which has also changed names a couple of times, now called the Occidental Grand Aruba); and the Holiday Inn (which appears to be the only hotel that still retains its original name!).  Thus, if anyone really wanted to explore the hotels and casinos mentioned in the book (and see the place where poor Cory died in the book), it is actually possible!  The casino where poor Cory is poisoned is the King International Casino in the Holiday Inn, which is what the casino was called back in the late '70s - it later became the Grand Holiday Casino, and now it is named the Excelsior Casino.  Thus, I have to suspect that Grove at some point prior to writing this mystery actually visited Aruba and was familiar with those beach front hotels.

While the previous Grove mysteries featured internal illustrations that were not as distinct and clear as many of the other books in this series, this particular one offers some beautiful art inside (as well as on the cover).  No signatures on any of the illustrations identify the artist, and there is, of course, no credit given on the copyright page.  However, if you have learned by now to really pay attention to the details in the internals, as well as on the cover, you will see that this one gives up some fairly easy-to-spot clues as to the killer's identity.  In fact, the mystery itself makes the killer's identity pretty obvious, although the motive is not necessarily what one suspects.  And unlike the last book, the cover scene does actually occur in the book (albeit with more characters and Max is not quire so close to the deceased).  

Another satisfying read - and looking ahead, it appears I will have a bit of a wait until Grove's next mystery, since the next one does not come along until book 18, some nine books after this one!

RATING:  8 black Las Vegas gambling chips out of 10 for giving readers a trip to Aruba for a somewhat easy mystery to solve!

Mystery in Blue - a pulp mystery by Gertrude E. Mallette

If you follow my posts, in my recent post about Terry Carvel's Theater Caravan ( ), I mentioned that the back cover of the dust jacket for that book listed some career girl books by author Gertrude E. Mallette.  When I saw that on the back of the book, I didn't think much of it, other than to look at the titles and their descriptions.  But when I did a search online and discovered that she also wrote this particular book, which I already had in my collection, I was pleasantly surprised!  I bought this book because I stumbled across it online and the title reminded me of the first Connie Blair mystery, The Clue in Blue.  So, I picked it up on a lark.  Once I learned the same author wrote a series of career girl books aimed at teen readers, I decided I should probably read this book and see what it was like! 

Set in World War II, Mystery in Blue is the story of Kerry Owen, a young career woman who has set out on a path to become a first-rate secretary.  After working at the district attorney's office for some time, she is re-assigned to a new job at the engineering firm of Gerard & Gerard, Inc. - which is owned by Napoleon Gerard and his son, Remy Gerard, both of whom are well known to Kerry.  She grew up with Remy, getting into trouble with him when they were kids.  She always knew his father to be a bit of a tyrant, which resulted in his nickname, "Old Emperor Gerard."  But it had been a number of years, and after high school, Kerry studied at the local university, while Remy went on to MIT and later served in the war.  Kerry is not surprised that Mr. Gerard does not recognize her, and she manages to impress him immediately with her skill and efficiency (although he certainly does not let her know that!).  Kerry also has to deal with Mr. Stickover, the office manager who manages to make it clear that he is more important to the office than she is!  Then there are the other men in the office - Mr. Allen and Mr. Grove.  And there's also that former secretary, Miss Bowen, who not only avails herself of Kerry's office when she is out to lunch, but she also makes it clear that Remy is HER man!

The mystery becomes apparent right away when a particular file is missing, and no one is able to find it.  Remy and Mr. Stickover (referred to as "Mr. Stick" by the men in the office, because of his tall, lean stature) seem very concerned about the missing file, and they tell Kerry to keep an eye out for it, and if it should turn up, get it to them right away.  Then stranger things begin to happen, as Kerry's stenograph pad disappears from her desk drawer, only to turn up later on the floor in the corner of the room.  Add into the mix a strangely coded note that Miss Bowen says she might have left in Kerry's office, as well as a stolen briefcase that contains some very important blueprints, and you've got yourself a war-time mystery of espionage and spies! Kerry is faced with the dilemma of sifting through all of the conversations she overhears, the odd actions she sees in the people around her, and the clues that she finds in her own stenograph book to determine who is the spy in the office and who is trying to undermine and steal the plans for the government project.

