Barnabas Collins - the 6th Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

And we finally reach the introduction of Barnabas Collins in the Paperback Library Gothic book series.  Published in November 1968, well over a year after Jonathan Frid first appeared as the vampire on the television show back in April 1967.  I'm not really sure why it took the book series so long to catch up to the television show, character-wise; perhaps because the character was never intended to be long-lasting (originally he was intended only for a 13-week stint, and then he was to be killed off), or maybe it was simply that the books were more Gothic than supernatural.  Whatever the reason, it was clear the character of Barnabas Collins was a huge hit on the TV show, so thus, it would only make sense the publisher would want the best-selling character to appear in the books.  Of course, this meant reducing the role that Victoria Winters plays in the books, and to me, that was a major loss...

 

(It should be noted that the month this book was published was the same month that Alexandra Moltke, the actress who originated the role of Victoria Winters in the television show, left Dark Shadows, being replaced briefly by Betsy Durkin anJod then Carolyn Groves, before the character was completely written out in January 1969.)

 

Barnabas Collins is the sixth book in this series, and it introduces readers to the Barnabas Collins of this book series, which I have come to believe is simply another of the many parallel times that exist within that room deep within Collinwood's haunted halls.  Rather than introducing Barnabas by having Willie Loomis try to rob his gave, only to get an unexpected surprise, we get instead a story told by the ghost of Elizabeth and Roger's grandmother of events that took place at the turn of the 20th century.  In the book universe, there is no Willie Loomis, there is no Mrs. Johnson, and we barely see David Collins and Carolyn Stoddard.  Victoria Winters, who has been the main focus of the first five books, now takes a back seat, as she appears only in the prologue and epilogue, as she sits with Elizabeth to listen to the story of "Barnabas Collins," a name she happens to see while reading a journal of one Jonas Collins.  Elizabeth knows scant details, only what her grandmother told her. With the first chapter, we get a brief introduction of Margaret Collins, whose spirit speaks from beyond the grave to tell the full story of what happened back in 1902 and the ensuing years...

 

Jonas Collins is the head of the family, and his wife Margaret is the mistress of Collinwood.  Their grown son is off on his own, and the only other member of the family on the estate is their invalid daughter, Greta.  Ross never actually states what disease the poor girl has, but she is confined to a wheelchair and said repeatedly to be in poor health.  While not a happy household, there is no real unhappiness - merely melancholy and acceptance.  An elderly housekeeper remains on the property (Granny Entwhistle), as do the sister maids, Ada and Patience Griffin.  The family retains a houseboy, Luke Sinnot, who is mentally handicapped, as well as an unnamed groom.  All is normal and routine on the estate until the day he appears.  While standing at Widow's Hill, looking out over the ocean, she feels his presence, before she sees him.  Barnabas Collins.  An enigmatic man who claims to be the descendant of the original Barnabas Collins, who has come home to the family estate for some peace and quite to conduct "experiments" without interruption (this is the excuse he gives why they will never see him during the day, and why he cannot be disturbed in the Old House).  As you might suspect, once Barnabas arrives, everything changes.

 

Greta is instantly drawn to her cousin, particularly when he shows her special attention, remarking on her resemblance to Josette Collins (gee, can you see where this is going?).  Jonas is just happy to have someone renting the Old House.  Margaret, on the other hand, cannot make up her mind about their new found family member.  He is cordial enough, but there is something about him that unsettles her.  And his servant, Hare, is an ogre of a man, said to be both deaf and mute and rather rough when it comes to strangers.  Then there is Granny Entwhistle.  She is old enough to just barely remember stories of the original Barnabas Collins.  She knows the rumors.  She knows the stories.  And she knows evil when she sees it.  She tries to warn them.  She tries to help them.  But in the end, it does her no good - especially when she ends up dead at the bottom of the stairs to the third floor!

 

This book definitely has a body count.  The Barnabas Collins of this book is similar in nature to the Barnabas Collins as he was originally introduced on the television show.  He has a welcoming, cordial facade that hides a determined, sinister nature that is willing to do anything necessary to achieves his goals.  What did surprise me was how Ross integrated Barnabas' origin into the book, providing just a few scattered details here and there about Angelique being a witch, tricking Josette into believing she loved Jeremiah, and ultimately cursing Barnabas with eternal life as a vampire after he shoots her and she believes she is dying.  Ross even references the duel between Barnabas and Jeremiah - but in this parallel universe, Ross reveals that Jeremiah did not die, and neither he nor Barnabas were severely wounded (p. 73).  And that's it.  While the show spent weeks in 1795, giving viewers a detailed look at how Barnabas came to be the man he is, the book spends only a few sentences.  Clearly, Ross (and likely the publishers, as well) believed those who read these books would already be familiar enough with the television drama that they did not need to repeat what was already.

 

There are some things in the story that are worth mentioning.  When Barnabas first arrives at Collinwood, he talks about how little the estate has changed, saying "Still the sad setting for the widow's wail and the appearance of the Phantom Mariner" (p. 15).  The legend of the phantom mariner was used as a plot device in the fourth book in this series, The Mystery of Collinwood.  It is actually pretty great to see that Ross manages to keep some continuity in his books.  There is also the moment when Margaret discovers the truth about Barnabas' real nature, when she sees him and Greta go past "the great mirror by the door" and is shocked to see that "there had been no reflection of Barnabas Collins at all!" (p. 39).  This is obviously a nod to the television series, in which Dr. Julia Hoffman uncovers Barnabas' secret when she finds he has no reflection in the mirror of her compact she is using (Episode 288).

 

One aspect of the story that really bothered me while reading this was the introduction of young Judith, a child who Barnabas decides he is going to adopt, mostly because of her strong resemblance to a young Josette DuPres Collins.  This was extremely uncomfortable, because Ross has Barnabas inform Margaret of his reason for adopting her:  "In ten years, little Judith could become my bride.  In the interim I'll see she has the life of a rich man's daughter.  Every luxury and advantage will be given to her.  So in the end she will be the same great lady Josette was" (p. 77).  I don't know about you, but the fact that a grown man is looking at a little girl (no more than 8 or 9 years old!) and envisioning this child as his future wife bothers me considerably.  I am surprised not only that Ross would incorporate such a thing into his story, but that the publisher / editor would allow it be stand as written!  It almost makes Barnabas come across as a sexual predator, and I think the story would have been better without this aspect in it.

 

The story was a definitely different take on the introduction of television's greatest vampire, and aside from that one uncomfortable plot element, it was a fairly good read.

 

RATING:  7 sapphire star pendants out of 10 for providing readers an entirely new tale of Barnabas Collins' arrival at the great house of Collinwood, riddled with vampire attacks and coffins in the basement! 

The Curse of Collinwood - the 5th Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

And with this book, the tone and direction of the Dark Shadows series by W.E.D. Ross (writing under one of his many pseudonyms, Marilyn Ross) changes to include the supernatural.  By the time this book was published in May 1968, the television show had long been dealing with supernatural themes:  from the ghost of Josette, to the phoenix Laura Collins, to the ghost of Sarah, to the introduction of the vampire Barnabas Collins, to the trip in time back to 1795, to the witch Angelique, and was just reaching the point with the evil Dr. Lang and his Frankenstein-type creation, Adam.  Thus, it was only natural that the book series would begin to introduce supernatural elements, which would go beyond the standard Gothic tropes and enter the realm of full-on horror in its stories.  But the addition of the supernatural was not the only change Ross brought into the series, as we will quickly discover...

 

The Curse of Collinwood is the story of Derek Collins and his wife, Esther Collins, who died over a hundred years ago under strange circumstances. Derek had engaged in slave trade in order to make his fortune, and his wife was horrified to learn this about her own husband.  With the help of a voodoo / witch doctor, she had her husband killed and embalmed, as well as orchestrated her own death, with the idea that her husband could never be rid of her.  Their bodies were returned to Collinsport and locked away in the Collins' family masoleum, forever to remain sealed.  Only a shaft of moonlight could unlock the curse placed upon their dead bodies, giving them new life as part of the living dead!  For a century, their coffins remained in darkness inside the cold, cement crypt, never seeing daylight nor moonlight, trapped in an eternal sleep.  But events are about to transpire that will change all of that!

