Friday, May 30, 2025

Surfside Girls, Graphic Novel No. 3 - The Clue in the Reef

Hard to believe it has been three years since the last Surfside Girls graphic novel.  Although, considering the length of this mystery is pretty much double the size of the last one, I can imagine it took writer/artist, Kim Dwinell, some time to get this one done.  I've also learned, since purchasing this third volume of the series, that the Surfside Girls was made into a television show on ApplePlus TV.  I don't have that streaming service, unfortunately, so I haven't been able to watch any episodes, but I did catch the trailer on YouTube, and I must say, it looks just as fun as the graphic novels!  And after the girls uncovering the secret of Danger Point in the first book, and solving the mystery at the Old Rancho in the second book, I could not wait to see what the third graphic novel held in store!
 
The Clue in the Reef finds Sam Taylor and her best friend, Jade Lee, trying to figure out how a pack of small hedgehogs ended up stranded on an outer reef.  With the tide quickly coming in, Sam and Jade surf out there and rescue the poor animals.  The only clue they uncover is an odd tag with a clover and diamond on it.  Of course, their investigations into this mystery is limited, as both Sam and Jade are helping out Sam's father in the Surfside Days Festival, working in Mr. Taylor's burger hut.  In the last mystery, it was a surfing competition, but in this mystery, it's a celebration of the town of Surfside's founding back in 1853.  Everyone is dressed up in fashions from the 1850s, including poor Sam and Jade - "How did women do ANYTHING dressed like this?" Sam rightfully asks (p. 3), as she is being fitted for her costume.  But the uncomfortable clothes soon become unimportant, when Sam and Jade realize there is something strange going on in Surfside - because not only were the hedgehogs abandoned, but it also seems there is a ring-tailed lemur loose in Surfside, stealing mangos from unsuspecting vendors at the festival!  Where are these exotic animals coming from?  That is mystery Sam and Jade intend to solve!
 
While this particular mystery does not center around any of the ghosts that the girls have befriended and helped in the past, that is not to say they are not present.  Robert, and his fellow pirates, are on the scene, willing to help out where they can (although that does not amount to much).  Dwinell does spend some time, however, focusing on Sam and Robert's human/ghost relationship, and it's rather sweet to see how these star-crossed lovers are trying to find a way to make it work.  There is also an interesting part of the story where Sam and Jade listen to an old-timer spin a beautiful tale of how her people migrated from the mountain in the ocean to the mainland, only to have some of them fall off the "rainbow bridge" and into the ocean, where Mother Earth transformed them into sea dolphins.  It turns out this was a tale Dwinell herself held from a Chumash woman when she and her family were camping at the Malibu Creek State Park, and she incorporated it into this story.  While having no real connection to the mystery itself, it does provide some beautiful background to the fictional town of Surfside and its inhabitants, fleshing out the world in which Sam and Jade live.
 
While the girls do have cell phones and computers, I applaud Dwinell on keeping their usage to a minimum.  She has Sam and Jade do their detective work the old fashioned way, searching for clues outside of the internet!  Yes, they do ultimately use Sam's cell phone as a tracking device to follow the crook who is smuggling the exotic animals into Surfside, they are more reliant on Jade's mystery notebook, where she writes down all the clues, all of their suspicions, all of their ideas and plans, and everything else connected with the mystery.  Keeping the technology to a minimum definitely makes for a better read!
 
Dwinell does through in a surprise character in the form of "Amichelle," a famous pop star who is trying to lay low in Surfside to avoid being mobbed constantly by avid fans.  She plays an important part of the mystery, and she provides readers a clear reminder that although Sam and Jade are successful amateur detectives, they are still teenagers at heart.  With this in mind, it makes the climax of the story somewhat shocking, as the girls are placed in an extremely dangerous situation when they confront the criminal, and their very lives are at stake!  Of course, their quick-thinking and athletic prowess help them escape certain death, and the villain of the story is brought to justice by the end.
 
Dwinell's art remains consistent with the previous two books, for which I am glad.  In the beginning, it felt a bit cartoony, but as the series has progressed, I'm learning to appreciate and enjoy it more and more.  It has now established this world firmly for me, and I could not picture Sam, Jade, and their world drawn any other way!  I hope Dwinell is hard at work on a fourth mystery, as I do not want the adventures of the Surfside Girls to ever end!
 
RATING:  9 tubes of fake gold from an Old Prospector out of 10 for another superbly told mystery with a world that gets more and more fleshed-out with each book!

Tuesday, May 27, 2025

The Vampire Cameo - a Lancer Books Gothic

I finally come to a gothic novel that deals more directly with the supernatural than any of the gothics I have read to date - in this case, vampires.  While many gothic stories hint at supernatural elements, they are normally explained away by the end of the book as some villainous machinations of a devious man (or woman) out to destroy lives, gain a family fortune, or for some other nefarious reason.  Not in this case.  As the title clearly indicates, this story is about vampires - the blood-sucking, eternal creatures of the night that roam the countryside looking for victims.  Or is it?  Author Dorothea Nile (who, in actuality, is Michael Avallone, a rather prolific and talented writer who published books in a number of genres under quite a few pseudonyms - besides this one, he also wrote gothics using the names Edwina Noone and Priscilla Dalton) is quite cunning in the way she (he) tells this story, leaving the reader, and the story's protagonist, wondering right up to the very end!
 
The Vampire Cameo is set right at the turn of the 20th Century, in the year 1899.  Young Rosalie Lindquist, an American schoolteacher vacationing in Europe, is on the last leg of her journey when fate intervenes.  The coach in which she is riding overturns in the Transylvania countryside during a horrific storm, leaving her stranded without any luggage, money, or means to reach the Austrian border.  A mysterious man happens to be there, offering her sanctuary within the darkened halls of his crumbling home - Darkus Castle!  (That name alone is enough to conjure up demons and all sorts of other horrors!)  Count Alexander Darkus and his wife, Lady Carmela Darkus, are gracious hosts - but from the very moment Rosalie sets foot in the decaying castle, she can feel something is off.  As the storm strengthens and the darkness descends, Rosalie - and the reader! - must determine if someone in that castle is a vampire, and if so, who is it?
 
