Nancy Drew Mystery Stories # 145 - The Missing Horse Mystery

"Danger's riding high ... and Nancy's in its path!" (cover blurb)

 

"A search for a missing horse leads Nancy to a dark discovery!" (back cover blurb)

 

I've noticed a trend in recent digests that I have read that seems to lean toward more mature mysteries, often using deadly weapons and individuals within the stories becoming gravely injured.  Two of the last three books that I've read involved serious attempts on Nancy's life, well beyond the normal foibles of getting knocked unconscious or run off the road - and this book is no exception.  I've often heard people say that once the Nancy Drew Files ended in 1997, some unused manuscripts and plots were integrated into the digests; and, after reading these recent bout of Nancy Drew Mystery Stories (142, 143, and now 145), I would have to agree.  These plots definitely seem more fitting for the older audience at which the Files were aimed.

 

The Missing Horse Mystery takes Nancy, Bess, and Ned to the Illinois Horse Park for the Midwest Grand Prix Dressage Championship. Surprisingly, there appears to be an actual Illinois Horse Park located in Triumph, Illinois, made up of approximately 80 acres of historic farmland about an hour away from Chicago.  Not too often does the Nancy Drew series use actual locations such as this (excepting the use of real cities).  Whether the author intended this to be the same "Illinois Horse Park" or not is unknown.  However, the fact it is specifically set in Illinois once again gives rise to the ongoing consensus that River Heights is located somewhere near Chicago (and since The Case of the Capital Intrigue specifically indicated Chicago is the nearest big city to River Heights, this book simply reiterates it).  George is off-screen in this book, said to be "having a great time teaching at a soccer clinic" (p. 2).  This is another aspect I have been noticing about the series as it progresses:  the ghostwriters appear to prefer using either Bess or George in the stories, not as often using both of Nancy's best friends.  Perhaps the authors simply don't know how to utilize both characters alongside Nancy with these shorter mysteries (this book clocks in at only 147 pages), and so it is easier to use one cohort rather than two.  Even at that, Ned is actually more involved in this mystery than Bess - she meets a foreign competitor named Gunter and spends most of the book going out with him instead of helping Nancy!

 

As with most of these "vacation mysteries," Nancy has come to Illinois Horse Park to enjoy a weekend getaway, not to be involved in a mystery.  Even when she catches wind of a fire in the stables by the end of the first chapter, she resolves not to look for a mystery where there may not be one.  But, of course, as always, there is a mystery, and soon enough, Nancy is in the middle of it.  A valuable horse vanishes, and the groomer is seriously injured and taken to the hospital, where she lies in a coma.  The night before, however, the groomer had given Nancy a small bit of information that plays a very large part in this mystery - in fact, for me, it basically gave away the entire plot and the culprit.  But, I am not the intended age group for reading this kind of mystery, so perhaps the intended readers might not find the clue quite so revealing.

 

The author does throw in a number of possible suspects.  From one of the competitors who has made it clear that he will do anything to win the competition to one or more of the security guards who are not necessarily all they appear to be to rival horse owners who want to win the big prize.  It seems there is quite a lot of money on the line, and the question Nancy must figure out is who benefits the most from the prize horse's disappearance?  Nancy and Ned must face off against some violent rottweilers, and they find themselves at gunpoint, their deaths certain as the real villain lets them know in no uncertain terms that they will not foil his plans.  The grievous blow to the groom's head, the rottweiler attack, the beating of an accomplice, and the threat of gun violence definitely set a much darker tone for this mystery.  The stakes are higher than Nancy Drew's normal cases, and Nancy and Ned take some dangerous chances by sneaking into the security guard's offices, as well as the private offices of another suspect,  However, despite all that danger, Nancy reveals the true criminal by the end of the story (although, surprisingly, she actually believes the crook's excuses several times before realizing what he was truly up to, which is something the Nancy Drew everyone knows and loves is not prone to do!).

 

Interestingly, when talking with their friend, Lee Anne Suna, who invited the girls to come watch the show, Bess makes the comment, "Nan and I have been riding since we were about eight" (p. 9).  I automatically assumed this was a references to the Nancy Drew Notebooks series for young readers, which began about four years prior to the publication of this book in 1998.  In that series, Nancy and her friends are eight years old, and at least two books in that series deal with horses (books 26 and 37).  And, since this book has advertisements in the back for the Nancy Drew Notebooks series, it is an easy assumption that the author, and potentially the publisher as well, wanted to promote that series. 