 

Just as Victoria's love interest in the television show, Burke Devlin, was killed (allegedly) in a plane crash while on a business trip to Brazil, suddenly in this book we learn that Victoria's love interest, Ernest Collins, has died in a plane crash en route to Rio de Janeiro (p. 7) for a concert he was to perform (and for those who do not know, Rio de Janeiro is located in Brazil - meaning Ernest was killed in identical fashion and in the same location as Burke!).  Readers also learn that Elizabeth is no longer locking herself away in Collinwood, as she has learned the husband she thought dead for so many years has actually been alive and is pursuing a career on the high seas (p. 6).  David, who had been sent away to a boarding school as revealed in the last book, is back home; and Carolyn, who had been attending school in nearby Ellsworth, had a nervous breakdown and has returned home to recuperate (p. 6).  It seems quite a bit has happened in the Collins' household between books 4 and 5, and readers are brought up to date within just a few pages in the first chapter.  Surprisingly, there is no mention of Victoria searching for the truth about her past and her own identity - Ross apparently dropped that entire plot thread, much as the television show did as it moved further and further into the realm of the supernatural.  (And this is a true shame, as I always hoped it would have been revealed that Victoria was really Elizabeth's daughter - although, Ross did have an outline planned for a book that would have revealed Victoria's parentage and reunite her with her love, Ernest; but, sadly, that book never got written, as Ross was required to write Victoria out of the books, just as she had been written out of the television show - a brief version of that unwritten novel can be found on Craig Hamrick's website: The Secret of Victoria Winters)

 

Ross manages to keep the reader guessing for a good portion of the book as to whether the "large man" and "young woman" who seem to be terrorizing Collinsport are the escaped criminal Big Tim Mooney and his girlfriend, Nora or whether they are Derek and Esther Collins, brought back from the dead to roam the area as zombies.  Victoria, who at first discounts the stories of "Mad Man" Martin, an elderly spiritualist who warns her and Burke about Derek and Esther, soon believes that she and Burke accidentally released  the Collins' ancestors when they went into the mausoleum to satisfy Burke's curiosity regarding the two long-dead members of the family.  When Victoria, Carolyn, and Elizabeth are all terrorized by the large man and the woman with him, Burke and Vicki go back to the crypt and find both coffins destroyed - and the bodies are gone!  Burke insists it was Mooney looking for the treasures supposedly buried with Derek Collins, but Victoria thinks the supernatural is at work and zombies are now walking in the night.  In true Gothic fashion, Ross builds the suspense with disembodied hands, shadowy figures attacking, chases up the steep cliffs in the middle of the night, and plenty of appearances of these two horrors of the night.  Even I was curious as to whether they were actually zombies, or would it all be explained away by the end (as had been done in the four previous books).

 

I enjoyed seeing David and Carolyn back in this book, and I rather liked the fact that Victoria was paired more with Burke Devlin in this story (as I always loved the two of them together in the television show).  Even Roger was back to his nearly-always drunk, belligerent self in this story.  Matthew Morgan is mentioned but never actually appears (and he is referred to as "Matt" Morgan, which I found weird).  And, I know I will probably get some flack for this, but I was actually happy Ross got rid of Ernest Collins.  I never liked the character, and I certainly did not like the romance between him and Victoria.  Yes, his abrupt death and the myriad of changes that took place "off screen" between books 4 and 5 definitely tells the reader that the series is headed in a completely different direction now.  At the time it was published, Alexandre Moltke was still playing Victoria Winters on the television show, so there was no reason for anyone to think Vicki would not continue to play a major role in the books; however, this was actually the last full-length novel written by Ross to feature Victoria Winters as a major protagonist.  Beginning with the next book, Victoria becomes a supporting character, with Barnabas Collins becoming the lead character (much as he did in the television show).

 

The family history truly deviates from that established in the show with this book, as Ross introduces Derek and Esther Collins, who are both said to have died in 1859, which would have made them both contemporaries of sorts with Daniel Collins, a cousin of the Collins family who inherited Collinwood after the events of 1795 (when most of the immediate family was killed).  There is no mention of Derek or Esther in the television show, making them both original creations of Ross.  I am aware that the books play very loose with the family lineage, and from what I can remember, the stories that are told in later books in various time periods do not match up between themselves as to the names of family members living at various points in time.  While I realize the television show played a bit loose with the family tree, particularly once Barnabas came into the picture, the books (from what I have been told) do not even bother with a coherent timeline (which, technically, could be explained by the fact that Barnabas' frequent trips through time messes with the timeline, creating multiple alternate realities with different family trees!).

 

This is the first book to feature only one cover, and it is a hodge-podge to say the least!  The background takes the same painted image of Victoria Winters that was used for the first book of this series, and superimposed over that is a very recognizable photo of Jonathan Frid as Barnabas Collins, baring his fans and holding that wolf's head cane of his.  Obviously, the use of Barnabas' image is to cash in on the success he was having in the television show, because his character does not yet appear in the books - although, the idea that his character was a vampire could hint at the supernatural part of the story within.  But the re-use of the first book cover art is questionable - perhaps it was done merely to save the expense of hiring an artist to paint an entirely new cover.  This is the last book to feature any painted artwork on the cover - all of the books hereafter feature photo covers, with images of the actors from the television show. 

 

Overall, I would say I liked this book far more than I did the previous one.  The story was refreshingly different from the previous four, and Victoria was a bit stronger of a character than Ross has portrayed her in the last couple of stories.  Plus, the actual supernatural elements were an added bonus!

 

RATING:   8 ornate silver snuffboxes from the 1800s out of 10 for increasing the Gothic terror with the reality of the walking dead!

The Mystery of Collinwood - the 4th Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

We now come to the fourth novel in the Dark Shadows series by Marilyn Ross (a/k/a W.E.D. Ross) published by Paperback Library.  This particular novel was published in January 1968, which is when the television show was starting what I consider to be one of its best storylines (and by far my favorite one on the show) - when a seance was held at Collinwood ... a seance that transcended time and space and sent Victoria Winters on a journey back into the past ... back to the year 1795!  It was there that viewers learned the origin of how Barnabas Collins was cursed and became a vampire.  So, it seems rather odd that by this point in the novels, we have yet to see any sign of Barnabas Collins, and the stories continue to focus on Victoria Winters as the young Gothic heroine who constantly finds herself being threatened by some dark force (that, like in all the Scooby Doo mysteries, turns out to be a real person in disguise!).  Of course, I have no idea just how far in advance the stories were written, so there is the possibility that the book was written months before it was published...

 

The Mystery of Collinwood (and yes, they finally start calling it Collinwood at least, and have dropped the whole "Collins House" moniker) is more or less a repeat of the previous stories, which is a bit disappointing.  How many times can we have strangers / relatives show up at Collinwood, strange events start to happen that all seem to target Victoria, no one believes Victoria when she tells them what is happening, and Victoria is nearly killed before the villain is finally caught and unmasked?  Don't get me wrong - most of the Gothic novels from this period have many similar plot elements; but for a series of novels utilizing the same characters and setting to repeat the same basic story over and over again feels a bit redundant.  Now, I love Victoria Winters - always have since the very first episode of Dark Shadows that I ever watched - so I absolutely love reading more stories about her that take her beyond what we saw on the television show.  But after three books of her facing off against alleged ghosts/demons/phantoms and finding out they were actually one of the numerous strangers that were staying on the Collinwood estate, once would think that by this fourth book she would have wised up and not fallen from any more ghostly haunts.  I would like to think that at some point, her character would have grown, and she would not always play the helpless victim.  But, alas, Ross apparently did not see her that way.

 

With all that being said, the "mystery" of this book revolves around the rather odd Professor Mark Veno and his daughter, Linda, who have come to stay at Collinwood.  The Professor and his daughter travel the world, putting on show that highlight his mental abilities to supposedly read minds.  Roger Collins thinks it is a hoax, but Elizabeth Stoddard seems to think otherwise, so he is always welcome to stay at the great house when he is in the area.  Meanwhile, down at Ernest's cottage on the property, an ill woman, Margaret Lucas, and her deformed caretaker, Carlos, have been renting the cottage so she can be isolated in what Elizabeth and Victoria believe to be the final months of her life.  Margaret is a loner, but she does enjoy Victoria's company - in fact, Victoria is the only one she will allow to visit her.  Until she hears about Linda, at which point, she invites that girl to pay her visits as well.