The people in the nearby town of Larksmore wholeheartedly believe that Count Darkus is a vampire.  He certainly fits the part, what with his dark, brooding manner, his dark hair and fair skin, and his old ways.  But Rosalie has seen him in the day time, so surely that would discredit any thought of him being a creature of the night, right?  However, Rosalie has also noticed that Castle Darkus is completely devoid of mirrors in any of the rooms, including her own guest room.  Could it be he wants to hide the fact that he casts no reflection?  And what about that huge bat that tries ferociously to break through the window into Rosalie's room the first night she is there?  Was it pure chance, or was it Count Darkus knowing exactly which room she would be in?
 
Rosalie cannot quite believe the handsome Count is a vampire.  After all, vampires are simply creatures of myth.  No God-fearing young woman would believe such fantastical things exist.  Yet, she cannot deny the facts in front of her.  She does not see Lady Darkus in the day - she's suffering from a headache, the Count informs her.  The Lady also reacts in terror at the sight of Rosalie's crucifix pendant.  Only a vampire would react in such a way, correct?  Yet, Count Darkus explains that his wife lost her parents in a horrific accident, and the silver crucifix her mother was wearing at the time of her death has inspired fear of crosses ever since.  A simple, logical explanation, no doubt.  But Rosalie has her doubts.  Although the next morning shines brights, and Rosalie is ready to put it all behind her and return home - until the carriage she is in meets up with an angry mob of townspeople who are out for blood.  Three young girls have disappeared, and they believe Count Darkus stole them away.  Unable to pass, Rosalie is forced back to the castle, back to the dark recesses of the morbid place, back to where all her fears are once again brought to the forefront.
 
The story takes place over the course of just three or four days, yet, Nile (Avallone) manages to build up considerable suspense and fear within 180-plus pages.  Poor Rosalie fights to rely on her faith in God and her own common sense to tell her that there are no such things as vampires.  But the things she sees and the people right in front of her are making her question everything she has ever believed.  What if one of them were a vampire?  What if one of them really did take those three village girls?  And what if one of them intended to make her their next victim?  Another horrific storm rocks the great castle, and the irate villagers show up at the castle's door, ready to take matters into their own hands, with wooden stakes and mallets, to find their missing daughters. Rosalie is forced to make a choice, knowing she could very well be killed right along with Count Darkus and his wife, and ultimately, a very dark secret is revealed about the inhabitants of Castle Darkus that opens everyone's eyes!
 
Oh, and yes, there is also the very large Mondro, the Count's right hand man (and the only staff in the entire castle).  He is a unique individual, being described as both deaf and dumb, a turn of words that the Count describes as "a shameful expression" (p. 85).  What is interesting is that Count Darkus apparently knows sign language, as he uses it ("a curious hand and finger sequence of motion") to communicate with Mondro (p. 85).  This is now the second book in recent weeks that I have read where one of the main characters is familiar with sign language (the other being The Secret at Lone Tree Cottage, a Dana Girls mystery where one of the sisters uses sign language to try and communicate with their teacher who is being held captive).  It is funny how I have gone years without reading any books that mention deafness or sign language, but now in the span of a couple of weeks, I have read two with it!
 
And speaking of Mondro being deaf and dumb, I have to wonder if Nile forgot that fact for a moment later in the story.  Much later, when Mondro starts to attack Rosalie, a shout from Count Darkus stops Mondro in his tracks, causing him to release Rosalie and turn to fight his master.(pp. 129-30).  Why would the Count's shout affect Mondro, if the man is deaf and cannot hear?  Even though Mondro is said in the story to have lip-reading skill, being able to lip read would not help him hear the Count shouting.  It might have been more realistic to have the Count come up behind Mondro, pull him off, and throw him to the other side of the hall - that would certainly have created a more dramatic entrance for the Count.  In any event, such a snafu does not detract from the overall enjoyment of the story.
 
I am not sure who provided the cover art for this book, but I will say that it comes across more like for for a comic book rather than art for the cover of a book.  Rosalie holding the candle, Count Darkus seeming to appear within the swirling fog approaching the young woman, and the foreboding castle one can barely see against that black night sky.  It certainly sets the creepy tone of the story inside, and definitely gives the reader a sense that the vampire is about ready to attack.  Having been published in 1968, two years after the Dark Shadows television show first premiered and just one year after the vampire, Barnabas Collins, made his first appearance, the book and its cover art may well have been inspired by the popularity of the "sympathetic vampire" that was now so popular.
 
I did learn a new word while reading this book.  A number of times, Nile (Avallone) refers to Count Darkus' carriage as a "phaeton."  I have honestly never seen that word before in my life, so I looked it up.  Apparently, a phaeton can refer to several things:  in Green mythology, he is the mortal son of the sun god Helios; in more recent times, it is an open-top car (such as a Volkswagen luxury sedan); but a century or more ago, it referred to a four-wheeled carriage without doors, popular in the 18th and 19th centuries. So, instead of simply calling it a carriage, Nile (Avallone) uses the term "phaeton" through the entire book.  Just goes to show, you can learn something new every day!
 
Finally, for those wondering about the title - yes, there is a cameo pin that plays a very important part of the story and ultimately leads to the final revelation of what is really going on and who is the vampire of the story.  And if you think you know, let me just say - think again!
 
RATING:   10 harpsichords softly playing out of 10 for a suspenseful, terror-filled story of vampires, hate-filled villagers, and a young heroine who stands firm in her faith and courage!

Saturday, May 24, 2025

A Murder Most Unladylike Mystery, Book 8 - Top Marks for Murder

Ah, it feels so good to take another trip back into the world of Daisy Wells and Hazel Wong.  I can't believe it has been nearly a year since I read the last mystery - it does not seem like that long has passed since Daisy and Hazel were solving a murder in the theater!  But, here we are, joining the teenage girls of the Detective Society as they return to Deepdean school for not only a new semester, but a new murder.  This series has been so much fun, and quite honestly, now that I've started re-reading the Dana Girls series, I realize that this series (set at an all-girls' school) is more or less a modern updating of the Dana Girls (although Daisy and Hazel are not biological sisters, they do act much like Louise and Jean do in the Dana Girls' series!).  Maybe that is part of the reason I have enjoyed it so much.
 
