The Brownie Scouts at Silver Beach - Book Five of the Brownie Scout Books

It's a week at the beach for the Brownies in Mildred Wirt's fifth Brownie Scouts adventure (I hesitate to call this a "mystery" series, as the books are more about the young girls' adventures and learning experiences than they are about the actual mystery aspect of the stories).  I have to admit, this series has been a much more enjoyable read than I had originally anticipated.  A series about a group of pre-teen girls who are enjoying outings as Brownie Scouts did not exactly scream out to me as readable stories, and the only reason I actually bought them was because (a) they were all purchased relatively cheap, with their dust jackets in tact, and (b) it was another Mildred Wirt series.  I just assumed they would sit on my shelves, unread.  But, when a friend suggested I read and post about them, I thought, "Why not?"  And, quite frankly, I'm glad I did.

 

The Brownie Scouts at Silver Beach finds out favorite little Brownies enjoying the sun and fun at Silver Beach, said to be "along the Atlantic Coast" (p. 3).  Veve (whose spelling is changed to "Vevi" in this book for some reason) McGuire and Connie Williams are once again front and center in the story, with Jane Tuttle, Sunny Davidson, and Rosemary Fritche rounding out the troop.  Miss Gordon, the troop leader, is, of course, on the scene, as is Mrs. Williams, Connie's mother, who is helping to chaperone the girls.  Vevi and Connie are bunked with Mrs. Williams in the rental, Starfish Cottage, while the other girls are staying with Miss Gordon in a "vine-covered cottage overlooking Silver Beach" (p. 3) that the troop leader owns.  By the end of the first chapter, we get the beginnings of a mystery, when Miss Gordon's watch, which she left in the pocket of her beach robe with the rest of the troop's belongings on the sandy beach while they enjoyed the ocean water, is stolen!

 

Readers quickly learn there have been other thefts recently in that area of the beach, which has caused a number of summer visitors to migrate over to the beach belonging to a nearby hotel.  That mystery, however, is put to the side as the girls begin to explore the beach, discover shells, discuss the various types of water birds seen in the area, watch a turtle race, and discover a small house built to look like a ship not far from their cottages.  Along the way, Vevi and Connie get lost in the fog (which is when they stumble across the ship-shaped cottage and discover another mystery - who is using the small house as a place to stay?), the girls have fun adventures trying to catch a turtle so they can enter the next turtle race, they collect shells so that they can put together and showcase a shell display, and they learn all about carrier pigeons, with Vevi nearly getting her very own pigeon that she names Snow White!  And during all of these fun activities, the girls also hear about more thefts and inadvertently witness the thief on more than one occasion attempting to steal items from tourists who are visiting the beach.  Even worse, poor Vevi and Connie wind up on a boat put adrift at sea, with no one knowing where they are!

 

The mysteries, as usual, are not overly complicated, nor are they difficult to solve (at least, for the discerning reader).  The identity of the thief is not at all hard to spot, pretty much from the get-go.  The identity of the person using the ship-shaped cottage is also easy to figure out, as Wirt does not make it hard to see where the story is going.  The mixture of the two lifeguards, the former ship captain, the young boy whose father is a lifeguard at the other hotel, and the man who handles the homing pigeons are fairly straight-forward characters who may be able to hide all of their secrets from the Brownie Scouts, but none of them are so subtle that even a casual reader could not spot them a mile away.  None of that detracts from the enjoyment of the story, though - it's not about actually solving the mysteries; rather, it's more about following along with Vevi, Connie, and the other Brownies as they hop from one exciting escapade to another.

 

Wirt casually included a moment in the story that is definitely a very valuable teaching lesson for young children.  When Vevi and Connie venture out to find Cabell's pond, where there are said to be lots of turtles to be found, a layer of mist begins to roll in from the ocean as dusk draws near.  As they are walking, a "driver stopped for a moment offering the girls a ride.  Vevi and Connie did not know him, so they turned down the offer" (p. 23).  A shining example of the old maxim, "never get in a car with a stranger."  I smiled when I read these lines, thinking how smart Wirt was to integrate a moral lesson into the story without making it overly obvious and beating you over the head with it.  One has to wonder how many children read this back in the day and took this lesson to heart.

 

There is another scene, however, that caught my attention more than the "stranger danger" scenario.  When Miss Gordon and Mrs. Williams take the girls to Brant's Point for a picnic and for an opportunity to search for more shells, the tide starts to come in before they realize it, and soon enough, Mrs. Williams' car is stuck in the sand, unable to get any traction.  As the tide gets closer and closer, my mind kept telling me, "I've read this scene before - but where?"  Thanks to the memory of a very good friend, I found it - in Wirt's Penny Parker mystery, Voice from the Cave.  In that book, Penny and Louise are on a beach near a lighthouse (same as the Brownies are in this book), and like the Scouts, Penny's car gets stuck and the high tide keeps coming in with no help in sight.  The similarities do not stop there:

 

PP 95 - "Even if the car isn't washed away, the salt water will ruin it."

BS 88 - "Salt water ruins a car very easily ... We must get out somehow."

 

PP 95 - The motor began to labor.  Then the car stalled completely.

BS 85-86 - Slower and slower crept the car, its engine laboring ... The car would not budge...

 

PP 95 - "I'll run to the lighthouse," Penny decided desperately...

BS 88 - She glanced hopefully toward the lighthouse.  Connie offered ro un there and ask for help.

 

PP 97 - Penny and Louise seek help from a man they know who is wading through the reef; he sees them, but he turns and walks away

BS 90 - The Brownies seek help from a lifeguard they see in a boat out in the ocean; he sees them, but he turns and speed away in his boat

 

PP 99 - Jerry Livingston shows up on the beach and helps the girls push the car out of the sand

BS 91 - Captain Tarwell shows up on the beach and helps the girls push the car out of the sand

 

The scenes so closely resemble one another, only the names have been changed and some of the wording.  As the Penny Parker book was published in 1944, and this one in 1952, so perhaps Wirt "borrowed" the scene from the earlier book with the thought that readers of this particular book (who would be younger than the intended audience of the Penny Parker book published eight years prior) would not recognize the passage.  (Wirt seems to have had no problem in lifting scenes from previously published books of hers and retooling them into later stories - her Madge Sterling series provided her with a plethora of scenes that she later used in her Penny Parker books, her Mystery Stories for Girls books, and others.)

 

Marguerite Gayer provided both the cover art and interior illustration (the frontis piece being the only interior art) for this book.  The cover art actually depicts a scene related to the mystery surrounding the thefts at the beach, as the girls find a stolen purse buried in the sand (p. 146).  Meanwhile, the interior illustration merely shows the scene where Vevi and Connie happen across the small cottage in the mist while trying to find the pond (p. 34).

 

RATING:  8 dusty old Bibles out of 10 for keeping the Brownies faithful to their code, always helping others, while also learning about nature and valuable lessons at the same time.

The Brownie Scouts and Their Tree House - Book Four of the Brownie Scout Books

After the hints of what was to come with the third book, I have to admit that I was very disappointed with what took place in this fourth entry in the Brownie Scouts series by Mildred A. Wirt (Benson).  For those who read the last book, the Scouts were voted to be Rosedale's representatives in Washington, D.C. after being elected as the "queens" of the cherry festival, and as the story ended, the Scouts were all excited about heading to Washington and the opportunity to meet the President of the United States!  Since the book ended with this huge announcement, it would only stand to reason the next book would share with readers that fantastic trip!  But, alas, such is not the case.  I wonder if, back in 1951 when this book was published, those young readers who bought this book (or, perhaps, were given this book) opened up the pages to the first chapter and discovered that this book has absolutely nothing to do with the Scouts' trip to Washington!  Somehow, it feels like Wirt cheated her readers out of what could have been a very exciting story...

 

The Brownie Scouts and Their Tree House, instead, focuses on the mysterious tree house that the girls discover built in the limbs of a sturdy tree within the metropolitan national part in Rosedale. Wirt opens the book with the girls exploring the various trees of the part, only to discover that the signs identifying the types of trees do not match what the girls and their scout leader know the trees to be.  Someone has been messing with the signs - but who could it be, and why? That mystery is soon forgotten when Veve McGuire wishes that the brownies (fairies) on which the name of their group is based would provide them with a tree house that they could enjoy whenever they visited the park.  Oddly enough, a stone is thrown at them, which bears an odd message - come back in two days to see if her wish comes true!  No one actually believes it will happen - but sure enough, when the girls come back in two days, there is a tree house built right there in the limbs of the very tree where they stood and made the wish!  Thus, the second mystery takes root (see what I did there?), and the Brownies have two questions before them - who is messing with all the signs around the park, and who built their tree house?

