Showing posts with label Carolyn Keene. Show all posts
Showing posts with label Carolyn Keene. Show all posts

Friday, September 18, 2026

Nancy Drew Mystery Stories # 145 - The Missing Horse Mystery

"Danger's riding high ... and Nancy's in its path!" (cover blurb)
 
"A search for a missing horse leads Nancy to a dark discovery!" (back cover blurb)
 
I've noticed a trend in recent digests that I have read that seems to lean toward more mature mysteries, often using deadly weapons and individuals within the stories becoming gravely injured.  Two of the last three books that I've read involved serious attempts on Nancy's life, well beyond the normal foibles of getting knocked unconscious or run off the road - and this book is no exception.  I've often heard people say that once the Nancy Drew Files ended in 1997, some unused manuscripts and plots were integrated into the digests; and, after reading these recent bout of Nancy Drew Mystery Stories (142, 143, and now 145), I would have to agree.  These plots definitely seem more fitting for the older audience at which the Files were aimed.
 
The Missing Horse Mystery takes Nancy, Bess, and Ned to the Illinois Horse Park for the Midwest Grand Prix Dressage Championship. Surprisingly, there appears to be an actual Illinois Horse Park located in Triumph, Illinois, made up of approximately 80 acres of historic farmland about an hour away from Chicago.  Not too often does the Nancy Drew series use actual locations such as this (excepting the use of real cities).  Whether the author intended this to be the same "Illinois Horse Park" or not is unknown.  However, the fact it is specifically set in Illinois once again gives rise to the ongoing consensus that River Heights is located somewhere near Chicago (and since The Case of the Capital Intrigue specifically indicated Chicago is the nearest big city to River Heights, this book simply reiterates it).  George is off-screen in this book, said to be "having a great time teaching at a soccer clinic" (p. 2).  This is another aspect I have been noticing about the series as it progresses:  the ghostwriters appear to prefer using either Bess or George in the stories, not as often using both of Nancy's best friends.  Perhaps the authors simply don't know how to utilize both characters alongside Nancy with these shorter mysteries (this book clocks in at only 147 pages), and so it is easier to use one cohort rather than two.  Even at that, Ned is actually more involved in this mystery than Bess - she meets a foreign competitor named Gunter and spends most of the book going out with him instead of helping Nancy!
 
As with most of these "vacation mysteries," Nancy has come to Illinois Horse Park to enjoy a weekend getaway, not to be involved in a mystery.  Even when she catches wind of a fire in the stables by the end of the first chapter, she resolves not to look for a mystery where there may not be one.  But, of course, as always, there is a mystery, and soon enough, Nancy is in the middle of it.  A valuable horse vanishes, and the groomer is seriously injured and taken to the hospital, where she lies in a coma.  The night before, however, the groomer had given Nancy a small bit of information that plays a very large part in this mystery - in fact, for me, it basically gave away the entire plot and the culprit.  But, I am not the intended age group for reading this kind of mystery, so perhaps the intended readers might not find the clue quite so revealing.
 
The author does throw in a number of possible suspects.  From one of the competitors who has made it clear that he will do anything to win the competition to one or more of the security guards who are not necessarily all they appear to be to rival horse owners who want to win the big prize.  It seems there is quite a lot of money on the line, and the question Nancy must figure out is who benefits the most from the prize horse's disappearance?  Nancy and Ned must face off against some violent rottweilers, and they find themselves at gunpoint, their deaths certain as the real villain lets them know in no uncertain terms that they will not foil his plans.  The grievous blow to the groom's head, the rottweiler attack, the beating of an accomplice, and the threat of gun violence definitely set a much darker tone for this mystery.  The stakes are higher than Nancy Drew's normal cases, and Nancy and Ned take some dangerous chances by sneaking into the security guard's offices, as well as the private offices of another suspect,  However, despite all that danger, Nancy reveals the true criminal by the end of the story (although, surprisingly, she actually believes the crook's excuses several times before realizing what he was truly up to, which is something the Nancy Drew everyone knows and loves is not prone to do!).
 
Interestingly, when talking with their friend, Lee Anne Suna, who invited the girls to come watch the show, Bess makes the comment, "Nan and I have been riding since we were about eight" (p. 9).  I automatically assumed this was a references to the Nancy Drew Notebooks series for young readers, which began about four years prior to the publication of this book in 1998.  In that series, Nancy and her friends are eight years old, and at least two books in that series deal with horses (books 26 and 37).  And, since this book has advertisements in the back for the Nancy Drew Notebooks series, it is an easy assumption that the author, and potentially the publisher as well, wanted to promote that series. 
 
Another somewhat factual point raised within the story is the distance from the Illinois Horse Farm to the Iowa state line, which Nancy and Ned must cross over in order to follow-up on a clue.  Nancy casually mentions to Bess that "Ned and I are going to tour a farm in Iowa," (p. 103), leading one to believe it could not be far, if they planned to simply "visit" the farm and be back the same day.  When the two actually head out, it is stated the farm was only about "a half hour's drive" (p. 110).  In reality, Triumph, Illinois (the home of the Illinois Horse Farm) is approximately 83 miles from the closest point of the Iowa state line - so, for Nancy and Ned to make it to that point in a half hour would have to mean they were driving nearly 160 miles per hour!  (Of course, they are not in the real world, so in the book, the Illinois Horse Farm must have been located considerably closer to the state line...)
 
The ghostwriter for this particular mystery is Alison Hart.  If this is the same Alison Hart who has written a number of horse-related novels, including books in the Horse Diaries series, then it would not be surprising, considering the subject matter of this book.  This is actually the fifth of six books that Ms. Hart has written for the series (the other being Magnolia Mansion, Stranger in the Shadows, Masked Rider, Twin Teddy Bears, and Gold Doubloons).  The cover art is again provided by Ernie Norcia, depicting a scene early on, when Nancy smells smoke and releases a horse from its stall where the first has been set (p. 11).
 
Not a bad read, but as indicated above, the solution was given away too early.  Better than a number of the digests, but not within my top ten.
 
RATING:  7 long metal rasps with blood on it out of 10 for trying to mislead readers with several very unlikable characters who you would almost want to be the villain of the story! 

Sunday, August 16, 2026

Nancy Drew Mystery Stories # 144 - The E-Mail Mystery

 "Nancy uncovers intrigue on the internet ... and the password is danger!" (cover blurb)
 
 "Nancy goes on-line and keys into a criminal conspiracy" (back cover blurb)
 
This book is definitely a product of its time!  While it moves Nancy further into the technological age, what with the e-mail and internet usage, it is certainly date specific, with its talk of floppy disks and dial-up modems! First published in August 1998, which was defined by slow, audible 56k dial-up modems, where you had to pay monthly fees for access to the internet through sites such as AOL and where you communicated in group chat rooms or message boards.  The internet was nothing like it is today; so, naturally, a book published in that time and read by today's readers would seem greatly antiquated (even though it was less than 30 years old at this point!).  That being said, it was a fun read, mostly because in addition to the e-mail/internet focus, but also the fact that it is set in Carson Drew's law office and the mystery itself pertains to some of his legal cases!
 
The E-Mail Mystery finds Nancy accepting a short summer position at her father's firm to help transfer some closed files off of the office computer system and onto portable disks.  "Summer vacation at last!" she exclaims at the opening of the story (p. 1), and she is excited at the prospect of going sailing with George up in Bridgehaven (p. 2), a fictional city that is apparently not far from River Heights.  Before she goes, however, she gets caught up in a mystery at her father's office - it seems several recent clients have all demanded Mr. Drew accept exceptionally low settlement offers on their cases just shortly after he starts to represent them.  The only apparent connection between the cases is that all of them have the same law firm representing the insurance companies: Williams and Brown.  While Mr. Drew thinks it is a coincidence, Nancy smells a mystery!  Thus, her summer internship begins, and she heads to her father's law firm to find out what is really going on!

I have to applaud the ghostwriter for this book, Denise Hildago, as she brings back Carson Drew's legal secretary and assistant, Miss Hanson, who long-time Nancy Drew fans will recognize from her appearances in The Bungalow Mystery, The Clue of the Tapping Heels, The Spider Sapphire Mystery, The Mysterious Mannequin, Clue in the Ancient Disguise, and The Mysterious Image.  It is nice to see some continuity with those pre-Simon & Schuster-owned days.  In addition, Nancy does something she says she has not done since she was in the third-grade: brings "out an old blue notebook" and writes down a list of clues and suspects (pp. 112-14).  This, obviously, is a reference to the Nancy Drew Notebooks series, which ran from 1994 - 2005, having been first published just four years prior to this one seeing print.  Thus, the author was definitely tying in some continuity from the various series.  Even the e-mail and cyber cafe plot-points hearken back to the final Nancy Drew Files mystery, Crime at the Ch@t Cafe, published just one year before this one.  The plot of this book, however, differs greatly from that of the final Files book.
 
The mystery gets underway when Nancy discovers that someone at her father's firm has sent e-mails to the Williams and Brown law firm on the very same day that each client engaged her father's services.  She is unable to discover what exactly was sent to the other firm, but the fact that each case settled so quickly thereafter, and each of those clients now refuse to talk with her father sets off any number of alarms in Nancy's mind.  The question is - who did it?  Was it Blaine Warner, Mr. Drew's new associate at the firm?  She graduated top of her class, wrote for the law review, and won a number of mock trials.  Is the fact that she went to school with the son of one of the partners at Williams and Brown a telling clue?  Or was it Henry Yi, Mr. Drew's new paralegal?  He's a hot shot computer whiz, who is also quite nosy, always sticking his nose into everyone else's business - plus, he knows the passwords of everyone in the office!  Or was it Byron Thomas, the summer intern?  He is a quiet, nervous young man who is nicknamed "the poet" because of his name and love of poetry.  Is his nervous nature a product of his shyness, or is he hiding something?  When Nancy, with Bess's help, learns the identity of the e-mail sender was Miss Hanson - does that mean Mr. Drew's secretary, after so many years of loyalty, would betray her employer?
 