Top Marks for Murder is the eighth full-length novel in the series (not counting the short-story, The Case of the Missing Treasure), and it returns the girls to their roots at Deepdean.  In this particular mystery, the school is gearing up for its 50th anniversary celebration, with a number of special events planned and all of the girls' parents traveling in to help celebrate.  Daisy and Hazel, however, find themselves parent-less -Daisy's parents are working and Hazel's parents are not willing to make the long trip from Hong Kong.  However, the events in the story do end up bringing a "guardian" of sorts for the girls in the form of Inspector Priestly.  And, quite honestly, the Inspector's interactions with Daisy and Hazel is so perfectly written, and the Inspector finally does something that I've been waiting decades for people in these murder mystery series to do - he admits to the girls that "against all probability, when you've told me that something terrible has happened, it always has.  You have been right again and again, and I would be no sort of policeman at all if I did not believe in your detective powers by now" (p. 83).  FINALLY!  It seems in every mystery series, whether in prose form or on television, no matter how many murders the amateur sleuths solve, when the next murder comes along, the sleuths' theories and observations are dismissed, and they are told to stay out of it.  Here, at least, we have a police inspector who recognizes the fact that these two teenage girls have solved eight murders (to date), so why would you not give credence to what they have to say?  It is only logical!
 
Author Robin Stevens really plays up the misdirect with this mystery.  When Beanie witnesses what she believes to be a murder - a man choking a woman - in the woods outside of Deepdean, the Detective Society is on the case  The only problem is, there is no body and no proof of any murder.  The only clues they have are a French matchbook and a ladies' hat.  Oh, and there's that invitation to the 50th anniversary celebration - meaning that either the murderer or the victim (or both!) was to be a guest at the weekend's ceremonies.  The girls sketch out a plan to figure out the identity of the victim by watching what woman, who is supposed to be there, fails to appear.  But that plan goes awry when Miss Barnard's sister, Mrs. Rivers, is murdered at the opening dinner.  It is clear she is poisoned (the girls recognize the affects of arsenic right away), and it is also clear that only someone at the table where she sat could have done it. But who was it?  As the girls keep watch on their suspects, and as they re-enact the actions of those at the table that night, they think they are getting closer to the truth.  But then another murder attempt takes place during a garden party (I say attempt, because this victim manages to survive!), and the girls are forced to re-think everything.  Finally, Daisy comes up with a plan to smoke out the culprit; but will her plan succeed or simply put her in unwarranted danger?
 
It truly is a mind-boggling mystery, as Stevens is constantly changing the direction.  Just when you think you have an idea of what's going on, she pulls the rug out from underneath you and turns it around.  And without giving anything away, even after the girls figure out who the culprit is (or who they believe it is), it turns out everything - and everyone! - is not quite what it seems.  There are some great surprises in the story, some unexpected plot twists, and one very sad revelation regarding the mother of one of the girls in the Detective Society (not Daisy or Hazel, so breathe easy).  The final revelation of the truth at the end is definitely worthy of Agatha Christie or Arthur Conan Doyle.
 
One interesting tidbit I noticed while reading was a passing reference to the possibility that one of the new girls' father might be "the rightful owner of the Koh-i-Noor diamond" (p. 11).  I had to read that twice, because something in the back of my mind was nagging at me, telling me I had read about that diamond before, and not necessarily all that long ago.  Well, looking back, it seems that the Koh-i-Noor diamond was discussed on page 40 of The Clue in the Jewel Box, the Nancy Drew mystery originally published back in 1943.  That particular diamond (which is real, by the way) originated in India, who still makes claims of ownership to the diamond, and it allegedly has a curse connected with it (supposedly only a woman or God can wear it).  It is currently on display at the Jewel House in the Tower of London as a part of the Crown Jewels.
 
One other aspect of the story I should mention is the use of A.E. Houseman's poem, "Terence, This is Stupid Stuff."  It is actually a rather ingenuous idea, and Steven's incorporation of the last stanza of that poem into the story and the importance to unraveling the truth of what really happened at that dinner table is just one of the many reasons why this book is so thoroughly enjoyable.
 
There is some hints at the end of this book about a trip to Egypt for Daisy Wells and Hazel Wong, so I'm hoping that the next book will have a mystery filled with pyramids, mummies, and all kinds of great Egyptian hieroglyphic-clues! 

RATING:  10 salt shakes and champagne glasses out of 10 for a cleverly plotted mystery full of twists and turns that will make your head spin!

Wednesday, May 21, 2025

Exploring Series Books in Florida, Part 3 - Celebrating Gasparilla with Vicki Barr

Florida has so many places that can be found in various series books that Pam and I had to continue with our adventures!  After exploring the Space Coast (Series Books - the Space Coast) with the Hardy Boys, the Happy Hollisters, and Nancy Drew, and then exploring St. Augustine (Series Books - the Oldest City) with the Moving Picture Girls, the time came to head over to the west coast to follow in the footsteps of that crime-solving flight attendant, Vicki Barr!  That trip was originally planned back in October, but due to the hurricane, plans were changed - which, ultimately worked out for the best, because it gave us the opportunity to visit the Tampa Bay area in January and experience Gasparilla, just like Vicki Barr did!
 