 

Wirt does not make the mysteries complicated, and the reader is easily able to discern who is doing what throughout the course of the story.  Even when more wishes are granted (furniture in the house, a warm meal cooked on a cold afternoon, etc.), the girls remain oblivious to the identity of their benefactor (even though they meet him during their many trips to the park).  And, with all of this going on, Wirt manages to throw in a third mystery involving Minnie Myles, an old woman who comes into the park with an empty sack, but leaves with it full.  The girls soon discover that she is extremely poor and about to lose her house - the one person who can help her is her brother, but she refuses to allow it, choosing rather to go to the poor house than to accept a dime from him!  Connie, Veve, and the rest of the Brownies decide they have to help the poor woman before she is thrown out on the street!

 

While Wirt tries to keep the mysteries an integral part of the story, it reads more like a Brownies' adventure tale than a mystery story.  The girls take no real active part in tracking down clues or unlocking secrets in an effort to solve the mysteries; instead, their story involves surviving a storm in the tree house, collecting buttons, figuring out ways to provide food to Mrs. Myles, and the farewell ceremony for Eileen, as she "flies up" to the Rosedale Girl Scout Troop (having aged out of the Brownies).  Yes, all three mysteries get resolved, but very little of those resolutions have anything to do with the Brownies.  In fact, the only one that has any input by the Brownies is the secret that has kept Mrs. Myles from accepting help from her brother - a resentment that gets resolved when Veve buys a pillow from the auction of Mrs. Myles' home that turns out to hold the very thing that clears up a misunderstanding and reunites Mrs. Myles an her brother after all these years.

 

For those who read the previous book, you'll recall Wirt described a number of different quilts that the girls obtained for their quilt show; well, in this book, it's all about collecting old and unusual buttons - from embroidered taffeta buttons made in a star pattern (p. 79) to opaque glass buttons (p. 80) to a coat cuff button in the shape of a horse head (p. 80) to a tintype button popular in the Victorian time (p. 87) to a glass swirlback button, a Czechoslovakian button, and an old Sheffield silver button (p. 164).  Just as Veve was the last one to find a quilt in the prior story, she is the last one to locate a button in this one.

 

Wirt does not forget to include some Brownie and Girl Scout history within the book.  In the first chapter, we get a very brief re-telling of The Brownies, the 1865 story written by Juliana Horatia Ewing (incorrectly identified as "Julianna" in the book) from which the organization took its name (p. 7).  Near the end, when Eileen is inducted into the Girl Scouts, she must recite the Girl Scout Promise (p. 193), which is almost identical to the actual promise one can find at the Girl Scouts website (Girl Scouts Promise).  The Girl Scout Law (which can be found at that same website) is set forth rather differently in the book (p. 194); however, that could have been what is was back in 1951, or it could simply be Wirt taking some artistic liberties in setting forth the characteristics of a Scout.  In either event, Wirt makes an effort to keep her Scout stories grounded with some real Scout history.

 

Marguerite Gayer continues to provide the cover art (her signature is clearly seen on the bottom right hand corner of the cover).  The internal frontis piece does not contain a signature, but it appears to have the same style as Gayer's previous internal illustrations for this series, so one can assume that she also did the internal, as well as the cover. 

 

While not my favorite book in the series (that would be The Cherry Festival volume), this one does have its merit and is a fairly enjoyable read, particularly when one considers the age of the audience for which the book was originally intended.

 

RATING:  7 neat piles of wood and kindling out of 10 for a smidgen of excitement (during the storm), a small bit of drama (with Mrs. Myles' situation), and a successful family reunion!

The Brownie Scouts in the Cherry Festival - Book Three of the Brownie Scout Books

With this third book, we reach the half-way point of The Brownie Scouts series written by Mildred A. Wirt (Benson).  As Wirt progresses with the series, she is starting to give the girls some more distinct personalities and develop the characters into more than just cookie-cutouts hanging around in the background while the main two (Veve and Connie) take up all the screen time.  In fact, with this third book, Veve McGuire actually moves more into the spotlight, with Connie taking a more supporting role.  Jane Tuttle and Eileen Webber actually have more involvement than in previous stories, and even Rosemary Fritche and Sunny Davidson speak more than just a few lines.  This story actually gives readers a well-rounded group of Brownie Scouts, with all of them involved, in some fashion or another, with the overall story.

 

The Brownie Scouts in the Cherry Festival opens not with any plans for a cherry festival, but rather, with the girls absorbed with the tedious task of sewing blocks for a "crazy quilt" that the troop is making in order to auction it off to raise money for their group.  However, as anyone can imagine, these fourth-grade girls are not overly thrilled with spending every troop meeting sewing, sewing, and more sewing.  Veve, who is, of course, the first one to voice her dissatisfaction with the project, eagerly sets about finding a way for the girls to earn money faster and easier - and she finds it with an ad in the paper looking for people willing to pick cherries!  Before you can blink your eye, Veve and Connie - two fourth-graders, mind you! - take the bus by themselves to a cherry orchard outside the city limits to ask if they, along with the rest of their scout troop, could get a job as cherry pickers.  Right.  Because every parent would willingly let their 9 to 10 year old child go off by themselves with no adult supervision to try and get a job.  Makes perfect sense.

 

Anyway, suspending that disbelief for the time being, the girls end up meeting the vile Carl Wingate, who is berating a young Mexican boy when the girls first walk up.  He rudely tells them he does not hire inexperienced children and tells them to get lost.  As luck would have it (and when do these series book characters not have luck?), Veve and Connie see a sign at the orchard right across the street that says the owner of that farm is looking for pickers.  Pa Hooper is much nicer and, in fact, is greatly appreciative of the help the girls offer him, as he has been unable to get pickers due to Wingate underhandedly monopolizing all of the hired help for the season.  Thus, the Brownie Scouts find themselves waking up early each day to pick cherries (for one-and-a-half cents per pound!) in order to earn money for their group.  And this is where their adventures begin.

 

The first mystery seems to be what happened to the Brownies' quilt that disappears from Pa Hooper's grounds, where Miss Gordon had brought it to show the girls the completed product.  It disappeared without a trace!  The second mystery is discovered by Veve, who learns that Pa Hooper is going to lose his orchard to his cousin, Carl Wingate (that's right - turns out they are cousins!), all because of a second will that Wingate claims to have found.  Pa believes it is a forgery, but he cannot find anything with his sister's signature on it to prove it is a fake.  Thus, Veve makes it her mission to find that needed evidence!  The first mystery is solved fairly quickly (as it turns out the missing quilt was not stolen as originally thought, but found by someone who did not realize it belonged to the Brownies).  The second mystery, however, takes quite literally until the last few pages to reveal the solution - and although an intelligent reader will see that solution pretty early on, I give Wirt credit for coming with a rather ingenious way to provide the sister's needed signature.

 

Wirt goes into quite a bit of details about the various types of patterns used in quilting, as well as the various types of stitching and the manner in which the final quilt if put together.  While the girls put together a "crazy" quilt (one made of block of various shape, color, and size, sometimes even with various styles of stitching), there are references to numerous other patterns, such as "the Hand of Friendship," the "Pine Cone", and the "Album" (p. 5); the "Sunburst" pattern (p. 7) and the "Sawtooth" pattern (p. 16); an "Evening Star" pattern, as well as a "Pine Tree" design (p. 65); there is also a "dogwood blossom" quilt (p. 68) and one with a "Ship's Wheel" pattern (p. 76), as well as one with a pattern called "Duck's Foot in the Mud" (p. 101); and, finally, there is the most important quilt of them all - an old, faded quilt, which provides the girls with an example of an "Autograph Patch" quilt (p. 108).  It is this last quilt that provides the girls with the solution to their second mystery and helps Pa Hooper save his orchard.

 

The story also deals with a rather dark theme involving bigotry and how Mexican workers were seen and treated by people.  Veve befriends a young boy named Juan, whose family and other Mexican migrants are working for the wicked Carl Wingate.  Veve and her friends see first hand how the Mexicans are treated poorly and denied access to public areas, simply because of who the are.  I thought Wirt handled this nicely, as Veve, Connie, and the other Brownies do not see Juan or his family as any different, and they are appalled at the way the Mexicans are treated.  In the end, it is because of the Brownies that the town changes their view and welcomes the Mexicans and their traditions into the big cherry festival. 