While we are on the subject of Bess, let's talk about that sudden knowledge of computers and the internet that Bess has! It appears in this book Bess "has joined an Internet chat group about historical and contemporary romance novels" and that being "on-line was so interesting to her that she earned all about computers, communication systems, Internet links, Web browsers - all that stuff" (p. 10).  With George out of the picture in this story, Bess manages to develop some skills, other than eating, that can help Nancy solve the mystery!  It is funny that Bess gets the computer skills here, but when S&S rebooted the series in 2004 with the Nancy Drew, Girl Detective series, it was George that suddenly had the computer skills, while Bess became more of a mechanic.  Not sure which version I prefer - in either case, it does expand the character somewhat, and give her more depth than just someone who is always on a diet!  Plus, the skill really comes in handy in this particular mystery, as even Nancy admits she knows very little about e-mails and internet (which opens the door for the author to have Bess explain quite a bit about online communication throughout the story).
 
A rather unusual reference in the book is the name of a restaurant that John Brown Jr. suggests to his father as a place for lunch:  Steak and Ale (p. 25).  This is actually a real restaurant, that was founded in 1966 and eventually went out of business due to bankruptcy in the early 2000s (although a quick search online shows that a new Steak and Ale opened in 2024 in Minnesota!).  It's not very often that a Nancy Drew mystery uses real locations, such as restaurants, within the stories.  The restaurant plays a rather important part, as well, as Nancy happens to see some of her suspects at the restaurant, wondering just which one is actually working with the Williams and Brown law firm.  Another name brand reference comes in the form of a joke made by Henry, when he startles Nancy while she is the copy room.  She responds with "Oh, Henry," to which the young paralegal quickly retorts, "No, that's a candy bar" (p. 59).  Oh Henry! was a candy bar containing peanuts, caramel, and fudge that was sold in the U.S. up until 2019 (with a slightly different version still manufactured and sold in Canada).  Again, it is surprising to see the author use specific brand names.
 
The final "brand name" use was when Nancy learns that Byron, the summer intern, has been going online to use Lexis-Nexis to perform legal research (p. 74).  Working as a paralegal myself, I am very familiar with the platform, and I was not aware that it was available online as far back as 1998!  I remember using Westlaw first, and later learning about the online offerings of Lexis-Nexis.  A quick search online reveals that Lexis-Nexis began making legal documents accessible online as early as the mid-1970s!  Thus, I learned something new about my own profession by reading this Nancy Drew novel!  And I will say this was probably what I enjoyed most about reading this book, was the legal aspects of the story.  The author did get most of the facts correct about legal research, the civil process, and client confidentiality.
 
And, okay, I lied.  There is one more "brand name" reference, although whether it was intentional or a joking nod, I'm not sure.  When Bess is helping Nancy find out who was e-mailing the opposing law firm, she sets up a new screen-name for them to use while communicating online.  They debate about whether to use "B and N, for Bess and Nancy" or "N and B, for Nancy and Bess" - and they ultimately settle on "B&N" (p. 82).  I found this humorous, as any book lover will immediately recognize that as the shorthand name of Barnes & Noble booksellers, which actually began using "B&N" in May of 1997, when they launched their online website, BN.com.  I would be curious to know if the author did that intentionally as a nod to the store that sold Nancy Drew books, or was it simply pure coincidence?
 
The cover art, depicting a scene straight off of page 105 when Nancy is being followed as she leaves a cyber cafe, holding a rose and some important papers, is once again provided by Ernie Norcia.  I find Norcia's art to be very detailed, and his renditions of Nancy to be truly beautiful (although I wish he gave her hair a more reddish tint).  The model for this cover appears to be the same model used for a number of the Files covers, making me wonder if perhaps the model was somehow contracted by Simon & Schuster, or whatever company they used to obtain their cover art, since her likeness appears in both the Mystery Stories and Files series.
 
This is another one of those digests that rates high on the scale in my book - great story, some crafty plotting, and the legal-aspect was definitely an added plus!
 
RATING:  9 pancakes covered in motor oil out of 10 for bringing Nancy back into a less dangerous world of legal-intrigue mysteries with a bit of humor thrown in to keep it light!  
 

Tuesday, July 14, 2026

Nancy Drew Mystery Stories # 143 - Mystery on Maui

 "Surf's up - and so is the crime on Nancy's Hawaiian holiday!" (cover blurb)
 
"Nancy rides a wave of danger in pursuit of a surfing saboteur!" (back cover blurb)
 
Published in June 1998, it turns out this particular Nancy Drew mystery was written by the same author as the last book - Elizabeth Nugent (or so it says on Wikipedia, so take it for what it's worth).  While I can find no real information regarding this particular author online, it does not surprise me that the same person wrote books 142 and 143.  Both books have more of a Nancy Drew Files feel to them, rather than the standard digest stories.  Both books have considerably more high-stakes danger, and the mysteries themselves are definitely more adult themed - with villains who will not hesitate to kill in order to keep their activities from being brought to light!  Since the Files series ended in 1997, it makes sense that there were some left over stories, perhaps even some completed manuscripts, that simply got repurposed for the digest series in order to meet deadlines.
 
Mystery on Maui takes Nancy, Bess, and George to Maui, the second largest of Hawaii's islands, for a vacation (and we all know how vacations always turn out for Nancy!).  They were invited by an old friend of Nancy's, Danny Takemura, "who had spent his junior year of high school in River Heights" (p. 3).  The author indicates Nancy and Danny had become good friends and stayed in touch as "E-mail pen pals" (p. 3).  This poses an interesting question - if Nancy and Danny have stayed in touch via e-mail since they completed their junior year (and if Nancy is eighteen, as stated in the previous book, which means they just finished their senior years), then they would have been in communication via e-mail for a little over a year.  So, in all the time that Nancy has been solving mysteries (142 of them in just the span of a year!), why was this "good friend" of Nancy's never mentioned before?  Of course, this series boasts countless "good friends," for whom Nancy solves mysteries, and who we never see or even hear mention of ever again - so how good of friends could they really be?  But, I digress...
 
Now, about the mystery itself. It involves the Golf Coast Surf-Off, in which one of Danny's friends, Josh Brightman, is a contender (p. 5).  Nancy indicates "Golf Coast" is what the western part of Maui is called, and Josh tells them it is also the name of a big chain of stores in Hawaii and California; however, neither of those things are true.  (While the book does contain fictional locations, the city of Lahaina, used in the book [p. 17], is an actual city, located on the northwest coast of the island of Maui; however the reference to the run-down harbor town of Point Guerre [p. 116] is purely fictional.)  Nevertheless, Josh is predicted to be the big winner of the contest, with the chance to win $75,000!  When Josh explains that his two top competitors have both had to back out - one due to food poisoning, and the other due to a fall that injured his leg - Nancy starts to wonder if someone is eliminating the competition in the hopes of winning themselves.  Josh scoffs at the idea until his surfboard is stolen ... and then he receives a note warning him to drop out or else ... and then he finds a deadly snake in his gym bag ... and ultimately he is kidnapped before he can finish the tournament!  With a huge and potentially deadly storm ready to strike Maui, Nancy realizes she must race against time to find her new friend before someone decides to eliminate him from the contest - permanently!
 
Nugent (a/k/a Carolyn Keene) provides the readers with several likely suspects.  First is a fellow competitor, Hank Carter, who is cocky and determined to win at all costs, even if he has to use underhanded tactics to do so.  Second is Manny Monolo, a lifeguard who has an ax to grind with Josh after a fight they had that cost Manny his chance to become a paramedic.  Third is the stranger who tries to steal Josh's surfboard, a man they refer to as "the Snake" because of a tattoo he has of a snake going around his arm.  Fourth is Ruby Blackwell, a former surfer who has opened a surf shop on the beach and is trying to market a new surfboard - and who also happens to be a former girlfriend of Hank Carter.  Last, but not least, is the unsavory Russell Frye, a boat captain who takes tourists out for shark watching, illegally dumping chum into the water to attract sharks.  It seems Josh had reported him to the police, and Frye is none-too-happy with him, vowing to get revenge one way or another.  Thus, with all these suspects, Nancy must find out every thing she can about each of them in order to narrow down her list to the real culprit.
 
As with the last book, the danger levels and violence in this book definitely give it the feel of a Files rather than a standard digest Mystery Story.  For instance, near the start of the story, George is out surfing and gets pulled out by the riptide and knocked unconscious in the water.  By the time they get her to shore, she is not breathing and it appears touch-and-go for a moment before a lifeguard is able to revive her (p. 35).  Later in the story, when Josh finds the snake in his gym bag, it turns out to be a death adder (p. 87), a very venomous snake that originates from Australia (as accurately referenced in the book).  Near the end of the book, when Nancy is tracking down the Snake, she finds him facedown on the floor, with a knife next to him and "a tiny trail of blood" (p. 118).  Finally, near the climax of the mystery, when the real villain has Nancy and her friends trapped, the villain splashes kerosene all over Nancy's clothes and holds a plastic lighter with the threat of burning her alive (pp. 134-35)!  These type of scenes are definitely not the kind one would normally find in a standard Nancy Drew Mystery Story.
 
