This third novel in the series of Dark Shadows novels by Marilyn Ross (a/k/a W.E.D. Ross) takes the story even further away from the plots established in the television daytime drama and most firmly establishes this series as a completely alternate timeline. While Ross maintains some elements (such as Victoria's search for her parentage, Elizabeth's self-imposed 18-year seclusion, Roger's drinking and sarcasm, and the animosity between Roger and Burke Devlin), Ross deviates in so many ways with the various cousins, uncles, and other family members that appear from book to book, as well as Victoria's romance with Ernest Collins and the lack of supporting cast (with very little mention or few appearances of Maggie Evans, Joe Haskell, and other various Collinsport denizens - even poor David and Carolyn are sent away and haven't appeared since the first book, I suppose to allow more of the focus to be on Victoria as the Gothic heroine). It is like stepping into another parallel time, like those that appeared later in the television serial.
Strangers at Collins House (and I don't think I will ever get used to their constant reference to "Collins House" instead of "Collinwood" was first published in September 1967. By this time in the TV show, Barnabas Collins had been introduced, the ghost of little Sarah had been appearing, Jason McGuire was on the scene and blackmailing Elizabeth, and Victoria was engaged to Burke Devlin. Thus, it is surprising that the books continued to keep the focus solely on Victoria Winters, leading one to suspect that the books were actually written some time before they were published. Not that I am complaining, as I loved the character of Victoria Winters, and I am overjoyed to be reading further adventures of the young ingenue among the dark and sometime dangers secrets surrounding the great house on Widow's Hill. This book takes place during the same summer as the previous book, only Carolyn is now working in another town and David is at a boys' camp. This leaves Victoria alone once again in the big house with only Elizabeth Collins Stoddard and her brother, Roger Collins, along with the gruff caretaker, Matthew Morgan.
In this book, Victoria believes she has finally found the answers she has been searching for with regard to her missing past when Elizabeth and Roger's uncle, Henry Collins, arrives at Collins House with his friend and confidante, Benjamin Willard, and Benjamin's son and daughter-in-law, Jack and Molly. Before the elderly man even arrives, Elizabeth shows Victoria to the apartment in the closed off wing of the house where Henry stays whenever he visits - an apartment that has a secret room hidden away through the door in the back of a closet - a room that is quite literally a room from the Ritz Hampton hotel in New York City that was transported piece-by-piece and recreated in this closed off part of the house. The room holds special meaning for Henry Collins, as it hearkens back to a time past, when he was young and in love with a woman - a woman who met a tragic end, and for whom Henry has been grieving every since. In fact, he has returned to Collins House in very poor health and anticipates dying there. And thus, the mystery and the terrors begin once again for poor Victoria Winters...
Ross does a bit of a repeat on this plots with this story - a family members comes to Collins House to stay ... a tragic story involving a past love ... a room in the closed off wing of the house is opened ... the "ghost" of a woman long-thought dead is seen by Victoria ... someone is stalking poor Victoria ... the climax reveals there was no ghost, and the real culprit is the one you would least expect. It is almost as if there is a set pattern for his stories, and he just fills in the blanks with various new characters and situations. Yet, despite the sameness of the plot, the story was still rather enjoyable. I thoroughly enjoyed the possibility of Victoria being related to Henry Collins - Ross certainly established all of the right elements for that to have been revealed! It would have made for a very nice twist to the television story (which was pretty much set up to reveal Victoria as Elizabeth's daughter), and it would have given Victoria's story some closure that fans never received from the TV show. From my understanding, Ross had a definitely idea in mind for Victoria's parentage, that he would have eventually revealed had he been allowed to keep the character in the books; but, alas, once Victoria was gone from the show, Ross was told to remove her from the books.
The book does give some explanation about the current (for the time the book was published) Collins' family tree. When Henry Collins is first introduced, Elizabeth informs Victoria that he is her "father's older brother and the only surviving member of all that family" (p. 9). We know from the TV show that Jamison Collins was Elizabeth and Roger's father, and that he had one sister, Nora. In the show, there was no brother named Henry, so this, in and of itself, sets this book series apart from the television drama. He is referred to as the "older" brother, hinting that there were other aunts and uncles out there, which would account for Cousin Ernest, since Elizabeth plainly says Henry has no surviving members of his line of the family. I do not recall the books ever mentioning the names of Ernest's parents, but since he bares the Collins' name, it would have to be a brother of Jamison's, other than Henry. Thus, in this book parallel time world, Jamison Collins had at least two brothers - Henry was one, and Ernest's father was the other. Whether there are other siblings, I suppose I will discover as I continue to read through the series.
This book also brings in (sort of) the famous artist Charles Dana Gibson, who is famous for his illustrations of tall, narrow waisted women who were independent and stylish. Roger snidely refers to Victoria as a "Gibson Girl," an observation to which Uncle Henry wholeheartedly agrees (p. 24). Henry goes on to explain to Victoria that Gibson and his wife, Irene Langhorne (who was, indeed, the real-life wife of Charles Gibson). While this book indicates Gibson and his wife met and fell in love in Bar Harbor, Maine (p. 24), there is no evidence of that being the case in the real world.
Another interesting tidbit in this book is the Collins' strawberry field. Yes, you read that right. Apparently, the Collins family has a field where they grow strawberries, located "about a mile from the estate grounds and off the road leading to the village" (p. 69). It is here Victoria faces one of her many dangers, as Jack Willard nearly runs her over with his car, later apologizing, claiming the brakes did not work and he lost control. Victoria, of course, has difficulty believing the man, who is known to drink quite a bit and who could, potentially, be involved in the plot to get rid of Victoria because of how close she is becoming to Henry Collins!
Last, I would be remiss if I did not mention the character of Rupert Harvey, a friend of Roger Collins who comes to Collins House and stirs up quite a bit of activity. Rupert claims to be a psychometrist, which he describes is someone who has "a natural sensitivity to objects and places" (p. 92). He relates this ability to a form of psychic power that allows him to pick up on the history of a particular thing or past simply by touching it. It is interesting that the term is used in the para-psychological sense for this book (which I suppose is not too surprising, considering the nature of these stories), as psychometry also refers to an actual field of study that is concerned with the psychological measurement of knowledge, abilities, attitudes, and personal traits. Honestly, until I saw this term used in this story, I had never actually heard of the word before!
As with the previous two books, this one also has two covers - the original, painted cover features Victoria fairly far from the great house, looking back in fear (perhaps a rendition of the scene where Jack's car is about to run her down?). The photo cover, used in later printings, has Victoria standing with Barnabas Collins, who, once again, is not in the book series yet, so the only possible reason for having him on the cover was simply to cash in on his popularity in the television show at that time.
The further I get into the series, the closer I know I am getting to the last Victoria Winters story, as she is written out of the books, with her last appearance being in book six (and even that appearance is peripheral, as she does not actually appear as a character in the main story, which focuses solely on Barnabas Collins). So, I must relish her stories while they last, no matter how formulaic they may be!
RATING: 8 emerald necklaces with matching earrings out of 10 for bringing Victoria (and readers!) to the brink of discovering her origins, within the confines of a terrifying tale of past love and murder!


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