 

Another somewhat factual point raised within the story is the distance from the Illinois Horse Farm to the Iowa state line, which Nancy and Ned must cross over in order to follow-up on a clue.  Nancy casually mentions to Bess that "Ned and I are going to tour a farm in Iowa," (p. 103), leading one to believe it could not be far, if they planned to simply "visit" the farm and be back the same day.  When the two actually head out, it is stated the farm was only about "a half hour's drive" (p. 110).  In reality, Triumph, Illinois (the home of the Illinois Horse Farm) is approximately 83 miles from the closest point of the Iowa state line - so, for Nancy and Ned to make it to that point in a half hour would have to mean they were driving nearly 160 miles per hour!  (Of course, they are not in the real world, so in the book, the Illinois Horse Farm must have been located considerably closer to the state line...)

 

The ghostwriter for this particular mystery is Alison Hart.  If this is the same Alison Hart who has written a number of horse-related novels, including books in the Horse Diaries series, then it would not be surprising, considering the subject matter of this book.  This is actually the fifth of six books that Ms. Hart has written for the series (the other being Magnolia Mansion, Stranger in the Shadows, Masked Rider, Twin Teddy Bears, and Gold Doubloons).  The cover art is again provided by Ernie Norcia, depicting a scene early on, when Nancy smells smoke and releases a horse from its stall where the first has been set (p. 11).

 

Not a bad read, but as indicated above, the solution was given away too early.  Better than a number of the digests, but not within my top ten.

 

RATING:  7 long metal rasps with blood on it out of 10 for trying to mislead readers with several very unlikable characters who you would almost want to be the villain of the story! 

Whitman Mystery Stories - Gene Autry and the Thief River Outlaws

This book is definitely a far cry from what I would normally read.  As I mentioned in a recent post about the Judge Colt comic book series (Judge Colt - Gold Key Comics), I am not a fan of westerns.  The only reasons I picked this book up is because (a) I have grown to realize that a number of these Whitman Authorized Editions actually contain some really good stories, (b) the book came with its original dust jacket in pretty good shape, and (c) the price was right.  I set it on my "to be read" pile some time ago and left it there.  Well, after enjoying the Judge Colt series from Gold Key comics, I thought I might as well give this book a try and see how it holds up.

 

Gene Autry and the Thief River Outlaws is one of two Whitman Authorized Editions about the western movie star, both written by Bob Hamilton. This book, copyright 1944, appears to be the first of the two, with the second being published two years later in 1946 (Gene Autry and the Redwood Pirates).  While the book uses Autry's name and likeness, and while the character is quite well-known to the people in the story, it is not the actual Gene Autry in the tale (which makes sense, since the story takes place in the 1800s and the Old West, and the actor was clearly not around then - he simply make films about that time!).  Autry is basically a drifter, going from town to town, sometimes serving as a special deputy for law enforcement, other times simply helping out those in need, such as takes place in this book.  Like the real Gene Autry, the book-Autry has a horse named Champ, clearly modeled after the real Autry's horse, Champion.  

 

The story is the typical western fare, which you would have likely seen on the big screen.  Autry has been asked to come to Thief River Canyon to help out a friend of a friend.  It seems Jim Farnsworth is have some difficulty with the construction of a bridge that is to cross the canyon, which would allow trains to save time by taking a direct route rather than going around the canyon.  But Farnsworth has been laid up after an accident has left him with an injured leg.  On top of that, strange accidents have been taking place - the workers were all made sick through food poisoning; necessary parts were delivered to the wrong place, delaying work; a nearby fire resulted in the men being called away to help put it out; and the donkey engine broke down, resulting in more lost time while they waited for a new part.  (And for those wondering, like me, what is a donkey engine?  well, that happens to be a steam or internal combustion engine with a winch and drums used for pulling cables to move heavy loads!)

 

Farnsworth and his right-hand man, Tennessee (his real name is never said) are certain someone is behind all of these mishaps, and Gene Autry has been called in to investigate.  Autry is concerned an old enemy of his, Trig Marsden, might be involved, but the workmen have to wonder if the new engineer, Dude Dudley, is not the cause.  (Man, you just gotta love these names!)  One of the workers winds up dead when the cables on the donkey engine snap, and Farnsworth has to struggle to keep men from walking off the job.  Autry starts to look into things, and he learns that if Farnsworth does not complete the job within a specified time, the government will take it away from him and turn it over to Mr. Hind, a competing engineer who is only ready to take the job (and the money that comes with it!) away.  But will he really sabotage the work being done just to make a buck?  What do you think....?