 

Marguerite Gayer once again provides both the cover and interior art.  The cover art merely showcases the girls' work at the cherry orchard; however, the interior frontis piece actually displays the scene at the very end of the story, when the girls discover the all-important clue on the quilt that saves Pa Hooper's orchard from his conniving cousin!  It was actually rather nice to see an illustration related to the mystery, instead of simply a scene of the girls' adventures that have no relation to the mystery.  In fact, that is one thing I enjoyed more about this book than the previous two - the fact that the mystery actually plays a larger part of the story.  Sure, we've got the whole cherry picking shenanigans, and the planning of the cherry festival.  But it is the girls' wanting to find their missing quilt and their desire to help Pa Hooper save his land that makes the story truly engaging.  (And the ending seems to provide a lead-in to another story, but whether we actually get that in the next book or not, we'll have to see...)

 

RATING:  8 handsome red-and-white hand-woven blankets out of 10 for a story filled with lessons about friendship, bigotry, responsibility, and generosity - with a fun mystery added in for good measure! 

The Brownie Scouts in the Circus - Book Two of the Brownie Scout Books

This second book in The Brownie Scouts series by Mildred Wirt was published in 1949, the same year as the first book in the series.  This series follows the adventures of a group of young Brownie Scouts who live in the small town of Rosedale:  Connie Williams, Jane Tuttle, Rosemary Fritche, Eileen Webber, Belinda Matthews, "Sunny" Davidson, and their seventh and newest member (who joined in the first book), Veve McGuire.  As with the first book, Connie and Veve seem to be the central characters in the story, with the other five girls making random appearances, most often just having their names mentioned with no dialogue or action.  I suppose it would have been difficult to devote time to all seven girls and keep the story on track, so Wirt had to settle upon certain characters to be the focus of each book.  While Connie was in the driver's seat for the first book, she and Veve shared the spotlight in this book.

 

The Brownie Scouts in the Circus is, not surprising at all, an adventure of how the girls inadvertently find themselves a part of an actual traveling circus! However, the book actually begins with the girls preparing for their camping trip, which was alluded to at the end of the first book.  The girls must help earn money in order to purchase the tent and other items they will need for the trip, and poor Veve finds herself at a disadvantage, since her widowed mother does not make enough money for extras (it seems Veve has never even been able to purchase a Brownie uniform during the months between the first book and this book).  Thus, she looks for a way to earn money, and when they see an advertisement for a circus coming to town, they decide to put on their own circus!  Now, picture a few 7 to 10-year old girls putting together a circus in their backyard, and you can imagine how that turns out!  They do, however, manage to make a few dollars, mostly from parents and a friendly policeman who turn out to see the show.

 

Miss Gordon, the scouts' leader, manages to make another way for them to earn money, by selling tickets to the real circus! Not only are they able to make money for their camping trip, but every ten tickets they sell earns them a free ticket to see the show.  Their trip to see the circus eventually leads to the "mystery" in this book, which involves the theft of Miss Gordon's wallet (which happens to have all of the scouts' savings in it!) and her wristwatch.  Connie and Veve both saw the pickpocket and swear they can identify them if they see him again (you can guess where this will lead, can't you?).  Of course, the camping trip is not cancelled, as Miss Gordon makes up the missing money with some of her own, and the girls head out to Shady Hollow for their camping experience - and what an experience it is!

 

Wirt works in a number of mishaps and misadventures to keep the story fun and entertaining.  Once at camp, Miss Gordon allows Veve, Jane, and Eileen to make the first breakfast - which, of course, results in burnt bacon, scorched eggs, and lumpy oatmeal!  A quick trip to town ends up finding Connie and Veve seeing the circus train stopped on the railroad tracks behind the hardware store.  It wouldn't hurt to take a look in the open boxcar, right?  Before you know it, the door to the car is slammed shut, the train starts moving, and the two Brownie Scouts find themselves traveling far away from Shady Hollow, leaving Miss Gordon and their friends behind!  By the time the train stopped, they are over 100 miles away with no way to let Miss Gordon know where they are!  Fortunately, the animal trainer recognizes them from their visit to the circus in Rosedale, and he takes them under his wing while a telegram is sent to their troop leader back at the camp.

 

By now, a mature reader can easily see where the story is going and what the end result will be, and Wirt does not disappoint.   The girls make friends with a young girl their own age who does tricks on horseback for the show, and Connie and Veve are asked to take part in the show by blowing the whistle that signals the change in acts in the three rings.  This, of course, gives them the perfect opportunity to see the audience, where they just so happen to spot the pickpocket!  After a brief chase, the circus' detective snags the man, Miss Gordon gets her watch back (but not her money), and Connie and Veve are awarded $100 reward from the circus for snagging the pickpocket who has been nipping wallets from their customers for some time!  That $100 in 1949 would be worth nearly $1,400 today!  That's quite a large reward for two girls who are not even teenagers yet!

 

Wirt wraps up the story not only with the resolution of the pickpocket incident, but also with the creation of a whole new Brownie Scouts troop within the circus - a traveling scout troop!

 

The cover and interior illustration are once again provided by Marguerite Gayer.  Thanks to some helpful collectors, I was able to find some information on Ms. Gayer (who, it turns out, is Marguerite Solomon Geyer), who, it turns out, had quite the prolific career as an artist!  As far back as 1923, she was illustrating children's stories that appeared in newspapers; during the 1930s, she did illustrations for several romance pulp magazines; and in the 1940s, she illustrated several series for Cupples & Leon, including all three of Wirt's scout series:  Girl Scouts, Brownie Scouts, and Dan Carter Cub Scout.  It was for Cupples & Leon that she signed her name as "Gayer" instead of her real name of "Geyer" with an "e."  Geyer ultimately moved to Florida, where she died in 1963 in Fort Lauderdale.  Her husband passed away eight months after she did.  More information abot Geyer and her work can be found at Pulp Artists - Marguerite Geyer.

 

RATING:  7 beautiful golden coaches out of 10 for a mild-mannered mystery with mishaps, mayhem, and misadventure mixed in for good fun! 

The Brownie Scouts at Snow Valley - Book One of the Brownie Scout Books

This is one of the few series by Mildred A. Wirt (Benson) that I have not yet read, so when a friend suggested I read it, I took her up on it!  I had heard of the Brownie Scout series before, as well as her companion series (Girl Scouts and Dan Carter, Cub Scout), and while I have all of them, I've only ever read one of them (The Girl Scouts at Mystery Mansion).  These series are aimed at a younger audience than her regular mystery series, more along the level of The Bobbsey Twins readers.  As many people are undoubtedly aware, Wirt (Benson) was the original ghostwriter for the Nancy Drew books back in the 1930s, and she went on to write quite a large number of series books over the course of more than two decades, many under her own name.  Surprisingly, she wrote a number of books for young readers (such as some of the Honey Bunch books, as well as the Dot and Dash series, in addition to those listed above).  This particular series was first published in 1949, with the first two books coming out that year, and the remaining four book coming out one a year through 1953.  So, with a little bit of curiosity and wonder as to whether these series would be as enjoyable as her mysteries for older children, I picked up the first book and gave it a read.

 

The Brownie Scouts at Snow Valley introduces readers to six young girls who make up the Brownie Scout troop of a small town named Rosedale, set in somewhere USA (the exact location of the Scouts' hometown is left rather vague, which I suppose was a purposeful way of keeping the author's stories from being limited by geographical area).  The girls include:  Connie Williams, Jane Tuttle, Rosemary Fritche, Eileen Webber, Belinda Matthews, and "Sunny" Davidson.  Of these six girls, Connie is the one who takes center stage through most of the story, with Jane, Rosemary, and Sunny coming in as supporting characters.  Other than passing mentions, we see very little of Eileen and Belinda (who are pretty much just background window dressing used to fill-out the six-girl troop).  However, there is another major character in the story, Veve McGuire.  Veve is not a Brownie Scout; however, she is a friend of the girls, but she is frustrated with her friends for spending more time with their Brownie activities than playing with her.  Rounding out the main cast is Miss Jean Gordon, "the fourth grade teacher at Rosedale School, [who] had organized the Brownies..." (p. 2).