The cover art, yet again, is provided by Ernie Norcia.  The scene appears to be taken from the moment near the beginning when George is knocked out while surfing, with Nancy running to her aid.  The scene does not really have any connection to the mystery, other than to provide a way for the author to introduce the lifeguard, Manny Monolo.  It truly amazes me how life-life Norcia is able to paint Nancy and her friends.  The art almost appears as if it were a photograph taken at a real beach, with those waves crashing down on the sand. Simon & Schuster definitely picked the perfect artist for these covers - it is a shame they eventually moved on to a different artist.
 
RATING:  9 squadrons of shadowy sea creatures with dorsal fins out of 10 for a fast-paced mystery filled with ever-increasing danger and deadly villains! 

Thursday, June 11, 2026

Nancy Drew Mystery Stories # 142 - The Case of Capital Intrigue

"Nancy's in Washington, D.C., and she's uncovered a monumental mystery!" (cover blurb)
 
"Nancy investigates a shocker of a crime - at 1600 Pennsylvania Avenue!" (back cover blurb)
 
Published in April 1998, this Nancy Drew digest is unique - in some ways, it follows the books that have come before; yet, in other ways, it digresses greatly from the typical Nancy Drew Mystery Stories formula.  According to Wikipedia (and yes, I do realize, you can't take everything there as the gospel truth), this particular book was ghostwritten by Elizabeth Nugent.  I am not familiar with this name, and I only find two authors by this name:  Liz Nugent, a bestselling author who also worked in film, theatre, and television and who currently lives in Dublin; and Elizabeth R. Nugent, an assistant professor of politics at Princeton University, whose research and writing focuses on the politics of authoritarianism and religion in the Middle East.  Quite honestly, neither of these seem to fit the bill, with the latter being (I believe) too young to have been writing books back in 1998.  It is coincidental, however, that the latter Ms. Nugent teaches politics, and that's exactly what this mystery is all about!
 
The Case of Capital Intrigue takes Nancy Drew to Washington, D.C., where she is visiting her best friend, George Fayne, who has an internship as a photographer's assistant at the White House. Now, those who have read the past couple of books are probably asking yourself - didn't George and Nancy just have an internship at a television station in the last book?  And were they not volunteering (interning) for a non-profit organization that helps teenagers in the one before that?  What was going on at Simon & Schuster around this time, that all of Nancy's mysteries seemed to center around some form of internship to get the mystery off the ground?  And let's be completely honest here - how in the world would an eighteen year-old girl with absolutely no photography experience get selected to be an intern at the White House, of all places?  And how in the world would she be allowed to invite her best friend, who is also just eighteen years of age, to come visit her on the job?  Talk about some major suspension of disbelief!  Even in 1998, I do not believe the White House and jobs associated therewith were that easy to get.
 
Aside from that, Nancy gets involved with some political intrigue, as a precious gift that was being presented by the President of the fictional South American country of San Valente goes missing, right under Nancy's nose (quite literally, as she is looking at the gold hummingbird statue when someone konks her on the head, knocking her unconscious, so they can steal the statue (p. 24)).  If news of this theft gets out, then it could not only destroy the treaty being signed between the countries, but it could look very bad for the current administration (and, this being 1998, that would have been Bill Clinton's administration).  Thus, Nancy sets about trying to find the thief, while trying to navigate all of the game-playing that goes on in Washington - and, oh, yes, there is plenty of that.  It seems everyone is out to get everyone else's job, and that includes poor George.  I mean, seriously, who would really be so interested in getting an assistant photographer job that they would send threatening notes and even poison George's food?  Well, that someone is definitely there, and unfortunately, those incidents become red herrings in Nancy's search for the hummingbird thief.
 
Now, if George getting the internship and Nancy being allowed access to the White House weren't enough unbelievable events, then I won't even bring up the moment where Nancy sneaks into the office of a secret service agent, figures out what the password to his computer is, peek at some highly classified files, and then talk her way out of the whole thing when the agent's secretary returns before Nancy can get out of the office (pp. 58-65)!  I realize this is fiction, and the story is not intended for adults, but seriously?  I think even pre-teens would be intelligent and savvy enough to know there is no way an eighteen year-old girl would be able to get away with that.  And let's not discuss how the White House security not only believe her in the climactic moments of the story, when Nancy figures out who the thief is and goes about to set a trap for him in the White House, but they allow Nancy to plan out the details and direct them in what they need to do!  Even my ability to suspend my disbelief was pushed to the limits with that one.
 
All of that being said, the story was not really bad at all (when you overlook those unbelievable scenes).  The danger is extremely high, as not only do George and Nancy nearly get run off of the third story of a parking garage, but Nancy actually gets shot at not once, but twice, over the course of the story!  I was rather surprised, as I recall one of the Stratemeyers' big rules was that there was never any guns in play.  Of course, this was years after Simon & Schuster took over the properties, so those rules were likely thrown out the window some time prior; however, that level of threat, along with the political intrigue, made this feel more like a Nancy Drew Files mystery than a regular Nancy Drew Mystery Stories tale.  In fact, since the Nancy Drew Files came to an end in 1997, one has to wonder if this was perhaps a left-over story that got repurposed from the Files to the Mystery Stories series.  This might also explain why Nancy has an admirer in the story that she not only encourages, but she allows him to kiss her - twice!  What in the world would Ned think of that?
 
A few fun facts come out of this book - first, Chicago is firmly established as "the neareset big city to her hometown of River Heights" (p. 2).  I don't recall any of the digests so blatantly making such a statement, but if I recall correctly, a friend has told me the Files make reference to Chicago more often than not (which would support my believe this manuscript was originally intended as a Files story).  Second, George is said to be "five foot eight," while Nancy is "five foot seven," both eighteen years old (p. 31).  We knew the age, but I cannot recall if these heights were ever stated so definitely before.  Third, ipecac, which is used to poison George, is an actual mediation that is used to induce vomiting and could potentially cause dangerous complications, as described in the book (p. 77).
 
The cover art is one again by the super-talented Ernie Norcia, who manages to create a somewhat dramatic scene with Nancy and Eduardo (the son of the San Valente ambassador, who, by the way, gets kidnapped towards the end, with his life threatened if Eduardo does not makes sure the treaty never gets signed!).  I had always thought the man in the cover art was Ned, but nope - it's Eduardo, as he and Nancy make a run for it in the rain when a sniper tries to shoot them while they are visiting the Lincoln Memorial (p. 107).  And, surprisingly, Norcia very nearly got the clothes the two of them are wearing, based on how they are described n the story.
 
Setting aside the hard-to-believe elements of the story, the book was actually a pretty solid read, with good pacing and a well-plotted mystery.  I would mark this as one of the better of the Nancy Drew digests.
 
RATING:  8 regular turkey and Swiss cheese sandwiches out of 10 for upping the ante a bit for Nancy Drew, giving her a more mature and far more dangerous mystery to solve than she is used to (in this series, at least!) 

Sunday, May 10, 2026

Nancy Drew Mystery Stories # 141 - The Wild Cat Crime

"Nancy faces a dangerous threat when danger is uncaged!'  (cover blurb)
 
"A hunt for missing cougar cubs leads Nancy into a sinister trap!" (back cover blurb)
 
It is interesting that Simon & Schuster would publish two Nancy Drew books back-to-back where Nancy and her best friends, Bess and George, are holding down jobs of sorts.  Since the series inception back in 1930, Nancy and/or her friends having an actual job, or even an internship, has been seen only on rare occasions; here were are, though, at the beginning of 1998, and Nancy and her friends can be found working - volunteering for an after-school program in the previous book (140 - The Door-to-Door Deception), and now interning at a local television station (Nancy and George) and at a zoo (Bess) for this book.  Although both volunteering and interning are jobs that normally come without any salary (it's not like Nancy needs money!), it is rather unique to find the girls doing something other than simply solving mysteries in their leisure time.
 
The Wild Cat Crime, published in February 1998, lets readers know from the very first page of the story that Nancy and George are interning at Channel 9 news (p. 1).  I believe this is the first reference we have ever seen of an actual television station, and it is further identified as "WRVH-TV" on the next page (p. 2).  The mystery, however, has little to do with their work at the television station; instead, the mystery comes from Bess's own summer internship at the River Heights Zoo - an endangered cougar successfully gave birth to four baby cubs, and shortly after one cub is thought to be missing (but is thankfully found having somehow gotten beyond the door into the habitat area), all four cubs disappear!  When Bess's boss, Sally, finds out Nancy is a detective, she asks her to look into the matter and find the cubs quickly, as they were still newborns who needed to be fed on a strict schedule or they could be irreparably harmed!  Needless, to say, Nancy is on the case.
 
What gives this story a bit of a twist - or should I say WHO gives this story a bit of a twist - is the investigative news reporter for whom Nancy and George work, one Christy Kelley.  Christy is not the easiest woman to work for, and Nancy and George have spent most of their internship doing menial jobs, barely saying one word to the girls since they started.  When Nancy shares the news of the cubs' birth with Christy, thinking it might make a good story, Christy takes it out of Nancy's hands, deciding it is best to do it with just her camera and sound men.  George believes Christy is jealous of Nancy, as she was hired because of her fame as a detective.  "Christy seems pretty ambitious," George tells her.  "She might be worried you do a better job investigating stories" (p. 4).  Thus, from the get-go, the reader knows that Christy Kelley is going to be a foil during the investigation.  One might say she is the "Brenda Carlton" character in the Nancy Drew Mystery Stories series (Brenda, for those who do not know, was a recurring character in the Nancy Drew Files series, which ended in 1997, and she was a reporter who was constantly causing problems for Nancy during her investigations).
 