 

Surprisingly, there are no gunfights or showdowns at sunrise as one would expect in a western tale. However, there is plenty of kidnapping, brawls, and horseback riding to remind you that this is definitely an Old West tale.  Plus, we have the one obligatory woman thrown into the mix - Betty Jackson.  A not-so-near neighbor who has been coming over to cook and keep house for Farnsworth while he is down and out.  She has plenty of playful banter with Tennessee, and she's got quite the backbone, not being taken in by Dudley's plays for her.  Of course, as anyone with common sense can figure out, when a woman in a story like this is determined to keep a particular man away from her, it is pretty much a given she will end up with him by the end of the story ... and, wouldn't you know it, this book is no different.  

 

While the story was somewhat entertaining, I have to say that the climax is what I would consider the saving grace for this book (at least for those, like me, who don't really enjoy westerns). The villains have sabotaged the bridge itself on the night before the train is set to cross for the first time - just when they think they are going to win, Autry shows up with Hind in tow, forcing Hind on to the train to take the ride with them.  Well, you can pretty much guess what Hind's reaction will be, seeing as how he knows exactly what's been done to the bridge!  I found myself cheering Autry's ingenuity in turning the tables on the crooks and forcing them to reveal their own dirty work before any damage is done!

 

The interior art is provided by Dan Muller.  I can't say for certain, but it appears Muller is likely the same Dan Muller (1889- 1976) who was a real-life cowboy, known for his art depicting scenes of the American West.  It would only make sense that an artist such as Muller would be chosen to illustrate a book like this.  His line drawings give the reader a definite feel for the period and location, making it evident the artist was quite familiar with the subject matter.  His end pages provide a rather tame scene where Autry goes into town to see what he can find out about Trig Marsden, and it even accurately shows "Pete Lonergin's Cafe" as referenced in the story itself.  Unlike many of the end pages in Whitman books, this one does not spoil any of the action or surprises from the story.  The book came with two different dust jackets - one, which I have, showing a group of cowboys galloping across the plane with an inset of the actor, Gene Autry; the other is a full wrap around cover, which shows a full-figure of Autry, holding his gun and lasso on the front, and standing beside Champ on the back.  Not sure what prompted the change in covers, and honestly, I can't say which one came first (although some sellers online list what they call "first printings" of the book with the dust jacket I have, so perhaps that is the case).

 

While not exactly my cup of tea, I will say that the story was well-plotted and had its moments.

 

RATING:  7 orders of hydrochloric acid out of 10 for a western adventure filled with plenty of action and a bit of mystery, along with a few surprise twists at the end.

The Summer of the Great Secret - the second Romney Marsh story

I honestly cannot recall where I got this particular book - I think, perhaps, it was a book my friend picked up at a library book sale at the library where she works (but I cannot guarantee that).  However this book came to be in my possession, I can say it was the title that caught my attention.  Obviously, based on the publisher (Collins), I knew it was going to be a British publication, and, therefore, the story was likely to be set in England (and it was).  The edition I have is from the early 1960s, but a little research online reveals the story was first published back in 1948 - which does explain some of the questions I had regarding the girls' complete lack of knowledge regarding film making in the story.  I also discovered that this book is actually the second in a series of stories by author Monica Edwards (I'll get more into that later...)

 

The Summer of the Great Secret reads almost like a mish-mash of various series book stories.  It's a story about a girl's love of horses and an accident that leaves her unable to walk and possibly never ride again; it's also the story of a group of smugglers who are accidentally revealed by two young girls playing around on an old, weathered shipwreck; in addition, it's the story of a town excited about a film crew coming to make a movie in their sleepy little village; if that weren't enough, there's also a short tale of a haunted house; and it's the story of a mysterious greasy man whose true intentions are suspect.  While these four stories may sound completely unrelated, author Monica Edwards manages to weave them all together in one somewhat enjoyable story.  (No, it's not the most exciting book I've ever read, but it does have some good moments and fun adventures in it, and the movie making scenes remind me much of the Moving Picture Girls books.)