 

Oh, did I mention that Linda bears a remarkable resemblance to Victoria?  And that Professor Mark Veno is actually Mark Collins, a previously never mentioned brother of Elizabeth and Roger (say what?!?!)?  And that Mark Collins was married before he met Linda's mother, but the first wife and her newborn baby both died?  Or did they?  Yes, it's another potential parentage for Victoria to fret about (she seems to have a new one in every book, doesn't she?).  While Victoria does not like the Professor - in fact, she can't stand him and is afraid of him! - she firmly believes his first child did not die, and she is that child.  Everyone she confides in tries to dissuade her of this theory, but she is persistent to the point of having Burke Devil hire a private detective to look into the matter.

 

And as far as the mystery - well, that involves the strange phantom mariner that the Professor tells the family about.  As the story goes, whenever the phantom mariner would appear to wives of sea-faring men back in the day, it meant the men would not be coming home, or that the women themselves would die!  To see the phantom mariner means death!  And, wouldn't you know it, the same night Victoria hears the story, she sees the phantom out on the grounds.  And again later in the house.  Again.  And again.  Poor Victoria is taken through the ringer in this story.  Knocked down the well outside (remember the one she almost fell into back in the first book, but Ernest saved her?).  Locked down in the dark cellar. Locked in an upper room with a bottle of gas thrown in for good measure.  Locked in the attic with something moving around.  Nearly hypnotized into jumping off Widow's Hill. Nearly hypnotized into jumping off the Captain's walk atop Collinwood.  And, finally, poor girl is nearly strangled to death before she gets the bead on that phantom mariner and shoots the villain with a gun provided her by Burke Devlin (good for you, Burke!).

 

One continuity error I caught while reading this book:  once again, David and Carolyn are out of the picture.  Even though summer is over (this book is explicitly said to take place in September), Ross writes off David by sending him to a boarding school, and he writes out Carolyn by having her return to Ellsworth to finish her final year of high school.  How convenient.  In any event, when Elizabeth plans a big party toward the end of the story, she mentions that Carolyn will be able to come home for that week to be there for the party.  Upon her return, she and Victoria and Linda go up into the attic to look for old dresses to wear for the costume party (p. 140), and Carolyn is the one who actually finds Victoria locked in the attic (p. 143).  That's all good and dandy.  But then the very next chapter begins by saying "Carolyn returned from school in Ellsworth on Friday evening and so was able to assist Linda with the last minute decorations (p. 147).  So, if Carolyn did not return until Friday, then how was she there earlier in the week to look for costumes for the party and to free Victoria from the attic?  Time travel, perhaps?  Parallel time?  Let's face it, stranger things than that have happened on the television show!

 

Just as the previous four books had two covers, so does this one.  The early printings had a painted cover that features Victoria in the forefront, looking over her shoulder (a very striking image of her, I must say!), with a mysterious man in the background - that could be Roger, Ernest, or even the Professor.  Collinwood looms in the background, menacing as ever.  The later printings feature yet another image of Alexandre Moltke and Jonathan Frid as Victoria and Barnabas, again working to cash in on the popularity of Barnabas Collins, even though he has not even been mentioned in the book series up to this point.

 

Read by itself, the story is a fairly well-written Gothic.  Read as a part of this series, however; well, it just feels like a repeat of the same plot with different characters.  

 

RATING:  6 new bottles of sherry out of 10 for keeping Victoria Winters alive and giving her considerably more spotlight than the TV show was doing at this time. 

Strangers at Collins House - the 3rd Paperback Library Gothic Novel based on ABC-TV's suspense drama (Dark Shadows)

This third novel in the series of Dark Shadows novels by Marilyn Ross (a/k/a W.E.D. Ross) takes the story even further away from the plots established in the television daytime drama and most firmly establishes this series as a completely alternate timeline.  While Ross maintains some elements (such as Victoria's search for her parentage, Elizabeth's self-imposed 18-year seclusion, Roger's drinking and sarcasm, and the animosity between Roger and Burke Devlin), Ross deviates in so many ways with the various cousins, uncles, and other family members that appear from book to book, as well as Victoria's romance with Ernest Collins and the lack of supporting cast (with very little mention or few appearances of Maggie Evans, Joe Haskell, and other various Collinsport denizens - even poor David and Carolyn are sent away and haven't appeared since the first book, I suppose to allow more of the focus to be on Victoria as the Gothic heroine).  It is like stepping into another parallel time, like those that appeared later in the television serial.

 

Strangers at Collins House (and I don't think I will ever get used to their constant reference to "Collins House" instead of "Collinwood" was first published in September 1967.  By this time in the TV show, Barnabas Collins had been introduced, the ghost of little Sarah had been appearing, Jason McGuire was on the scene and blackmailing Elizabeth, and Victoria was engaged to Burke Devlin.  Thus, it is surprising that the books continued to keep the focus solely on Victoria Winters, leading one to suspect that the books were actually written some time before they were published.  Not that I am complaining, as I loved the character of Victoria Winters, and I am overjoyed to be reading further adventures of the young ingenue among the dark and sometime dangers secrets surrounding the great house on Widow's Hill.  This book takes place during the same summer as the previous book, only Carolyn is now working in another town and David is at a boys' camp.  This leaves Victoria alone once again in the big house with only Elizabeth Collins Stoddard and her brother, Roger Collins, along with the gruff caretaker, Matthew Morgan.

 

In this book, Victoria believes she has finally found the answers she has been searching for with regard to her missing past when Elizabeth and Roger's uncle, Henry Collins, arrives at Collins House with his friend and confidante, Benjamin Willard, and Benjamin's son and daughter-in-law, Jack and Molly.  Before the elderly man even arrives, Elizabeth shows Victoria to the apartment in the closed off wing of the house where Henry stays whenever he visits - an apartment that has a secret room hidden away through the door in the back of a closet - a room that is quite literally a room from the Ritz Hampton hotel in New York City that was transported piece-by-piece and recreated in this closed off part of the house.  The room holds special meaning for Henry Collins, as it hearkens back to a time past, when he was young and in love with a woman - a woman who met a tragic end, and for whom Henry has been grieving every since.  In fact, he has returned to Collins House in very poor health and anticipates dying there.  And thus, the mystery and the terrors begin once again for poor Victoria Winters...

 

Ross does a bit of a repeat on this plots with this story - a family members comes to Collins House to stay ... a tragic story involving a past love ... a room in the closed off wing of the house is opened ... the "ghost" of a woman long-thought dead is seen by Victoria ... someone is stalking poor Victoria ... the climax reveals there was no ghost, and the real culprit is the one you would least expect.  It is almost as if there is a set pattern for his stories, and he just fills in the blanks with various new characters and situations.  Yet, despite the sameness of the plot, the story was still rather enjoyable.  I thoroughly enjoyed the possibility of Victoria being related to Henry Collins - Ross certainly established all of the right elements for that to have been revealed!  It would have made for a very nice twist to the television story (which was pretty much set up to reveal Victoria as Elizabeth's daughter), and it would have given Victoria's story some closure that fans never received from the TV show.  From my understanding, Ross had a definitely idea in mind for Victoria's parentage, that he would have eventually revealed had he been allowed to keep the character in the books; but, alas, once Victoria was gone from the show, Ross was told to remove her from the books.

 

The book does give some explanation about the current (for the time the book was published) Collins' family tree.  When Henry Collins is first introduced, Elizabeth informs Victoria that he is her "father's older brother and the only surviving member of all that family" (p. 9).  We know from the TV show that Jamison Collins was Elizabeth and Roger's father, and that he had one sister, Nora.  In the show, there was no brother named Henry, so this, in and of itself, sets this book series apart from the television drama.  He is referred to as the "older" brother, hinting that there were other aunts and uncles out there, which would account for Cousin Ernest, since Elizabeth plainly says Henry has no surviving members of his line of the family.  I do not recall the books ever mentioning the names of Ernest's parents, but since he bares the Collins' name, it would have to be a brother of Jamison's, other than Henry.  Thus, in this book parallel time world, Jamison Collins had at least two brothers - Henry was one, and Ernest's father was the other.  Whether there are other siblings, I suppose I will discover as I continue to read through the series.