The ghostwriter for this book definitely throw Nancy into one dangerous situation after another.  She and George face off against a deadly Cobra snake;  Nancy and Bess are on a monorail that derails right next to a hyena pen; Nancy is held by knife point by a store owner who mistakes her for the kidnapper; and Nancy is pushed into a cougar habitat with a deadly male cougar ready to attack!  Whoever stole the four cougar cubs is definitely not playing games!  There are suspects galore: Christy (who is said, more than one, bears a striking resemblance to Nancy) seems a little too determined to find those missing cubs before Nancy; Hawk, the cameraman, goes a little overboard in his defense against locking up animals in cages; Joey, the sound man, is evasive and acts very suspicious every time Nancy questions him about the day of the kidnapping; Eduardo Vallejo, the cat trainer who knows more about the cougars than anyone; Randy Thompson, the assistant vet, whose position gives him easy access to the cougars at any time (and he would know how to sedate the mother to nab the cubs!); and even Sally Nelson, the main zoo vet and the woman for whom Bess works.  While Sally seems to be the most unlikely suspect, we all know that in a good mystery, anyone can be the culprit!
 
While the story is very fast paced, due to the limited page count (149 pages with the not-so-small font), the mystery actually develops nicely, and the clues are somewhat subtle, so as not to be glaringly obvious to the reader.  It make for a pretty good read.  One of the things that did annoy me was the number of times George and Bess referred to Nancy as either "Drew" or "Nan."  I realize by the time this book was published in the late '90s, using nicknames, such as a last name or a shortened version of a first name, was a long-established thing, the Nancy Drew series has always, for the most part, given Nancy Drew a level of respect by having everyone refer to her by her proper name.  Calling her by a nickname may modernize the story somewhat, but I think it also takes away from the strength that her name gives the character.  I mean, even the director of the zoo, when he meets her, asks, ""Are you, by any chance, the Nancy Drew - the detective?" (p. 46).  This is a prime example of where the name really matters!
 
(On a side note, the author does manage to throw in a Sherlock Holmes reference, when Nancy first notices the monorail track, which lead "to a quaint, old-fashioned-looking train platform and station.  It looks like a station where Sherlock Homes might catch a train, Nancy thought" [p. 8].  Nice to see one great detective make mention of another!)
 
The gorgeous cover art is provided by Ernie Norcia, who, as fans of the digests know, provided the art for a large majority of these half-white covers.  The scene captures the climatic moment near the end of the mystery, when Nancy is pushed into the cougar habitat and must find a way to escape before a deadly male cougar makes a meal out of her!  Not so sure the outfit Nancy is wearing matches the clothing she had on in the story, but that black dress does work perfectly with the dark, night scene pained by Norcia, and her expression captures her realization of just how much danger she is in!
 
I would go so far to say that this is one of the better digests, as it provides a well-plotted mystery with characters who are not just cookie-cutter stereotypes.  I'd recommend this one.
 
RATING:  9 missing B-rolls of film out of 10 for a really wild mystery set in one of the most unlikely of places (let's face it - how many crimes really happen in a zoo?) - and Nancy had to match wits with a criminal who seemed to always be one step ahead of her! 

Tuesday, April 7, 2026

Nancy Drew Mystery Stories # 140 - The Door-to-Door Deception

 "Nancy's on a crash course with crime!"  (cover blurb)
 
"A very good cause puts Nancy in the middle of some very bad business!" (back cover blurb)
 
It's been quite a while since I've read any of the Nancy Drew digests (those paperback books published by Simon & Schuster as a continuation of the Nancy Drew Mystery Stories started by Grosset & Dunlap back in 1930).  Over the years, I have heard many fans of Nancy Drew make disparaging remarks about the digests, claiming they lack the quality of the original series, and that the stories are nowhere near as good as "the first 56 books" (which certain die-hard fans claims are the only true Nancy Drew canon).  However, having read (thus far) books 57 through 139 (and now, with this one, 140), I can say that a number of these digests have some very well-written mysteries, some of which I would consider superior to the last five or six mysteries published by Grosset & Dunlap. However, as the series progressed, the stories did start to become more hit or miss, with some not quite hitting the mark.  This, I would have to say, is one of those.
 
The Door-to-Door Deception is not your typical Nancy Drew fare.  This is more of a story about embezzlement and burglaries.  Nancy and Bess agree to join George, who has been volunteering with a local after-school program for junior high students (called "CARING"), unaware of the trouble they will soon find themselves facing.  It seems not only does CARING have another organization, known as "YES," that is competing with them for funding from the community, but one of the counselors and one of the teenagers are not too fond of Nancy and her friends.  When some incidents take place - such as hot sauce being put into Bess's water bottle and the brake on Nancy's inline skate being tampered with - Nancy suspects that the counselor and student may be pulling such stunts to get them to stop volunteering.  When George is accused of stealing some of the organization's funds, Nancy realizes things are much more serious than she realized.
 
Meanwhile, after Nancy is stopped by the police while trying to sell energy bars to raise money for CARING, she learns from her father that there as been a string of burglaries in River Heights, all during broad daylight.  Every home had belonged to wealthy families, and somehow the alarm systems had been bypassed by the thieves.  Of course, Nancy begins to suspect that her two cases might be connected (and let's face it - when has Nancy ever had two cases in the same book that were not connected?), and soon enough all of the clues lead her to the same place.  And while one suspect is clearly involved, I will say the ghostwriter for this book gives readers a bit of surprise with the other culprit - quite frankly, it was the last person I would have suspected being involved in the whole scheme!
 
This is another one of those books that seems to place River Heights in or around Chicago, Illinois.  The CARING center is said to be located "on the South Side, across the street from Washington Park" (p. 4).  In the real world, there is a Washington Park, which is a historic neighborhood and park located on the South Side of Chicago.  Later in the book, Nancy is selling energy bars on Markham Lane (p. 26) - while there is no Markham "Lane" in Chicago that I could find, there is a Markham "Avenue."  Thus, one can assume that either the ghostwriter is from or familiar with Chicago, or specifically chose identifying places from that area to keep River Heights central to the part of Illinois.
 
Food-wise in this book, Hannah is said to have prepared a dessert she calls "raspberry fool" (p. 87), which, as it turns out, is a real thing.  A little searching online reveals it is a traditional English dessert that is easy to make - you simply stir the berries, sugar, and liqueur together and let it sit for 15 minutes; whip up some cream with powdered sugar until soft peaks form; mash the berry mixture until the liquid and fruit are mashed together; spoon half the fruit into the cream, fold once or twice with a rubber spatula, add the remaining half of the fruit, and fold again - serve in glasses with crumbled cookies on top!  (Recipe taken from:  Pioneer Woman - Raspberry Fool).  Sounds mighty tasty, I might have to try this myself!
 
Something else I learned in this book is all about the game of "newcomb," a sport which the author spends pretty much an entire chapter going over how the kids played it (pp. 45-50).  Newcomb ball is similar to volleyball, in that two teams are on either side of a net and hit the ball over the net to each other - the major difference being, in newcomb, you catch the ball and throw it back - you don't hit it back.  I had never heard of this before, and perhaps that is because newcomb is not widely played today (although it appears to still be somewhat popular in some northern New England states.
 
The cover art for this book was provided by Ernie Norcia (who provided art for 21 of the 31 covers during this particular era of Nancy Drew).  The scene is drawn from the moment where Nancy discovers, to her chagrin, that someone has tampered with her skates, and the brake part has come loose, causing her to be unable to stop herself as she speeds downhill toward a riverbank (p. 99).  For me, this cover has always appeared awkward, not really providing the reader with any idea of what the mystery is about - I mean, let's be serious for a moment: Nancy stumbling while on skates does not truly scream "embezzlement" or "burglary" at all.  The only reason I can come up with as to why the publisher chose this scene for the cover is that the book does not really have any cliffhanger moments or spooky scenes; rather, this is one of those cerebral mysteries that depends more on Nancy's analytical side than any actual physical detecting (although there is a moment where someone grabs Nancy around the neck from behind and holds her in a headlock - p. 117 - but that might have been too much for a Nancy Drew cover).
 
This was not an overly exciting mystery, was not fast-paced at all, and the introduction of little Dino (a young boy who persistently wants to help Nancy solve the mystery) is rather annoying - he sort of reminds of Midge Watson, the little detective wannabe who attaches herself to Nancy in book 73, Enemy Match.  The character is not an integral part of the mystery, but rather, is used for nothing else other than to feed Nancy clues that she could have otherwise discovered through her normal detective work.  I applaud S&S and the ghostwriter for attempting to give readers a different type of mystery (hey, it's not sabotage!), but I feel like this one simply did not read like a normal Nancy Drew mystery - no suspense, no real danger, no truly dastardly villains.  But, here we are at book 140, so I supposed with this many mysteries in the series, they can't all be winners!
 
RATING:  6 shopping bags filled with dozens of CDs out of 10 for at least trying something different and introducing readers to a tasty new dessert to try! 

Thursday, March 5, 2026

Will the Real Carolyn Keene Please Stand Up - the Lives of the Creators of Nancy Drew

When I stumbled across this on Amazon.com, I was not sure if I really wanted to buy it.  After all, there are already a number of books out there about the "creators" of Nancy Drew - ones that focus on the Stratemeyer Syndicate itself, others that focus on Mildred Wirt Benson, and some that focus on the evolution and impact of the character, Nancy Drew.  Did I really need another one?  And I had no knowledge of the author, Christine Keleny, other than the brief information provided on Amazon about her.  So, I debated back and forth, but I finally listened to that insistent voice in the back of my mind that kept saying, "if you want all things Nancy Drew related, then you must have this," and I bought it.  Took me a bit before I finally picked it up and read it, but now, I can honestly say, I am so thoroughly glad I bought it, because this book is not just another analytical study of the individuals who created and wrote Nancy Drew - no, this book is actually a well-written, well-researched prose biography of the three people who had the most influence in the character of Nancy Drew - Edward Stratemeyer, his daughter Harriet, and his young ghostwriter, Mildred Wirt!
 
