A Zebra Mystery Puzzler #33 - Who's Next?

This thirty-third entry into the Zebra Mystery Puzzler series is the second book authored by Joan Allan, whose true identity remains a secret (although there is a clear connection with author Martin A. Grove, who wrote a number of books in this series under the pseudonym "Marjorie Grove").  While the first book by Allan, Who Killed Me?, has a dedication to "Marjorie, Martin and Geoffrey Eric Grove," this book has a dedication to Marjorie and Geoffrey - with Martin noticeably missing!  Once again, this begs the question as to whether "Joan Allan" is just another pseudonym for Grove himself.  In any event, this book sees the return of advertising executive Valerie Lambert, who must play amateur sleuth once again when faced with an ever-growing pile of dead bodies!

 

Who's Next? takes Valerie and her assistant, Oscar Fryman (known simply as "Fry"), to Paris, France, where they are to meet with the owner of her agency's latest client, Abbe-Roi, a vineyard famous for its champagne that is hoping to break into the American market.  Joining Val and Fry for the trip is wine expert Franklin Hertford, an Englishman who has agreed to offer his expertise to assist Val in coming up with a campaign for Abbe-Roi.  While there for the weekend, the trio are staying with their host at a rather lavish - and, coincidentally, very isolated - chateau that once belonged to the original owner of the land - Pierre Alexandre Saulnier, who was brutally murdered on the property and who is said to still haunt the halls of the somewhat worn down homestead.  No one believes in ghosts, of course, but for Val, it does set the mood for what is about to be a terrifying weekend!

 

Allan eases readers into the story, with 60 pages of build-up as Val and Fry first meet Hertford, and the three travel more than a couple of hours by limousine to the chateau.  They are welcomed and introduced to their hosts, Henri-Robert Verlaine and his wife, Claudine.  At the lavish wine-tasting being held down in the wine cellar, Val and Fry also meet the other guests for the weekend:  Michael Rochambeau, the vineyard's chef de caves; Edouard Cherbourg, the vineyard's advertising director; Nicole Courteline, who is Edouard's secretary; Roger Saint-Benoit, head of sales for the vineyard; and Alexandre Saulnier-Carpeaux, descendant of the original owner of the chateau.  Of course, there is also Gerard (the butler), Caroline (the maid), and Alain (the cook).  With the cast fully introduced, Allan wastes no time at that point getting to the murder we've all been waiting to happen.

 

Rochambeau is the first to be killed, before the wine tasting can even get off to a good start.  With everyone there in the room, it's next to impossible to figure out who the killer is.  Then Cherbourg's secretary is killed rather gruesomely, with a mess left behind (hint: this is the scene from the cover of the book).  After that, Saint-Benoit literally has his brains beaten out of his skull, making him victim number three.  Before the night is even over, Hertford is nearly killed, saved only by the fortunate turn of his head at the most opportune moment!  One of the survivors of the group disappears, leaving everyone else to wonder if perhaps this points to the guilt of that person - but that suspicion comes into question when two more dead bodies turn up, bashed in their heads by a heavy tree branch (with a rather horrific image of those bodies depicted in one of the internal illustrations, page 171!).  With everyone being picked off so quickly, over the span of one evening, it leaves Val and Fry wondering - who's next?  (Hence, the book title!  In fact, the author asks this question three times in the story:  pages 82, 108, and 143.)

 

I was actually rather surprised by the rather explicit descriptions of the bloody deaths.  "Roger Saint-Benoit's skull had been cracked open ... The sight of his brains splattered among the bedclothes was sickening..." (p. 103).  The last two victims "had been bludgeoned to death ... and now lay in a shallow pool of blood that trickled directly across the narrow trail" (p. 165).  This is a murder mystery, so I would certainly expect some description of the crime scene; but I believe this is the most horrific descriptions I have seen to date in any book in this series.  And the illustration on page 171, with those last two victims - definitely not for the faint of heart!

 

Speaking of illustrations,  Sanford Hoffman once again provides the internal illustrations, and interestingly enough, three of the six internals are horizontal, rather than vertical.  Normally, we might see one or two in this way, but to see half of them depicted in this form is a bit unusual.  What is not unusual is the framing around the illustrations, since that seems to be a standard for Hoffman in this series, which, to be honest, I rather like.  Especially when he has part of the illustration extend beyond that frame (as he does with that gruesome scene on page 171).  The clues in the illustrations are not obvious at all, except maybe for the one on page 151, which becomes extremely clear once you know the identity of the killer.