 

This book also brings in (sort of) the famous artist Charles Dana Gibson, who is famous for his illustrations of tall, narrow waisted women who were independent and stylish.  Roger snidely refers to Victoria as a "Gibson Girl," an observation to which Uncle Henry wholeheartedly agrees (p. 24). Henry goes on to explain to Victoria that Gibson and his wife, Irene Langhorne (who was, indeed, the real-life wife of Charles Gibson).  While this book indicates Gibson and his wife met and fell in love in Bar Harbor, Maine (p. 24), there is no evidence of that being the case in the real world.

 

Another interesting tidbit in this book is the Collins' strawberry field.  Yes, you read that right.  Apparently, the Collins family has a field where they grow strawberries, located "about a mile from the estate grounds and off the road leading to the village" (p. 69).  It is here Victoria faces one of her many dangers, as Jack Willard nearly runs her over with his car, later apologizing, claiming the brakes did not work and he lost control.  Victoria, of course, has difficulty believing the man, who is known to drink quite a bit and who could, potentially, be involved in the plot to get rid of Victoria because of how close she is becoming to Henry Collins! 

 

Last, I would be remiss if I did not mention the character of Rupert Harvey, a friend of Roger Collins who comes to Collins House and stirs up quite a bit of activity.  Rupert claims to be a psychometrist, which he describes is someone who has "a natural sensitivity to objects and places" (p. 92).  He relates this ability to a form of psychic power that allows him to pick up on the history of a particular thing or past simply by touching it.  It is interesting that the term is used in the para-psychological sense for this book (which I suppose is not too surprising, considering the nature of these stories), as psychometry also refers to an actual field of study that is concerned with the psychological measurement of knowledge, abilities, attitudes, and personal traits.  Honestly, until I saw this term used in this story, I had never actually heard of the word before!

 

As with the previous two books, this one also has two covers - the original, painted cover features Victoria fairly far from the great house, looking back in fear (perhaps a rendition of the scene where Jack's car is about to run her down?).  The photo cover, used in later printings, has Victoria standing with Barnabas Collins, who, once again, is not in the book series yet, so the only possible reason for having him on the cover was simply to cash in on his popularity in the television show at that time.

 

The further I get into the series, the closer I know I am getting to the last Victoria Winters story, as she is written out of the books, with her last appearance being in book six (and even that appearance is peripheral, as she does not actually appear as a character in the main story, which focuses solely on Barnabas Collins).  So, I must relish her stories while they last, no matter how formulaic they may be!

 

RATING:   8 emerald necklaces with matching earrings out of 10 for bringing Victoria (and readers!) to the brink of discovering her origins, within the confines of a terrifying tale of past love and murder!

Dark Shadows - the 1st Paperback Library Gothic Novel based on ABC-TV's suspense drama

It has been so many years since I first read these Dark Shadows series of novels based on the television soap opera from the 1960s and '70s, that I decided it was time to go back and re-read them.  While I remember them being different from the show itself, I did not recall just how different.  The series was published by Paperback Library, with this first book being released in December 1966, nearly six months after the premier of the television show in June 1966.  The series continued for 32 books, not including the novelization of the House of Dark Shadows film, as well as the Barnabas Collins in a Funny Vein, Dark Shadows Cookbook, Book of Vampires and Werewolves and Jonathan Frid Photo Album.  The last five books in the series were published after the TV show went off the air.  While my favorite character, Victoria Winters, features heavily in the early books, when she was written out of the show, the book series followed suit (and, sadly, neither the television show, nor the book series, resolved the mystery surrounding Victoria's true parentage!).

 

Dark Shadows is the aptly titled first book in the series and provides readers with a very different version of Victoria Winters' arrival in Collinsport, Maine and her introduction to the Collins family.  The backstory remains the same - Victoria was raised in a foundling home, money was sent for years from Bangor from a mysterious, unnamed benefactor, and Victoria is offered a position at Collinwood (referred to as Collins House in the book) as governess for the young David Collins.  There is even a scene where Victoria meets Maggie Evans briefly, although in the book, Maggie is not quite as negative about the Collins family. Here, the story deviates, as Victoria takes a taxi up to Collinwood, but on the way, the taxi has a flat tire (in the show, Victoria is unable to get a taxi, because she is told the only taxi in town has a flat).  Along comes the Collins' family attorney, Will Grant, who helps get the tire fixed, and Victoria is soon brought to Collinwood, where the first person she encounters is an entirely new character, never mentioned in the television show!

 

Ernest Collins is Elizabeth and Roger's cousin (there is no definite explanation of how they are related; however, since he bears the name Collins, it can only be assumed his father and Roger and Elizabeth's father are brothers - unless the "cousin" is merely a casual reference, and they are actually more distantly related), and he surprises Victoria when he grabs her unexpectedly, only, as it turns out, to save her from stepping onto the rotting wood covering an old well.  Ernest is a concert violinist who has returned to live at the Collins' house after suffering some devastating losses - the death of his first wife, as well as the death of a young woman with whom he was becoming close in Collinsport.  Victoria has sympathy for him, but she soon learns Ernest has some dark secrets, and it's quite possible the death of the young woman was not an accident!  Is he mad, having had an emotional break after his wife died, or is there something else going on?

 

While Victoria tries to sort out her feelings for and thoughts about Ernest Collins, she must also deal with the secrets of the rest of the family.  She is warned that David is a "monster" and very difficult to handle, but she soon learns that his problem stems from his anger at being taken away from his mother.  When she broaches the issue with Roger and Elizabeth, she is told it is not her concern and to stay out of it.  As far as Roger is concerned, Victoria experiences his alcohol-induced womanizing first hand and must forcefully assert herself to him in order to avoid his advances.  With regard to Elizabeth, the woman is stern and secretive, clearly hiding something she had hidden in the basement of the great house (which,, I'm guessing, was taken from the whole mystery in the television show surrounding the disappearance of Paul Stoddard that left Elizabeth a recluse for eighteen years), and she is so quick to write off the mysterious happenings in the house, even going so far as to blame young David, even when Victoria knows the boy is innocent!  It seems Carolyn is the only "normal" person in the family, but even she has her moments, leaving Victoria to wonder.

 

The story throws in a number of nearly supernatural moments, when Victoria hears horrific scratching noises, sees moving shadows, and is frightened by a horrific mask in her room.  It all culminates in a dark, stormy night when the terrifying secret that has been haunting the house makes its presence known, and Victoria faces a life-and-death situation as everything (well, related to this story, anyhow) comes to light and a specter of the past comes back to seek revenge!  The author, W.E.D. Ross writing under the pseudonym of Marilyn Ross, does a fantastic job of building the suspense throughout the story, but as with most of his Gothic tales, the climax always happens a little too quickly, wrapping up usually in a few pages in the final chapter.  William Edward Daniel Ross (1912-1995) was known for the plethora of Gothic novels he wrote under various pseudonyms - Marilyn Ross, Clarissa Ross, Dana Ross, Leslie Ames, and others.  The Dark Shadows series was the longest series of Gothics that he wrote.

 

The book is thoroughly enjoyable in spite of (or maybe because of?) its deviation from the plotlines in the television show; yet, there are some glaring errors in the book that really stand out.  For instance, Elizabeth's daughter, Carolyn, is referred to as "Caroline" (p. 11), with even Carolyn referring to her name with that spelling (p. 34).  In addition, Victoria is told to stay away from the east wing, as it is closed off and in disrepair (p. 73); but, in the TV show, it as the west wing that was closed off and alleged to be haunted.  What I found even more surprising, however, is when Carolyn convinces Victoria to join her at The Blue Whale, Joe Haskell sits down at the table with them, placing three beers on the table - which they all drink (p. 88)!  Carolyn is only seventeen, and Victoria not much older - so Joe was basically serving alcohol to underage girls (as the drinking age in Maine at that time was 21 years old).  Some things did stay true to the show (at least, at that time), such as Elizabeth's reference to Jeremiah Collins as her great-grandfather (p. 23), which matches what she says in the second episode of the television show.  There is also a reference to Isaac Collins as being the one who founded Collinsport (p. 26), although the book indicates he arrived prior to the Mayflower, which is inaccurate - the Mayflower landed in 1620, and Isaac Collins did not arrive until 1690.