I give the author credit for appearing to use valid engineering terminology and coding for the story, as when Mr. Gerard first tests Kerry by given her what appears to be a strange equation (Joists 2x6 O P No 1 Com 16" oc), which she easily interprets as "the joists are to be of two-by-six-inch lumber, Oregon pine, number 1 common, and set sixteen inches apart on center" (p. 9).  As I know absolutely nothing about engineering, I can only assume this is a correct interpretation, as it certainly seem logical!  What I do know is that the metes and bounds legal description that Kerry later gives in the book to a telegraph operator is an actual way of describing property: "Beginning at a point north fifteen degrees, thirty minutes, ten seconds west, and from thence eighteen hundred and twenty feet et cetera" (48-49).  Having dealt in real estate law for enough years now, I easily recognize that type of description for real property.  And finally, that coded message of Miss Bowen, "Setono Circle RT 3: 60L2 R5" (122) turns out to have a very clever solution that definitely helps Kerry figure out exactly who is doing what in the office.  

There are several unexpected twists in the story regarding a couple of the characters - Kerry's (and the reader's!) impression and expectations of those characters are completely turned on their head by the end of the book.  This is not a bad thing though, as the reader realizes they were misleads intended to make Kerry (and the reader) believe one thing, while something else entirely was going on.  And Kerry's intuition and quick-thinking also serve to ferret out someone who is impersonating a federal officer, which serves to bring the mystery to a resolution for everyone involved.

The book was originally copyrighted in 1945, but the edition I have is the 1958 Berkley Edition.  I love the cover art for this edition, as it is definitely reminiscent of the Connie Blair book with the similar name.  The author, Gertrude E. Mallette.  I had a little difficulty learning about Ms. Mallette, as I found numerous sites that listed her books, but I could not find any biography of the author.  I did, however, come across a website that provided some history about Moraga, California that gave some interesting insight into Ms. Mallette's life (Moraga History).  It reveals that Gertrude E. Mallette "was an author of children's books and a writer for the Oakland Tribune newspaper.  She and her friend, Alberta Hortense, had worked together to plan a home for orphaned boys using land that Alberta inherited from her father.  Gertrude is credited with being responsible for the design of the original Hacienda de las Flores, and she and Alberta are said to have built the first story of the building.  Sadly, it appears the orphanage had to close when state inspectors found no male nurse on duty for the boys, and the two women turned it into a ranch.  In 1929, after the stock market crash, they were forced to sell the property.  Certainly some fascinating details about the author's life (and it also confirms the name "Gertrude E. Mallette" is not a pseudonym, but her actual name).

This book was originally written three years prior to the release of the first Connie Blair mystery, The Clue in Blue, so I'm looking forward to reading that particular mystery to see how it compares to this one other than in name (especially since Connie herself could be considered a career girl who gets into the advertising industry).

RATING:  9 slips of pink paper out of 10 for a different type of career girl mystery with enough twists and turns to give you whiplash!

Harlequin Gothic Romance Series No. 32001 - The Satyr Ring

"She borrowed a dead girl's name ... and had to play a game whose rules she didn't know" (cover blurb)

If you had ever told me at any time of my life that I would read and enjoy a Harlequin romance novel, I would have told you that you were crazy.  I grew up watching my mom and her best friend devouring Harlequin romances, trading off books and reading them as fast as they were published.  I scoffed at the lurid covers and had absolutely no interest whatsoever in the love stories contained within each one.  Instead, growing up, I developed a love for mysteries, starting with Nancy Drew and other children's series books, then graduating into Dark Shadows on television, and as I entered my teen and adult years, cultivated my continuing love of mysteries.  The one common thread among all of those are the gothic elements - the stormy nights, the dark mansions, the deadly secrets, the hidden rooms, the untold pasts.  I was enthralled by these plots, and so my passion for the gothics of the '60s and '70s, and even into the early '80s was only a natural progression.  What I never knew until a little over a year go was that Harlequin attempted their own line of gothic novels in the early 1980s. It didn't last long, only publishing 18 books in the series; however, I had to have them - I mean, the cover art and titles along make them worth it!  After tracking them all down, I decided I could begin reading them (and being the anal-retentive person I am, I had to start with the first book in the series...)