 

This seems like a good place to stop for a moment and discuss the Brownie Scouts for a moment.  Before picking up this book, I knew nothing about "Brownie Scouts," other than the fact that they are precursors to the Girl Scouts.  Wirt does not specifically identify the age of any of the girls, but some online research reveals that Brownie Scouts are usually anywhere from ages 7 or 8 up to 12 years old (at which point, I suppose, they are old enough to join the Girl Scouts).  Since Wirt does reference Miss Gordon as being a fourth grade teacher, one can assume the six girls are likely around 9 or 10 years old (since this book takes place around Christmas time, most likely the girls are still 9 years old).  According to online sources, the Brownie Scouts do have "promises" and "laws" the same as Girl Scouts, which set forth their standards for the members.  In this book, Wirt has them singing, "We're the Brownies, here's our aim: Lend a hand and play the game!" (p. 3).  This is the actual Brownie opening song, but in the story, Wirt has the girls sing this just before their meeting breaks up and the girls leave to go home.  Later in the book, Wirt has Miss Gordon recite to the girls the "Brownie story" as originally told by Juliana Horatia Ewing (pp. 128-33).  While there are some slight variations (Wirt's version has a little girl named Mary and her brother Tommy; in Ewing's original story, Tommy is the lead character, and his brother's name is Johnnie - there is no girl), the overall story elements are the same, with the charm, "Twist me, and turn me, and show me the Elf; I looked in the water, and saw--" (p. 131), being exactly the same as recited in Ewing's tale.  To read the actual story, you can find it here:  The Brownies and Other Tales.

 

Now, with regard to the story itself, the book features two very minor mysteries - one involves someone stealing trees from the property near the Gordons' home in Snow Valley where the girls go for the Christmas holidays, and the other involves a missing locket that Grandmother Gordon claims was stolen by a poor woman who used to be her housekeeper and cook.  These mysteries do not actually come into play until nearly half-way through the book, when the girls are taken to Snow Valley by their troop leader, whose grandparents have opened up their home to the girls.  The first half of the book is merely the adventures (or in poor Veve's case, MISadventures!) of the girls as they get ready for their Christmas break and enjoy what little snow the small town has.  Veve lucks out and is able to join the girls on their trip when Belinda falls ill at the last moment.  The poor girl seems to be a trouble magnet, as she spills water on a fellow train traveler, then that same man steps on her jacks when she accidentally loses them in the aisle; later, at a train stop, she forgets her purse in the depot diner and nearly misses the train!  Connie continually defends her friend, even when some of the other girls grow weary of Veve's mishaps.  Once the girls arrive in Snow Valley, though, the focus shifts to the mysteries.

 

The Stone family live in a nearby cabin and are very poor, so the girls come up with the idea to pool their money to buy the Stone children a brand new sled for Christmas and provide the family with some food for the holiday.  This is when they learn from Grandmother Gordon that Mrs. Stone used to be the Gordon's housekeeper, and Grandmother believes she stole a precious locket.  The Brownies are determined to find the missing locket and exonerate Mrs. Stone.  At the same time, a neighboring property that is filled with a plethora of pine trees, is the subject of numerous thefts, as someone is chopping down trees and sneaking them off the property.  Poor Mr. Stone is blamed, since he is out of work and has been seen walking down the street with an ax in his hand; but when Connie points out they saw another man from town with an ax, the accuser backs down.  Ultimately, both mysteries are solved - the girls have no hand in the resolution of the stolen tree mystery; however, Connie is the one to uncover the whereabouts of the locket, requiring Grandmother Gordon to apologize for her suspicions of Mrs. Stone and re-hire her as the Gordons' housekeeper. As one might expect, it is a very happy conclusion, as all mysteries are solved, the girls' families arrive in Snow Valley on Christmas Eve night despite a horrible snow storm, and the Stone family is included in the Christmas celebration.

 

There is an interesting bit of information in the story about snowflakes, as Miss Gordon gives the girls some facts about various types of snowflakes, how they are formed, and why they are white (pp. 67-69).  She tells them how the hexagonal shape is "fairly common," while three-sided snowflakes are "considered rare" (p. 68).  I had never heard of three-sided snowflakes before, so even I learned something new from this book.  Some quick research reveals that three-sided flakes form due to special aerodynamic  - when a crystal tips in the air, causing two sides to grow faster than the others, creating the triangular shape.  Thus, like so many of the Stratemeyer series books, one can learn new information even from a non-Stratemeyer series such as this!

 

One thing I found rather amusing was that Wirt included a recipe for brownies in the book!  While preparing goodies for the upcoming Christmas holiday, Miss Gordon allows several of the girls (Veve, Connie, and Rosemary) to assist her.  At the bottom of page 155, Wirt includes all of the ingredients one would need to make a batch of brownies (which, oddly enough, Miss Gordon indicates are a type of cookies!).  I have to wonder how many children who read this book back when it originally was published asked their mothers to allow them to make brownies based on this recipe?! 

 

The book has a dedication at the beginning to "MRS. ELEANOR T. GIBSON, Executive Director of the Toledo Girl Scouts, in appreciation of her helpfulness and cooperation."  This would explain the accuracy of the Brownie Scout information, songs, and stories within the book.

 

As a final observation, at the conclusion of the story, Wirt references a trip the girls will take in the summer to a camp, making specific reference to the next book in the series, "The Brownie Scouts in the Circus" (p. 198).  What is unique, though, is that right after this reference, Wirt adds:

And for boys, also interested in cam life and the out-of-doors, there is a book called: "Dan Carter, Cub Scout."  (pp. 198-99).

I can't say that I can recall ever reading a series book that offers up an ad for another series by the same author like this!

 

The art, for both the cover and the interior frontis piece, was provided by Marguerite Gayer (her signature appears on the art and illustration).  What is strange is that I cannot really find anything about the artist online.  The only thing I could find was an illustrated page that Gayer had obviously done for another book, which features a little boy and a dog enjoying a picnic outside.  Thus, it is clear Gayer illustrated other children's books, outside of her work on the Brownie Scouts series, so it is surprising there is next to no information to find about her online.  I have put some feelers out there, so we will see what we can turn up on Ms. Gayer!

 

I'll readily admit that I did enjoy the story.  It was an easy read, and the characters and situations were fun.  Wirt has a way with making her characters come to life, so that you get drawn into their adventures and mishaps without even realizing it!  I'm looking forward to reading the remaining five books in this series. 

RATING:  9 lost luggage bags out of 10 for a fun-filled romp with some cute new characters as they experience plenty of misadventures in the snow! 

Jack Armstrong's Mystery Crysal - Book 2 of the Jack Armstrong Series

This was one of those "impulse" buys - I saw it in dust jacket, I had never heard of the character before, and I thought the cover was creative and unique, so I said to myself, "Why not?"  As it turns out, this book is the second book in a two-book series written by Stanley J. Wallace. I could find absolutely nothing about this author online, other than the fact that he wrote both books in this series - so I have no idea if Wallace is a real person or yet another in a long line of pseudonyms used to write children's series books back in the first half of the 20th century.  And as far as the main character goes ... well, we'll talk more about that name later... 

 

Jack Armstrong's Mystery Crystal, while having its own strange story, carries some of the plot threads from the first book into this one. As the story opens, we find Jack Armstrong traveling with his Yogi, a "native of mysterious India" named Sher Dal (p. 1).  The reader is given some details about Jack, insomuch as his parents were missionaries who had gone out to reach some natives in the wild jungles of India, only to disappear.  Presumed dead, Jack was taken in and trained by Sher Dal in the strange powers of the mind, learning how to use this "natural force [that exists] in many persons yet known to but few" ... a "mysterious force" that is "in the mind, the will - the power of thought" (p. 49).  I found myself chuckling at this description, thinking how easily the Sher Dal and young Jack mirror certain characters from a space saga that first hit theaters in 1977 (some forty years after this book was published).  It even had me wondering if perhaps George Lucas had read this book as a youngster and the idea had stuck in his head.  Hey, you never know!

 

In any event, Jack and Sher Dal are in the States (although it doesn't specify where), traipsing through a forest, when they stop at a farm house to buy some food, only to get entangled with the family there, whose car has been stolen- and they mistakenly believe Jack is one of the gypsies who stole it!   The family's name is "Turnbull" - Hank and Jenny Turnbull (pp. 14-16), and, of course, my mind immediately went to the second Nancy Drew mystery, The Hidden Staircase, in which Nancy comes to the aid of the Turnbull sisters, Rosemary and Floretta. I know it's simply a coincidence that the names are the same, but since this book came out only six years after the Nancy Drew title, you never know that the character name might have influenced this one.  It's not like "Turnbull" is a common name, after all.  Jack ultimately uses this crystal ball that he has to find the car, and in so doing, reveals its powers to a handyman at the farm - a handyman who later steals the crystal and runs off with a neighbor's car!  Jack and the Yogi do track down the man and retrieve the crystal, but not without injury to Sher Dal.  While he goes into the hospital, Jack heads out on his own to continue the search for his parents.