 

The main characters in the book are Tamzin Grey and Charissa ("Rissa") Birnie, best friends who share a love of horses and a sense of adventure.  While swimming in the bay, they decide to jump off the wreckage of an old ship that had long ago come to rest on the shore - but Rissa accidentally falls through the deck into the level below, where the girls unexpectedly find boxes of liquor and perfume!  Realizing the ship was being used as a hiding place for smugglers, the girls soon learn that the smugglers are none other than men in the village with whom they are very familiar.  They promise to keep the secret, even from their own parents, and soon become messengers of sort for the criminal fishermen.  While this story is developing, readers learn that Lesley Frampton, a friend of Tamzin and Rissa, is out west, recovering from an injury that has left her paralyzed.  Lesley is set to come back for a visit, and she is anxious to see her pony, Cascade, who now belongs to Tamzin.  Ultimately, it is this visit and Cascade who give Lesley the fire to walk again!

 

The book weaves back and forth among the various plots, an an incident with a car being caught in the high tide leads to the girls meeting a movie producer - a producer who comes back to their small town because his film studio wants to do a movie there.  Tamzin's father, who is the town vicar, is called upon as a historical advisor for the film, and Tamzin, Rissa, and even Cascade are all given parts in the film!  Of course, while all of this is going on, the authorities have also come to town, looking to smoke out the smugglers.  Tamzin and Rissa keep their word and say nothing (which is a bit on the unbelievable side, as the authorities do not take any action against the girls, even though both admit they know the smugglers, but will not give up their names - in the real world, they would tell or face some severe consequences!).  Along the way, a "greasy man" as Tamzin describes him comes to town looking for information on the smugglers - his identity, and his fate, are ultimately revealed to be something less than stellar by the end of the book.  (And why is it that villains are never described as handsome or beautiful; they are also greasy with horrific facial features?)

 

The book is illustrated by Anne Bullen, who provides 19 internal line illustrations (nearly one for every chapter).  Bullen is known for illustrating books about ponies, but she and her husband also bred ponies.  Her illustrative work was mostly for Collins.  She did the full colour dust jackets for the first four books by Monica Edwards, but I can't be sure she provided the art for the edition that I have (1963), as the book gives no credit to the cover artist.  Apparently, though, Edwards was not overly thrilled with the humans in Bullen's illustrations, and after The Midnight Horse, published in 1949, Edwards' books were illustrated by a different artist.  (Anne Bullen, Artist)

 

The book has gone through several editions over the years, and with it, the cover art has changed (although three out of the four covers focus on Tamzin and her horse, Cascade - the fourth book features the smuggling aspect of the story).  My edition, the first cover shown above, has both Tamzin and Rissa - Tamzin wth her horse, Rissa with her bicycle. Another edition features the two girls with Cascade, with another has Rissa with a chestnut colored pony.  The later, paperback Armada printing has Tamzin and Rissa coming out of the boat with one of the smugglers helping them up onto the wharf.  

 

Now, with respect to the series of which this book is a part, it turns out Edwards wrote fifteen books in a series of novels about "Romney Marsh."  The first book, Wish for a Pony, was published in 1947 (one year before the original publication of this one), and features Tamzin and Rissa in their first adventure.  As the series progresses, the characters age and are joined by other new characters, and by book fifteen, the stories become much more mature in nature (as the last book deals with one of Tamzin's friends becoming blind and having to deal with the emotional trauma associated therewith).  Apparently the stories are based upon real people in Edwards' life (Tamzin's father being based upon Edwards' father, who was a reverend) and the locations were very real, simply renamed.  While this story was somewhat enjoyable, I don't know that I will actively seek out the other books in the series - if I happen across one, I might pick it up if the price is right; otherwise, this is not a series for which I am anxious to read all the books.

There is one horrible thing that occurs in the book that I simply could not overlook.  One of the smugglers, Jim, has a cat in his home that gives births to kittens.  He offers them to Tamzin and Rissa, and while Rissa declines, Tamzin agrees to take the one tiger-colored kitten.  The remaining kittens?  Well, Jim tosses them out into bay and drowns them all!  I could not believe such a thing would be written into a children's story.  Researching the matter online, it seems back in the day this was a fairly common practice to keep the population of unwanted, stray kittens and puppies down.  I just cannot even imagine such a thing!  Definitely did not raise my opinion of this book by any means... 

 

RATING:  7 cat-related advertisements for fertilizer out of 10 for managing to mix smugglers, ghosts, filmmakers, and sleazy criminals into one story and keeping it coherent enough to read!

The Secret of Stonehouse - a Gothic novel for young adults

I honestly cannot tell you where I got this book or when I got this book.  I've had it for quite a while, and the only thing I know is that I picked it up some years ago because the cover had a very slight resemblance to the cover of the fifth Nancy Drew mystery, The Secret at Shadow Ranch - a young woman on a horse, looking back at a foreboding house.  It has been sitting on my shelf for years, and I finally decided it was high time I read the book.  Coincidentally enough, this book was published by Tempo Books, a division of Grosset & Dunlap, the same publisher who was publishing the Nancy Drew books back in 1973 when this book was published (the text copyright is actually 1968, meaning this is a later edition of the story).  Thus, with all of these things running around in my head, I sat down to read the story...