Will The Real Carolyn Keene Please Stand Up gives fans a fresh new look at the history of Nancy Drew's creation. For a character that has been around for nearly 100 years, with new stories continuously published over the course of those nearly ten decades, Nancy Drew has had plenty of books look at her creators, her longevity, her enduring appeal, her pop icon status, and just about every other aspect you can think of as it relates to the girl detective.  Authors like Melanie Rehak, Michael G. Cornelius, Carolyn Carpan, Bobbie Ann Mason, LuElla D'Amico, Emily Hamilton-Honey, Geoffrey S. Lapin, and many others have offered so much insight over the years with books, essays, and countless hours of research on the subject of Nancy Drew and her creation; yet, surprisingly, in all of that time, not once has there ever been a historical look at those creators told in a prose, biographical fashion.  Until now.  Author Christine Keleny (Christine Keleny Books) is not only a writer, but she is also an editor, book designer, and publisher, whose works cross into historical fiction, mystery, adventure, and memoir.  This particular book, while offering well researched biographies on Stratemeyer, Adams, and Wirt-Benson, is also infused with a certain level of historical fiction - since a lot of the conversations and character-thoughts expressed throughout the book are not necessarily factual - but based on everything we knew about these three, they very well could be!
 
Keleny opens her book in the most obvious place - the now-infamous 1980 trial that resulted from the lawsuit filed by Grosset & Dunlap against the Stratemeyer Syndicate and Simon & Schuster over the rights to Nancy Drew, Hardy Boys, and the numerous other series G&D had been publishing for the Syndicate for more than half-a-century.  An aging Harriet Stratemeyer Adams is on the stand, being questioned regarding the creation of Nancy Drew and the books' original author, which sends Adams on a trip down memory lane ... a trip that the reader gets to follow as we turn back the pages of time to 1887, when a young Edward Stratemeyer is striving to become an author, feeling it in is veins, despite his father's and brother's attempts to dissuade him to pick a more steady career.  The book progresses at a fairly fast rate, as we jump ahead one, two, three, or even more years at a time, following Edward as he meets his wife ... as he begins selling his stories ... as he has two daughters ... as his books become so popular he creates a syndicate of writers to help him get his ideas into book form faster.  We read how the twentieth century saw a huge rise in the success of his children's series - The Rover Boys, The Bobbsey Twins, Tom Swift, Ruth Fielding, and many others, eventually leading to 1927 and the publication of The Hardy Boys.  This, as we all know, led to his creation of a companion series for girls, a girl detective that only one person could write - a young ghostwriter who had taken over the Ruth Fielding series for his Syndicate - Mildred Augustine Wirt.
 
Keleny alternates between the various players.  Some chapters focus on Edward, while others look at what Mildred was doing, while others take a look at Harriet and her sister, Edna.  Keleny's story is so well-written, that the reader can visually picture each of the characters as they act and speak on the page, and honestly, this would transition so beautifully into a movie, or even a television mini-series.  Edward, Harriet, and Mildred are all developed far beyond their typical "this is what research tells us about them" found in most books; instead, we get living, breathing characters with emotions, with hopes and dreams, with frustrations and losses, with times of happiness and times of mourning.  Yes, the scenes portrayed throughout the book come from the Stratemeyer Records on file with the New York Public Library ... from the Iowa Women's Archives at the University of Iowa ... from researchers such as Geoffrey S. Lapin (to whom the author credits having done considerable work to uncover Wirt's connection as the original author of the Nancy Drew books) and James Keeline ... and to the descendants of the Stratemeyer family itself ... however, they are expressed through a prose tale that draws the reader in until, just like the children's series that are the subject matter of these individuals, he or she cannot help but turn page after page after page to see what is going to happen next!
 
The one thing I think Keleny does perfectly with this book is acknowledge the fact that there was never just "one" Carolyn Keene.  Sure, Edward Stratemeyer created the idea and the initial outlines for the Nancy Drew series.  Sure, Mildred Wirt (Benson) wrote the original books in the series.  Sure, Harriet Stratemeyer Adams took over the character and molded her into the later image that so many adults today remember her as.  Yet, it was not just one of these three that "created" Nancy Drew; rather, it was the amalgamation of all three - Stratemeyer, Wirt, and Adams - that ultimately defined Nancy Drew and gave her the characteristics and charisma that has helped her endure for nearly 100 years non-stop.  While so many other series fell away, many long forgotten - Nancy Drew is still at the forefront, still recognized as the quintessential girl detective (let's face it - any book, any movie, any television show that features a female detective will always make at least one, if nor more, reference to Nancy Drew).  And this book is the perfect story of how these three individuals, in their own special ways, combined to make (literally!) the world's greatest amateur female detective.
 
Now, for all this praise (and I really did enjoy the book!), that's not to say it's perfect.  It is always a bit off-putting when I come across grammatical errors or misspellings in a published book - and this book had a number of them.  When talking about the gala thrown by Simon & Schuster after they took over publication of the Stratemeyer properties, it states, "[w]asn't Nancy's popularity proven at the gala 15th anniversary party put on by Simon & Schuster for Nancy Drew..." (p. 5).  This was actually referring to the 50th anniversary gala. Later, when we read about Edward acting out a story he is writing, his wife "knew that this roll-playing was important to Edward..." (p. 20).  I believe the author meant "role" playing.  These are only a couple - there are others that could be listed, but it is a reminder that books are no longer edited with precision as they used to be.  While these are small things, and they don't make the book any less readable, they do (for me, at least) present a jarring moment, at which I'm taken out of the story as my mind immediately focuses on the error.
 
As an aside, Keleny does throw in a moment of Hardy Boys history for us, as she gives us a few pages of Leslie McFarlane and his first communications with Stratemeyer (pp. 108 - 114), which ultimately led to his taking on the Hardy Boys books, and later, the first few Dana Girls stories.  There are also moments with members of the Garis family, as well as the addition of Andrew Svenson as a partner of the Syndicate.  Thus, the author gives readers a well-rounded story of everything that was going on in the lives of these three creators, and how it all impacted their work on, and in Harriet's case, her utter devotion to Nancy Drew.
 
Who was the real Carolyn Keene?  Well, once you read this book, I believe you will be in a much stronger position to answer that question, and you will be sparked to delve deeper and do your own research and studies to get a better understanding of everything (and everyone!) that went into creating our favorite teen detective!  Is every word of this book true, and did every thing that is described in this book actually take place the way it is written here?  Probably not.  But that does not in any way lessen this book's value in the annals of Nancy Drew studies, and it certainly should not detract from anyone's enjoyment in reading the story.  
 
RATING:  10 last ditch attempts to sell the Syndicate out of 10 for a well-researched, superbly written story of the lives, loves, hardships, and successes of the three individuals who, in one way or another, created Nancy Drew.

Monday, June 2, 2025

Dana Girls Mystery Stories No. 3 - In the Shadow of the Tower

Book three of the Dana Girls Mystery Stories is author Leslie McFarlane's third entry into this girls' series from the 1930s, and I can see from this book how McFarlane was struggling with his writing of this series.  In the first two books, the stories flowed fairly well, and there was plenty of excitement and fun to move the story along; however, this book had considerably more unnecessary exposition that was not readily seen in the first two.  Perhaps he was simply more comfortable writing stories about boys, or maybe he simply could not settle into a groove with the Dana Girls; whatever the reason, this third book falls a bit short from the first two, with too many mysteries and too many convenient coincidences.
 
In the Shadow of the Tower
continues the time line of the Danas, with this story being set in December (after the first book was September and the second was November).  The story center around a young girl who the Danas not only befriend but offer to help after accidentally causing her to lose a very important letter that also contained a thousand dollar bill (yes, you read that right!).  I have to admit, I was rather surprised to think that this girl, still in her teens, would be carrying around a thousand dollar bill in the early 1930s!  In today's money, that bill would be worth nearly $24,000!  Can you imagine carrying that amount of money with you everywhere you went?  But, that's exactly what Josephine "Josy" Sykes was doing when the Dana Girls happened upon her in the woods near Mohawk Lake.  Now, it is up to Jean and Louise to find that letter and the missing money and restore them to their rightful owner.
 
The story has some very odd elements to it.  First, when the Danas first see Josy, because of her deformity, "a hump that distorted [her] back, giving [her] a grotesque and dwarfed appearance" (p. 3), and the tattered clothes she is wearing, they mistake her for a boy.  They quickly learn Josy is a girl who ran away from the Home for Crippled Children at Bonny Lake (p. 13).  She ran away because at the same time she received the letter from her uncle with the money in it, the cash proceeds from a charity to benefit the Home was also stolen, and Josy was afraid she would be accused.  The sisters agree to help her, of course, but they find it will not be easy, because upon their arrival at Starhurst, Lettie Briggs and Ina Mason are the first to see Josy and immediately make fun of her, causing her to run off.
 