 

Yes, that is the plot thread that continues from the first book.  It seems Jack's parents may very well be alive, but they simply don't know where they are.  The crystal gives Jack a vision of his mother possibly being held captive in a jungle - only not in India, but in the southern part of Florida known as the Everglades (p. 67)!  Yes, it caught me by surprise as well, since it seems so many children's books I have been reading from this era all end up in Florida at one time or another.  Florida must have been the happening place for these authors, since so many characters make their way down to and have adventures in the Sunshine State.  By pure chance, Jack runs into his old friends from the first book (a traveling magician, his assistant, and his cook), and two of them join Jack in his adventure down to Florida, along with a Seminole Indian named Sam who agrees to show them the way - after all, he happens to go to Florida to collect orchid buds to sell up north (p. 159).  Now, for those who read this blog, that might sound a bit familiar, and that's because it is.  In The Moving Picture Girls Under the Palms, the girls are hoping to find a rare orchid that grows in the Everglades.  It seems that over 39 species of orchids grow throughout the Everglades, many of which are now endangered (although, back in 1936, such might not have been the case).  Again, another funny coincidence between plots in series books.

 

The crew have quite the adventure in the wilds of the Everglades, with deadly snakes, wild Indians, and even a hungry alligator who sets its sights on Sam when he climbs a tree to snag an orchid (p. 163).  What is odd is that this very scene is depicted on the frontis piece, but the page number given for that scene is 156, some seven pages prior.  Not sure how this error occurred, unless an earlier draft of the story had this scene at page 156 and more story was added later to increase the page count of the book?  In any event, that frontis is signed by C.R. Schaare, who turns out to be Christian Richard "Dick" Schaare Jr. (1893-1980), who provided covers for quite a few pulp magazines between 1925 and 1940, as well as worked on some comic books and painted covers for the boxing magazine, The Ring.  More information about Schaare can be found here:  Pulp Artists - Schaare.  Schaare also provided the cover art, which was used for both books (with the only difference being the title).

 

What annoyed me about the conclusion to this story is that (a) the author uses the "twin" trope to give readers a curve ball at the end, a plot element apparently used in the first book where a Jack look-a-like caused all sorts of trouble for our hero, and (b) Jack does not find his parents.  Rather, the last page of the book informs readers that Jack's search for his parents will continue in the next book, to be called "Jack Armstrong's Magic Stone," in which book it "will be told the perils he encountered among dangerous beasts and reptiles in his search for his lost father and mother" (p. 206).  The problem with that is that this next book was never published - it is a phantom title that readers never got to see in print.  I'm not sure what caused the failure to continue the series; was it low sales, did the publisher decide this story about mental powers was too strange, or did the author simply decide he (or she) did not want to write any more adventures of Jack Armstrong?

 

And speaking of Jack Armstrong.  If that name seems a bit familiar, it's because there was another Jack Armstrong that existed around the same time as this: Jack Armstrong, the All-American Boy.  This other Jack Armstrong was a radio adventure series that ran from 1933 to 1951.  This character was adapted into a movie serial in 1947, as well as a 13-issue comic book series and two Big Little Books.  There was also a short-lived comic strip based on the radio show, which lasted from 1947 to 1950.  In addition, an animated cartoon pilot was developed by Hanna-Barbera, but it never got past that pilot stage.  While the Wikipedia page on this Jack Armstrong lists this two-book series as an adaptation of the radio character, after reading this book, I can say that this Jack Armstrong is nothing at all like the one from the radio show, movie, or comics.  How Cupples & Leon got away with using that character name is a mystery...

 

The story, with its heavy emphasis on mystic India mental powers, is certainly off-beat for its time, when most series books books were simply filled with adventure or mystery or school-centric tales.  In fact, the publisher has a one page "Explanatory Note" before the first chapter that asks readers to not discount the inexplicable things that take place in the story - "we warn you not to disbelieve the story of Jack's magic crystal and his strange wand that killed with the silence of eternity..."  Yet, it has its own charm, and I wish Wallace (or whoever it was that wrote the books) would have at least written one more, so the reader could share in the joy of Jack Armstrong being reunited with his parents!  Hopefully, one day I'll be able to find the first book (Jack Armstrong's Mystery Eye) and read about the events that led to the story in this book.

 

RATING:  7 great rocks shaped like an elephant out of 10 for a uniquely different kind of mystery of mysticism and magic!

Mary and Marilyn: Double-Trouble Twins

I'm always on the look-out for series books that feature twins: from the more modern Scarlet & Ivy series to the vintage Bobbsey Twins and Hope Twins series.  I chanced upon this particular at the Atlanta Vintage Bookstore a few years back, and I picked it up, thinking perhaps it was a series I had never heard of before.  As it turns out, this is the only book published with these characters (that I am aware of!), written by Bess Ann Elliot and published in 1938 by Cupples & Leon, the same company that published the Kay Tracey series, as well as the Penny Parker series and many others back in the day.  I can find no real information online about Ms. Elliot, and it appears this is the only book written under this name.  Whether the name is the author's real name or a pseudonym is a mystery in and of itself!

 

Mary and Marilyn: Double-Trouble Twins, while a story of twin girls, is mostly the story of nine-year old Marilyn North Starr, who lives with her grandfather and her aunt, Sally Ann.  The reader quickly learns that Marilyn's father was presumed dead while serving in the war (that would be World War I, in light of the publication date of this book), and her mother died of a broken heart not long after.  As it turns out, Marilyn is one of two twin sisters who, after both their parents died, were separated by the court system when the fathers of both parents fought for custody.  Grandfather North (the mother's father) was given one child to raise, while Grandfather Starr (the father's father) was given the other.  North and Starr hated one another, blaming each other for the marriage of what they believed to be their mis-matched children, and once the two twins were separated, the men vowed never to allow them to see each other.  Starr went so far as to build a dividing fence between the properties, and Marilyn was raised to never try and cross over on to Starr property.  (Oh, and yes, it must be mentioned that the North family was not well-to-do, while the Starr family was more than wealthy!)

 

If anyone has ever watched any of the versions of Walt Disney's The Parent Trap, then you can pretty much see where this is going.  Interestingly, The Parent Trap was based upon a German's novel published in 1949, as well as resembles a 1945 film with a similar plot; however, this book, with the very same premise of separated twins switching places to fool their families, was published nearly a decade prior to either of those. It would be more proper to say this story was inspired by Mark Twain's The Prince and the Pauper, published back in the 1880s, in which an heir to the thrown switches places with a young peasant boy, and they experience each other's lives.  Elliot, however, in this book, reverses the fortunes - instead of the poor family being the abusive one, in this book, it is the wealthy grandfather who is distant and has shown no love or mercy on his granddaughter.  

 

As indicated above, the story focuses on Marilyn, the "poor" granddaughter, who is vibrant, full of life, and is the one who suggests the girls switch identities so that her sister can experience a family who loves her for once.  While we do get the story told from Mary's point-of-view on occasion, the majority of the book is seen through Marilyn's eyes, which is probably for the best, since she is the one who is thrilled with all of her experiences, yet, at the time, longing to return to her aunt and grandfather.  When the girls first make the switch, Marilyn accidentally injures herself (breaks her nose!) when Mary's dog Rex pulls roughly away from her to follow his mistress (it seems even though the twins look exactly alike, the dog can still tell which one is his true mistress).  Her grandfather, a famed surgeon, well known in the hospital and surrounding areas, takes her to the hospital, where Marilyn is stuck while Mary goes off on a vacation in her stead with Grandfather North and Sally Ann!  As one might expect, Marilyn's outgoing personality cannot help but shine through, and soon enough, she begins to melt the heart of her Grandfather Starr, who begins to not only suspect this is not the granddaughter he raised (albeit in boarding schools and without any familial love), but he starts to realize the mistakes he has made over the past nine years.

Elliot does not really introduce much mystery into the book, as much as she does the misadventures of Marilyn as she attempts to get to know her twin sister and share her life with her.  Elliot does, however, provide a sub-plot involving one Mr. Jones, a peculiar man who boards at the North's other neighbor's house.  Mr. Jones ultimately takes up residence in Grandfather North's houseboat, and he becomes a friend and confidant of both Marilyn and Mary.  Adult readers of the book will instantly figure out who Mr. Jones really is, but the audience for whom this story is actually intended will likely not realize his true identity and be in for a pleasant surprise when it is revealed at the end of the book.  