The Satyr Ring is written by Alison Quinn, who, as far as I could uncover, has only written one other gothic novel, which is also in this Harlequin Gothic Romance series (book 4).  I could find literally nothing about Alison Quinn online, so I have no idea if this is the author's real name or merely the pseudonym of a male or female author who did not want their own name associated with the work.  The copyright page indicates the story is © 1983 (the same year as the publication) by Alison Quinn, so perhaps it is the author's real name.  In any event, this first foray into the realm of Harlequin gothic tales is a period piece, set in the mid-1940s after the end of the second World War.  The story is told in the first-person narrative (which is not my favorite style) of the protagonist, Sarah Smith (and, yes, all I could think of was Sarah Jane Smith, probably the most famous of all Doctor Who companions - and since the story does open over in England, perhaps the author was just paying a little homage).  Despite this point of view, I did find myself drawn into the story, caring about Sarah and the events that were spiraling around her.

The book opens with a soap-opera style story - a young woman (Sarah) who is an amnesiac, works at a hospital in post-war London where she is caring for another young woman who was in a horrible automobile accident.  Strangely enough, the injured woman bears a striking resemblance to Sarah.  Before the woman dies, she begs Sarah to go to America and be with her grandfather.  When the dead woman's husband finally shows up at the hospital, Sarah sneaks out of the hospital with the woman's passport, airplane ticket, and money, and flies to Maine, where she is prepared to inform the woman's grandfather of her passing.  Upon touchdown, however, Sarah is shocked to find the woman's husband on the same plane as her, and she faints ... only to awaken in Starr Mansion, where Andre Tate informs her that she will have to assume the identity of Roma Tate (his dead wife) in order to keep Roma's dying grandfather alive.  She soon learns that Benjamin Starr has changed his will, leaving everything to Roma upon his death - much to the consternation of Roma's stepmother, who was anticipating inheriting the large estate upon the old man's passing!  Sarah unwillingly agrees to go along with it, only until Grandfather Starr gets better, and then she intends to tell him the truth.  Little does she know the web of lies and secrets she is about to get tangled up in!

A deadly bobcat named Satan that was Roma's pet cat ... a suspicious Aunt Clara who is determined to get that fortune ... a stepbrother that insists he and Roma had planned to get married before the fortune-hunting Andre entered the picture ... and a strange satyr ring that is the only link to Sarah's past - a ring that Andre seems intent on keeping away from her.  A shove down the cellar stairs and a near drowning convince Sarah that someone wants to kill her ... and when she ultimately finds her precious ring hidden in a drawer in Andre's attic studio (where he paints), Sarah reaches her breaking point, and she runs away - only to get drawn back when Grandfather Starr dies, and Sarah finally discovers that the deception she undertook to play Roma Tate was one she was made for - quite literally!  Her past catches up to her, and Sarah finally remembers who she truly is and discovers a shocking connection to Starr Mansion, Andre Tate, and the entire nightmare in which she has been living!

Aside from the first person point-of-view, I did enjoy the story.  As indicated, it definitely had the soap opera elements to it, what with the woman with amnesia, the look-alike woman, the deception of one woman playing the role of the other - all of these tropes have been used in soaps for decades.  The dark mansion overlooking the Maine cliff, with the ocean crashing on the rocks below is very reminiscent of Dark Shadows, as is the young woman who comes to the mansion, never knowing that she has a secret connection to the people who live there.  A combination of soap opera, gothic, and mystery definitely add up to a really good story.

The cover art is gorgeous, and while it hints at the whole look-alike scenario (with Sarah looking into the mirror and seeing Roma instead of herself, and only Sarah is wearing the satyr ring), there is no actual scene like this anywhere in the book.  It is, however, a nice departure from the typical woman in a flowing dress running away from a dark mansion in the background.   It is rather nice to have a different visual on the cover, and the shadows and expression on Sarah's face definitely give it a spooky feel.

A great start to this series, and here's hoping the rest of the books measure up to this one!

RATING:  9 glasses of cold milk out of 10 for a suspenseful tale of deception, secrets, lost memories, mystery, and murder - with a pet bobcat thrown in for good measure!