As with our trip to St. Augustine, we were able to focus on just one book for this trip, and that was the Vicki Barr mystery, The Clue of the Gold Coin. This book is the twelfth book in the Vicki Barr Flight Stewardess series.  This series is sort of a companion career series to Cherry Ames (who was a nurse), as both series had the same authors: Helen Wells and Julie Campbell Tatham.  This particular book was written by Helen Wells, the original author for the series, and was published in 1958.  The story follows Vicki Barr, who was fortunate enough to get a route that would take her to Tampa Bay area, where she could not only visit with some friends, but also experience the pirate festival known as Gasparilla.  Vicki stumbles upon a mystery involving gold coins that are stolen from a museum exhibit that was arriving by plane, so of course, her traipsing through Tampa and Ybor City was mostly focused on solving the mystery.  Of course, along the way, she visited a number of various places, and it was surprising how many of them Pam and I found in the real world...
 

The adventure for Vicki began with her flight into the Tampa International Airport, as she looked out the window and "at last the hangars and runways of the Tampa International Airport swept into view..." (p. 4)  It was obvious that this would be our first stop as we followed in Vicki's footsteps.
 

We followed signs to see where the arriving flights would unload.  While Vicki flew in to Tampa on Federal Airlines, that is a fictional airline which does not exist in the real world (in the United States, anyway). Thus, we figured the closest we might find would be American Airlines, and we discovered the unloading took place at Blue 125.  There were a number of taxis waiting for passengers, which would have been perfect for Vicki, who "went out the building's main entrance to look for a taxi" (p. 12).
 

Once Vicki is settled into her friends' home, she is invited to join them for Gasparilla.  Her hosts provide her with a description of the event, giving her an abbreviated history of the pirate festival (pp. 17-19).  Since we did not have those same hosts to share the story, we visited the Henry B. Plant Museum, which provided the history we were seeking!
 

As the story goes, "...in 1783, to be exact, an officer in the Spanish Navy named Jose Gaspar mutinied ... turned pirate, changed his name to Gasparilla, meaning Little Gaspar, and began to prey on the merchant ships of all nations.  He made his headquarters in the islands around Tampa Bay..." (p. 17).
 

Since the book was published in 1958, it was likely the author visited Tampa the previous year and was able to experience the Gasparilla festival of 1957.  We learned that each festival has a "royal court" that includes a King and Queen, along witha group of maids, and the court is an important part of the celebration. At the museum Pam and I visited, we were fortunate enough to see the Jewel Circle Gown worn by a member of the court in 1957, which dress was designed by Anne Lowe, the first internationally recognized African-American fashion designer.
 

Both the museum and The Clue of the Gold Coin shared the history of how a "group of Tampa businessmen formed an organization called Ye Mystic Krewe..." (p. 18), which has since been joined by more than 60 additional "krewes," all of whom come together each year to contribute to this annual festival.  The Tampa Bay Hotel, which now houses the Henry B Plant Museum,was the central location for the early festivals.
 

 
From museum, it was only a hop, skip, and a jump (literally!) to the Cass Street Bridge.  Now, you may be wondering why would visit a bridge, as what importance could it have had to the Vicki Barr story?  Well, as it turns out, the book contains a two-page spread illustration of a drawbridge being lifted so that a pirate ship in the Gasparilla parade could make its way through.  
 

Based on the illustration, there was no doubt the bridge was the Cass Street Bridge, built back in 1926.  While the water tower in the background of the illustration is no longer there, the small octagonal building that housed the controls for the bridge is still there!  Based on the details in the illustration, either the author provided photographs of the bridge for use in drawing the scene, or the illustrator was familiar enough with it to depict it with such exactness.
 

Next in the adventure, Vicki was offered a chance to "VISIT GLAMOROUS YBOR CITY - Enchanted Land of Fiesta and Romance" (p. 82), and on our trip to Tampa Bay, we also visited this suburb of Tampa.  Pronounced "Ee-boar," the city was founded back in 1885 and became quite famous for its cigar industry. 
 

When Vicki made her way over to the area, she discovered that "Ybor City was quite different from the modern section of Tampa..." (p. 83).  As she walked the district, she thought of it as "The Latin Quarter of Tampa" (p. 83).
 

While in Ybor, Vicki had lunch at "The Granada Restaurant" (p. 82).  In the story, the author describes the restaurant so vividly.  "The foyer just inside the door was floored with bright mosaic tile as were the walls..." (pp. 85-86).
 

"A tiny fountain in the middle of the hall was surrounded by potted palms ... A huge archway provided the entrance to the restaurant proper" (p. 86).
 

Based on the descriptions in the story, it was undoubtedly clear that the restaurant called "Granada" in the book was actually the Columbia Restaurant, which opened its doors back in 1905.  Pam and I were very fortunate, in that the current owner of the restaurant was there the day we lunched, and he came over to the table to talk with us about the book.  When we read the description given by Helen Wells in the story, he agreed there could be no doubt it was describing the Columbia.  
 

While at the restaurant, Vicki asks if there is music, and she is told "[a]t dinner we have also the piano and violin" (p. 86).  In the Columbia Restaurant, Pam and I found memorials to Adela and Cesar Gonzmart, who played the piano and violin, respectively, for many years in the restaurant (including the 1950s, when this book was written and published!).
 

The Columbia Restaurant is quite well known, and the ownership has remained with the family who first established it back in 1905.   It has changed very little over the years (although the courtyard with the fountain now has a roof covering it, so on those rainy days, people can still enjoy their meals in that room), and it maintains its original Spanish feel.
 

Upon leaving the Granada Restaurant (a/k/a Columbia Restaurant), Vicki follows a character that she suspects of shady business dealings to his residence - so that is exactly what we did!  "To find the Duke is like putting your finger on quicksilver.  But his home is on Columbus Driver at the corner of Thirteenth Street.  A red-brick house with a balcony..." (p. 91).  Pam and I drove down Columbus Drive until we reached Thirteenth Street, and behold!  Right there on the corner, just like the book says, is a two-story, red-brick house with a balcony!  (NOTE - in the story, Vicki walks the distance from the restaurant to the house; however, in the real world, the distance would be far too great to walk!)
 

Later in the book, Vicki returns to Ybor City with her hosts for "dinner ... in a restaurant called the Spanish Park.  It was very much like the Granada, Vicki thought, with archways, tiled floors and walls, potted palms and tinkling fountains" (p. 101).  There was once a restaurant called the Spanish Park in Ybor City on the corner of 7th Avenue and 36th Street, which was a family-owned eating establishment that closed its doors, after nearly a century, in 2022 (just three years ago!).
 