 

The book has two covers.  The first is a painted scene featuring Victoria Winters holding tight to her overcoat, with the wind blowing, while behind her is the stately house of Collinwood, the moon shining overheard.  The bare tree branches around Victoria give the scene a sense of loneliness and foreboding.  Later printings of the book featured a photo still from the television show, oddly enough showing Victoria (as portrayed by Alexendra Moltke) standing next to Barnabas Collins (Jonathan Frid), who is not even in the book - in fact, at the time the book was first published, his character did not even exist!  Most likely, Paperback Library was simply trying to cash in on Barnabas' popularity in the later years, so covers were re-issued with his image on them to increase sales.

 

A good start to an alternate timeline for the series (and let's face it, the television show did plenty of altering its timelines - with trips to the past and the future, and even trips to parallel time!).

 

RATING:  10 bent steering rods out of 10 for offering fans of the television show some different takes on the same characters they had come to love! 

Curse of Dark Shadows - an original Dark Shadows Graphic Novel

Sixty years ago, a new soap opera premiered on daytime television, and while it only lasted five years for a total of 1,225 episodes, the show has had a legacy that has far surpassed that of pretty much any other soap that has ever aired.  Sure, General Hospital is still on the air; but let's face reality - despite being on the air for 63 years, that show did not spawn a series of books; it did not have board games and models; it did not see various comic book series published over the years; it did not generate enough fandom to warrant audio stories to continue the tales of its characters; it did not generate not one, not two, but three feature films based on the show; and it did not give rise to a fan base that 55 years after the show ended is not only still going strong, but getting stronger with every generation.  Dark Shadows has done that and so much more.  A Gothic soap opera that struggled its first year, it hit its stride when it introduced the reluctant vampire, Barnabas Collins - and from that moment on, history was made.  The show went off the air in April 1971, leaving viewers wondering just what happened to all of the characters on the show.  There have been various continuations, both in book and audio form, that have given fans a taste of what could have been and how the stories might have continued.  Sadly, neither the films nor the updated television shows continued the stories; rather, they simply retold or reimagined the tales already told in the original soap.  So, it is only fitting that with this 60th anniversary, fans should have a special treat - and it's my hope this is only the first of many to come out this year!

 

Curse of Dark Shadows is a graphic novel published by Hermes Press that brings the Collins family and their hometown into the present time.  It's been over 50 years since we last saw the Collins clan, and a lot has changed.  Roger Collins is dead, his ghost now haunting his son, David.  Elizabeth Collins Stoddard is also dead, having left her daughter, Carolyn, with a revelation and request - Victoria Winters, the former governess who was called back in time, truly was Elizabeth's daughter (and Carolyn's sister!), and Carolyn is given the task of finding her and bringing her back home.  Maggie Evans is a grandmother.  And Barnabas Collins ... our ill-fated vampire ... well, it seems he took off back to Europe with Dr. Julia Hoffman, where they finally married and lived out the remaining years of her life.  The only thing that remains the same is the dark shadows that always seem to linger over Collinwood, infecting its inhabitants with terrors that never seem to end.  But Carolyn is working on that.  She has spent half a century trying to find a way to bring Victoria Winters back from the past, and in so doing, putting an end to the curse that has held the family in its sway for centuries...

 

The graphic novel is written by Craig Hurd-McKenney, who has been writing comics since 2000, including a story in the first issue of the the recent revival of Gold Key comics' Boris Karloff Gold Key Mysteries.  This book appears to be his first foray into the world of Dark Shadows, and it is clear he has a love for the show, its characters, and its rich history.  While the story is set in the present, it definitely builds upon everything that has come before - Hurd-McKenney even makes a number of references to events in the television series, citing the actual episodes where they took place.  And the simple fact that he brings Victoria Winters back from the past - well, that puts him right on the top of my list of favorite writers!  Victoria, as portrayed by actress Alexandra Moltke, has always been my favorite character on the show, and it truly disappointed me that they wrote her out of the show the way they did.  Lara Parker (who portrayed Angelique in the show) wrote a Dark Shadows novel that brought Victoria back to the present; and while I enjoyed that story, I have to say, I love the way Hurd-McKenney did it so much better.  I can't say I'm overly thrilled with the characterization of Carolyn Stoddard-Hawkes in her old age; however, having spent the last half-century inside Collinwood, I can't begin to imagine what that would do to a person.  I did, however, like the fact that David was still being haunted by his father's presence - a man he never really got along with when he was alive, so it only makes sense that Roger would still haunt him after he died.  While Barnabas does come into the story, we see very little, if any, of the other supporting cast.  Hallie works in the Blue Whale with her son;  Maggie Evans is a grandmother, and she owns the Collinsport Inn.  But I would love to know what happened to Amy Jennings ... and Quentin Collins ... and Angelique ... and so many others ... perhaps Hurd-McKenney has some more stories rolling around in his head, and we'll get further graphic novels that continue the story (considering the number of sub-plots hinted at throughout the book, he darned-well better have more in the works!).

 

The interior art is provided by "Jok with Gervasio." This is a team of artists that I was completely unfamiliar with prior to buying this book.  It appears they have collaborated on a number of other graphic novels and illustrated books.  Jok is an Argentine artist who has had work published in a number of countries since 1993.  Gervasio is also an Argentine artist, who has worked with Jok in producing some of the "I Survived" graphic novels for Scholastic, as well as some other works.  Their art has a distinctive style to it, and while I can definitely see it as being conducive to darker stories, such as vampire, ghost, and supernatural tales, I must admit that I did not find myself enjoying it much for the Dark Shadows story.  None of the characters bore any resemblance whatsoever to their television counterparts, and perhaps that was their intention.  Thankfully, Hurd-McKenney's story was strong enough to carry me past the art, and it was ultimately still a thoroughly enjoyable read.

 

An added bonus to this book are the character profiles that appear after the story - seventeen pages detailing some of Dark Shadows' greatest characters over the years.  From Adam to Judah Zachary ... from Nicholas Blair to Count Petofi ... from Roxanne Drew to Janet Findley ... from Sarah Collins to Peter Bradford ... and so many more!  Each character is drawn by a different artist - including one by Luciano Vecchio, a wonderful artist that I have the pleasure of knowing through his work on Drumfish Productions' Sentinels books some years back.  And I love that the Victoria Winters depicted in these bios is a much stronger resemblance to the Alexandra Moltke that I so loved from the show.

 

There are a couple of things about the graphic novel that did leave me somewhat perplexed.  For unexplained reasons, page 3 of the story repeats itself (it appears on both pages 7 and 8 of the book).  Then, just a few pages later, page 10 of the story appears a second time, appearing first on page 15 (right after page 9 of the story), and that again on page 17 (right after page 11 of the story).  And if that were not confusing enough, after page 22 of the story, the page numbering reverts back to page 1, even though the story continues without any break (in fact, page 22 and page 1 thereafter contains a 2-page spread of Victoria Winters fighting the Leviathan on Widow's Hill in the past).  I can only assume there was some production issues when the book was put together, because I can't image the creators intended these mis-matched pages on purpose.  Finally, there's the curious misspelling of Quentin's name in the character bios - he is listed as Quentin "Collin," without the "s" at the end of his last name.  This was likely a simple editing snafu.

 

These gaffes, though, did not in any way spoil the story for me.  I still highly recommend the book for any Dark Shadows fan, as it not only brings the show and its characters and mythos into the 21st century, but it gives us fans a long-awaited continuation of the original series.  Big Finish Productions filled that void for a number of years with their audio dramas; now Hermes Press is picking up where Big Finish left off and giving us even more Gothic horror to fill our insatiable need for more Barnabas ... more Victoria ... more Carolyn and David ... more stories of those people who may at times be only shadows in our mind, but who continue to fill the days and nights of our every tomorrow!

 

RATING:  9 empty baby cribs out of 10 for taking the Dark Shadows' lore far beyond that of the original series and crafting a new tale of mystery, suspense, and horror in the tradition set by Dan Curtis some 60 years ago...

Dark Shadows Audio Tales, Vol. 5 - Love Lives On

After a two-and-a-half year break, I finally had the chance to start listening to more of the Dark Shadows audio tales.  The CD player in my car had stopped working, so I was not able to listen to any CDs (driving is my best time to listen to them); but, now that I have a new (relatively speaking) car with a CD player that actually works, I can listen to the continuing stories of some of my favorite characters.  In a way, I'm glad I had the break, as it means I still have "new" stories to listen to - since Big Finish has not any new Dark Shadows audio stories in quite some time.  But, after this one, I still have one more audio tales collection, along with the Quentin/Maggie set of stories, and the three Tony & Cassandra Mysteries series - so I've got plenty more Dark Shadows goodness enjoy for months to come!

