Wednesday, April 22, 2026

Short Lived Comics Series #36 -The Young Lawyers (Dell Comics)

This 2-issue comic book series is something I chanced upon some time ago at a local convention.  I happened across the second issue for a relatively cheap price (the comic was not in perfect condition, mind you), and I could not pass it up.  As a paralegal myself, having worked for lawyers for some time, I am always drawn to comic books set in the legal realm.  With the photo cover, the identification of the actors on the cover, and the copyright to Paramount Pictures Corporation and Crane Productions, Inc. down in the bottom right corner, I assumed it was based on a television show - and I was right!  So, after some time, I finally found the first issue at a comic shop.  With both issues now in hand, I sat down to read them, and was pleasantly surprised to find out how much I really liked the stories.  With that in mind, I had to go back and see what I could find out about the old TV show...
 
The Young Lawyers
was issued in late 1970, early 1971 with cover dates of January 1971 (issue 1) and April 1971 (issue 2).  It was based upon a vintage television show that ran on ABC from September 21, 1970 to March 24, 1971, for a total of twenty-four episodes.  The comic, like the television show, centers on a legal aid center in Boston, called the "Neighborhood Law Office" (or NLO for short), established to help those in need who cannot afford legal help.  The three central characters are David Barrett (as portrayed by Lee J. Cobb), an established lawyer who gives guidance to young law school students who gain experience by representing real cases while they are going to school; Aaron Silverman (as portrayed by Zalman King),  a zealous student with lofty ideas of helping all of the underprivileged and always rooting for the underdog; and Pat Walters (as portrayed by Judy Pace), an African-American woman studying law in an effort to break stereotypes and do some good in the world.
 
As with pretty much all of the Dell Comics published at the time, there are no credits given for writers, artists, colorists, letterers, editors, or anyone else associated with the comic series; however, the Grand Comicbook Database website (The Young Lawyers) indicates Jose Delbo, who is probably most recognized for his work on DC Comics' Wonder Woman title for quite a long run in the 1970s and early '80s, as well as Thundercats and Transformers for Marvel Comics.  The art does strongly resemble Delbo's work, and it is clear the same artist did both stories in both issues, because the characters appearances are consistent throughout.  I would love to know who the writer was, though, because the stories are very much in sync with the stories from the television show - very topical and very much in line with the "buck the system" thinking of the time.
 
The two stories in the first issue are "Team Spirit" and "Kids are People."  The first story is about a young football player (whose name happens to be Jimmy Carter - who was not our President until seven years after this comic came out!) who is injured during a game and may be paralyzed.  The boy who tackled him is being accused of purposefully injuring him the previous day so that he can get the spotlight with the talent scouts who are at the game.  Aaron goes to bat for the accused boy, and with Pat's help (since the injured boy happens to be African-American), they are able to broker peace between the boys and get them both back on the field.  The second story involves a young boy named Angel Rivera who is accused of stealing a typewriter by a store owner.  The boy's reputation is being ruined, and his chance at getting into a prestigious school is lost because of the rumors.  Barrett, Aaron, and Pat all learn a lesson in this story, as they are not so quick to believe the boy's story, and when the truth does come out, it is the three lawyers who are eating crow!
 
The second issue features two more stories:  "Under the Skin" and "Explosive Justice."  In the first tale, a biker is unjustly and unfairly treated by everyone, no matter where he goes, and he comes to the NLO with the hopes of suing "the People of the United States" for denying him his rights under the Ninth Amendment.  Aaron goes for a bike ride with the man who calls himself Captain Freedom, and he sees first hand the way he is treated, merely because of his appearance - long hair, sunglasses, biker clothes.  Even the police are seen to hassle the man.  Aaron believes there is some cause for a lawsuit, but before it can be filed, Captain Freedom takes off, thanking the NLO, and Aaron specifically, for proving there were still good people in the world.  In the second tale, the NLO is the victim of a vicious bomb attack (thankfully at night, when no one was there), and our three main characters must sift through the firm's history to determine which client may want to seek vengeance.  Aaron is attacked one night when he goes back to the office, and the next day, a file is missing - the file of a former client who the NLO defended for allegedly bombing a government office!  As it turns out, that was a red herring, and the real culprit is someone much closer to home!
 
After reading these two issues, I was curious about the television show, so I did some searching and found some episodes available on YouTube.  The original pilot movie aired in October 1969, a year before the actual series began, and it featured Jason Evers as Michael Cannon, a corporate lawyer who leaves his firm to become the director at the NLO.  Zalman King plays Aaron, but Judy Pace's character is named Anne, and there is an additional law student, David Harrison (played by Tom Holland - no, not THAT Tom Holland).  The set up for the show is pretty much the same, but the story definitely gives ample time to both the legal story and the individual characters' characterization.  By the end of that pilot film, you actually have a feel for all four of the main characters.  In the first episode of the ongoing show, which aired in September 1970, Evers and Holland are gone, and Lee J. Cobb is in as new director, David Barrett.  There is absolutely no explanation for the change in characters, no reference at all to Cannon or Harrison.  Comparing the two, I honestly liked the initial pilot film far better than I did the first episode of the ongoing series.  The show is available on DVD on Amazon, so I'm going to buy that and watch the remaining 23 episodes to see if the characterization gets better as the series progresses (I know at some point a fourth main character is added to the series - Chris Blake, as portrayed by Philip Clark.
 
The comic series only features the main three characters from the regular series - Barrett, Aaron, and Pat.  However, in the second story of the first issue, someone got confused, because Barrett refers to Pat as "Anne," which was the character's name in the original pilot film.  They only use that name once, and, in fact, they never call the character by her name again in the entire story.  By the second issue, both stories refer to her as "Pat," her given name in the television series.  Otherwise, I thought both issues were pretty much flawless, capturing the feel and the look of the TV show, and providing some interesting, thought-provoking stories that today may seem dated, but back in the early 1970s would have been considered quite progressive. 
 
Definitely a series worth reading, and it's a shame it only lasted two issues.
 
RATING:  10 tell-tale band-aids on the chin out of 10 for well-written, beautifully drawn comic stories based on a little-known show that is definitely worth a second glance! 

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