 

Regardless of the similarities to The Parent Trap and the obvious plot elements taken from The Prince and the Pauper, the story was a fun read in its own right.  Elliot breathed the right amount of playfulness, inquisitiveness, and family loyalty into young Marilyn that the reader cannot help but find no fault in all of her actions, and it seems only natural that she would be the one to warm Grandfather Starr's heart so as to open it for his in-laws and his own granddaughters.  The happy ending is definitely fairy-tale like in style, but it provides the reader a very satisfying conclusion (although it does leave the reader wanting for more, making me wish the author and publisher had continued this as a series, rather than just one-book offering). 

 

Something I did find odd is that after purchasing this book, I looked all over to try and find out what the dust jacket art looked like, but I found absolutely no image of the dust jacket anywhere online!  All copies I could find for sale with images had no dust jacket.  I finally located a copy on ABE that was selling with with a DJ for a relatively low price, but there were no pictures - so I took a chance and bought it.  So glad I did!  The dust jacket has some gorgeous cover art, in the same style as Mildred Wirt's Trailer Stories series.  There's no signature on the dust jacket, nor on the sole internal illustration at the front of the book, so I cannot identify who the artist is (if, indeed, the same artist did both the dust jacket and the frontis piece - it could have been two different artists).  Regardless, I am absolutely thrilled to have a copy with the dust jacket in beautiful shape. 

 

Oh, and I did discover in the back of my dust jacketed copy of the book that this book is from the "Junior Books for Boys and Girls" series from Cupples & Leon, with other books such as Rex: The Story of a Dog by Fullerton Waldo; One Boy Too Many by L.H. Mitchell; Here, Tricks, Here! by L.H. Mitchell; The Sea Dog by Arthur C. Bartlett; and others.  Based on this, I can assume this was never intended to be a series, but merely a one-off. 

 

I am glad I picked this book up, as it was worth the read and makes a nice addition to my collection of "twins" in series books.

 

RATING:  8 crayon-drawn sketches on a hospital room wall out of 10 for an adventurous tale of troublesome twins, mistaken identities, and family love and forgiveness! 

Kay Tracey Mystery Stories No. 2 - The Strange Echo

In 1934, the Stratemeyer Syndicate offered  up a new series for girls - the Kay Tracey Mystery Stories.  The first book in the series, The Secret of the Red Scarf, was not a particularly good read - it was felt like a jumbled hodge-podge of circumstances and events that were mashed together to create a mystery.  While this second book in the series was written by the same ghostwriter, Elizabeth M. Duffield Ward, I thought perhaps since it was based upon an outline from a different Stratemeyer sister (Harriet, instead of Edna), the story might be more straightforward and more coherent.  Unfortunately, that was not the case.

 

The premise for The Strange Echo is a bit unique, so I can at least give the Syndicate credit for trying to come up with something different.  The main mystery involves some unusual echoes that are heard when Kay Tracey is visiting her friends, Wilma and Betty Worth, at Lost Lake.  The echoes seem to form partial words, but they do not make sense, and Kay must figure out what the echoes mean before she can figure out what is really happening at Lost Lake.  And this is where the mystery starts to go off the deep end, so to speak. It seems in addition to "the strange echo" that is heard, the tourist community is also plagued by thunder and lightning storms that bring no rain; odd glowing lights coming from a nearby valley; ghostly apparitions seen in that valley; and other sundry incidents that have Mr. and Mrs. Worth concerned about the girls going out to investigate the echoes.  Of course, Kay is not afraid, as she does not believe in the supernatural, and she knows everything has a logical explanation.

 

What is not logical are the numerous other mysteries in this book that, eventually, all tie into the strange events taking place at Lost Lake.  First, there is the foreign woman Kay meets in a department store in town who she overhears talking on the phone about echoes in the valley and who appears to be hiding something in her purse.  Second, there is the local bookseller who is upset because an antique book written in a foreign language has had pages ripped out of it, ruining its value (can you see where this is going?).  Third, there is the elderly man Kay and Mr. Worth pick up on their way to Lost Lake who is also headed to the lake in an attempt to locate a fortune his parents supposedly buried many years before when the area was destroyed by a landslide, which, coincidentally, is what created the lake (more on that later).  Fourth, there is the mysterious cabin deep in the woods, in which Kay sees a young man, along with the foreign woman AND the elderly man she met on her way to Lost Lake! Fifth, there is the "Scientific Instrument Company," from which a "sound device" is stolen.  The story has so many threads, Kay and the Worth twins hop from one direction to the next, and one wonders how in the world all of these could possibly be tied together by the end?!?!

 

In addition to the strange echo being heard, a major emphasis is placed on Mr. Nelson and his search for his family's treasure in Faraway Valley (yes, that is the name given the valley just below Lost Lake).  He appears repeatedly in the story, and Kay eventually learns that his story about the town being buried beneath a landslide many years ago, ultimately forming Lost Lake in the area, is true.  What is interesting is that Lost Lake is, indeed, a real lake located in Oregon that, once a year, completely disappears down a big hole in the lake bed (which hydrologists believe fills during the winter when streams leading to the lake are high, and then during the summer when rainfall lessens, the lake slowly drains).

 

What is more interesting about Lost Lake, however, is that 28 years after this book came out, the Stratemeyer Syndicate published their 24th Dana Girls mystery, titled, aptly enough, The Secret of Lost Lake (1962).  And before you ask, yes, the mystery centers around a community buried under a landslide many years prior, which landslide created the "lost lake."  There are other elements from this Kay Tracey mystery that appear in the Dana Girls' book - an elderly individual (in this case, a woman), whose parents were killed in the landslide, searching for a treasure in the area; unscrupulous people trying to find the treasure first; and a clue to the mystery being heard in a mysterious echo bouncing around in the valley!  In addition, one of the characters in Lost Lake is named "Simpson," which is also the name of the department store in The Strange Echo where Kay overhears the foreign woman speaking.  I suppose Harriet was running short on ideas for stories in the early '60s and decided to simply recycle a plot from a series that was not in print at the time!

 

A few tidbits from the story that are worth noting - the first is when Mrs. Tracey and Kay's cousin Bill are discussing the young sleuth, Mrs. Tracey observes that "Kay is like her father ... Roger was a newspaperman by profession, but I always felt that he should have been a detective.  He had a passion for apparently unimportant little details that most people would have passed by.  He used to work out the solution of criminal cases just for fun, and he was usually correct" (pp. 17-18), to which Bill replies, "He would have made a good lawyer.  And his daughter is like him -  a regular chip off the old block" (p. 18).  This description almost reads like a mixed description of Anthony Parker and Carson Drew!  The second tidbit is the breakfast served by Mrs. Worth at their cottage near Lost Lake - ham, eggs, and "corn pone" (p. 37).  I had never heard of corn pone before, so I had to look it up.  It turns out corn pone is a dense, unleavened bread made from cornmeal, salt, and water and usually fried or based in a skillet (sometimes using bacon drippings for flavor).  One thing we can always count on series books doing is teaching us something new every time we read one!

 

The final observation I want to make regarding this story is the utter vagueness used with regard to all of the mechanical and technological devises used in the story.  The author is so nebulous about all of them that it leaves the reader in a state of disbelief about all of them.  From the ambiguous name of the scientific company - "Scientific Instrument Company - to the vague descriptions of the various devices, such as the sound distortion machine, the strong wind device, the mechanical gadgets used to create glowing eyes and growls, and the unexplained tool used to draw in Kay and her cousin Bill, causing her to see distorted images; none of the technology is ever fully explained, nor is there any description of how they work (nor even any technical name given to the devices).  The story reads almost like one written by an elementary school student who wants to use strange devices but has no scientific knowledge to describe the machines or explain how they actually work.  This is a great disappointment coming from a Syndicate that thrived for many years on including detailed, educational explanations in their series books that provided readers with true learning experiences.  (For that matter, the fact that the "foreign" woman Hilda Arno, as well as her sister, Mrs. Alice Crosby, are both referred to as having accents and referenced as foreign women on multiple occasions, the author never actually identifies from what "foreign" country the women hail, leaving the reader to guess as to the national heritage of these sisters!)

 

The art for the original edition of this book appears to have once again provided by E.A. Furman (1879-1965), featuring a cover painting that shows Kay searching for those missing pages of the book in the isolated cabin and an interior illustration that finds the girls following Mr. Nelson into the woods.  The later Books, Inc. reprint of the book has another painted cover by "ELAINE," that unidentified artist known only by the one name, always written in all caps. Still another edition of the book, reprinted in 1964 by Berkley Highland Books, gives readers a third cover art, which depicts a rather exciting moment when Kay, Wilma, and Betty are out on the lake with a quickly approaching storm.  This third cover art is beautifully rendered and, quite honestly, could easily have been used for a Nancy Drew cover, since the characters are a redhead, a blonde, and a brunette with expressions that accurately display the personalities of Nancy, Bess, and George from that series.  The artist is unidentified, but I personally find this cover to be the most dramatic of them all and the one I prefer the most.