Love Lives On is the fifth collection of short audio tales (released in 2017), and this set features Professor Stokes, Gerard Stiles, Hallie Stokes, Jessica Griffin, and Sabrina & Cyrus Longworth.  Each story deals with love on some level - whether it's thought long-forgotten love, or the unknown desire for love, or sought after revenge for lost love, or a unfulfilled wish for more love.  And, in its usual way, each story builds upon the multitude of Dark Shadows audio stories that have come before, ever expanding the continuing stories of some of daytime drama's most popular Gothic heroes and villains...

 

"Tuesdays and Thursdays" features Matthew Waterhouse (best known for his role as Adric, one of Tom Baker's companions in the Doctor Who series back in the '70s) as Professor T. Eliot Stokes.  Written by Cody Schell, the story finds Professor Stokes attending an auction in order to bid on an item that he knows to be supernatural in nature.  But a mysterious woman at the auction outbids him, and Professor Stokes is determined to find out why.  It turns out the woman is a psychic, and she has had some very pointed visions ... and when Stokes runs into the woman again ... and again ... and again ... the two of them must work out the nature of these fated meetings.  I must say, Matthew Waterhouse has done an outstanding job assuming the role of Professor Stokes.  Thayer David, the actor who portrayed Stokes in the television show, had a very distinctive voice and manner of speaking, and while Waterhouse does not match it exactly, he does manage to make the character his own, and he gives listeners the feeling that he IS Professor Stokes.

"The Velvet Room" features James Storm as Gerard Stiles, returned from the dead, and also features Hallie Stokes (although, sadly, not performed by Kathleen Cody - these short tales only feature one actor in each).  Written by Antonio Rastelli, this story sees Hallie leading Gerard to New Orleans to investigate a potential supernatural force.  They discover an old warehouse that has been converted into something else entirely - a place where stories are more than they seem - and deals made with the owner come with a deadly price!  Gerard watches in horror as some new acquaintances pay the prices for their stories told, and as he thinks he and Hallie are about to escape, he finds that everything is not what he thought - and that his past may have very well caught up to him!  Storm gives the character of Gerard a mixture of good and evil, leaving listeners to debate as to whether he truly deserved the fate he received!

"Behind Closed Doors" features Marie Wallace as Jessica Griffin, the owner and bartender of The Blue Whale.  Written by Paul Phipps, the tale is one of past regrets, new love, and one's past never truly staying dead.  Jessica is happy about her impending nuptials with Willie Loomis, but some photos from their recent trip begin to take on an eerie life of their own - and before you know it, Jessica is forced to face a past she would have just as soon forgotten!  A former love is hell bent on coming back for her, and Jessica must not only face her past, but find a way to put it behind her and let it go once and for all!  Of the four stories on this CD, I think this was probably my favorite, as it deals with a subject I think most of us can identify with and turns it into a terrifying supernatural battle for freedom.

"The Suitcase" features Lisa Richards as Sabrina Longworth, the bride of Cyrus Longworth.  Written by Alan Flanagan, this final story of the CD centers around a mysterious woman who arrives in town with a suitcase that she never lets leave her sight.  The Longworths now own and run the Collinport Inn, and the woman shows up unexpectedly on their doorstep one day to rent a room.  Sabrina is uneasy for some unexplained reason, but Cyrus and the other townspeople seem to like the woman.  Soon enough, Sabrina sees through the facade and discovers that the woman is granting wishes that have the most devastating results!  Sabrina has to stop the woman before Cyrus makes a wish for something that could destroy their lives forever.  Richards reads this story with fervor, as you can hear the anxiety in her voice build as the story progresses - first leading the listener to wonder if Sabrina is just imagining things in her own mind because of her past, but ultimately hitting the high note as Sabrina reveals the woman for who - and what! - she truly is.

While the stories all deal with love in one fashion or another, they also deal with considerable psychological terror - which, in most cases, can be more terrifying that actual physical horror.  Yes, three of the four stories do have a somewhat violent, horrific climax to them - but those elements are minor compared to the terror that builds within the characters minds leading up to those final scenes.  I think all four writers did an excellent job capturing the psychological side of Dark Shadows, and not focusing on the visible horrors.  Vampires, witches, werewolves, and the like are easily seen and feared - but personally, I think it's the unseen and the unknown that instills a greater fear in a story, and these four managed to capture that perfectly!

RATING:  10 long forgotten photographs out of 10 for reminding listeners exactly why Dark Shadows has endured for so many years with so many fans - the characters, the stories, and the sheer terror of it all!

The Dark Shadows Daybook

There have not been any new Dark Shadows novels in some time now, and with the CD player in my car broken, I haven't had the opportunity to listen to any of the audio books lately.  However, Patrick McCray has come out with a book that not only gave me the chance to get my much-needed Dark Shadows fix, but also gave me the opportunity to relive the entire series and "see" it with a new perspective, looking at episodes, characters, and storylines in ways I never have before.  As the blurb on the back of the book states, "If you're a fan of the venerable vampire soap, you simply must check out this book!"  And I agree whole-heartedly!

When I bought the The Dark Shadows Daybook, I honestly had no idea what it was about.  I knew it was some kind of retrospective look at the daytime soap, but I wasn't sure if it was simply a synopsis of all of the episodes and/or stories, or if it would be interviews with actors and crew, of it would be essays by people on what the show meant to them.  Well, it turns out the book is none of those - but definitely so much more!  Patrick McCray sat down and watched all 1,245 episodes of the show, from beginning to end, and in this book, he provides a unique look at those episodes, selecting certain episodes that stand out for various reasons - whether it be the acting, the sets, the story, the characters, etc.  And he provides a perspective on those episodes that, honestly, I never considered.  But now, having read his perspective, I certainly have a totally new appreciation for the episodes and the series as a whole!

The book takes the series and breaks it down into fourteen parts, with a special look at the final episode of the series (episode 1245).  Beginning with, of course, the beginning, when Victoria Winters arrives in Collinsport, which first aired on Monday, June 27, 1966 (fifty-six years ago - wow! it's hard to believe it has been over half a century since that show first aired!).  He compares episode 1 with episode 1245, looking at them as book-ends for the series, the beginning and the end - noticing a very subtle difference that I'm wondering if many people even pay attention to - the fact that the first episode begins as night is falling on the small fishing port of Collinsport, Maine, while the last episode concludes just as the sun is beginning to dawn over Collinwood (and, as the voice over at the end says, all of those dark shadows looming over Collinwood were nothing but a thing of the past ... ).  McCray then jumps to episode 72 ... then skips quite a bit up to episode 211, in 1967, the very episode that Jonathan Frid enters Collinwood as Barnabas Collins and forever changes the show.  From that point forward, the book jumps episodes, sometimes small hops, other times large jumps, to look at various episodes that impacted the show.

The story of Barnabas' quest to make Maggie Evans into his long-lost Josette, to the unforgettable trip into the past that sent Victoria Winters back to the year 1795 (where each of the Collins' ancestors resembles a present-day member of the Collins family; but the names and relationships have changed, and Victoria Winters finds herself a stranger in a sea of familiar faces ... oh, excuse me, I got a little distracted with a trip back into the past myself there...), to the Adam and Eve stories of 1968, to the trip back to 1796, to the haunting of Collinwood, to the second time travel story back ton 1897, to the introduction of Chris and Amy Jennings, to the first parallel time tale, to the future of 1995, to the final trip into the past, back to 1840, and then to the very last story set in 1841 parallel time - McCray looks at each and every story that unfolded over the five years Dark Shadows was on the air, and while he certainly pokes fun at some of the scenes, some of the acting, and some of the characters, he also offers up some very in-depth analysis of how those characters and stories impacted the overall appeal of the show and why people were so drawn to this crazy show about vampires, witches, werewolves, severed heads, severed hands, Frankenstein creatures, phoenixes, lotteries, time travel, and so much more that no other daytime soap opera would even dare to consider at the time - I mean, let's face it, it was the end of the '60s and beginning of the '70s, and the times, they were a-changing!  Dark Shadows helped herald in that change, and in the pages of this book, the reader learns just how it did that.