 

There was a part of me, as I was reading the story, that was hoping this would all turn out to be some elaborate hoax, such as the film April Fool's Day (1986), and in the end, it would turn out no one was dead, but it was all staged just to test the analytical and detecting skills of the guests.  But, alas, it was not.  Instead,we got a replay of Agatha Christie's And Then There Were None, in which ten individuals at a secluded estate suddenly find themselves being picked off one by one (with the only obvious difference being not everyone dies in this tale!).

 

There are a few things worth pointing out about this book.  Published in October 1979, I was surprised to see a reference to Star Wars (p. 14).  Yes, the movie had been out for two years at this point, but normally I would not expect a pop cultural reference like this to appear so soon.  The author also throws in a number of real newspaper columnists, such as Dorothy Kilgallen and Louis Sobel from the New York Journal-American; Frank Farrell from the World Telegram; Earl Wilson and Leonard Lyons from the New York Post; and Walter Winchell from the New York Daily Mirror (p. 44).  These came up as Val revealed her original dream of becoming a columnist, before changing direction and working in advertising.

 

9 shattered bottles of champagne out of 10 for piling up the bodies, subtly laying out the clues, and providing readers with a creative climax to the story! 

A Scent of Violets - a Queen-Size Gothic

After reading The Scent of Lilacs by Carolyn Wilson, I happened across this book, which also features the scent of a flower in its title.  Obviously, my curiosity got the best of me, so I had to find a good copy of it (which I eventually did on eBay).  This particular book is "A Queen-Size Gothic," which was a line of gothic paperbacks that Popular Library started in the early '70s to compete with the plethora of gothic books on the store shelves.  These queen-size gothics were advertised as "a new idea" that offered "the very best in novels of romantic suspense, by the top writers, greater in length and drama, richer in reading pleasure," as stated on the back of the book.  In fact, the publisher went on to promote them as "READING FIT FOR A QUEEN."  That is certainly some very rich hype to live up to - leading me to wonder, could they do it?

A Scent of Violets does have the standard gothic tropes: a young, naive woman ... a foreboding house in the middle of nowhere ... a mysterious family with dark secrets ... horrifying cries in the middle of the night ... and a supernatural legend surrounding the marsh lands between the house and the nearest village.  But the normal hint of romance between the young woman and at least one of the men in the story is completely absent from this book.  There is no romance here; instead, the author opens the story with our young heroine, Linnet Grey, wondering if she was going to lose her student teaching job at the Academy for Young Girls.  An orphan, Linnet has no family, so if she loses her job, she will have no one to turn to and nowhere to go!  Fate intervenes, though, when Linnet sneaks off to see a play starring the up and coming actress, Chantel Legris.  There is something familiar about the actress, but Linnet has no time to ponder, because she is kidnapped outside the theater and taken in the dead of night to the dark mansion known as Willerby!

I give the author credit for giving readers a fresh take on the gothic tropes.  I certainly was not expecting a kidnapping to get the story started.  And then for poor Linnet to find herself in a secluded mansion with people she does not know, yet who all seem to know her - and detest her!  Who is this person they are mistaking her for, and what did she do to make them hate her so?  When parts of the house seem familiar to her, Linnet begins to wonder if she is losing her mind - had she really lived here before and simply forgotten?  Was she really the person they claimed she was?  Or was she the daughter of a sailor, whose parents died tragically at sea, leaving her alone in the world to survive at an all-girls school with a matron who clearly thought very little of her?  And what is that fleeting light that flashes by her window at night, going out into the marshes before disappearing?  And who is behind the woeful cries coming from the closed-off tower, the door to which is kept locked?  And where is the scent of violets that she keeps smelling in the halls coming from?  Are there ghosts haunting the halls of Willerby, and will Linnet soon be joining them?

I love the fact that Linnet is somewhat timid, having been trained at her school to adhere to orders given; yet, at the same time, she has a backbone, and she is not afraid to stand up to the mysterious and handsome Marcus Bellamy, who insists she is his arrogant, detestable ward who ran away two years ago to avoid her responsibilities and to hide from the damage she has caused.  I also loved the young little made, Cissie, who ends up becoming Linnet's only friend in that lonely, old house - afraid of the housekeeper, Mrs. Price, but willing to eavesdrop at doors and warn Linnet of what she overhears!  And I was actually surprised when the author introduced another young man into the picture - Rupert Manning, a friend of Bellamy's who has come to the house to provide advice on how to handle Bellamy's ward.  He turns out to be a sniveling little coward who is more caught up in his loyalty to his friend to see what is happening right in front of his own eyes.  Which leaves Linnet to once again fend for herself.