 

I must admit, these first two books do not provide high hopes for the rest of the series.  After reading these two, our book club has decided to move on to other books, as these are simply too convoluted and not written well enough to hold our interest.  Perhaps one day, I might come back and give some other books in this series a chance (and who knows, since Mildred Wirt took over writing of the series with book three, perhaps it improved from there!); but, for now, I think I am giving the Kay Tracey Mystery Stories a rest.

 

RATING:  5 crumpled pages torn from an antique book out of 10 for at least giving readers a unique premise on which to base a mystery, even if it lacks a well-executed follow-through. 

 

 

Kay Tracey Mystery Stories No. 1 - The Secret of the Red Scarf

The year was 1934.  The Ruth Fielding series saw her last book published, while the Dana Girls and Beverly Gray both had the first books in their respective series published.  That year also saw the start of another new Stratemeyer Syndicate series - the "Kay Tracey Mystery Stories," written by Frances K. Judd (which, of course, was a house pseudonym used by the Syndicate).  Having finished the complete Penny Parker series, and having read the first four Dana Girls books, our book club decided to branch out and try another series, and Kay Tracey won the vote!  It has been quite a number of years since I had read the Kay Tracey series, so re-reading this first book was nearly like reading it for the first time.  And, quite frankly, I was a bit surprised at how little I enjoyed the book (as I do not remember disliking the series when I first read it).

 

The Secret of the Red Scarf introduces readers to Kay Tracey and her supporting cast, but the book reads much as if this were not the first book in the series (and, in fact, there are mentions in the story that Kay has solved other mysteries, although they are not identified).  This first book in the series was outlined by Edna Stratemeyer Squier and ghostwritten by Elizabeth M. Duffield Ward, who wrote more than 70 books for the Stratemeyer Syndicate (including books in the Radio Girls, Outdoor Girls, Ruth Fielding, and Billie Bradley series, as well as the entire Blythe Girls series).  Ward also wrote a number of books under her own name, apart from the Syndicate.  While I have the Outdoor Girls, Ruth Fielding, Billie Bradley, and Blythe Girls series, I have not read any of those (with the exception of one Outdoor Girls book set in Florida, which was written by Howard Garis and not Ward).  Thus, this is my first taste of Ward's writing, and I have to say - I'm not overly impressed.

 

As one of the members of our book club pointed out - this story was nothing special.  There was nothing particularly different about the title character to make her stand out from all the other sleuths out there at the time; nor was there anything unique or spectacular about the mystery to make it more engaging or more interesting than any of the other myriad of series books on the shelves at that time.  Just like many of her contemporaries, Kay Tracey is a sixteen-year old girl with "light, waving hair that was almost golden in the sun" (p. 4).  She has two best friends (sound familiar), one of whom is Wilma, named after her father, William (gee, is there another series with a best friend who has a boy's name?), and other is Betty, named after her mother Elizabeth (hmmmm, do we know another sleuth who has a best friend whose realy name is Elizabeth?).  Wilma and Betty - funny, as this book was more than 25 years before that first episode of The Flintstones aired, yet they shared the names of the wives from that show! - are twin sisters who grew up with Kay, and the three are inseparable.  Kay lives at home with a widowed parent (in this case, it is her mother), but her uncle Bill also resides with them, and he is a lawyer (wow, that is original - I can't think of any other teen detective who lives under the roof of a lawyer who helps her out all the time, can you?).  Rounding out the cast is Ethel Eaton, a classmate of the girls who seems to have no other purpose than to try and foil every plan Kay has (a nemesis looking to cause trouble for the sleuth - I can hear Lettie Briggs crying out "copyright infringement" right now!).

 

The mystery involves a young boy, Richard Ludlow (referred to by everyone as "Dick"), who is trying to make his own way ever since his sister, Helene, disappeared.  Coincidentally enough (and let's face it, none of these mysteries would ever be solved without the coincidences), the red scarf Kay has on hand for her gypsy costume she is putting together for an upcoming school masquerade is the exact same scarf that Dick's sister wore!  Kay volunteers to help him find his sister, and after he shows her a picture, Kay knows she has seen the girl in town before.  The hunt begins, and it turns out the Ludlow children come from a wealthy family, whose parents are now dead, and a fortune lies waiting for them to claim.  Plenty of fortuitous circumstances lead Kay and the twins to locate Helene, who has been living under a false name while pursuing a career in acting, having run away from home when her father forbid her to take to the stage.  As fortune would have it, Kay strongly resembles the girl, and her gypsy costume and red scarf lead to a case of mistaken identities, which give her the opportunity to not only uncover Helene's true identity, but also reveal the culprit who has been trying to trick her into getting her fortune!

 

Surprisingly, there is only one internal illustration, which depicts a scene from the first chapter when Kay is racing to stop a runaway horse.  It is odd to see a frontis piece that shows a scene from so early in the book; however, considering the lack of exciting scenes in the book, I suppose this was the most exciting one that the publisher could find to be drawn.  The artist is E.A. Furman (1879 - 1965), who illustrated a number of books for the Saalfield Publishing company during the early part of the 20th Century.  In the 1930s, Furman worked part time as a freelance artist while keeping a full time job as a receptionist at a local bank (E.A. Furman, Artist).  I do give Cupples & Leon some credit for the creative cover design, which shows a book opened to a picture depicting a scene from within the book (in this case, Kay in her gypsy costume, peering out from behind a curtain).   It is definitely unlike any of the other series books being published around that time.

 

Despite the mediocre mystery, there were a couple of things about the book worthy of notice.  The poems that were constantly recited by Wilma were not made up by the author; they are lines from actual poems and/or songs - such as the poem on page 12 comes from the hymn, Only Wait; the poem on page 60 comes from an Alexander Pope poem, Windsor Forest; the poem on page 77 is a well-known expression from Sir Walter Scott; the poem on page 115 is from one written by Lord Byron; and so on.  I would be curious to know whether the Syndicate included these in the outline to be used, or if Ward integrated them herself into the story.

 

There is also the subject of Kay Tracey's name.  One has to wonder if the name was not perhaps a nod to the comic strip character that debuted barely three years prior, Dick Tracy.  It is an interesting coincidence (!!!!) that this new young female sleuth comes out with the similar last name to a comic strip detective who was gaining much popularity at the time.  Sure, there's an "e" added into Kay's last name to differentiate it, but c'mon - one does have to wonder...

 

According to Jennifer White's website (Series Books - Kay Tracey), the Kay Tracey series has been republished a number of times.  I have the Books, Inc.paperback editions that were republished around 1960, and while looking through it, I discovered that the story was drastically revised (which would account for the new 1952 copyright date on the inside copyright page).  One of the many revisions included changing Dick and Helene's last name from Ludlow to Corning.  Yes, that's right - that means Helene's name became Helene Corning.  Now, tell me, where have we seen that name before?  Of all the names they could have chosen, they chose "Corning"?  Apparently, all of the other similarities to the Nancy Drew series was not enough, so they thought, "Let's throw in another one, just in case readers missed all of the others!"  

 

Geoffrey S. Lapin indicates the cover art for the Books, Inc. reprints were provided by an artist by the name of "Elaine."   While the cover to this book does not identify the artist, later books in the series published by Books, Inc. have a signature of "ELAINE" (in all caps) - however, there is no way to identify who this artist is.  Some research online does not give credit to the cover artist, nor is there any site that provides information about an artist who signs his/her work with simply "ELAINE."  Even the Stratemeyer Syndicate records at the New York Pubic Library appear to have the color painting for In the Sunken Garden, and it merely states the artist as "Elaine [?]".  Thus, the artist for the Books, Inc. editions is a mystery that, for now, remains unsolved.  Not sure if this Elaine person also provided the line drawings inside the books, or if a different artist assumed that chore.

 

This book was definitely not a great start to this series, and so, I am curious to see how the second book will fare.  It was also written by Ward, but it was outlined by Edna sister, Harriet, so there is a potential for it to be somewhat better. I suppose we shall have to wait and see...

 

RATING:  5 crumpled portions of a torn letter out of 10 for at the very least attempting to cash in on the girl sleuth phenomenon of the 1930s with a new series of mysteries. 