Having located the address while researching the history of the Spanish Park restaurant, Pam and I set out to see what now stood at the corner of 7th Avenue and 36th Street.  Sadly, the building now on that corner was drastically different - no more arches, nor more tiled walls...).
 

So, after hunting down all of the locations, it was finally Saturday and finally time to experience the Gasparilla festival, just like Vicki (and likely just like the author did back in 1957, the year before the book was published).
 

In the book, Wells describes how the "costumed members of Ye Mystic Krewe clambered onto gaily decorated floats, and amid the strident music of half a dozen bands, the parade began to move slowly up the street away from the docks" (p. 80).  I have a feeling the floats were much more extravagantly decorated and colorful back then, as the floats we saw pass by during the parade were simple and not overly colorful at all (which was a bit disappointing).
 

However, just like Vicki did in the illustration, Pam managed to track down a pirate of her own!
 

The parade was extremely crowded, with throngs of people literally pressing in from all sides.  We left just a bit early in order to avoid the rush of everyone leaving once the parade ended.  We made our way back by trolley to Ybor City, where we parked.  And, interestingly enough, while in Ybor, we happened across a sign on one of the buildings which advertised "Jewel Box Lofts" and "Gruen Watches" - now any series book fan is going to automatically get those references to Nancy Drew's twentieth mystery (The Clue in the Jewel Box) and to Nancy Drew's housekeeper (Hannah Gruen).  Talk about coincidences!
 

And with that, we wrapped up our third Florida series book adventure.  First it was the Space Coast, then it was St. Augustine, and now Tampa Bay.  As we packed our bags for our return trips home, we had to wonder - where would our next Florida adventure take us?  The Everglades?  Key West?  Miami? Fort Lauderdale?  Fort Myers?  Palm Beach?  So many places to choose from!
 
Only time will tell....

Sunday, May 18, 2025

A Zebra Mystery Puzzler #16 - The Final Guest

It's been six books since Marcia Blair's (a/k/a Marc Baker's) last Zebra Mystery Puzzler, rather than the standard four between each of her Tory Baxter mysteries; but she's back with another wickedly good murder mystery.  While the interior art seems to change with each one of her stories, the characterization remains consistent and the plots are well done.  This one not only had me guessing up until the very end when I reached that sealed chapter, but it took my by surprise who the killer turned out to be (and I thought I had it all figured out!).  That, of course, made for a great read.
 
The Final Guest
, the fourth nurse Tory Baxter mystery, finds our intrepid young sleuth playing nursemaid to an elderly woman with a somewhat weak heart at a boarding house not far from home.  It does not take long before her patient turns up dead of an apparent heart attack.  But what explanation is there for the position the body was found?  Or the pillow on the floor next to the bed?  Or the small red spot on the pillow case?  Tory is not sure what to think, even after the local doctor assures everyone in the house it was simply a weak heart.  Then the phone calls start.  Someone is sure Mrs. Vestry did not die of natural causes and wants to ensure the truth comes to light.  Tory begins to wonder, but her police lieutenant friend, Jay Thorpe, is certain the phone calls are nothing but pranks.  Then another death occurs - it could have been an accident, but then again, maybe it was not.  Then Mrs. Maxwell's young daughter goes missing, only to be discovered locked in the basement refrigerator, having been drugged.  Then Mr. Wickerson is discovered on his bed, drugged, his pillow on the floor next to him.  There is no doubt a murderer in the house, but who is it?
 
Blair (Baker) did Agatha Christie proud with this mystery.  A house full of suspects, murders that appear otherwise, and an amateur sleuth that the police refuse to believe.  And with the kooky cast of characters in this story, the reader is in a real quandary of sifting through clue after clue to determine who the killer is.  Essie Cabot is the old woman with the beginning stages of dementia; but is she merely faking it so she can add to her growing collection of jewelry?  Mrs. Maxwell is the single mother, whose obsession with daytime soap operas leave her young daughter Suzy free to roam the house, causing havoc with the other residents; but is her daughter merely a distraction while she commits crimes? Cristen Page is the actress, who has set her eyes on Jay Thorpe; but is her interest in him merely a ruse to keep him from uncovering the truth?  Colonel McGuire seems stuck in the past, retelling stories of his glory days and trying to maintain some peace among the residents; but is his affinity for his heroic past a mask to hide the villainy he is doing today? Mrs. Wickerson is an overbearing, bossy, rude kleptomaniac who, despite her great wealth, cannot help but steal what she wants; but does the obscene control she has over her husband hide a much darker side?  And then there is Mr. Wickerson, who is resolved to bowing to his wife's every demand; is he truly that weak-willed, or is he covering up more than anyone realizes?  Of course, we also cannot forget Lucinda Prescott, who runs the boarding house - her concern for her tenants and her anxiety over the deaths seems real enough; but is it all a smokescreen for a devious plan to steal her tenants' fortunes?
 
I will readily admit the mystery had me stumped.  I had my suspicions about a couple of the characters, but it turned out I was way off!  The ultimate revelations as to the killer's identity came as a surprise; although, looking back over the story, the clues were there to point to this person - you just have to dig them out from all of the red herrings.
 
While the previous Marcia Blair books featured cover art by Bruce Emmett, the art on this book does not have a signature or other identifying mark; however, Nurse Tory looks considerably better than she did on the cover of her last book.  That being said there are a couple of things about the cover that stand out right away - the first being that doll (?) lying on the bottom right hand corner of the cover.  I question whether it is supposed to be a doll with no clothes, or whether it is to represent the first murder victim, found face down on her bed.  It seems out of place on the cover and would be more appropriate on a men's pulp novel than on a cover like this!  The second item of note is the young girl - Suzy.  The girl on the cover is shown with short brown hair; yet, in the book, Suzy is described as having long blond hair, and even the internal illustrations support that description.  So, I'm not sure why the cover artist depicted her this way, unless he or she simply was not provided any character descriptions upon which to use for the art.
 