Throughout the entire book, there is an emphasis on Josy's hunchback and deformed nature, causing people to shun her, make fun of her, be shocked at her appearance, and fear her.  In fact, one of the characters in the book - Mammy Cleo, a cook - describes her as a "supernatural creature" that is "twisted and deformed" (p. 56).  McFarlane goes on to write how "the colored folk in the vicinity ... built up monstrous and weird legend" about Josy and her appearance (p. 71).  All of these descriptions and reactions would lead the reader to believe that Josy is horridly disfigured and frightening to look at, and so, I thought it admirable that the Danas overlooked her physical appearance and offered her their friendship and their aid in finding the missing money.  But then, at the end of the book, once the girls have successfully solved all the mysteries (and there are plenty of them in this book!), we suddenly learn that Josy's deformity is not so bad after all - "[w]ith the help of the Dana girls she had done some shopping ... New dresses had been chosen so that her deformity was scarcely noticeable. Happiness and good fortune had erased the pitiful lines from her face, and her natural attractiveness had been given a chance to assert itself" (p. 205).  Utterly amazing what a beautiful dress can do for a girl - transform her from a grotesque girl with a distorted back to a naturally attractive girl whose deformity was barely noticed!  (I realize there is a high level of sarcasm there, but such a transformation defies all ability to believe - and we cannot blame McFarlane for this one, as the change was specifically dictated in the outline from Edna Stratemeyer Squier.
 

Another strange thing about this book is the mystery surrounding the stolen money at the children's home. The Danas assure Josy they will find a way to clear her name and solve that mystery, and more than once, a nurse taking care of Constance Melbourne (an artist who lives next to Bessie Marsh, the Danas' cousin with whom they visit during the Christmas holidays), tells Jean and Louise she believes a Mrs. Rita Rye, a Trustee for the home, is the guilty party.  At no time during the entire book do the Dana girls actually visit the Home for Crippled Children at Bonny Lake, but suddenly, in the very last chapter on the next to the last page, the Danas announce that Josy has been cleared and the "real thief has confessed" (p. 216).  The thief did, indeed, turn out to be Rita Rye, who admitted to taking the money to pay overdue bills (p. 216).  For something that played such an important factor in Josy running away, one would have thought it would have made for a good mystery for the girls to solve; instead, it merely becomes an afterthought, mentioned only in passing at the very end to tie up that loose end.
 
Yet another mystery in this book centers around a stolen piece of art, painted by Ms. Melbourne.  A scam artist by the name of Claude Fayle, steals the portrait and passes it off as his own at an art show in the city of Majestic.  As it just so happens, Mrs. Crandall has plans to take the girls of Starhurst to that very art show.  And, by pure coincidence, Mrs. Crandall has invited Mr. Fayle to the school to discuss his art, unaware that the Dana girls have already met him and know he is a thief and a fraud.  This part of the mystery actually plays up nicely, as the sisters have a difficult time meeting Mr. Fayle and accusing him of his theft, and it ultimately becomes a climactic revelation made at the art show itself, just as Mr. Fayle is about to be awarded a medal for the portrait.  Of all the mysteries in this story, this one was probably the one I most enjoyed reading. 

One thing I do want to make note of is that this book features the internal illustration upon which the end pages for these early Dana Girls books was based.  The illustration by Ferdinand Warren inserted between pages 66 and 67 of the story features Jean and Louise finding a note from Josy left under their door at their cousin's house (see illustration to the left here).  It depicts Jean kneeling down to pick up and read the strange note, while Louise stands behind, looking over her shoulder.  The same scene was redrawn (whether by Warren or not is a good question) and expanded upon for the double-spread end pages (see above).  The end pages go beyond the door shown in the illustration and give way to a chair, a painting on the wall, and a grandfather clock standing beside them.   We also get a better view of Louise in the end pages, as she is closer to the wall, so that we can see her full face rather than a hidden profile as in the internal illustration.  

Last, but certainly not least, I must point out McFarlane's habit of inserting the name of the book into his mysteries.  In the first two books, the titles were casually inserted into dialogue at the very end of the story.  In this book, however, McFarlane really outdid himself - he managed to work the title into the story not once, not twice, but a total of NINE TIMES!  And this does not even count the title to Chapter XVI ("The Shadow Beneath the Tower").  

        p. 56 - in the snow "in the shadow of the tower"
        p. 86 - transpiring "in the very shadow of the tower"
        p. 93 - I wonder if she is down there "in the shadow of the tower"
        p. 93 - there was no one "in the shadow of the tower"
        p. 140 - "in the shadow of the tower" Josy was restored
        p. 143 - girls were standing "in the shadow of the tower"
        p. 214 - "shadows" fell across ... "beneath the shadow of the tower"
        p. 214 - down "in the shadow of the Tower" she saw movement
        p. 214 - I just saw them "in the shadow of the tower" 

I almost had to wonder if perhaps this phrase should not become a drinking game (although, if it did, I think most readers would become quite drunk before they finished the book!).  

Of these first three books in the Dana Girls' series, I have to admit, this was my least favorite.  There was too much going on, a couple of the mysteries were solved as mere afterthoughts in the last three pages of the book, and the miraculous manner in which Josy went from grotesque to attractive by just donning a beautiful dress was too much for me. Plus, I miss the practical jokes / pranks that the Danas and Lettie pull on one another.  This particular book only had one attempt at a joke, and the sisters easily defeated it.  We will have to wait and see what McFarlane's final Dana Girls book has in store when we read the next book in this series!
 
RATING:  7 radio dramas set on the Florida coast out of 10 for at least trying something different with this mystery - a handicapped child, a village of superstitious folk, a sleazy con artist, a missing relative, and a thousand dollar bill!

Tuesday, May 6, 2025

Dana Girls Mystery Stories No. 2 - The Secret at Lone Tree Cottage

The journey through the Dana Girls Mystery Stories continues with this second book, published alongside By the Light of the Study Lamp and In the Shadow of the Tower as the breeder set for this series in 1934.  Written by Leslie McFarlane, author of original Hardy Boys stories, this is the second of the first four books in the series that he wrote (after which, Mildred Wirt took over the authorship of the series).  From everything I've read and heard, McFarlane did not enjoy writing this series at all; yet, what I find strange, is that I like these stories far better than I do his Hardy Boys stories (don't shoot me, Pam!).  I feel like Louise and Jean Dana have a lot more personality than the Hardys, and the constant antagonism between the Danas and Lettie Briggs is so much fun to read!  This second book serves as a great follow up to the sisters' first mystery.
 
The Secret at Lone Tree Cottage
takes place a few months after the conclusion of the first mystery.  In Study Lamp, the girls were just starting their new school year at Starhurst; in this book, it is November (p. 96), and the Thanksgiving holidays are just around the corner (p. 144). I like this type of continuity in a series, and it appears the Syndicate made this decision to follow the seasons, as the reference to Thanksgiving appears in the outline written by Harriet Stratemeyer Adams (which outline, it must be noted, was considerably more detailed and quite a bit longer than Edna's outline for the previous book!).  Moving time forward in a sequential manner such as this gives the books a sense of realism that helps overcome the fact that the Danas (like the Hardys, Nancy, and so many other series sleuths) never actually age, despite moving through the seasons and holidays year after year after year after year.  Ruth Fielding and Judy Bolton are just two of the few series book sleuths who actually did age as their respective series progressed.
 
The mystery this time around involves their English teacher, Miss Amy Tisdale, who disappears after receiving a strange note in class one day.  Louise and Jean think it odd, and so they decide to track down their teacher, especially after her parents reveal that Miss Tisdale did not come for a visit over the weekend as she normally does.  The Danas are already aware that Miss Tisdale has a twin sister, Alice, that is estranged from the family, and when following up on a lead in the small town of Hilton, the girls discover Mrs. Alice Brixton, their teacher's twin!  Of course, they discover the woman after finding her toddler daughter lost in the woods on the way to Hilton.  It is those series book coincidences that always help our favorite sleuths solve their mysteries!
 
It is a fairly interesting mystery, with somewhat cryptic clues, including coded messages that Miss Tisdale sends to her teacher where one must read every fourth word of the note in order to get the "real" message being sent!  The girls are determined to locate Miss Tisdale, even engaging the assistance of their Uncle Ned, who is only too willing to drive from Oak Falls to Penfield to help his nieces.  The fact that the kidnapper - one Sol Tepper (p. 36) - portrays himself as the injured party, having been cheated out of money by his former business partner, Mrs. Brixon's deceased husband, leaves the readers and the Dana Girls wondering how far he will go in order to get what he believes he is deserved. Ultimately, he also kidnaps Mrs. Brixton's young daughter to use both her and Miss Tisdale as bargaining chips.  When you stop and think about that, it makes you realize just how "adult" of a story this mystery could truly be!
 
As with McFarlane's first entry into the Dana Girls' series, this second book also features some pranks played between the Danas and Lettie Briggs. When the sisters leave Miss Tisdale's car parked just outside the school's entrance, Lettie secretly moves it, so that the Danas believe the car has been stolen (pp. 65); later, when a private detective hired by Miss Tisdale's mother shows up at the school to talk with the Danas, Jean informs Lettie a man is there to see her, causing the girl to make a fool of herself before the private detective (pp. 119-21); and later yet, when the sisters purchase all the food necessary to make a good Thanksgiving dinner for Mrs. Brixton and her daughter, Lettie slyly steal the food and replaces it with rocks inside the container (pp. 151-53).  What is odd about the last trick is that the "mystery of the vanished dinner was forgotten (p. 154), and Lettie is never truly revealed as the culprit or made to reveal what she did with the food (did she throw it out? did she give it to the cook? did she simply eat it herself?).
 