I love that McCray recognizes the fact that in the series, Victoria Winters basically came into the show "as a raven-haired Nancy Drew."  I've always rather looked at the character in that way, since Victoria seemed to be at the center of all of those early mysteries - finding out who sabotaged Roger's car, getting kidnapped, always searching to uncover the truth behind her parentage and her mysterious summons to Collinwood - even her trip back to 1795 was the ultimate "mystery" to be solved regarding the ghost of Sarah and the mystery of Barnabas.  

McCray also isn't afraid to compare the series to various other pop culture successes throughout the years, such as Marvel Comics, Star Trek, Batman, Lord of the Rings, and so many others.  I mean, let's face it - for a show that only lasted five years (two years longer than Star Trek, mind you!), the fact that it still has such a large following over 50 years later, and there are no signs of it stopping, shows you just how enduring and appealing the show truly is (despite the many gaffs that appear on air in so many of the episodes).  I even have to agree with McCray's assessment in his afterward about the attempts to remake and bring back Dark Shadows.  There are certain things required if you want to make any come-back a real success, and the 10 guidelines set forth by McCray are definitely on point!  Any creator looking to reboot, continue, or otherwise bring the show back, pay attention to McCray - he knows what he's talking about!  (Quite honestly, the only thing that has actually succeeded in honoring Dark Shadows properly are the Big Finish audio stories - those, as far as I'm concerned, are truly a continuation of the DS lore, and I have a feeling McCray would agree!)

This book is a definite must-have for any Dark Shadows fan, as it allows you to pretty much relive the entire series, from beginning to end, and look at the series with an entirely new outlook.  It has certainly left me with the desire to sit down and re-watch the series, just to see if in watching those episodes, I can pick out the same things (or even more!) that McCray has pointed out in this book.

NOTE - I can't pass up the fact that McCray hails from Louisville, Kentucky, which is also my birthplace and hometown (for the first 16 years of my life)!  And also where Roger David and Mitchell Ryan also hail from!  So, I guess that puts me in some pretty good company...

RATING:  10 faux movie reviews out of 10 for offering up a more engaging look at an already engaging series and helping this fanboy relive the entire series with just as much joy as when I first watched the show as a child!

Dark Shadows Audio Tales, Vol. 4 - Dreams of Long Ago

It's been a bit since I listened to one of the Dark Shadows audio tales.  A recent vacation gave me quite a bit of drive time with which to listen to audios, so needless to say, the next CD of short stories was on the top of my list!  Dreams of Long Ago features four new tales of the characters that I have grown to love over the years, and hearing the (mostly) original actors reprise their roles from the series is always a real treat.  I also enjoy the fact that these stories build on previously released audio tales, as well as set up brand new stories that we will hopefully have sequels to in the future.

 

The CD set opens with "The Reflected Man," featuring the return of Sabrina Jennings. This story has a loose connection to an earlier audio story, "The Enemy Within," which featured Sabrina and Cyrus Longworth.  This short tale fills in a bit of the gap between the time when Sabrina and Chris Jennings were married and the time she moved to Bangor.  Chris is dead, having been murdered on their wedding night, and Sabrina is now working as a waitress in New York City just to make ends meet.  She has yet to make peace with her husband's death, and it seems the dark shadows that have been cast over her life aren't done with her - for out of nowhere, Sabrina begins to be haunted to the image of a man in the reflection of windows ... mirrors ... and any other reflective surface.  Someone seems to be watching her from the other side.  Just as she is about to have a complete breakdown, that reflected man makes contact - and Sabrina soon discovers that not everything is what it seems!  While I do love this story, and the fact that it deals beautifully with the grief felt when a loved one is taken away from us, it does bother me that this story does not quite fit with the dark revelations from "The Enemy Within."  Perhaps at this juncture, Sabrina is completely unaware of the dark secrets revealed in "The Enemy Within," but I think there should have been at least some kind of hint in this story as to the horrors in store for the poor woman...

 

The next story, "Old Acquaintance," features the return of Quentin Collins.  An interesting tidbit about this story is that it is written by Matthew Waterhouse, an actor who portrayed Adric back in the day on BBC's Doctor Who, and who has also voiced a few characters in the Dark Shadows audio tales.  As with many of Quentin's stories, this one provides a glimpse into his past, where he makes a choice that will have dire consequences in the present.  It is New Year's Eve in Collinsport (1971), and while Quentin is celebrating at the Blue Whale, a creature he escaped from over fifty years ago is about to make a reappearance.  Quentin does what he always does to protect his loved ones and the villagers of Collinsport, and this time he has a bit of help from an unexpected source (no, I won't spoil that surprise).  I would say of the four stories, this one is probably my least favorite.  I don't know exactly why, but Quentin is not really a favorite of mine, so his stories feel tame and somewhat bland (even though there is some rather graphic descriptions in this story that might create some bloody visuals in your head!).  But, I suppose fans of Quentin Collins might enjoy the tale.

The third story features Andrew Collins reprising his role as Barnabas Collins in "Devil's Rock."  Since taking over the role of Barnabas (after the passing of the irreplaceable Jonathan Frid), Collins (coincidence??) has managed to assume the character, and his accent rather reminds me of Ben Cross from the '90s television show.  In this story, Barnabas and Willie are off to find Dr. Julia Hoffman.  But they are barely started when they stop in a small town in Maine that has some secrets of its own.  The two stumble across a body that is about to be swept out into the ocean, and unwittingly, by rescuing the body, they set in motion a series of events that will lead them to uncover the dark secret behind the small town's longevity and prosperity.  This story takes a page from the final tale of the television show, in which the characters are chosen by lottery to face a certain fate - only, in this story, they must be sacrificed to the sea or the town faces the retaliation of an insatiable demon.  The only thing is, when these villagers decide that Barnabas will take the place of their intended sacrifice, they are unaware of his own secret - one that could spell disaster for them all!

The final tale on this CD is "Cobwebs," which, quite frankly, is the darkest of all the stories, as it delves into the human psyche and just how fractured and frightening it can be.  Written by Aaron Lamont, who was a co-writer for the Bloodline full cast audio drama, this story picks up after the events in Dreaming of the Water, in which Sebastian Shaw finds himself a patient at Wyndcliff Sanitarium, after having brought Maggie Evans there to escape the horrors of Collinwood.  Now, in "Cobwebs," we find that Sebastian has sunk deeper into darkness, as he slips in and out of consciousness, unable to tell the real world from the dreaming world.  His only companions are a tiny spider, a burned man he meets outside of his room, and the mysterious new doctor who, it turns out, is providing him with new therapy - electric shock therapy!  Christopher Pennock, who played Sebastian Shaw on the television show, reprises the role here, and his descent into insanity is uncanny and frightening.  As he tries to keep it together and focus on what he can only guess to be real, he soon discovers the secret of the burned man, and for long-time fans of Dark Shadows, it will come as no surprise when a long-time villain of the show makes Sebastian an offer her can't refuse ... culminating in that wickedly evil laugh that only she can do!

Overall, the CD offers a satisfying set of tales, but again, I do miss the full length audio stories which feature two or more characters.  I'm hoping the cast is working on a sequel to the Bloodlust and Bloodline stories, because I can't be the only fan wanting to know what's next for the denizens of Collinsport!

RATING:  9 shattered coffee pots out of 10 for continuing in the spirit of the television show and providing fans new stories from the multitude of characters in the Dark Shadows universe!

Dark Shadows Audio Tales, Vol. 2 - Haunting Memories

It's been quite a while since I last listened to one of the Dark Shadows audio stories.  Part of the reason is because the cd player/radio in my car only seems to work intermittently these days, but the bigger part of it is because these anthology CDs have not really caught my interest as much as the full cast audio stories did.  However, I do have them all, and I do still love my Dark Shadows, so I finally got the wherewithal to sit down and listen to another set of short stories.

 

Haunting Memories features four new stories starring Josette Du Pres (as read by her portrayer, Kathryn Leigh Scott), Elias Trask (as read by his portrayer, Jerry Lacy), Angelique the witch (as read by her portrayer, Lara Parker), and Elizabeth Collins Stoddard (as read by Marie Wallace).  Each of the four tales centers around memories that these characters would best leave forgotten and in the past, but which, in true Dark Shadows fashion, manage to worm their way out to be told.  The stories are not connected to each other, but a couple of them to do manage to connect with stories from the television show and further expand and/or explain things that fans would have loved to have seen revealed in the show.