The internal illustrator is also unidentified, and based on the style of art, I believe this is the artist's first book.  As with prior books, there are inconsistencies between the illustrations and the story - such as Nurse Tory always being depicted in her nurse's uniform, yet, in the story, she is wearing regular clothes in those scenes.  Additionally, there are no real clues to be found in any of the illustrations for this book, except the one on page 131, which depicts Tory in one of the tenants' bathroom, looking at all of the bottles in the medicine cabinet, one of which is clearly marked as "poison."  Otherwise, while the illustrations depict important moments in the story, there are no clues that would point to the identity of the killer.  It is the cover that holds the biggest clue for that.
 
One final thing I want to mention is the continued tension between Tory and Jay - from the very beginning, it was clear that these two belong together - yet Blair (Baker) has managed to keep the tension strong between them, keeping the reader guessing, will they or won't they?  I hope they do manage to make it official before the end of the series.  And the killer's ominous threat at the end - "I won't forget this," the killer says to Tory.  Does this mean we might see this person in a later book come back for revenge? That would make for a thriller!
 
I think this, by far, was my favorite Tory Baxter mystery in the series up till now.  Well written, well plotted, and a surprise reveal - everything one could want in a great murder mystery!
 
RATING:  10 fringed paisley shawls out of 10 for giving readers of this series an outstanding mystery well worth the read!

Thursday, May 15, 2025

The Mystery of the Tolling Bell - A Book By Any Other Name, No. 2

Way back in 1946, Grosset & Dunlap first published the twenty-third Nancy Drew mystery, titled The Mystery of the Tolling Bell.  About twenty years later, Christian Literature Crusade, with permission by Pickering & Inglis, Ltd., published a book written by Ellen Jane MacLeod by that same name (The Mystery of the Tolling Bell), which I happened across by pure chance at a local used bookstore.  Now, here we are a year later, and wonder of all wonders, I come across yet a THIRD title by that same name!  Now, I realize that some titles have a tendency to be used over and over (such as common phrases like "Double Indemnity" or "Web of Lies" or such); but for this unique of a title to be used not once, not twice, but three different times by three different authors in three different decades - well, the coincidence is uncanny!
 
This version of The Mystery of the Tolling Bell is written by Alan E. Losure, is an Indiana writer who enjoys writing historical fiction.  Unlike the previous two stories, Losure's tale is a murder mystery written for an adult audience, nor for children.  That does not mean it has sex, violence, and foul language; rather, it means the subject matter (murder!) is not something normally intended for children to read.  Additionally, while the two books for young adults were set in the present time (well, "present" as far as the date when they were originally published), this story is set back in 1898, just before the turn of the century.  Thus, there are no motor cars that would enable to characters to speed from one place to the next, and telephones are about the only technological advance - we're talking about "old west" style living, with saloons, general stores, and such.  However, as the title would suggest, the mystery does involve the mysterious tolling of a bell - in this case, warning the citizens of Gas City, Indiana that death is about to come to their small town!
 
Losure does write an interesting story that is multi-layered and not as clear-cut as one may expect.  In fact, the book is broken up into two parts - the first part being "The Mystery of the Tolling Bell" and the second part being "Doctor Death."  While the underlying mystery is threaded through both parts, they actually have very distinct factors driving the plots.  In the first half, the story centers around Herbert Ainsworth, a young man graduating from the local high school, who, at his graduation ceremony, announces to the townspeople how he has suffered at the hands of three other young men in his class for the past four years and warns them that their time is coming - theirs, as well as the school administrators who allowed the bullying to continue unchecked.  The second half of the book is focused on members of the mob who come to Gas City to begin an "insurance" racket, forcing the businesses to pay part of their profits for protection from ... well, protection from the very people to whom they are being forced to pay the insurance!
 
 "The Mystery of the Tolling Bell" is the mystery that asks - who tolls that school bell before each murder (or attempted murder)?  The bell is high up in a tower, behind locked doors, and no one is ever seen anywhere near the scene at the time.  Yet, each time that bell tolls thirteen times (made me think of the Penny Parker mystery, The Clock Strikes Thirteen), and each time, there is a murder, or an attempted murder, at least.  All clues point to poor Herbert, who threatened the other boys in his class, since the two who are murdered were two of the three boys who bullied him, and the one who was nearly burned to death in his own outhouse was the school superintendent. Herbert claims he is innocent, and it is not until the last remaining bully is caught trying to torch Herbert's small shack that the town realizes it was actually that third boy - or was it?
 
This is where "Doctor Death" begins.  With the third bully hauled out of town to face criminal charges at the county seat, the citizens of Gas City think the horrors have ended.  But then the bodies start to pile up again, each one with a note signed by "Doctor Death," warning of more to come!  While this is going on, some out-of-town mobsters have made their way into Gas City and have set up an "insurance" scheme to force businesses to pay for their protection - and when they find out about Herbert's amazing mathematical skills, they threaten him into helping them.  Ultimately, Herbert comes up with a plan to outwit the crooks, while, unbeknownst to him, the real killer has entered the wrong house to do his next killing.  As the story reaches its climax, some startling secrets are revealed (including the REAL reason behind all of those killings) and a statewide criminal organization is finally brought to its knees.
 
Losure writes a great mystery that is fast-paced, yet still has time to fully flesh out all of his characters so that the reader actually feels for each and every one of them.  In addition, Losure includes considerable photographs of people that he identifies as the characters from the story, as well as vintage photos of various sites from around Gas City during the 1890s. At the end of the book, Losure explains about his use of the Cabinet Cards to "enhance the story" by giving a physical face to each of his main characters.  As far as the use of the tolling bell, this was likely taken from the old expression that "when a bell tolls, someone is going to die," which expression is said to be rooted in the tradition of churches ringing bells to announce that someone has passed away.
 