And since we are on the topic of the Danas driving Miss Tisdale's car, for two girls who do not have a car of their own, they certainly manage to find transportation to use in the course of solving mysteries.  In the first book, they had free use of Mrs. Grantland's car, and now, in this story, they are given use of Miss Tisdale's car until they are able to locate the missing teacher.  Although, before they gain use of the car in this book, they are forced to walk quite a distance to the town of Hilton in order to follow in the steps of their teacher (pp. 16-17).  McFarlane seems to be spatially-impaired in his storytelling, just as Mildred Wirt was time-impaired, as he writes about Louise and Jean walking distances in a relatively short amount of time, but later in the same book, he describes how they drive these distances, and the driving takes a bit of time (in the first mystery, it was their trips to the park; in this mystery, it is the girls' trips to Hilton).  
 
McFarlane does include some references to Charles Dickens' classic tale, David Copperfield, which is a book that Jean is having to study in her English class (p. 10).  The book is mentioned several times throughout the story, and in one instance, makes a point of discussing the tempest scenes from the book, with Jean shuddering at "what a squall that was" (p. 72).  This is a bit of foreshadowing (given McFarlane in the outline), since the girls, along with their Uncle Ned, later face quite a dastardly squall of their own while going up and down the river next to Hilton in search of Miss. Tisdale (pp. 98-99).  Of course, that buffeting snowstorm is not their only danger, because they are also faced with a speedboat heading straight for them, threatening to crash right into them (p. 99).  It is quite the coincidence, since McFarlane had a similar near-miss of a boating accident in The Hardy Boys' The Mystery of Cabin Island, only that was with ice boats instead of speedboats.  However, the boat incident in this book is detailed in the outline, so one cannot say McFarlane was simply recycling ideas - he was merely following the outline.
 
One thing NOT in the outline that McFarlane seems to enjoy doing is inserting the title of his mysteries into the story itself.  If you recall, at the end of the first book, the comment was made how the Danas would never forget how precious the jewels looked "by the light of the study lamp."  In this book, not only does Uncle Ned remark at the end that they must hurry home to Aunt Harriet because she will want to hear all about "the secret at Lone Tree Cottage" (p. 218), but earlier in the book, the author has the girls find their uncle waiting for them in their dorm room, reaching a newspaper "by the light of the study lamp" (p. 154).  I will be curious to see if, in the third book, McFarlane manages to find a way to integrate all three titles into his story!
 
Finally, something that takes place in the story I can't ignore is when Jean and Louise, along with Mrs. Crandall, come across a cabin deep in the woods, not far from the river.  They see Miss Tisdale in an upstairs window, but they are too far away to hear her or for her to hear them.  So, Jean quickly says, "I'll try sign language" (p. 130), at which point she holds "up her hands and [makes] motions with her fingers such as deaf mutes use" (p. 130).  At no time has it ever been mentioned that Jean knows actual sign language, nor do I ever recall her using it again over the course of this series.  I know people often joke about how Nancy Drew can do anything, knows every language, etc.; but I was not aware that the Dana Girls also had that same gift.  Being an interpreter for the deaf and knowing American Sign Language, this scene stuck out to me, and I wish the Stratemeyers had made use of this talent in Jean and wrote a story that actually did involve some deaf characters, so that Jean could have truly made use of her gift.
 
The internal illustrations are once again provided by Ferdinand E. Warren, and a couple of them offer up some dramatic scenes - from Miss Tisdale narrowly missing a man waiting in the road, to the girls and Mrs. Crandall facing off against some rather vicious guard dogs, to Jean being pushed off of a moving vehicle!  The details of the illustrations from these early series books are so vibrant, and it is a shame they eventually moved away from fully painted illustrations to simple like pictures that eventually began to resemble nothing much more than stick figure drawings.  Warren also provided the "shadow" illustrations for the cover collage. I am not sure who provided the cover art when the format was changed to the wrap-spine edition; however, this book did have a brief run as a free volume during Grosset & Dunlap's "This Volume Free" promotion, where anyone buying the first book in the series would get the second volume for free.
 
This second volume of the Dana Girls Mystery Stories proved to be just as entertaining as the first, and I am enjoying reading a series where the girls do not necessarily have all of the freedoms of their contemporaries, such as Nancy Drew and the Hardy Boys - while the girls do seem to come and go as they please quite a bit, those choices are not always without consequences, and often times it takes begging and pleadings, or for intervention by their Uncle Ned, before they can gain permission for their excursions.  I also am enjoying the playfulness of Jean, the spitefulness of Lettie, and the sternness of Mrs. Crandall.  These characters feel a bit more than just cardboard, copy-cutouts of Nancy Drew or the Hardy Boys.  The Dana Girls have their own personalities with restrictions that seem similar to Trixie Belden than other Stratemeyer sleuths!
 
One final note - it appears there was a spelling error on one of the internal illustrations with the first printing.  The scene where Jean jumps on the running board of Tepper's car, and he then pushes her off before he gets going (page 186) - in the first printing, the tag line below the illustration says he "threw JOAN from the machine" rather than "JEAN."  It was obviously caught right away, because the printings thereafter show the correct spelling her name as "JEAN."   As you can see from the illustration to the right, the name is "JOAN" rather than "JEAN." Compare that with the corrected illustration shown above in this blog post.  Not sure if this was a publisher error or an editor's error (honestly, I'm not even sure who creates these tagline for the internal illustrations); but I think this is the first time I've ever seen a series book with a glaring error like this on an illustration.  Definitely an oddity to keep en eye out for!
 
RATING:  8 games of mental algebra out of 10 for a fairly challenging mystery that was less about the "whodunnit" and more about finding the missing person!

Wednesday, April 9, 2025

Dana Girls Mystery Stories No. 1 - By the Light of the Study Lamp

Now that we finished the Penny Parker series, our reading group tossed around ideas on what series to start on next, and those spectacular sister sleuths, The Dana Girls, won the vote.  Looking back, the idea for the Dana Girls came shortly after the success of Nancy Drew in 1930.  In August 1932, Grosset & Dunlap agreed to move forward with another series written under the pseudonym of "Carolyn Keene" - after all, her Nancy Drew series was a success, so why not take advantage of that author's name while the property was still hot?  It was not until December 1932, however, that Harriet Stratemeyer Adams wrote to Syndicate ghostwriter Leslie McFarlane to ask if he was interested in writing books for a new girls' series.  McFarlane, best known for his work on the Stratemeyer's other popular series, The Hardy Boys, agreed to take on the project (he needed the money).  Thus, in January 1933, McFarlane received a sample book (which was none other than a copy of the first Nancy Drew mystery, The Secret of the Old Clock), as well as the outline written by Edna Stratemeyer Squier.  And with that, The Dana Girls were born!
 
By the Light of the Study Lamp
is the first of The Dana Girls Mystery Stories, published in 1934, along with the second and third books of the breeder set.  The title is definitely not what one would consider a typical mystery title - there is no "mystery" or "clue" or "secret" anywhere in the name! - but it certainly conjures up some unusual, almost gothic imagery.  In fact, the 1949 wrap-spine dust jacket cover for this book (which was taken from the third internal illustration of the original printing) provides an almost gothic scene - a dark mansion in the background, with a light in the upper window, and a young girl (well, in this case, two young girls) in the foreground.  And, of course, the story itself has some minor gothic tropes, what with the hidden panels, double identities, and the missing fortune.  The mystery itself, though, is not gothic at all.

McFarlane does a decent job introducing all of these new characters to his readers.  Louise Dana is "a pretty, dark-haired girl of seventeen" (p. 1), while her sister Jean has "fair hair" (p. 1).  The girls are described as orphans, living with their Uncle Ned and Aunt Harriet (p. 3).  We know from outlines and other documents that the Syndicate provided the character names, but one has to wonder if the names for the uncle and aunt did not come from Edward Stratemeyer ("Ned") and his daughter, Harriet Stratemeyer Adams ("Harriet").  It would be too much of a coincidence for them not to be.  In any event, Uncle Ned is the girls' "bluff, elderly relative" who was the "captain of the great Atlantic liner Balaksa" (p. 3).  Their Aunt Harriet is "a good-natured, attractive maiden lady in her middle forties" (p. 3).  This is one of those rare times when a series book plainly sets forth the age of on their adults - usually they are simply described as older or elderly or middle-aged or some other vague reference.  Readers are also introduced to Ben Harrow, the "stuttering hired man" who is also said to be clumsy (p. 3), as well as Cora Appel, the Danas' maid whose "aggravating stupidity ... kept life interesting for Aunt Harriet" (p. 3).   The maid, who is affectionately nicknamed "Applecore" by the girls, is also described as "buxom" and "red-cheeked" (p. 6).   Buxom, by definition, means a plump woman, normally one with large breasts.  I was surprised to see such a description in a children's series book, but being written by a man, I suppose it should not be surprising that such an attribute would be focused upon. And with that, readers are prepared to enter the world of The Dana Girls and follow along as they find themselves embroiled in their very first mystery!
 