Terry Carvel's Theater Caravan - an Alma Benecke Sasse novel

This is yet another one of those books that I have heard about for years and years, but I never thought I would actually ever read the book, let alone own a copy.  Yet, thanks to my wonderful friend, Geoffrey S. Lapin, who gifted me with a copy of the book this past summer, I know have a beautiful copy of Alma Benecke Sasse's novel for young adults.  And for those who do not know, Alma Sasse was the ghostwriter for the 29th Nancy Drew Mystery Story, The Mystery at the Ski Jump (1952).  Thus, I was aware of her name, and I was aware that she had written this particular book; I just never thought I'd have a copy of the book, especially in dust jacket, since it has always seemed so elusive.  But now I was able to sit down and enjoy this wonderful tale of a young woman's dream of running a community theater in her hometown...

Terry Carvel's Theater Caravan (notice the alliteration in the title ... T.C., T.C.) is the story of college senior Terry Carvel.  There is no mystery to this story, unlike Sasse's Nancy Drew tale or her other book, The Mystery of the Chinese Box.  Rather, this more akin to a career girl story, as the protagonist graduates college and sets about to fulfill her dream of establishing a community theater and directing local talent in plays for her hometown.  In fact, Sasse writes a Foreword to the book that specifically states the book "...is written for all those eager, dramatically minded young people whose Caravan of Dreams is, in some way, connected with the stage."  And the story opens with Terry reading the announcement on the college bulletin board that auditions for the annual commencement play are about to be held.  Terry, who is a drama student, "had dreamed of taking part ever since her freshman days" (p. 2).  Interestingly enough, Sasse does not describe her lead character as beautiful - in fact, she makes it clear that Terry is "certainly not beautiful; her mouth a trifle too wide, with good-humored quirks at each corner.  In fact only the eyes redeemed her features from plainness.  These were a heritage from her Irish mother and a deep sea blue" (p. 4).  Most protagonists in young adult books are always beautiful, or at the very least pretty in some way; so it is refreshing to see a book where the lead character is as plain as likely many of her readers were!

Although this book was published in 1943 (with even the disclaimer at the front of the book indicating the book was manufactured under wartime conditions in conformity with all government regulations controlling the use of paper and other materials), it is clear from reading that the story takes place prior to the United States entering World War II.  There are several mentions of the possibility of the country entering war, and even at the end, one of the main characters reveals that he has registered with the government, and it is likely he will be called "if war comes" (p. 238).  Whether this is an indication that Sasse actually wrote the story prior to the country entering the War, or if she simply decided to set the tale prior to the War to avoid any complications a wartime setting might create, I suppose we will never know.  In any event, even with the thought of war looming over the characters, they never lose their zest for life.

The story itself follows Terry as she auditions for her college's commencement play (which happens to be Madame Butterfly).  Her hopes are high until she learns that the auditions will be conducted in the presence of Carl Milton Zorkoff, who is described in the book as being "the greatest stage director since Belasco" (p. 25).  While Zorkoff is a fictional character, Belasco is a direct reference to David Belasco, who was an American director and playwright who just so happened to be the first writer to adapt Madame Butterfly for the stage!  Later in the story, Terry's competition for the coveted role in the play makes references to Billie Burke, Anna Neagle, Leslie Howard, and Lionel Barrymore (p. 27), all actors who got their start in the theater before moving on to Hollywood. Thus, Sasse knew her stuff when she threw these references into the story.  Anyway, Terry is a bit disappointed that she does not land the lead, but she does get the next best part - but even better, she is asked by the director at one point to assist with directing when he has to be away for a few days!  Terry gets a taste of running the show, and before you know it, her aspirations for opening a community theater are burning brighter than ever before!

The play is a success, and along the way, Terry becomes friends with Don Mackaye, a young man who handles all of the lighting and electrical matters for the college plays.  It's pretty obvious from the moment he is introduced that he and Terry will become much more than friends, but it literally takes the entire book for that to happen!  Of course, along with Don comes his little dog, Brutus, who Don affectionately refers to as "Et tu" - and anyone who knows theater will immediately get the reference; if not, then go look it up (it will do you good to do some research!).  At one point, Terry's godfather, Dr. Jed, and Don become boarders at the Carvel house while Terry's father goes to California for the summer to regain his strength after an automobile accident (which occurred before the opening of the story).  This only serves to keep them in close contact with one another, so even after Terry's graduation and her escapades in starting that community theater, Don is a constant presence in her life.  And while we are on the subject of Don, he shares a similar physical aspect with Terry - he's "not exactly handsome," as Terry describes him, but his eyes twinkle and he has a nice, wide smile (p. 141).  Funny how both Terry's and Don's physical traits are specifically played down, while their character and personality are played up to their fullest.  What a great way for Sasse to remind her readers that it is not always about looks!