Overall, a pretty good read, even though there were a number of spelling errors and mixed up names (at one point, Herbert is sent to the telephone company to review the books and try to correct the payroll ledgers - when he enters the building, the story says "Wilbert assured them that it was his top priority" [p. 234], when it was actually Herbert who assured them), leaving me to wonder if any editing was done before the book was published.  I enjoyed the revelation as to the killer's identity and motive, and the pictures scattered throughout the book DID enhance my reading of the story.  At the end, Losure breaks the fourth wall to ask the reader "what will the future hold in store for them and a few other characters?" to which he informs the reader that such "answers will be contained within the pages of my next book" (p. 238).  Those two lines gave me a nostalgic feel of the old children's mysteries from the '30s, '40s, and '50s when each book would give a small tag at the end, letting readers know what the next book would be.
 
RATING:  9 helpings of salted meats, breads, and pickles out of 10 for a great mix of history and fiction with the superbly plotted murder mystery at its heart!

Monday, May 12, 2025

Harlequin Gothic Romance Series No. 32008 - Legacy of Raven's Rise

"She set out to unravel one mystery, then found herself caught in the grip of another, more deadly..." (cover blurb)
 
This eighth Harlequin Gothic Romance is the second of author Helen B. Hicks' three gothic tales for this series. Hicks seems to have an affinity for stories set in California during the 19th century, as both her first book (Castle at Jade Cove) and this book find the young heroine of the story making her to a small town in California where she must face the secrets of the past.  There are definitely some similarities between the two books, but there are sufficient differences to keep the story fresh and engaging.
 
Legacy of Raven's Rise tells the story of Selina Ames, an orphan who was raised by foster parents, and who has come to Bittercreek, California in response to a mysterious letters she received, indicating the secrets of her past might be unlocked in this small town.  In a way, Selina reminds me of Victoria Winters from the Dark Shadows saga - a young girl who knows nothing of her true parentage who travels to a somewhat remote location where there is a dark mansion overlooking the town, from which she hopes to unlock the secret of her past.  I suppose that trope is a somewhat tried and true scenario for gothic tales, as it is steeped with so many of the proper elements - veiled secrets, dark houses, mysterious pasts, and young women desperate to find their identity.  Hicks does not make Selina's identity the main focus of the story, although the reader does not realize it until about half-way through the book.
 
From the get-go, the only clues Selina has to her past is the strange note beckoning her to Bittercreek and the enormous emerald ring, surrounded by diamonds that her foster father gave her before he died, indicating it was from her mother.  While the note does not lead her to to any answers, the ring definitely does!  As soon as Selina arrives in Bittercreek, she is met with hostility from the townsfolk - the only ones who are nice to her is the gentleman who road with her in the stagecoach, the owner of the local newspaper, and the town's doctor.  The hotel clerk is downright rude to her, and the rest of the townspeople merely stare and whisper behind her back. She soon learns it is all tied into that dark house overlooking the town - the house called Raven's Rise.  It seems the owner has died, and if no heir appears to claim the fortune left behind by Raven Winfield, then the house and all of the other Winfield assets will revert to the town.  Well, you can pretty much guess what "secret" is going to come out about Selina...
 
As indicated, Selina's past is not really the big mystery of this novel; rather, the mystery involves her grandmother's strange hold over the town and the people in it - especially the banker and the mayor.  There is also the rumor that Raven's Rise hides somewhere within its walls a great treasure, and someone is determined to find it.  Then there are the stories about Raven's ghost haunting the halls of the great house.  And when Selina sees a small light in the windows when the house is dark ... when she hears her name being whispered ... and when she is sure there is someone in the house with her, watching her ... it is all she can do to keep it all together.  Marcus Hannaford, the charming man from the stagecoach, urges her to sell the house and leave town.  The town doctor encourages her to abandon her hopes of staying in the great house and move back to San Francisco.  Even Jared Newcomb, the newspaper editor, questions her decision to keep the house, when the townspeople clearly do not want her there. But the more she is told to leave, the more determined she is to stay.  e
 
Interestingly enough, Hiram and Dulcie, the handyman and housekeeper at Raven's Rise who stayed on after Raven died, do not have any animosity towards Selina at all.  In most gothic tales, the household staff are either extremely antagonistic, not wanting the interloper to be in the house, or they are actually the villain(s) of the story.  In this case, Hicks does not play up to the reader's expectations, and instead, Hiram and Dulcie welcome their former employer's granddaughter into the house and do what they can to protect her - not only from the town's feelings about her, but also from whomever it is that is "haunting" the house.  I rather like this twist, as it is nice to read a tale where the heroine has someone who will support her and have her back when there is so much doubt about those around her.
 
The mystery slowly begins to unravel for Selina, as she learns that Raven Winstead was not exactly the woman she believed her to be.  Blackmail, revenge, murder, unrequited love, and a runaway daughter are all tangled into an intricate web of betrayal and deceit, and Selina must ultimately decide whether she will pick up where her grandmother left off, or whether she will put an end to the legacy that has haunted Raven's Rise for decades and walk a different path.  Can she allow the murderer of her grandmother's love get away with it?  Can she forget why her mother ran away and never looked back?  Can she escape the one who is intent on frightening her from the house so he can lay his hands on that elusive treasure?  It all makes for a rather dramatic conclusion (with a couple of surprising twists) that leaves the reader well satisfied with the outcome.
 
Once again, Harlequin offers up another gorgeous painted cover for this title, but fails to identify the artist.  The scene, with Selina running out of the front gates of Raven's Rise in the dead of night, casts the right amount of gloom and shadow to set the right atmosphere for the story.  I truly love the cover design and art for this series, and I would love to one day find some of the original paintings used for the cover art.
 
RATING:  10 overtrimmed silk lamp shades out of 10 for a gothic tale of mystery upon mystery, with some great soap opera-style themes of blackmail and betrayal thrown in for good measure!