The mystery begins by the end of chapter one, when an antique lamp that Uncle Ned had delivered to the house as a gift for Louise and Jean before they head back to school at Starhurst School for Girls is stolen.  The girls decide to try and follow the thief, which takes them into Oak Falls to a rather seedy second hand shop owned by Jake Garbone, who is described as a "stout, swarthy individual with beetling eyebrows, dark eyes, nose like a beak, [and a] thin, cruel mouth" (p. 17).  The description alone is enough to set off warning signals in the reader's mind that this man is going to be a villain.  And that name - "Garbone."  Perhaps it was a deviation of the name, Paul Bonnaventure Carbone, who was a well-known criminal in the Marseille underworld from the 1920s until the 1940s, when he died.  In any event, the girls head back home by taking the river road, which runs along Oak River, described as "a rough, tumultuous body of water that rin swiftly between high, rocky shores that became sheer cliffs in many places ... [and] ended in the roaring cataract known as Oak Falls, a wild, fifty-foot plunge of foaming water" (p. 25).  Interestingly, there is a real town of Penfield (where Starhurst is located) in New York, which has a park that runs along Irondequoit Creek, "where it drops over 90 feet in the course of one mile. The relatively steep drop in an otherwise flat region leads to some interesting rapids along its path towards Irondequoit Bay and eventually Lake Ontario" (Waterfalls - Channing H Philbrick Park).  Is it possible this area was used as the inspiration for the fictional Oak Falls and its river and waterfall?  This trip ultimately leads them to save the life of a man and his dog - the man turning out to be a friend of Uncle Ned's who becomes a very integral part of the mystery.  The dog, on the other hand, must be supernaturally enhanced, as the girls see the dog hit by a car, watch as it flies through the air; in fact, McFarlane describes the scene by saying the dog was struck with such force that it was thrown clear of the road, rolled down the side of the cliff, and lands with force in the torrent of water below (p. 27).  Yet, miraculously, that dog walks away without one scratch!
 
Louise and Jean head off to Starthurst, where it turns out they are in the same grade (even though Jean is one year younger than Louise - sort of a mirror version of the Hardys, who were one year apart, yet in the same grade).  They meet four of their friends - Nell Carson, Doris Harland, Ann Freeman, and Margaret Glenn - on the train to Penfield.  It is rather amusing that the names of the four friends also happen to have connections to series books:  NELL Speed is a pseudonym used by the Syndicate; DORIS Force is a four-book series written by the Syndicate; ANN Sterling is another series; and MARGARET Penrose is yet another pseudonym.  Again, it could simply be a coincidence (I mean, let's face it, these series books basically depend on coincidences to get the mysteries solved!), but in real life, coincidences are few and far between.  Regardless, the train also furthers the mystery, when the girls witness a gypsy-like woman try to steal a wealthy woman's suitcase (pp. 60-61) and are able to prevent the theft.  The woman, Mrs. Grantland, ultimately plays an important part in the story, as it is revealed an expensive ring of hers was taken by the gypsy, and she aids the girls by allowing them use of her car (which is rather surprising, since she really does not know them - I suppose people were far more trusting back in the 1930s than they are now!).
 
At the school, readers are introduced to Mr. and Mrs. Crandall, who operate the school.  Mrs. Crandall is basically the one in charge, as her husband is more focused on a book he is writing about Ancient Greece (p. 62).  The name "Crandall" has both Irish and Welsh origins, meaning "ravine" or "iron dell," or in some cases, interpreted as "water course."  This is an interesting choice of names, considering the girls' earlier rescue of Franklin Starr from the rapids of Oak River just a few chapters earlier!  And here we also get to meet, for the first time, a character that plays an important part in the Dana Girls' lives through the rest of the series - the one, the only, Lettie Briggs!  The Dana Girls' life-long nemesis is said to be "a tall, anaemic girl whose arrogant, snobbish manner" made her unpopular with the girls at the school (p. 63), and she makes it clear her father is worth $10 million (p. 65), which is unbelievable for that time, as that would equate to more than $230 million in today's dollars!
 
The mystery heats up when the girls stumble upon their lamp at a thrift store in Penfield, where they buy it back (much to Lettie's chagrin!) and put it in their room at Starhurst (which also happens to be the very room Lettie thought she was going to get - yet one more reason for her to hate the Danas!).  The lamp seems to hold a lot of interest for a lot of people.  Lettie wants the lamp for herself, having seen it in the shop but not wanting to pay $10 for it; a handyman at the school seems to have taken a keen interest in the lamp, as the girls catch him looking at the lamp every time he is in their room (as depicted in the frontis piece illustration); and even Garbone and the gyspy woman, who turns out to be his sister, Fay Violette, are anxious to buy back the lamp, indicating it was sold to the thrift store by mistake and rightfully belongs to them. That name, Fay Violette, is interesting and begs the question if it was not perhaps taken from the song "Pretty Violette," which was sung by a young woman named Fay Templeton in New York during the late 1800s and early 1900s.  Again, the coincidence and timing are a bit much to be pushed asie.
 
Getting back to the focal point of the mystery, Lettie does manager to get her hands on the lamp, and as a trick, she gives it to the school's cook as a gift; the Danas find out and get it back, but Jean, as a way to get even, adds some very hot red pepper to some cream puffs the cook has just made and gives them to Lettie and her toady friend, Ina Mason (p. 106).  This is quite amusing, as you would never see Nancy or her friends taking such action against someone who wronged them.  This actually gives Louise and Jean a little bit more personality than their sister sleuths, as it reveals a more natural, human side to their characters. 
 
The story evolves as the Danas, besides trying to learn the secret of the study lamp, also seek to aid a young girl at their school, Evelyn Starr, who is on the verge of having to leave due to a lack of money.  Yes, this turns out to be Franklin Starr's little sister (another coincidence!  what a shock!), and it eventually all ties into that antique study lamp, which provides Evelyn Starr with the means to stay at Starhurst and sets up her and her brother for many years to come.  And, oh yeah, that dastardly Jake Garbone and his thieving sister both end up in police custody, where they belong, and Mrs. Grantland's expensive ring is recovered and returned to her.  All in all, the Danas do a superb job of wrapping up their first mystery, and McFarlane finds a way to integrate the title into the very last line of the book, as Louise says, "I'll never forget how those precious jewels looked by the light of the study lamp" (p. 215).  However, just because they solve the mystery in spectacular fashion does not mean the story does not have some rather ... questionable ... moments!  Probably one of the biggest takes place in Chapter Nineteen, when Jean walks to the telegraph office in Penfield to send a message to Uncle Ned; when she returns to the school, she tells Louise she came back by way of the park where she saw Jake Garbone (p. 157).  The girls want to catch the man, so they borrow Mrs. Grantland's car (p. 158), and Louise drives the car through the traffic of Penfield until they are "speeding along the highway" that leads out of Penfield to get to the park before Garbone leaves (p. 159).  Now, I ask - how in the world did Jean walk, or even run, by the park and get back to the school so quickly, whereas the Danas are forced to use a car and drive outside of Penfield in order to get to that very same park to catch Garbone before he leaves?  Is Jean bionic, by chance, and she can run as fast as any car can drive?  Either that, or the distance and timing somehow changed between Jean's visit to the park and the girls' trip back to the park.
 
I will say, though, the girls' trip to the park does warrant a mention, as it is there the girls discover a pocket watch dropped by Garbone, which coincidentally (here we go again!) has an inscription to Franklin Starr.  The title to that particular chapter happens to be "The Clue of the Watch" - a title that, perhaps, pokes a little fun at the title to the very first Nancy Drew book, The Secret in the Old Clock?  And the internal illustration for that scene, when Garbone happens across the girls just as they discover the watch, bears an uncanny resemblance to an illustration from the Nancy Drew book, The Password to Larkspur Lane (p. 101), where Nancy is kneeling on the ground as a man comes barging through the bushes towards her.  In fact, oddly enough, another illustration in this book (from page 112) showing the girls watching as a man creeps up on the school is extremely similar to another illustration from Larkspur Lane (p. 9), where Nancy and Hannah are watching a man running up to the front door of the Drew house.  Larkspur Lane came out just one year prior to this book, so the question becomes: is it simply coincidence (again????) or did artist Ferdinand E. Warren, who illustrated this first Dana Girls mystery, take some inspiration from those earlier illustrations.  
 
And while we are looking at the illustrations from this book, the fourth illustration, which shows the Danas looking into Mr. Garbone's second hand store through the front window, is somewhat the same as one of the later illustrations in The Clue in the Old Album, when  Nancy, George, and Bess are looking through the window of the antique store and see one of Mrs. Struther's dolls.  Now, there is no denying that Warren's illustrations in this book are gorgeous.  The black and white drawings are highly detailed (take a look at the scene of the sisters looking into Garbone's store for an example - the backwards lettering on the window, all of the items on the window shelf, the car in the background, the stores across the street, the clothing, the overhead lamp, etc.), and the girls (Jean and Louise) look far closer to their ages than Nancy and her friends do in the Tandy illustrations throughout those early Nancy Drew books (where Nancy and her friends appear to be closer to 30 than 18!).  Warren (1899 - 1981) was a rather well-known artist later, being commissioned as the only artist to ever paint a posed portrait of the poet, Robert Frost.  Later still, he was chosen by NASA to paint the launch of Apollo 14, a rather prestigious honor!  He received numerous awards for his work, and he has paintings displayed in numerous galleries throughout the U.S.
 
I realize this post is a bit longer than normal, but there was so much to say about this book.  Before I close, I would be remiss if I did not mention the trouble McFarlane had in writing the book.  While records show that it only took him a month to write the book (from January 7, 1933 to February 4, 1933), they also reveal he had difficulty getting through the writing - sometimes to the point where he was "utterly fed up and discouraged" with the book!  It was during this period of writing By the Light of the Study Lamp that McFarlane's wife gave birth to their daughter, which may have been part of the reason he kept plugging away at the book and got it finished - so he could get the payment needed to pay bills!  In a letter from the Syndicate after receiving the manuscript, McFarlane was told they liked the story, describing it as "excellent" - and they informed him they would hear back within a week as to the next story.  And, thus, The Dana Girls Mystery Stories were born!
 
RATING:   8 dark skirts and matching sweaters out of 10 for a rather well-fleshed out opening mystery for Louise and Jean Dana, with a some rather intense, dangerous, and even shockingly violent moments!