 

the secret of stonehouse (yes, all of the letters are lowercase in the title) tells the story of Heather Mackenna, a young girl from Scotland who has been moved by her uncle Donald around the world to live in the small town of Sky Lake, Wisconsin for reasons unknown.  As the mystery opens, Heather is pondering her fate, wondering why her uncle has moved her to such a remote location, forcing her to give up the only home she ever knew in Scotland, leave her grandmother behind, and probably hardest of all, leave her horse, Lady, behind.  It does not make sense, and her uncle Donald refuses to explain.  (We must stop a moment here and acknowledge that "uncle Donald" is not clearly defined in the beginning - Heather always refers to him simply as Donald, but he refers to himself as her father, and at a later point in the story we learn he is her uncle - her father simply dumped her off with Donald when she was but a wee lass and took off, never to be seen again!)

 

The mystery here centers around Donald's strange behavior since they arrived at Sky Lake.  He warns Heather not to tell anyone she was adopted, and more strange is his reaction to her telling him about the abandoned stone house she and a neighbor boy explored when they were riding horses (Heather makes friends with Gus, a boy whose family lives on the neighboring farm and whose horse, Cloudy, Heather has taken a liking to).  Heather is struggling to fit in, and her uncle is not making it easy.  But the story takes a darker turn when someone nearly runs Heather and Cloudy over the side of a bridge, and then someone breaks into their house when Donald is away, forcing Heather to climb out a window and run to Gus's house to seek help.  And just how does all of this tie into the story Heather has been told about the family who owned the stone house ... how the father was killed ... the baby daughter was kidnapped and later found dead, with only her clothes floating in the lake ... and the death of the mother shortly thereafter.  The caretaker still lives on the property, taking care of the house...

 

While it's not overly difficult to figure out what is going on, it's the journey of following along with Heather as she slowly puts all the pieces together.  The one thing that had me stumped was just how old is Heather?  From the start, it seemed she must be in her late teens or early twenties, as there is no mention of school, and her actions and freedom seem to indicate a young lady not long after graduation.  However, I was completely taken back when, at the beginning of Chapter 7, it says that Heather was happier than normal because "[t]omorrow was her fifteenth birthday, and her birthdays were always an occasion in the Mackenna family" (p. 84).  It was at this point that I realized this was not your typical gothic novel, and in fact, it may not have been intended to be a gothic tale at all.  Sure, it has all of the elements - a dark, foreboding house with secrets in his dark history ... a young woman terrorized by an unknown assailant ... and a man in her life that may or may not be the threat behind her troubles.  But the age of the main character derails it somewhat, and makes me wonder if the book was merely repackaged with a gothic-style cover to help sell it during the height of the gothic paperback era.

 

Regardless, the story is well-written and a good read.  Lynn Hall, in this case, is the author's real name and not a pseudonym.  She has written a number of books for young adults that feature horses and other animals.  This book appears to be one of her earlier publications, as many of her books appear to have been published in the 1970s, 1980s, and even into the 1990s. One of her books, The Mysterious Moortown Bridge (published 1980), happens to have been illustrated by Ruth Sanderson, my favorite illustrator and cover artist of the Nancy Drew Mystery Stories.

The cover art does have an artist signature of "FMA" - who, coincidentally did cover art for two Bomba, the Jungle Boy books that were reprinted by Grosset & Dunlap in the late 1970s. This would lead one to assume the artist was someone Grosset & Dunlap contracted with on a somewhat regular basis.  Some research online reveals FMA may be Francesco M. Accornero (1938-2020), who was apparently an Italian-born paperback cover artist who provided covers across many genres and was known as "Franco."  Interestingly, most of his romance cover art appears to have been signed as "Franco," so perhaps it was his earlier art that was signed under his initials of "FMA."  In any event, the cover here is definitely spooky, although it is interesting to note the variation on the gothic trope, since there is no light in any upstairs window of the house; rather, the only light appears to be coming from the partially opened front door.

While the book is definitely a young adult novel, I'd still say it's a good gothic read.

RATING:  8 cocoa-colored stuffed horses out of 10 for giving young adults a taste of the gothic genre, with the right amount of suspense and mystery!