 

"Hell Wind," written by Mary Robin, tells the story of a very young Josette Du Pres, when she and her family lived on the island of Martinique.  Told completely from the point of view of the child Josette, listeners get to hear the story of how Josette and Angelique first met, as well as the circumstances surrounding the death of Josette's mother.  It is set during a horrific hurricane, and I do have to get the writer credit, she gave a pretty accurate description of what it is like during a hurricane.  And considering this was set in the 1700s, it would be even more dangerous back then than it is today!  The one thing I did notice about the story is there was not really too much supernatural about it - more just the tale of a young Josette and a young Angelique...

"Communion," written by Adam Usden, was a bit more interesting story.  Elias Trask and his son, Gregory, are trying to escape the men who are chasing them down, wanting to kill them.  (And anyone who knows the Trasks knows that they are definitely men who deserve to be killed!)  They meet a young woman of ill repute, and Elias thinks that by rescuing her, he can "change" her - but ultimately, she is not what she seems to be!  This story definitely had the supernatural twists to it, and it also had some humor, with the entire thing being told from Elias Trask's point of view as he continually prays to his Heavenly Father (and revealing his true, carnal nature in the process)...

"The Ghost Ship," written by Lara Parker (who IS Angelique), tells an unknown tale of Angelique's past, when she was still pining for Barnabas Collins and is feeling regret over making him a vampire.  At this time, she is dead and nothing more than a spirit, but Nicholas Blair and some ghostly women waiting for their men to return from a sunken ship give her a chance with Barnabas that she never thought she'd have - but in the process, she, herself, becomes a vampire, and she beckons the spirits of the dead sailors to return home with the promise that their waiting wives will help her win Barnabas' love once and for all.  This story was so-so, as I am not overly enthused about the whole "Angelique wants Barnabas to herself" saga...

"A Face from the Past," written by Kay Stonham, is by far my favorite of these four tales.  The supernatural element in this story is subtle, but it's there.  Elizabeth Stoddard Collins is returning to Collinsport after having been in Paris for some time (for those who listened to one of the other anthology audios, they might recall Amy going over to Paris to visit Roger and Elizabeth).  But upon arriving in Collinsport, Elizabeth is drawn back into her own memories - memories of a love long past, a man whose heart she broke and who fathered her first child ... a child she gave birth to in New York and left at a fondling home ... and a man who strangely enough appears today exactly as he did nearly 40 years ago!  Marie Wallace, who played other characters on the show but did not portray Elizabeth, does an outstanding job with expressing Elizabeth's emotions, her love, her loss, and her shock at finding her love once again.  And to, once and for all, find out the truth behind Victoria Winters' parentage - well, that alone makes this story worth listening to!

Again, I'd much rather have the full cast audios, but I guess these short stories as told by single members of the cast will have to do until the sequel to Bloodlines and Blood Lust becomes a reality.

RATING:  8 cottages for sale out of 10 for revealing Victoria Winters' parentage, a secret that has been more than 50 years in the making!

Dark Shadows Audio Book - Bloodline

The continuing story of the Collins family has been kept alive by Big Finish Productions in these audio stories, and my love for the show, its stories, and its characters has waited impatiently for each new story to come long.  While I have not exactly enjoyed the latest offerings (where they put three or four short stories together on each audio), they finally got it right with the 13-part episodic tale, Bloodline, which picks up where the last mulit-part story, Bloodlust, left off - David Collins and Amy Jennings preparing for their wedding!

Now, before we begin, I do have to say that the first few episodes are a big jumbled - at least to me.  There are a number of new characters, new voices, and it gets a bit difficult to tell them apart and figure out who is who and what is going on.  I'm not sure if this is because the episodes are written by different people, which obviously creates a different feel for each episode, or if it's because there are a number of actors involved who are not from the original Dark Shadows cast, and so it takes a bit of getting used to in order to differentiate their voices.  Whatever the reason, once you get through the first three or so episodes, the story really starts to pick up the pace, the actors get into their groove, and it really begins to feel like Dark Shadows once again...

The story begins with David and Amy preparing for their wedding.  But, as we all know, things are not going to go exactly as planned.  Someone is out to ensure that Amy and David never get married.  Barnabas returns to Collinsport, with Dr. Julia Hoffman in tow!  Of course, Grayson Hall passed away years ago, so actress Julie Newmar (yes, THAT Julie Newmar) steps into the role, and those who listened to "The Curse of Shurafa" audio story will recall that Julia was transferred into another body - and Julie Newmar provides the voice of that new body!  It's a great way to bring back such a wonderful character (just as they did with Barnabas), and Newmar definitely provides listeners with the feel of Dr. Hoffman.

The first half of the story provides the build-up (including a hospital explosion that cuts of Barnabas' blood supply and results in the death of Cody's father), and while there are some subtle hints of things to come, it isn't until the second volume of Bloodline that things really hit full force!  Just as the wedding begins, David disappears - and no one at the wedding even remembers him!  Why was Amy wearing a wedding gown?  Why was everyone there?  And who in the world is David Collins?  It turns out that David was thrown into the past - back to when his ancestor, Quentin Collins, was about to be born.  But what happens when Quentin's mother suddenly falls in love with David - will he inadvertently change time?

It turns out, though, that David is not the only one who disappears and is forgotten.  One by one, members and friends of the Collins family begin to disappear.  Harry Cunningham is thrown back in time...as is Jacqueline Tate...and Lela Collins...and Cyrus Longworth-Jennings...and Vivian Bell...and Quentin Collins and Amy Jennings...and others!  Each is thrust into a different time, where they have to be careful to avoid entanglement with the people of that time so as to not alter the timeline and destroy their own future!  But what happens when Jacqueline is accused of murder and put on trial?  And Cyrus is haunted by the ghost of Jenny Collins?  And poor Harry, who finds himself in the hospital being treated by none other than Cody's father?  And Lela faces off against the misguided and vile Reverend Trask, who is hell-bent on condemning Victoria Winters as a witch?  And Quentin and Amy find themselves in the near past, where Amy has the opportunity to protect her son from harm?

Time travel was a big staple in the original series, so it fits in nicely that the writers use multiple levels of time travel in this story to create a huge central tale of vengeance on the Collins family.  It is also fun to see the return of Rosier, who first hides within Cody, offering him his heart's desire - but who is ultimately taken by Amy, who uses Rosier to try and put an end to all of the turmoil taking place at Collinwood.  But, it is ultimately Barnabas' own bloodlust that brings everything to a crashing resolution, as he not only feeds on Cody, but also brutually attacks, feeds on, and kills a young couple in Collinsport!  It is this feeding frenzy and Dr. Hoffman's desire to protect and help Barnabas that leads to the big revelation of who has been doing all of this....

I'm certainly not going to spoil the big reveal - as it definitely ties in to a previous audio story; however, I will say that Big Finish give fans a HUGE payoff with this story by providing listeners and fans with something we never thought we'd see (or rather, hear!) again - the voices of Joan Bennett, Thayer David, Jonathan Frid, Grayson Hall, and Dennis Patrick!!!!  I can't even begin to tell you the giddiness that came over me as I heard their voices in the story.  Now, I'm not about to spoil anything by explaining how they play into the story, but I will say this - some are flashbacks in the past, while others are actually in the current story!  So, if you are a fan of the original series, this is the one audio drama that you cannot miss!

I understand that the producers have to introduce new characters to slowly take the place of the actors who are either getting too old to continue or who have passed on - so that the Dark Shadows legacy can continue in the years to come - but I do wish that more of the original cast had been used in this - Kathryn Leigh Scott was barely used at all, as was Lara Parker.  David Selby and Nancy Barrett probably saw the most screen time, which wasn't really all that much, with Marie Wallace and Christopher Pennock coming in a close second.  I still have more of the anthology audios to listen to, so hopefully the original cast will show up in more of those.

In any event, Bloodline was a successful continuation of the Dark Shadows saga, and I can't wait to see what Big Finish has in store for fans next!

RATING:  8 time-surviving tape recorders out of 10 for keeping these characters and stories alive with a true Dark Shadows feel for fans like me!