Penny Parker Mystery Stories No. 17 - The Cry at Midnight

And at long last, we've reached the seventeenth and final Penny Parker Mystery Story.  It is a bittersweet feeling, because I've been anxious to see just how this series was going to end, while at the same time, I'm disappointed to have reached the final Penny Parker story.  A seventeen-book series that was published from 1939 to 1947 at two each year (except for 1945, in which only one Penny Parker book was published), the series has offered up some very interesting stories that gradually became more and more dark and intense as the it progressed.  This final book has probably the darkest story in it, and one has to wonder if perhaps the story is a reflection of everything the author had experienced in the years leading up to the printing of this last volume.

The Cry at Midnight opens with a somewhat cheerful winter scene, as Penny Parker and her (boy) friend, Jerry Livingston, are getting ready to ski down the slops of Knob Hill.  Now, anyone familiar with series books from this era, and more certainly, anyone familiar with Mildred Wirt Benson's work is going to stop right here and say:  Knob Hill?  Where have I heard that name before?  Well, it just so happens that the final book in the Penny Nichols series, written by Benson under her pseudonym Joan Clark, was titled The Knob Hill Mystery (you can read my review of that book by clicking on the link).  The Knob Hill in that book was not a hill for skiing, however, nor was the mystery set in the dead of winter; however, it did feature a youngster who was being held captive in a house, similar to the captives in this book.  I suppose it is fitting that Benson ended both of her "Penny" series with a mystery set on or around a place named "Knob Hill."

The story takes a darker, more gothic tone as Penny and her best friend, Louise Sidell, are walking back to their car when they pass by the supposedly haunted Abbington Monastery and they hear a "shrill, piercing scream" from inside the monastery (p. 7).  This, of course, immediately piques Penny's interest, as she immediately sees there is a story to be uncovered here.  The monastery is described as a "structure of moldy stone enclosed by a high brick wall" with a graveyard just inside the wall (p. 4), and that there is a "deserted garden beyond the gatehouse" where "several statues [are] covered with soft white shrouds" (p. 6), giving the reader an imagery of ghostly figures.  When they discover the gate is open, Penny convinces Louise to go inside, where they meet "a grotesque, deformed human figure," and they see "silhouetted against the gray stone walls ... a hulk of a man with a large head and twisted back made unsightly by a hump" (p. 10).  The man who now owns the monastery, when he first appears, is said to be a "very tall man" wearing a "dark hooded robe" (p. 12).  These details are clearly intended to set the mood for the story - a dark, foreboding house inhabited by cloaked and grotesque individuals, which definitely provide the set-up for a good gothic tale!

Jay Highland, who calls himself Father Benedict (p. 14) tells Penny and Louise that he has no secrets within the halls of the monastery, and the only thing they will find are "serene faith and hope for a better world" (p. 14).  Penny has seen enough charlatans by this point to recognize one, and it is obvious to her something is not right here.  And one has to smile at the author's choice of names for the Father - "Benedict" could easily be a reference to the Benedictine monks who used to live in Abingdon Abbey (which is the name of the REAL abbey located in Oxfordshire, founded in 675 AD and dis-established in 1538 - like the Abbington Monastery in this book, the real Abingdon Abbey has some walls and buildings remaining, but a number of the buildings have only a few physical remains on the land).  

From here, Benson introduces another character into the story, who may be a greater mystery than the scream at the monastery.  As Penny and Louise are driving home, Penny nearly hits a young girl walking down the road with a suitcase (p. 16).  They have to literally beg her to get her to enter the car and allow them to give her a ride (but not before they debate the safety of picking up a hitchhiker on page 17 - which is a funny coincidence, as part of the mystery in that last Penny Nichols book also involves a hitchhiker, only in that story, it is a male, not a female), and she refuses to disclose any personal information, including her own name.  She insists she be let out on the docks in Riverview, and it is there that she disappears right at the river's edge (p. 23).

Well, yet another mystery falls into Penny's lap when she gets home to find her father meeting with James Ayling, an investigator for the Barnes Mutual Insurance Company (p. 30).  It seems that one Mrs. Hawthorne and her granddaughter Rhoda have gone missing, and the insurance company is concerned about the extremely valuable star sapphire that they insure - they are afraid she may lose or give away the cursed jewel, leaving the insurance company to pay out!  And, yes, the jewel does come with a curse.  According to the story the star sapphire was set in a necklace worn by a king who met a violent death; since that time, every owner thereafter has had bad luck, with several of them dying in strange ways (p. 31).  Mr. Ayling is worried the older woman may believe in the curse and get rid of the jewel.  Now, this whole segment of the mystery definitely has some interesting things to point out.  First, it is said Mrs. Hawthorne's husband was Nathaniel Hawthorne!  You may recognize that name as the great American novelist and short story writer (1804-1864). What's more coincidental is the real Nathaniel Hawthorne wrote House of Seven Gables while living just outside of Lenox, Massachusetts, a city that was settled by one Jonathan Hinsdale, whose daughter's name was ... Rhoda!  And if that weren't enough, a little digging reveals that the real Hawthorne had a cousin whose name was Rhoda Campbell Morgan (1819-1867)!  Whether Benson used these names because she was aware of the connection, or whether it is simply one huge coincidence, I suppose will remain an unsolved mystery...  And, with regard to the "cursed" sapphire, it turns out there really was a star sapphire with a supposed curse to it.  The Delhi Sapphire is sad to have brought terrible misfortune and financial ruin to anyone who possessed it!

Penny's intuition serves her well in this story, as Father Benedict is easily seen by the reader as a charlatan.  While he proclaims his followers lead lives of poverty, with no desire for worldly possessions, Penny and Louise discover his office within the monastery is furnished with "thick velvet carpet ... a large mahogany desk, a sofa, two easy chairs, and a cabinet filled with fine glassware, gold and silver objects, and a blue glass decanter of wine" (p. 40).  He then informs the girls that collecting art treasures is a hobby of his, explaining the decanter "is a piece of Ching-Hoa porcelain and very rare," while also showing them a Byzantine amulet and golden goblets recovered from a European church destroyed a century ago (p. 42).  But the clincher is when Penny spots the crystal ball supported by the claws of a bronze dragon (p. 40).  One might remember in the very first Penny Parker mystery, Tale of the Witch Doll, features a medium who is scamming people.  Thus, when Father Benedict suggests Penny stare deep into the glass (the frontis piece!), she sees nothing at all (p. 44-45).  Father Benedict says she simply does not believe, to which Penny quips, "Guess I haven't got enough of the witch in me" (p. 45)!   This is one of my favorite things of the Penny Parker series - Benson gave Penny some sarcastic wit that comes out to play now and again and is a joy to read!

While the mystery is not really too hard to figure out (I mean, come on, who didn't immediately figure out that the young girl walking down the street, away from the monastery, was actually Rhoda?), it is following along with Penny as she figures it all out that is half the fun.  And the gothic elements abound within the story - there is a closet that offers a peep hole that allows one to spy into the chapel room (p. 144); there is a secret tunnel from the basement to the graveyard (p. 81); a lift that lowers the canopied bed in the chapel room own into the cellar by secret mechanism (p. 113); and even a crazy old woman (p. 13) who continually warns Penny away from the monastery (p. 38), but who ultimately aids her in her quest to uncover the truth about what is going on at the monastery!  This story could easily transition into one of the gothic novels published in the 1960s and '70s that populated bookstore shelves so heavily during that time.  It has the perfect premise and setting, that's for sure!

One final observation in this book concerns the ceremony given by Father Benedict.  While he starts the ceremony by chanting in Latin, he also recites a somewhat lengthy quote (p. 133) from The Monastery, a novel by Sir Walter Scott published in 1820.  He is reciting a quote of the White Lady from the novel, a character that is a supernatural figure who guides some of the other characters in the story.  Scott's novel, as clear from the title, is centered on a monastery that is based on the real Melrose Abbey in southeast Scotland.  I would love to know what promptly Benson to use this quote for the story, and whether Scott's novel itself gave her some inspiration for the final Penny Parker mystery!

While not the strongest mystery in this series, I would have to say that The Cry at Midnight provides readers with a satisfying conclusion to the Penny Parker Mystery Stories.  That final statement by Penny on page 207 pretty much sums up her future, had the series continued:  "Writing this story will be duck soup compared to digging up the material.  Just lead me to a typewriter!"  And with that, the stories of plucky teen-sleuth Penny Parker came to an end, and we are left with a legacy of great stories by which we will always remember her!

RATING:  9 cheap silver colored rings with a red glass tone out of 10 for sending Penny Parker off into the annals of history with a solid, 17-book legacy that could truly be enjoyed by fans of any age in any decade!