The author is Ruth Fabian, which is one of the many pen names used by British writer Aileen Armitage Longden.  She wrote more than forty novels that were published between 1971 and 2005, many of which were historical romances and gothic in nature.  A Scent of Violets is a mixture of the two, as it is set in 1882, providing a historical setting for her gothic terror.  Despite having two possible love interests (Bellamy and Manning), the title character in the story does not find herself attracted to either of them, even though she recognizes the handsome physical traits of both.  Thus, Fabian (Longden) is able to provide readers with a tale that features a very strong female protagonist who does not need a man to rescue her or save her from the frightening situation into which she is thrust.  She creates her own plans for escape, she faces the supernatural sounds and sights on her own, and the ultimate sacrifice that gives way to her freedom is a choice she makes all on her own.  And this is what makes Linnet a very likable character that the reader is anxious to see freed from her Willerby cage.

The cover is beautifully painted, but there is no indication as to who the artist is.  The young woman on the cover is reminiscent of Lara Parker as Angelique in the original Dark Shadows television show - that cascading blond hair, that blue dress.  And that dark mansion behind her could easily stand in for Collinwood.  Would love to know who the artist is, just to see what other work he or she has done and how it compares to this piece.

RATING:  10 violet cachous candies out of 10 for an outstanding gothic novel that provides all the right elements without the unnecessary romance thrown in!

The Agony House - A Mix of Novel and Comics

The Agony House
Publisher: Arthur A. Levine Books
Publication Date (September 2018)
ISBN 10 - 054593429X
ISBN 13 - 978-0545934299
256 Pages of Story

It's not often that I will pick up a non-series book, but every once-in-a-while, something will catch my eye, so I pick it up and glance through it.  The Agony House is one of those type of books. The name alone was enough to intrigue me, but as soon as I saw the cover, I knew I had to know more. I opened the book and started to flip through the pages. The moment I saw the comic book pages mingled in with the text pages, I was hooked. The fact that the story itself involves a young girl moving into a new house that is supposedly haunted and sets about to solve the mystery - well, that was just icing on the cake, as they say!

I am not familiar at all with the author, Cherie Priest, nor the artist, Tara O'Connor; however, after this book, I may have to see what other projects on which they have worked.  I just hope Priest's other works are not quite as whiny at this one.  What I mean to say is that, while I thoroughly enjoyed the story and the underlying mystery, Priest gave her protagonist, Denise Farber, one main characteristic - she was always whining.  The house is a dump. There's no air conditioning. The house is falling apart. She does not want to be there. The house is a junk heap. She has an old cell phone. The house will never get fixed. You get the drift. She is always whining and complaining, and after a while, it starts to grow tiresome. Then again, perhaps that is what Priest was going for - perhaps she wanted a main character that was not the perfect go-getter, "I'm going to solve this mystery" type of person. Instead, we get a very typical teenager who has been uprooted from the life she's known, torn away from the friends she's made, and thrust into a wholly unwanted situation.  In that context, perhaps Denise is exactly who she's supposed to be.

For me, however, it is the supporting cast that I fell in love with. Pizza delivery guy, Norman, who Denise finds to be very hot.  Geeky neighbor, Terry, who is totally into hunting down some ghosts.  High-and-mighty teen queen, Dominique, who is not too keen on another white family moving into the neighborhood with ideas of "fixing it up."  The most unlikely of friends, and yet over the course of 200 or so pages, Priest manages to not only breathe life into this ragtag mix of teens, but also shows the reader that sometimes you can't judge people at face value.

And the mystery - well, the mystery is a real doozy that had me guessing pretty much up to the very end. The nail house (as the towns people call it) seems to have two resident ghosts - one of them good, one of them bad.  One of them a man, one of them a woman.  One of them a comic creator, one of them...well, no one is quite sure, since she disappeared a few months before the comic creator was found dead. In  her house. The nail house. And when Denise and Terry find an unpublished comic by that very creator in the attic, they soon discover that the comic is more than what it seems. Events in the comic seem to be happening in real life. It is a coincidence, or is it a supernatural case of life imitating art?  That is exactly what Terry finally convinces Denise they need to find out!

The decision to actually insert the comic pages of art/story into the book, in the moments when Denise and Terry are reading the comic they found - giving the reader the opportunity to read the comic right along with them - was pretty ingenious.  We, the readers, read the same pages as Terry and Denise, and we only read portions at a time, as they do, so we only know as much as they do. Which helps build the suspense, build the mystery, and build the clues that will ultimately answer the question - just what the heck is going on in nail house?!

A little bit of a slow start, but a definite good read.

RATING:  8 young blond haired men in distress out of 10 for a unique spin on the haunted house tale