One might notice while reading this book that even though this is not a mystery series book, Sasse does follow some of the same plot devices as many of those series did back in the day.  Terry lives with her father, who is a professional (albeit on a sabbatical at the moment); her mother died when she was young; and they have a live-in housekeeper (by the name of Timmie!) who has helped raise Terry and is always looking out for her well-being.  Gee, does that sound like the set-up of a very familiar female sleuth that we all know and love?  There are no big chapter cliffhangers, though, and there is nothing to really build up suspense.  Instead, the reader follows along as Terry first takes a summer job working with neighborhood children to put on a play for their families; then moves up to having the production put on at the local movie house as part of a series of amateur nights; and ultimately to convincing the community at large that they would benefit from the theater and directing her first of many plays using local members of the community as her actors!  And, frankly, I'm surprised she moves the story at a natural pace, as it takes place not just over the summer, but into the fall, over the Christmas holidays, through the next spring, and int the next summer!  So, Terry does not see her success come overnight - it takes a lot of hard work and determination on her part.

And for her part, Sasse does utilize a number of real theatrical references throughout the book.  One of the first plays Terry directs is The Bishop Misbehaves (p. 192), which is a comedy that originally premiered in England back in 1934 before opening on Broadway in 1935.  Later, when Terry goes to visit her friend Vi in Seattle, she is overjoyed at the chance to visit The Showboat Theater, the Penthouse Theater, and the Repertory Playhouse (p. 201).  All three are actual theaters that existed at the time this book was published - The Showboat Theater opened in 1938 (demolished in 1994); The Penthouse Theater was built in 1940 (which is still in use today, albeit in a new location): and the Repertory Playhouse opened its doors in 1930 (but closed them in 1950, after which it was acquired by the University of Washington).  I love when authors integrate some of the real world into their stories, as it breathes some life into them that grounds them in reality!

The book does end on a bittersweet note - one of Terry's actors, an elderly gentleman who always wanted to try his hand on the stage, passes away and bequeaths a sum of money to Terry to help get the Stanbrook Repertory Playhouse off the ground.  While the bequest is definitely generous and just what Terry needs to get her career started, it is also sad that one of the characters that you grow to enjoy reading about dies for that to happen.  But, again, these are things that happen in real life, so it blurs that line between fiction and the real world.

The only thing I was actually disappointed about when I finished this book is that we see very little time in the story actually spent at the theater or on the stage.  We get the build up of Terry trying to get actors, find a stage, etc. - but we see very few, if any, rehearsals, and we only get brief snippets of the actual plays themselves.  I was really hoping to see the book focused on the ups and downs of trying to put on one, or maybe two plays.  Instead, we jump from the commencement play to the children's play to the first community play, to the caravan play (yes, before the book closes, a nearby town asks Terry to bring her troupe over to their area to put on one of their plays, and that is where the title of the story comes from), with more time spent on the in-between moments as Terry tries to get her act together than we do with the plays themselves.  But, I guess that is part of what makes a career girl story - it's the drama of trying to build up to and succeed in the chosen career and not actually about the career itself.

One last thing I wanted to mention before I sign off - on the back cover of the dust jacket, there is a listing of books by Gertrude E. Mallette, headlined as "Books for Girls Interested in Careers."  Some of the titles include No Vacancies, Private Props, Single Stones, Inside Out, and others.  I did quick search online to see if I could find any of these books, and I was surprised to discover she wrote a book that I already had (and did not even realize...)  If you're wondering what that is, well, you'll find out in just a few posts...

RATING:  9 big boxes of chocolates out of 10 for a story that delves into numerous sides of the community theater and the truth that it truly does take a community to put it all together!