Friday, May 9, 2025

Carol on Tour - the Fourth (and final) Carol Page theater story

And so, it is with a heavy heart, we come to the fourth and final Carol Page theater story by Helen Dore Boylston.  I have thoroughly enjoyed getting to know Carol Page, her best friend Julia Gregg, and her gruff but faithful friend Mike Horodinsky, and it has been fun watching them start out as amateurs (Carol Goes on Stage), then spend the summer learning more of their respective crafts (Careol Plays Summer Stock), and finally return to New York to face the struggles of making their way in an already overcrowded industry (Carol on Broadway).  Now, here we are at last - Julia has been performing in a traveling show, Mike has been stage managing Miss Marlowe's show, and Carol has had a role in a Broadway hit!  So, what else is there for them to do?
 
Carol on Tour
, by the title alone, gives a pretty strong hint of what comes next for Carol, Julia, and Mike. The story picks up not long after the end of the previous book, when the play written by Carol's new friend is picked up by a producer and brought to life by Carol's long-time teacher and mentor, Miss Marlowe.  The show is a success, and Carol has been getting rave reviews; although, Carol being Carol, she does not necessarily let those reviews go to her head.  At least, not at first.  The story throws a new (yet at the same time, old) twist into things.  One of Carol's fellow cast members sees Carol as a stepping stone, so she befriends her and starts taking her to a number of dinner engagements and parties - after all, in order to keep working on Broadway, it's all about who you know, not talent!  Carol is too naive to see the type of people she is associating with, and when Mike and Julia try to warn her, she only grows angry and defensive.  It's not until Carol has the opportunity to take on a major role in a touring company's production of The Merchant of Venice that she discovers the truth about her new "friend" - a truth that pushes her to take the role and head on a new journey in her career as an actress!
 
While the number of unbelievable breaks that come Carol's way continue to mount, Boylston manages to keep a certain level of believability to the story by integrating the various theater personalities around her - from those who simply use others to get ahead, to those who are always demanding to be the center of attention, to those who have years of experience and are only too happy to share their knowledge with others, to those who are anxious to get on the stage, willing to take any role offered!  And circumstances seem to always convene to make sure Carol remains humble, acknowledging her lack of experience and her great fortune to be where she is.  Of course, Boylston keeps Mike and Julia in the mix, as Julia gets a small walk-on part in the touring show, and Mike is promoted to an assistant director - so all three face some new challenges in this story, and not all of it on the stage.
 
One aspect of the tale I enjoyed was Carol's attempts to be a friend to one of her fellow actor, Harris Nichols, who seems despondent and depressed.  She soon learns he is having difficulties maintaining his relationship with the girl he loves back home, and he is fearful that she is going to turn to another man.  Carol tries to soothe his fears and boost his confidence, but when Harris gets notification that the girl has gone off to marry another man, he loses all hope.  The situation that develops is actually quite dark, and I'm rather surprised Boylston included it in a book intended for children and young adults.  However, it is that very incident that leads to a monumental decision that Carol must make - one that has been in the making since that very first book (and one I saw coming early on and kept hoping it would see fruition, and finally, at the end of this book, it does!).
 
There are couple of scenes in the book worth pointing out, as they reflect (or, rather in one case, do NOT reflect) true life in the theater.  The first is when Carol is considering the different types of audiences one must face when acting on the stage:
One never knew about the audience in the first few minutes, but as the play went on, one became more and more aware of it quality as a single, concentrated personality.  Sometimes it was responsive - quit to laughter or tears.  Sometimes it was dull and heavy - sitting out there like a great lump, a weight upon the performance and the players.  Sometimes it wasn't a personality at all, but just groups of differing reactions - "spotty" the company called it.  And sometimes it was maddeningly restless.
 
Each audience made the play a new play and each performance different from the one before. (p. 31)
Only someone who has been on the stage before can understand exactly how true this description is. The actors on stage react to the audience's reactions, and so a non-responsive audience can easily result in a not-too-exciting play; on the other hand, an audience that gasps, laughs, hoots, and is all-in can be a strong encouragement to the actors, who truly come alive in their performances as never before to make the play more real and more exciting for the cast and audience alike.  I thought this moment of reflection on the part of Carol shows just how much the character has grown over the past three books, and how much understanding she has gained with respect to the stage and its impact on those in each audience who attend.
 
The second moment in the book that caught my attention was closer to the end, as the touring group was preparing to get on stage for opening night.  As Carol fights those opening night jitters, Julia tells her, "Good luck!," to which Carol responds with her own, "Good luck!" (p. 138).  And just a few paragraphs later, as she slips by Mike to prepare for her entrance, she hears him say, "Good luck" (p. 138).  One might think these well-wishes are nothing to make note of - however, those who have worked in the theater know that you never, never, NEVER wish an actor "good luck" before they go on stage - that is considered BAD luck; instead, you tell the actor to "break a leg" (which is a theater superstition, along the lines of the ghost light that stays on at all times or never-ever saying the name of a certain Shakespeare play inside of a theater).  Considering how well Boylston managed to portray the theatrical world correctly, I was greatly surprised by this gaffe!
 
Other than that one flub, the book was another wonderful read, ending on a high note (despite the gloom of Harris Nichols) that takes Carol and Mike on to the next stage of their life (and if that doesn't give it away to you, then you have not been paying attention at all!).  The gorgeous black and white illustrations are once again provided by Major Felten, and the frontis piece is by far his best masterpiece of the series, showing Carol waking gracefully down a staircase in a stunning dress.  The color cover, also by Felten, displays Carol in her Shakespearean outfit as Nerissa, her eyes sparkling as she recites her lines on the stage.  The cover of the British edition is the same as the previous three books, with exception of the color, which changed for each book.  The British edition for this book is unique in one way - it is the only one of the four titles to use the same title as the American edition:  Carol on Tour.  

And with that, so comes to a close another wonderful series.  It is a true shame that Carol Page only had four books of adventures, as it would have been great to read her, Mike, and Julia's further adventures in New York and on Broadway as they took the theater world by storm!  Alas, all of those tales will remain forever untold...
 
RATING:  10 plain, wine-colored silk dresses out of 10 for sharing Carol's final theatrical adventures and ending the series in a very satisfying manner.